30979 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH256925
Description:
15 files - District 4-5 Plan from Borough of North York (1971); Orion Financial Group correspondence; blank forms; technical literature; research on concert halls/theatres; research on earth-sheltered architecture; letter from AEA expressing interest in submitting projects to Architectural Biennale Competition in Sofia, Bulgaria (1987); correspondence concerning computers; project status reports; 4 miscellaneous folders of correspondence concerning: talk with Dr. Hollenberg, office policies and memos, CCA exhibition catalogue (1987), requests for information, magazine clippings, minutes, Canadian Who's Who, King Abdulaziz University, Mundipharma, University of Arizona, Etisalat floor patterns, Town of Markham invoice, requests, press clippings, letters to AE, inter-office memos.
ARCH256925
Description:
15 files - District 4-5 Plan from Borough of North York (1971); Orion Financial Group correspondence; blank forms; technical literature; research on concert halls/theatres; research on earth-sheltered architecture; letter from AEA expressing interest in submitting projects to Architectural Biennale Competition in Sofia, Bulgaria (1987); correspondence concerning computers; project status reports; 4 miscellaneous folders of correspondence concerning: talk with Dr. Hollenberg, office policies and memos, CCA exhibition catalogue (1987), requests for information, magazine clippings, minutes, Canadian Who's Who, King Abdulaziz University, Mundipharma, University of Arizona, Etisalat floor patterns, Town of Markham invoice, requests, press clippings, letters to AE, inter-office memos.
Personnes et institutions:
Date:
1971, 1987-1988
1971, 1987-1988
Titre:
District 4-5 Plan from Borough of North York
Actions:
ARCH256925
Description:
15 files - District 4-5 Plan from Borough of North York (1971); Orion Financial Group correspondence; blank forms; technical literature; research on concert halls/theatres; research on earth-sheltered architecture; letter from AEA expressing interest in submitting projects to Architectural Biennale Competition in Sofia, Bulgaria (1987); correspondence concerning computers; project status reports; 4 miscellaneous folders of correspondence concerning: talk with Dr. Hollenberg, office policies and memos, CCA exhibition catalogue (1987), requests for information, magazine clippings, minutes, Canadian Who's Who, King Abdulaziz University, Mundipharma, University of Arizona, Etisalat floor patterns, Town of Markham invoice, requests, press clippings, letters to AE, inter-office memos.
District 4-5 Plan from Borough of North York
Actions:
ARCH256925
Description:
15 files - District 4-5 Plan from Borough of North York (1971); Orion Financial Group correspondence; blank forms; technical literature; research on concert halls/theatres; research on earth-sheltered architecture; letter from AEA expressing interest in submitting projects to Architectural Biennale Competition in Sofia, Bulgaria (1987); correspondence concerning computers; project status reports; 4 miscellaneous folders of correspondence concerning: talk with Dr. Hollenberg, office policies and memos, CCA exhibition catalogue (1987), requests for information, magazine clippings, minutes, Canadian Who's Who, King Abdulaziz University, Mundipharma, University of Arizona, Etisalat floor patterns, Town of Markham invoice, requests, press clippings, letters to AE, inter-office memos.
Classification:
documents textuels
documents textuels
Date:
1971, 1987-1988
1971, 1987-1988
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP174
Résumé:
The Testa & Weiser project records, 2001-2014, document the firm’s involvement in several projects as well as the development and use of the software script Weaver. The bulk of the records in the archive are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). The archive also contains eight 3D printed physical models and 56 drawings.
AP174
Résumé:
The Testa & Weiser project records, 2001-2014, document the firm’s involvement in several projects as well as the development and use of the software script Weaver. The bulk of the records in the archive are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). The archive also contains eight 3D printed physical models and 56 drawings.
Personnes et institutions:
Date:
2001-2014
2001-2014
Titre:
Documents d'archives des projects de Testa & Weiser
Actions:
AP174
Résumé:
The Testa & Weiser project records, 2001-2014, document the firm’s involvement in several projects as well as the development and use of the software script Weaver. The bulk of the records in the archive are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). The archive also contains eight 3D printed physical models and 56 drawings.
Documents d'archives des projects de Testa & Weiser
Actions:
AP174
Résumé:
The Testa & Weiser project records, 2001-2014, document the firm’s involvement in several projects as well as the development and use of the software script Weaver. The bulk of the records in the archive are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). The archive also contains eight 3D printed physical models and 56 drawings.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2001-2014
2001-2014
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1971.PR04
Description:
This project series documents Pettena's performance "Vestirsi Di Siede", also know in English as "Wearable Chairs". The performance was carried out between 3 pm and 5 pm on February 12, 1971, in the streets of Minneapolis by ten students of Pettena at the Minneapolis College of Art and Design. The students, each wearing a portable chair harnessed on their back, wandered around the city, either by foot or by bus, and than returned to the college. "In this performance, it was the body that activated and gave meaning to the object: the chair only taking on meaning when carried, otherwise, it became disjointed." [1] The chairs were then put on display at the Minneapolis Institute of Art. A second edition of the performance was also carried out with the students from Nuova Accademia di Belle Arti (NABA) in Milan, 2011, and an installation of the chairs was presented at the exhibition "Un art pauvre" at the Centre Pompidou in 2016. The project series contains photographs of the performance by the students of the Minneapolis College of Art and Design and photographs of the exhibit at the Minneapolis Institute of Art in 1971. It also contains three sketches for the chairs, a drawing of the performance and a statement about the perfomance. The project series also includes photographs of the performance of the NABA students in 2011. Source: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/wearable-chairs-verstirsi-siede-317.html?authID=148&ensembleID=1286 (last accessed 11 November 2019)
AP207.S1.1971.PR04
Description:
This project series documents Pettena's performance "Vestirsi Di Siede", also know in English as "Wearable Chairs". The performance was carried out between 3 pm and 5 pm on February 12, 1971, in the streets of Minneapolis by ten students of Pettena at the Minneapolis College of Art and Design. The students, each wearing a portable chair harnessed on their back, wandered around the city, either by foot or by bus, and than returned to the college. "In this performance, it was the body that activated and gave meaning to the object: the chair only taking on meaning when carried, otherwise, it became disjointed." [1] The chairs were then put on display at the Minneapolis Institute of Art. A second edition of the performance was also carried out with the students from Nuova Accademia di Belle Arti (NABA) in Milan, 2011, and an installation of the chairs was presented at the exhibition "Un art pauvre" at the Centre Pompidou in 2016. The project series contains photographs of the performance by the students of the Minneapolis College of Art and Design and photographs of the exhibit at the Minneapolis Institute of Art in 1971. It also contains three sketches for the chairs, a drawing of the performance and a statement about the perfomance. The project series also includes photographs of the performance of the NABA students in 2011. Source: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/wearable-chairs-verstirsi-siede-317.html?authID=148&ensembleID=1286 (last accessed 11 November 2019)
Personnes et institutions:
Date:
1971-2017
1971-2017
Titre:
Vestirsi Di Siede [Wearable Chairs] (1971)
Actions:
AP207.S1.1971.PR04
Description:
This project series documents Pettena's performance "Vestirsi Di Siede", also know in English as "Wearable Chairs". The performance was carried out between 3 pm and 5 pm on February 12, 1971, in the streets of Minneapolis by ten students of Pettena at the Minneapolis College of Art and Design. The students, each wearing a portable chair harnessed on their back, wandered around the city, either by foot or by bus, and than returned to the college. "In this performance, it was the body that activated and gave meaning to the object: the chair only taking on meaning when carried, otherwise, it became disjointed." [1] The chairs were then put on display at the Minneapolis Institute of Art. A second edition of the performance was also carried out with the students from Nuova Accademia di Belle Arti (NABA) in Milan, 2011, and an installation of the chairs was presented at the exhibition "Un art pauvre" at the Centre Pompidou in 2016. The project series contains photographs of the performance by the students of the Minneapolis College of Art and Design and photographs of the exhibit at the Minneapolis Institute of Art in 1971. It also contains three sketches for the chairs, a drawing of the performance and a statement about the perfomance. The project series also includes photographs of the performance of the NABA students in 2011. Source: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/wearable-chairs-verstirsi-siede-317.html?authID=148&ensembleID=1286 (last accessed 11 November 2019)
Vestirsi Di Siede [Wearable Chairs] (1971)
Actions:
AP207.S1.1971.PR04
Description:
This project series documents Pettena's performance "Vestirsi Di Siede", also know in English as "Wearable Chairs". The performance was carried out between 3 pm and 5 pm on February 12, 1971, in the streets of Minneapolis by ten students of Pettena at the Minneapolis College of Art and Design. The students, each wearing a portable chair harnessed on their back, wandered around the city, either by foot or by bus, and than returned to the college. "In this performance, it was the body that activated and gave meaning to the object: the chair only taking on meaning when carried, otherwise, it became disjointed." [1] The chairs were then put on display at the Minneapolis Institute of Art. A second edition of the performance was also carried out with the students from Nuova Accademia di Belle Arti (NABA) in Milan, 2011, and an installation of the chairs was presented at the exhibition "Un art pauvre" at the Centre Pompidou in 2016. The project series contains photographs of the performance by the students of the Minneapolis College of Art and Design and photographs of the exhibit at the Minneapolis Institute of Art in 1971. It also contains three sketches for the chairs, a drawing of the performance and a statement about the perfomance. The project series also includes photographs of the performance of the NABA students in 2011. Source: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/wearable-chairs-verstirsi-siede-317.html?authID=148&ensembleID=1286 (last accessed 11 November 2019)
Niveau de description archivistique:
Project
Project
Date:
1971-2017
1971-2017
Personnes et institutions:
Classification:
événements
événements
Actions:
Localisation:
Salles principales
Salles principales
Date:
31 janvier 2019, 18h30
31 janvier 2019, 18h30
Classification:
événements
événements
Date:
31 janvier 2019
18h30
31 janvier 2019
18h30
Localisation:
Salles principales
Salles principales
Classification:
expositions
expositions
Actions:
Localisation:
Salles principales Mot(s)-clé(s):
Jean-Louis Cohen, Amerikanizm, architecture russe, Union soviétique, États-Unis, URSS
Salles principales Mot(s)-clé(s):
Jean-Louis Cohen, Amerikanizm, architecture russe, Union soviétique, États-Unis, URSS
Date:
13 novembre 2019 au 26 juillet 2020
13 novembre 2019 au 26 juillet 2020
Classification:
expositions
expositions
Date:
13 novembre 2019 au
26 juillet 2020
13 novembre 2019 au
26 juillet 2020
Localisation:
Salles principales Mot(s)-clé(s):
Jean-Louis Cohen, Amerikanizm, architecture russe, Union soviétique, États-Unis, URSS
Salles principales Mot(s)-clé(s):
Jean-Louis Cohen, Amerikanizm, architecture russe, Union soviétique, États-Unis, URSS
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Broadcast
Broadcast
Numéro de référence:
AP165.S5.SS1
Description:
The Broadcast sub-series, circa 1990 – 2000, consists of 31 video recordings that consist of television broadcasts of Hoberman and his work in transformable design. This includes educational series about Hoberman’s innovation in folding structures, national and international news coverage of Hoberman’s projects and exhibitions, and other collected broadcasts. Material consists of Betacam SP cassettes, MiniDV cassettes, U-matic cassettes and Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series are about Hoberman and/or feature his work in a number of different spaces around the world. It includes television programs featuring Hoberman such as Mister Rogers and The Discovery Channel’s “Invention” series; news coverage from networks such as ABC News and CNN, including footage of President Clinton with the Hoberman Sphere on Eyewitness News, August 16, 1988, and international broadcasts in Japan, Germany, and the Netherlands; and footage of Hoberman’s Innovative Lives Presentation at the Lemelson Centre for the Study of Invention and Innovation at the Smithsonian in 1996.
AP165.S5.SS1
Description:
The Broadcast sub-series, circa 1990 – 2000, consists of 31 video recordings that consist of television broadcasts of Hoberman and his work in transformable design. This includes educational series about Hoberman’s innovation in folding structures, national and international news coverage of Hoberman’s projects and exhibitions, and other collected broadcasts. Material consists of Betacam SP cassettes, MiniDV cassettes, U-matic cassettes and Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series are about Hoberman and/or feature his work in a number of different spaces around the world. It includes television programs featuring Hoberman such as Mister Rogers and The Discovery Channel’s “Invention” series; news coverage from networks such as ABC News and CNN, including footage of President Clinton with the Hoberman Sphere on Eyewitness News, August 16, 1988, and international broadcasts in Japan, Germany, and the Netherlands; and footage of Hoberman’s Innovative Lives Presentation at the Lemelson Centre for the Study of Invention and Innovation at the Smithsonian in 1996.
Personnes et institutions:
Date:
circa 1990-2000
circa 1990-2000
Titre:
Broadcast
Actions:
AP165.S5.SS1
Description:
The Broadcast sub-series, circa 1990 – 2000, consists of 31 video recordings that consist of television broadcasts of Hoberman and his work in transformable design. This includes educational series about Hoberman’s innovation in folding structures, national and international news coverage of Hoberman’s projects and exhibitions, and other collected broadcasts. Material consists of Betacam SP cassettes, MiniDV cassettes, U-matic cassettes and Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series are about Hoberman and/or feature his work in a number of different spaces around the world. It includes television programs featuring Hoberman such as Mister Rogers and The Discovery Channel’s “Invention” series; news coverage from networks such as ABC News and CNN, including footage of President Clinton with the Hoberman Sphere on Eyewitness News, August 16, 1988, and international broadcasts in Japan, Germany, and the Netherlands; and footage of Hoberman’s Innovative Lives Presentation at the Lemelson Centre for the Study of Invention and Innovation at the Smithsonian in 1996.
Broadcast
Actions:
AP165.S5.SS1
Description:
The Broadcast sub-series, circa 1990 – 2000, consists of 31 video recordings that consist of television broadcasts of Hoberman and his work in transformable design. This includes educational series about Hoberman’s innovation in folding structures, national and international news coverage of Hoberman’s projects and exhibitions, and other collected broadcasts. Material consists of Betacam SP cassettes, MiniDV cassettes, U-matic cassettes and Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series are about Hoberman and/or feature his work in a number of different spaces around the world. It includes television programs featuring Hoberman such as Mister Rogers and The Discovery Channel’s “Invention” series; news coverage from networks such as ABC News and CNN, including footage of President Clinton with the Hoberman Sphere on Eyewitness News, August 16, 1988, and international broadcasts in Japan, Germany, and the Netherlands; and footage of Hoberman’s Innovative Lives Presentation at the Lemelson Centre for the Study of Invention and Innovation at the Smithsonian in 1996.
Niveau de description archivistique:
Sub-series 1
Sub-series 1
Date:
circa 1990-2000
circa 1990-2000
Personnes et institutions:
Numéro de référence:
PHCON2002:0016:005
Description:
Binder consists of published documentation on the work of Gordon Matta-Clark from the period from 1971 to 1977. It includes exhibition catalogues, reviews of exhibitions, and published interviews; these include documentation on Alternatives to the Washington Square Art Fair (1973) ; Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); City Slivers (1976); Conical Intersect (1975); Contrabienal (1971); Day's End (1975); Fresh Air Cart (1972); Jacks (1971); Jacob's Ladder (1977); Meander (1976); Office Baroque (1977); Open House (1972); Underground Paris (1977); Subway Graffiti (1973); Splitting (1974); Tree Dance (1971); and Walls Paper (1972). Photographs, both personal and those created for publicity, are contained in the binder, as well as correspondence and an example of a Certificate of Authenticity created to give to purchasers of his works. Also included are a series of different resumes written by Matta-Clark along with a more extensive posthumous curriculum vitae and a list of the books in his library. Binder contains photographs, slides and textual records.
PHCON2002:0016:005
Description:
Binder consists of published documentation on the work of Gordon Matta-Clark from the period from 1971 to 1977. It includes exhibition catalogues, reviews of exhibitions, and published interviews; these include documentation on Alternatives to the Washington Square Art Fair (1973) ; Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); City Slivers (1976); Conical Intersect (1975); Contrabienal (1971); Day's End (1975); Fresh Air Cart (1972); Jacks (1971); Jacob's Ladder (1977); Meander (1976); Office Baroque (1977); Open House (1972); Underground Paris (1977); Subway Graffiti (1973); Splitting (1974); Tree Dance (1971); and Walls Paper (1972). Photographs, both personal and those created for publicity, are contained in the binder, as well as correspondence and an example of a Certificate of Authenticity created to give to purchasers of his works. Also included are a series of different resumes written by Matta-Clark along with a more extensive posthumous curriculum vitae and a list of the books in his library. Binder contains photographs, slides and textual records.
Personnes et institutions:
Date:
1971-1977
1971-1977
Titre:
Reviews, Announcements, Catalogues & Photos 1970-77
Actions:
PHCON2002:0016:005
Description:
Binder consists of published documentation on the work of Gordon Matta-Clark from the period from 1971 to 1977. It includes exhibition catalogues, reviews of exhibitions, and published interviews; these include documentation on Alternatives to the Washington Square Art Fair (1973) ; Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); City Slivers (1976); Conical Intersect (1975); Contrabienal (1971); Day's End (1975); Fresh Air Cart (1972); Jacks (1971); Jacob's Ladder (1977); Meander (1976); Office Baroque (1977); Open House (1972); Underground Paris (1977); Subway Graffiti (1973); Splitting (1974); Tree Dance (1971); and Walls Paper (1972). Photographs, both personal and those created for publicity, are contained in the binder, as well as correspondence and an example of a Certificate of Authenticity created to give to purchasers of his works. Also included are a series of different resumes written by Matta-Clark along with a more extensive posthumous curriculum vitae and a list of the books in his library. Binder contains photographs, slides and textual records.
Reviews, Announcements, Catalogues & Photos 1970-77
Actions:
PHCON2002:0016:005
Description:
Binder consists of published documentation on the work of Gordon Matta-Clark from the period from 1971 to 1977. It includes exhibition catalogues, reviews of exhibitions, and published interviews; these include documentation on Alternatives to the Washington Square Art Fair (1973) ; Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); City Slivers (1976); Conical Intersect (1975); Contrabienal (1971); Day's End (1975); Fresh Air Cart (1972); Jacks (1971); Jacob's Ladder (1977); Meander (1976); Office Baroque (1977); Open House (1972); Underground Paris (1977); Subway Graffiti (1973); Splitting (1974); Tree Dance (1971); and Walls Paper (1972). Photographs, both personal and those created for publicity, are contained in the binder, as well as correspondence and an example of a Certificate of Authenticity created to give to purchasers of his works. Also included are a series of different resumes written by Matta-Clark along with a more extensive posthumous curriculum vitae and a list of the books in his library. Binder contains photographs, slides and textual records.
Date:
1971-1977
1971-1977
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP140.S2.SS7.D1.P6
Description:
views of James Stirling and James Gowan at Leicester University Engineering Building in the early 1960s; views of various participants at the 2nd Iran International Congress of Architecture conference held in 1974 in Persepolis, Iran, including Félix Candela, Buckminster Fuller, Hans Hollein, José Luis Sert, James Stirling, O.M. Ungers and Bruno Zevi; views of interior of office; views of James Stirling with Queen Mother; of exhibition opening of 'I musei di James Stirling, Michael Wilford and Associates' at the Galleria Comunale d'Arte Moderna in Bologna, dated 1990; various portraits of James Stirling and of MIchael Wilford; views of James Stirling and Michael Wilford's visit to Cornell University
AP140.S2.SS7.D1.P6
Description:
views of James Stirling and James Gowan at Leicester University Engineering Building in the early 1960s; views of various participants at the 2nd Iran International Congress of Architecture conference held in 1974 in Persepolis, Iran, including Félix Candela, Buckminster Fuller, Hans Hollein, José Luis Sert, James Stirling, O.M. Ungers and Bruno Zevi; views of interior of office; views of James Stirling with Queen Mother; of exhibition opening of 'I musei di James Stirling, Michael Wilford and Associates' at the Galleria Comunale d'Arte Moderna in Bologna, dated 1990; various portraits of James Stirling and of MIchael Wilford; views of James Stirling and Michael Wilford's visit to Cornell University
Personnes et institutions:
Date:
circa 1950-1992
circa 1950-1992
Titre:
Various portraits and views of James Stirling
Actions:
AP140.S2.SS7.D1.P6
Description:
views of James Stirling and James Gowan at Leicester University Engineering Building in the early 1960s; views of various participants at the 2nd Iran International Congress of Architecture conference held in 1974 in Persepolis, Iran, including Félix Candela, Buckminster Fuller, Hans Hollein, José Luis Sert, James Stirling, O.M. Ungers and Bruno Zevi; views of interior of office; views of James Stirling with Queen Mother; of exhibition opening of 'I musei di James Stirling, Michael Wilford and Associates' at the Galleria Comunale d'Arte Moderna in Bologna, dated 1990; various portraits of James Stirling and of MIchael Wilford; views of James Stirling and Michael Wilford's visit to Cornell University
Various portraits and views of James Stirling
Actions:
AP140.S2.SS7.D1.P6
Description:
views of James Stirling and James Gowan at Leicester University Engineering Building in the early 1960s; views of various participants at the 2nd Iran International Congress of Architecture conference held in 1974 in Persepolis, Iran, including Félix Candela, Buckminster Fuller, Hans Hollein, José Luis Sert, James Stirling, O.M. Ungers and Bruno Zevi; views of interior of office; views of James Stirling with Queen Mother; of exhibition opening of 'I musei di James Stirling, Michael Wilford and Associates' at the Galleria Comunale d'Arte Moderna in Bologna, dated 1990; various portraits of James Stirling and of MIchael Wilford; views of James Stirling and Michael Wilford's visit to Cornell University
Classification:
photographies
photographies
Date:
circa 1950-1992
circa 1950-1992
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP140.S2.SS7.D1.P23
Description:
views of James Stirling and James Gowan at Leicester University Engineering Building in the early 1960s; views of various participants at the 2nd Iran International Congress of Architecture conference held in 1974 in Persepolis, Iran, including Félix Candela, Buckminster Fuller, Hans Hollein, José Luis Sert, James Stirling, O.M. Ungers and Bruno Zevi; views of interior of office; views of James Stirling with Queen Mother; of exhibition opening of 'I musei di James Stirling, Michael Wilford and Associates' at the Galleria Comunale d'Arte Moderna in Bologna, dated 1990; various portraits of James Stirling and of MIchael Wilford; views of James Stirling and Michael Wilford's visit to Cornell University
AP140.S2.SS7.D1.P23
Description:
views of James Stirling and James Gowan at Leicester University Engineering Building in the early 1960s; views of various participants at the 2nd Iran International Congress of Architecture conference held in 1974 in Persepolis, Iran, including Félix Candela, Buckminster Fuller, Hans Hollein, José Luis Sert, James Stirling, O.M. Ungers and Bruno Zevi; views of interior of office; views of James Stirling with Queen Mother; of exhibition opening of 'I musei di James Stirling, Michael Wilford and Associates' at the Galleria Comunale d'Arte Moderna in Bologna, dated 1990; various portraits of James Stirling and of MIchael Wilford; views of James Stirling and Michael Wilford's visit to Cornell University
Personnes et institutions:
Date:
circa 1950-1992
circa 1950-1992
Titre:
Various portraits and views of James Stirling
Actions:
AP140.S2.SS7.D1.P23
Description:
views of James Stirling and James Gowan at Leicester University Engineering Building in the early 1960s; views of various participants at the 2nd Iran International Congress of Architecture conference held in 1974 in Persepolis, Iran, including Félix Candela, Buckminster Fuller, Hans Hollein, José Luis Sert, James Stirling, O.M. Ungers and Bruno Zevi; views of interior of office; views of James Stirling with Queen Mother; of exhibition opening of 'I musei di James Stirling, Michael Wilford and Associates' at the Galleria Comunale d'Arte Moderna in Bologna, dated 1990; various portraits of James Stirling and of MIchael Wilford; views of James Stirling and Michael Wilford's visit to Cornell University
Various portraits and views of James Stirling
Actions:
AP140.S2.SS7.D1.P23
Description:
views of James Stirling and James Gowan at Leicester University Engineering Building in the early 1960s; views of various participants at the 2nd Iran International Congress of Architecture conference held in 1974 in Persepolis, Iran, including Félix Candela, Buckminster Fuller, Hans Hollein, José Luis Sert, James Stirling, O.M. Ungers and Bruno Zevi; views of interior of office; views of James Stirling with Queen Mother; of exhibition opening of 'I musei di James Stirling, Michael Wilford and Associates' at the Galleria Comunale d'Arte Moderna in Bologna, dated 1990; various portraits of James Stirling and of MIchael Wilford; views of James Stirling and Michael Wilford's visit to Cornell University
Classification:
photographies
photographies
Date:
circa 1950-1992
circa 1950-1992
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP142.S2.D4.P3
Description:
sketches, drawings, photographs of models, photocopies of views of models, correspondence, appraisals, exhibitions plans and layouts, lists of exhibited works, lists of projects by Aldo Rossi, lists of lenders of works, and notes
AP142.S2.D4.P3
Description:
sketches, drawings, photographs of models, photocopies of views of models, correspondence, appraisals, exhibitions plans and layouts, lists of exhibited works, lists of projects by Aldo Rossi, lists of lenders of works, and notes
Personnes et institutions:
Titre:
Sketches, drawings, photographs of models, photocopies of views of models
Actions:
AP142.S2.D4.P3
Description:
sketches, drawings, photographs of models, photocopies of views of models, correspondence, appraisals, exhibitions plans and layouts, lists of exhibited works, lists of projects by Aldo Rossi, lists of lenders of works, and notes
Sketches, drawings, photographs of models, photocopies of views of models
Actions:
AP142.S2.D4.P3
Description:
sketches, drawings, photographs of models, photocopies of views of models, correspondence, appraisals, exhibitions plans and layouts, lists of exhibited works, lists of projects by Aldo Rossi, lists of lenders of works, and notes
Classification:
documents textuels
documents textuels
Personnes et institutions:
