Photography for architects
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Since its invention, photography has been used to mediate the perception of architecture, for both educational and practical architectural purposes. Winfried Nerdinger's "Photography for Architects "draws on the unrivaled photo collection of the Munich Architekturmuseum to take a broad look at the relation of photography to architecture. The volume is composed of two(...)
Photography for architects
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Since its invention, photography has been used to mediate the perception of architecture, for both educational and practical architectural purposes. Winfried Nerdinger's "Photography for Architects "draws on the unrivaled photo collection of the Munich Architekturmuseum to take a broad look at the relation of photography to architecture. The volume is composed of two sections: in the first, Nerdinger examines key architectural motifs and forms, in photographs from the 1850s to the present; in the second section, he demonstrates the potential applications of photography during the design phase.
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Furthermore
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Every five years or thereabouts, the Fraenkel Gallery in San Francisco finds itself with a number of unrelated works of photography that stand out and which ultimately get collected in one of the gallery's award-winning and sought-after quintannual publications. This book includes a collection of images by unknown photographers alongside several dozen photographs made by(...)
Furthermore
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Every five years or thereabouts, the Fraenkel Gallery in San Francisco finds itself with a number of unrelated works of photography that stand out and which ultimately get collected in one of the gallery's award-winning and sought-after quintannual publications. This book includes a collection of images by unknown photographers alongside several dozen photographs made by serious artists with complicated intentions. Jeffrey Fraenkel opened Fraenkel Gallery in San Francisco in 1979. Since that time the gallery has presented almost 300 exhibitions spanning the history of photography.
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Looking backward: a photographic portrait of the world at the beginning of the twentieth century
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In 1900 the stereograph was king. Its three-dimensional optics created a virtual presence for the viewer. Millions of Americans, especially schoolchildren, absorbed ideas about race, class, and gender from such 3D images, the embodiment of the notion that “seeing is believing.” Drawing on an enormous, rarely seen collection of some 300,000 stereographic views spanning the(...)
Looking backward: a photographic portrait of the world at the beginning of the twentieth century
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In 1900 the stereograph was king. Its three-dimensional optics created a virtual presence for the viewer. Millions of Americans, especially schoolchildren, absorbed ideas about race, class, and gender from such 3D images, the embodiment of the notion that “seeing is believing.” Drawing on an enormous, rarely seen collection of some 300,000 stereographic views spanning the first decade of the twentieth century, Michael Lesy presents nearly 250 images displaying a riot of peoples and cultures, stark class divisions, and unsettling glimpses of daily life a century ago.
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Bringing together more than 100 works by 71 artists — including Raymonde April, Edward Burtynsky, Lynne Cohen, Angela Grauerholz, Michael Snow, Jeff Wall and Jin-me Yoon — this publication explores how the medium articulated the role of art and the artist in an ever-changing world, along with differing ideas of identity, sexuality and community. Formulated around themes(...)
Photography in Canada 1960-2000
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Bringing together more than 100 works by 71 artists — including Raymonde April, Edward Burtynsky, Lynne Cohen, Angela Grauerholz, Michael Snow, Jeff Wall and Jin-me Yoon — this publication explores how the medium articulated the role of art and the artist in an ever-changing world, along with differing ideas of identity, sexuality and community. Formulated around themes such as conceptual, documentary, urban landscape and portrait, this book celebrates the enormous growth of the practice, collection and display of photography over more than four decades.
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livres
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419 pages : color illustrations, maps, plans ; 33 cm
Vitoria-Gasteiz, Spain : A+t ediciones, 2008.
The public chance : nuevos paisajes urbanos = New urban landscapes / Aurora Fernández Per, Javier Arpa.
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419 pages : color illustrations, maps, plans ; 33 cm
livres
Vitoria-Gasteiz, Spain : A+t ediciones, 2008.
$80.00
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Since the birth of photography, photographers have been taking images of the earth from the air-with spectacular visual results. Celebrating over 150 years of these incredible images, this book tells the fascinating story of how these pictures were created, the technologies that have made them possible, and the photographers that have propelled image-taking to bold new(...)
From above: the story of aerial photography
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Since the birth of photography, photographers have been taking images of the earth from the air-with spectacular visual results. Celebrating over 150 years of these incredible images, this book tells the fascinating story of how these pictures were created, the technologies that have made them possible, and the photographers that have propelled image-taking to bold new heights. Taking advantage of the amazing sense of perspective that aerial photography offers, this collection of images also offers a unique overview of the events, challenges, and changes of the past 150 years of human history.
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'The Soviet Century' is a comprehensive new assessment of Soviet photography from the years 1917 to 1972. Over 500 photographs from the collection of Spain’s Archivo Lafuente present a deep survey of Soviet life through depictions of political meetings, factories, demonstrations and farms, as well as portraits of political leaders, artists, peasants and workers. This(...)
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juillet 2019
The Soviet century: Russian Photography in the Archivo Lafuente, 1917–1972
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'The Soviet Century' is a comprehensive new assessment of Soviet photography from the years 1917 to 1972. Over 500 photographs from the collection of Spain’s Archivo Lafuente present a deep survey of Soviet life through depictions of political meetings, factories, demonstrations and farms, as well as portraits of political leaders, artists, peasants and workers. This 600-page volume includes three historical essays that examine the complex artistic and ideological status of photography throughout the period, caught between state-led imperatives to achieve political ends and formal, artistic experimentation, especially with the 1920s avant-garde.
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$125.00
(disponible en magasin)
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Distilled from over 15.000 family albums, ''INCOMPLETE ENCYCLOPEDIA OF TOUCH'' archives the human desire to put a hand on things. Whether it’s cars, boats, animals, trees, fridges, bridges, bushes, fellow humans or even their graves--everything that can be touched will be touched. Containing 1.919 photos, this collection is far from ever being finished but provokes(...)
The incomplete encyclopedia of touch
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Distilled from over 15.000 family albums, ''INCOMPLETE ENCYCLOPEDIA OF TOUCH'' archives the human desire to put a hand on things. Whether it’s cars, boats, animals, trees, fridges, bridges, bushes, fellow humans or even their graves--everything that can be touched will be touched. Containing 1.919 photos, this collection is far from ever being finished but provokes questions about the underlying motivations behind this universal pictorial behavior. Do we seek connection? Do we claim ownership? Or do we just want to measure ourselves to the objects of our world?
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livres
Description:
254 pages : color illustrations ; 30 cm
London : Phaidon Press, 2021.
Living in nature : contemporary houses in the natural world / text, Rachel Giles.
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254 pages : color illustrations ; 30 cm
livres
London : Phaidon Press, 2021.
$79.95
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The lively and engaging text, a timely response to a growing interest in urban photography, challenges the traditional understanding of street photography and makes original and important connections between urban culture and the visual arts, constructing a new historical model for understanding street photography.
Unfamiliar streets: the photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca Dicorcia
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The lively and engaging text, a timely response to a growing interest in urban photography, challenges the traditional understanding of street photography and makes original and important connections between urban culture and the visual arts, constructing a new historical model for understanding street photography.
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