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'Nelle miniere di Iglesias / Into the Mines of Iglesias' is the first part of an exploration that focuses on soil, excavations, incisions, mutations, transpositions and silence of Sulcis-Iglesiente, a territory marked by an industrial history. A wandering through time and space of a region «built», transformed, crossed by different types of works, infrastructures,(...)
Voyages en Sardaigne : Nelle miniere di Iglesias / Into the Mines of Iglesias
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'Nelle miniere di Iglesias / Into the Mines of Iglesias' is the first part of an exploration that focuses on soil, excavations, incisions, mutations, transpositions and silence of Sulcis-Iglesiente, a territory marked by an industrial history. A wandering through time and space of a region «built», transformed, crossed by different types of works, infrastructures, relationships between things. These signs, these scars, are today the distinctive features of an extraordinary mining landscape. A space to discover through visual and textual narration. 'Voyages en Sardaigne' is a collection of unconventional thematic guides on this island in the middle of the Mediterranean. They offer to the reader different ways of observation and restitution of its territory, always characterized by an uncertain temporality: the present and the past merge to build a unique landscape, far from the convulsive setting of the contemporaneity. Photographs by Giaime Meloni.
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This book documents and exhibition of contemporary Japanese artists who are active at the cutting edge of the global fiber-art movement, transforming fabrics into sculptures, pictures, emulations of nature, or even abstract meditations on memory and identity. The materials they use range from silk, cotton, recycled cocoons, antique paper scraps, jute, and hemp to(...)
octobre 2011
Fiber futures: Japan's textile pioneers
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This book documents and exhibition of contemporary Japanese artists who are active at the cutting edge of the global fiber-art movement, transforming fabrics into sculptures, pictures, emulations of nature, or even abstract meditations on memory and identity. The materials they use range from silk, cotton, recycled cocoons, antique paper scraps, jute, and hemp to stainless-steel wire and synthetic fiber. Their methods are sometimes traditional, but can also incorporate the latest weaving and dyeing technology, often with the goal of expressing an environmentally conscious green ethic. The thirty artists were selected for "Fiber Futures: Japan's Textile Pioneers," an exhibition at New York's Japan Society Gallery. Introductory essays by Hiroko Watanabe, President of International Textile Network, and Gallery Director Joe Earle provide the context for these innovative, beautiful, and sometimes challenging works of art. The catalogue section features artist statements, informative commentary, and lavish photography, much of it commissioned especially by Japan Society.
Walking sculpture: 1967-2015
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Artists have utilized walking as an autonomous form of art, a subject in their work, and as social practice since the early 20th century. Today walking continues to offer a salient means for artists to challenge social, political, and economic orders through a radical remapping of civic space. In this book, Lexi Lee Sullivan traces the history of walking as an aesthetic(...)
Walking sculpture: 1967-2015
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Artists have utilized walking as an autonomous form of art, a subject in their work, and as social practice since the early 20th century. Today walking continues to offer a salient means for artists to challenge social, political, and economic orders through a radical remapping of civic space. In this book, Lexi Lee Sullivan traces the history of walking as an aesthetic action from the Dadaists to contemporary ramblers. Titled after Michelangelo Pistoletto’s performance Walking Sculpture, the catalogue features 50 color illustrations ranging from photographs of Yvonne Rainer’s street actions to Francis Alÿs’s fantastical processions, poems by Cole Swensen, and a new project by artist Helen Mirra, who produces poetic meditations on landscape, ecology, and locomotion. Sculpture, film, video, photography, and performance converge to address the multi-disciplinary practice of ambulation through the cityscape and the countryside. For those who hike; march in fundraisers, protests, or parades; walk the dog; stroll in the park; or commute daily, this catalogue will invite new thought into basic human movement.
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"Landscapes of play: A collection of imaginative spaces in Japan" is a self-published book exploring Japan’s unique and influential approach to outdoor play design, beginning with Mitsuru Senda’s pioneering of the “play apparatus” concept of the 1960s and extending to more contemporary play environments at the Showa Memorial Park in Tokyo. Through a combination of(...)
octobre 2025
Landscapes of play: A collective of imaginative spaces in Japan
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"Landscapes of play: A collection of imaginative spaces in Japan" is a self-published book exploring Japan’s unique and influential approach to outdoor play design, beginning with Mitsuru Senda’s pioneering of the “play apparatus” concept of the 1960s and extending to more contemporary play environments at the Showa Memorial Park in Tokyo. Through a combination of photography, research and personal reflections, it documents how these environments invite children and adults to play in ways that transcend conventional designs. The book also features a conversation with Norihiro Kanekiyo from Takano Landscape Planning —the office responsible for several of the projects in the book— which offers deep insight into their design approach to play and the role of nature in the conceptualization of these spaces.
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This book brings together portraits of children from the series Siblings and Singles, Clara Gutsche’s most recent body of photographic work, produced over the last fifteen years. In these images, Gutsche explores the themes of childhood and intergenerational relations and continues her reflection on the photographic medium, time, and representation. This book(...)
Consignation
novembre 2024
Clara Gutsche: Portraits d'enfants. Children
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This book brings together portraits of children from the series Siblings and Singles, Clara Gutsche’s most recent body of photographic work, produced over the last fifteen years. In these images, Gutsche explores the themes of childhood and intergenerational relations and continues her reflection on the photographic medium, time, and representation. This book illuminates her engagement with the photographed subject through a practice that has spanned five decades since the 1970s, and has left its mark on the imagination and history of Canadian photography. The thirty-two silver prints from the series "Milton-Parc" (1970-73), "The Cencic Sisters (1974-76), "Sarah" (1982-89) and "Jeanne-Mance Park" (1982-84) reproduced here belong to the collection of the Montreal Museum of Fine Arts.
Consignation
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In response to the sleek forms and perfect angles of most late twentieth century design objects, many of today's artists and designers are returning to handmade work such as hand lettering, hand drawing, and hand sewing. "By hand" features an international collection of artists and shows their work in photography and texts. From books to pillows to T-shirts to toys,(...)
By hand : the use of craft in contemporary art
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In response to the sleek forms and perfect angles of most late twentieth century design objects, many of today's artists and designers are returning to handmade work such as hand lettering, hand drawing, and hand sewing. "By hand" features an international collection of artists and shows their work in photography and texts. From books to pillows to T-shirts to toys, the pieces in this volume define an alternative view of contemporary design. Personal craft is emphasized over perfection and the personality of the artist is put forth as a key element of the finished product. From Kiki Smith's etched birds to Barb Hunt's knitted land mines to dynamo-ville's puppets to Evil Twin's hand-stitched publications, today's art revels in the care and consideration of craft.
Métiers d'art
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved(...)
septembre 2006, Ostfildern
Victor Burgin : voyage to Italy
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved text. At the beginning of the 1990s he turned to digital video art. This volume documents the many perspectives of the British artist’s reflections on Pompeii. Burgin created this series of images in 2006, while examining a nineteenth-century photograph of Pompeii from the collection of the Canadian Centre for Architecture in Montreal.
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Eugène Atget, Jacques Henri Lartigue, André Kertész, Brassaï, Henri Cartier- Bresson, Robert Doisneau—some of the greatest photographers of Paris—were relatively unknown when they began their most innovative work. Not yet burdened with conventional career expectations, they found the city the perfect environment in which to invent and develop an entirely new approach to(...)
Paris : photographs from a time that was
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Eugène Atget, Jacques Henri Lartigue, André Kertész, Brassaï, Henri Cartier- Bresson, Robert Doisneau—some of the greatest photographers of Paris—were relatively unknown when they began their most innovative work. Not yet burdened with conventional career expectations, they found the city the perfect environment in which to invent and develop an entirely new approach to conceiving the photographic image. In the 1920s and 1930s, the generation of photographers after Atget responded not only to the physical city itself but also to a new sensibility of time as a spontaneous act. Masterworks by these now-famous visionaries of the medium are featured in this book of photographs of Paris from the 1850s to the 1950s, drawn from the collection of the Art Institute of Chicago. David Travis introduces the book with an essay on how these photographers inherited the culture of walking in and observing Paris from Jean-Jacques Rousseau, Charles Baudelaire, and the boulevard flâneurs of the late nineteenth century. Their acceptance and celebration of the fluidity of the city’s street life became the chief virtue of their profession as photojournalists for the new illustrated magazines that would eventually make them famous.
Théorie de la photographie
Phyllis Ma: Special nothing
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In a supermarket in Berlin, wandering through aisle after aisle of processed meats, the artist Phyllis Ma conceived of Special Nothing, a collection of travel photos that take the form of still lifes. To Ma, ''special nothings'' are those everyday objects that, on the right day, or in the right moment, are sources of pure delight: a very hairy flower; a block of head(...)
Phyllis Ma: Special nothing
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In a supermarket in Berlin, wandering through aisle after aisle of processed meats, the artist Phyllis Ma conceived of Special Nothing, a collection of travel photos that take the form of still lifes. To Ma, ''special nothings'' are those everyday objects that, on the right day, or in the right moment, are sources of pure delight: a very hairy flower; a block of head cheese the size and shape of an iPhone; a gherkin that looks especially perverse. If you pay attention, you can find these special nothings in your home or on your block, but we tend to be more attuned to them when we’re in an unfamiliar place. In a new country, the most mundane sights and tasks are often fascinating, difficult, and strange: doing laundry, boarding a bus, buying groceries. But it’s in supermarkets, with their promise of familiarity — the same bright overhead lighting, neat aisles, and row of checkout counters can be found the world over — where things become most uncanny. In today’s global economy, you can visit a supermarket in any major city and find many of the same goods and brands that you would in your hometown. And yet everything isn’t the same. Refrigeration practices differ, labels confuse. You are seduced by a product’s packaging, want to buy it badly, but then realize you’re not even sure what type of food it is. This feeling of wonderment is at the heart of Ma’s fantastical aesthetic. Created in Berlin, London, Tokyo, Mexico City and New York, ''Special nothing'' is a unique travel diary, a distillation of those moments when the commonplace and the strange coalesce, turn into something magical, surreal.
Monographies photo
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This publication from acclaimed architect and critic Mohsen Mostafavi traces a theoretical and visual narrative through architecture's relationship with the colour black. Bringing together a rich inventory of images, it illuminates this connection by considering parallel developments in global art practices with references ranging from Japanese screens to Rothko, Adolf(...)
The color black: Antinomies of a color in architecture and art
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This publication from acclaimed architect and critic Mohsen Mostafavi traces a theoretical and visual narrative through architecture's relationship with the colour black. Bringing together a rich inventory of images, it illuminates this connection by considering parallel developments in global art practices with references ranging from Japanese screens to Rothko, Adolf Loos to Norman Foster, Hans Holbein to Derek Jarman. Alongside these renowned touchpoints, Mostafavi draws on a little-known and highly distinctive text by the Marxist German art historian Max Raphael, based on a collection of historic paintings in the Metropolitan Museum of Art, New York. Contemporaneous with the evolution of black paintings by New York's Abstract Expressionists, Raphael's essay offers a drastically contrasting approach to the same multivalent subject. The book is completed by Rapahel's luminous essay, published in its entirety for the first time in an English translation by Pamela Johnston, as well as conversations with Swiss architect Peter Märkli, whose work with the colour black is informed by Raphael's writings, and Theaster Gates. By juxtaposing the present with the recent and distant past, this book provides a many-layered reading of the colour black ? and of colour more widely ? in relation to contemporary architectural thinking and practice.
Théorie de la photographie