36518 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153866
Description:
Peter Eisenman : “The Teaching of Architecture as a Humanist Discipline”; David Howard Bell: “Unity & Aesthetics of Incompletion”; Nancy S. Struever: "Humanities and Humanists" ? : “The Public Function of Humanities Marshall Cohen : “Remarks on Postmodernism: An Outline” Adolf Grümbaum : “The Role of Psychological Explanations of the Rejections or Acceptance of Scientific Theories”. Bersani : ? Louch : “Professions, Disciplines & The Humanities” Philip Fisher : “The Recovery of the Body” D.L. Rosenbau : “Causes and Faults”
ARCH153866
Description:
Peter Eisenman : “The Teaching of Architecture as a Humanist Discipline”; David Howard Bell: “Unity & Aesthetics of Incompletion”; Nancy S. Struever: "Humanities and Humanists" ? : “The Public Function of Humanities Marshall Cohen : “Remarks on Postmodernism: An Outline” Adolf Grümbaum : “The Role of Psychological Explanations of the Rejections or Acceptance of Scientific Theories”. Bersani : ? Louch : “Professions, Disciplines & The Humanities” Philip Fisher : “The Recovery of the Body” D.L. Rosenbau : “Causes and Faults”
Personnes et institutions:
Date:
1977
1977
Titre:
Symposium: “Towards a Theory of the Humanities”; University of South California; Nov. 17-19, 1977.
Actions:
ARCH153866
Description:
Peter Eisenman : “The Teaching of Architecture as a Humanist Discipline”; David Howard Bell: “Unity & Aesthetics of Incompletion”; Nancy S. Struever: "Humanities and Humanists" ? : “The Public Function of Humanities Marshall Cohen : “Remarks on Postmodernism: An Outline” Adolf Grümbaum : “The Role of Psychological Explanations of the Rejections or Acceptance of Scientific Theories”. Bersani : ? Louch : “Professions, Disciplines & The Humanities” Philip Fisher : “The Recovery of the Body” D.L. Rosenbau : “Causes and Faults”
Symposium: “Towards a Theory of the Humanities”; University of South California; Nov. 17-19, 1977.
Actions:
ARCH153866
Description:
Peter Eisenman : “The Teaching of Architecture as a Humanist Discipline”; David Howard Bell: “Unity & Aesthetics of Incompletion”; Nancy S. Struever: "Humanities and Humanists" ? : “The Public Function of Humanities Marshall Cohen : “Remarks on Postmodernism: An Outline” Adolf Grümbaum : “The Role of Psychological Explanations of the Rejections or Acceptance of Scientific Theories”. Bersani : ? Louch : “Professions, Disciplines & The Humanities” Philip Fisher : “The Recovery of the Body” D.L. Rosenbau : “Causes and Faults”
Classification:
documents textuels
documents textuels
Date:
1977
1977
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP113
Résumé:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
AP113
Résumé:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
Personnes et institutions:
Date:
[1997]-1998
[1997]-1998
Titre:
Fonds IIT - New Campus Center Competition
Actions:
AP113
Résumé:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
Fonds IIT - New Campus Center Competition
Actions:
AP113
Résumé:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
[1997]-1998
[1997]-1998
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Robert Duchesnay
Fonds Robert Duchesnay
Numéro de référence:
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Personnes et institutions:
Date:
1985-1992
1985-1992
Titre:
Fonds Robert Duchesnay
Actions:
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Fonds Robert Duchesnay
Actions:
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1985-1992
1985-1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Stark
Stark
Numéro de référence:
AP144.S2.D130
Description:
File documents a consultancy project to increase public access to the Stowe Gardens in Buckinghamshire, England, undertaken for the Stowe School, which owned the gardens. Included are proposals to improve vehicular access routes and parking; to improve and expand walking routes; and to introduce new tourist facilities and improve existing facilities. This project also includes proposals for alterations and additions to existing Stowe School buildings, and an earlier executed project for a new girls' boarding house, for which Price was also consultant. Material in this file was produced between 1978 and 1990, but predominantly between 1983 and 1986. File contains conceptual drawings, photographic materials, and textual records
AP144.S2.D130
Description:
File documents a consultancy project to increase public access to the Stowe Gardens in Buckinghamshire, England, undertaken for the Stowe School, which owned the gardens. Included are proposals to improve vehicular access routes and parking; to improve and expand walking routes; and to introduce new tourist facilities and improve existing facilities. This project also includes proposals for alterations and additions to existing Stowe School buildings, and an earlier executed project for a new girls' boarding house, for which Price was also consultant. Material in this file was produced between 1978 and 1990, but predominantly between 1983 and 1986. File contains conceptual drawings, photographic materials, and textual records
Personnes et institutions:
Date:
1978-1990, predominant 1983-1986
1978-1990, predominant 1983-1986
Titre:
Stark
Actions:
AP144.S2.D130
Description:
File documents a consultancy project to increase public access to the Stowe Gardens in Buckinghamshire, England, undertaken for the Stowe School, which owned the gardens. Included are proposals to improve vehicular access routes and parking; to improve and expand walking routes; and to introduce new tourist facilities and improve existing facilities. This project also includes proposals for alterations and additions to existing Stowe School buildings, and an earlier executed project for a new girls' boarding house, for which Price was also consultant. Material in this file was produced between 1978 and 1990, but predominantly between 1983 and 1986. File contains conceptual drawings, photographic materials, and textual records
Stark
Actions:
AP144.S2.D130
Description:
File documents a consultancy project to increase public access to the Stowe Gardens in Buckinghamshire, England, undertaken for the Stowe School, which owned the gardens. Included are proposals to improve vehicular access routes and parking; to improve and expand walking routes; and to introduce new tourist facilities and improve existing facilities. This project also includes proposals for alterations and additions to existing Stowe School buildings, and an earlier executed project for a new girls' boarding house, for which Price was also consultant. Material in this file was produced between 1978 and 1990, but predominantly between 1983 and 1986. File contains conceptual drawings, photographic materials, and textual records
Niveau de description archivistique:
File 130
File 130
Date:
1978-1990, predominant 1983-1986
1978-1990, predominant 1983-1986
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1987.PR02
Description:
This project series documents upgrades and additions to the Servants of the People Society Lajpat Rai Bhawan in Chandigarh, India from 1987-2004. The project consisted of acoustical treatments to the auditorium, the upgrade of the public bathrooms, the addition of research cabins in the library, a children's play area and a parking kiosk. In 2004, there was also a proposal to add a meditation and well-being space to the building. Due to the lengthy timeline, some of these changes may have been separate projects. The project is recorded through original drawings of plans, elevations, sections, details and an axonometric view dating from 1987-2004.
AP206.S1.1987.PR02
Description:
This project series documents upgrades and additions to the Servants of the People Society Lajpat Rai Bhawan in Chandigarh, India from 1987-2004. The project consisted of acoustical treatments to the auditorium, the upgrade of the public bathrooms, the addition of research cabins in the library, a children's play area and a parking kiosk. In 2004, there was also a proposal to add a meditation and well-being space to the building. Due to the lengthy timeline, some of these changes may have been separate projects. The project is recorded through original drawings of plans, elevations, sections, details and an axonometric view dating from 1987-2004.
Personnes et institutions:
Date:
1987-2004
1987-2004
Titre:
Servants of the People Society Lajpat Rai Bhawan, Chandigarh, India (1987-2004)
Actions:
AP206.S1.1987.PR02
Description:
This project series documents upgrades and additions to the Servants of the People Society Lajpat Rai Bhawan in Chandigarh, India from 1987-2004. The project consisted of acoustical treatments to the auditorium, the upgrade of the public bathrooms, the addition of research cabins in the library, a children's play area and a parking kiosk. In 2004, there was also a proposal to add a meditation and well-being space to the building. Due to the lengthy timeline, some of these changes may have been separate projects. The project is recorded through original drawings of plans, elevations, sections, details and an axonometric view dating from 1987-2004.
Servants of the People Society Lajpat Rai Bhawan, Chandigarh, India (1987-2004)
Actions:
AP206.S1.1987.PR02
Description:
This project series documents upgrades and additions to the Servants of the People Society Lajpat Rai Bhawan in Chandigarh, India from 1987-2004. The project consisted of acoustical treatments to the auditorium, the upgrade of the public bathrooms, the addition of research cabins in the library, a children's play area and a parking kiosk. In 2004, there was also a proposal to add a meditation and well-being space to the building. Due to the lengthy timeline, some of these changes may have been separate projects. The project is recorded through original drawings of plans, elevations, sections, details and an axonometric view dating from 1987-2004.
Niveau de description archivistique:
Project
Project
Date:
1987-2004
1987-2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1919.PR3
Description:
The post-First World War shortage of affordable housing led the city of Rotterdam to initiate low income dwelling developments to alleviate the crisis in housing for working class residents. Oud's involvement with the Rotterdam Housing Authority -- the Rotterdam Woningdienst -- allowed him to use public housing projects as a platform for his ideas about urban development, including this design for a semi-detached dwelling in reinforced concrete. Oud's plans were never realized as Rotterdam only experimented with concrete building projects later, in 1921 (Taverne et al. 2001,191, 210-212). The project series includes Oud's drawings of plans for the Double Worker's Dwelling in Reinforced Concrete.
CI005.S1.1919.PR3
Description:
The post-First World War shortage of affordable housing led the city of Rotterdam to initiate low income dwelling developments to alleviate the crisis in housing for working class residents. Oud's involvement with the Rotterdam Housing Authority -- the Rotterdam Woningdienst -- allowed him to use public housing projects as a platform for his ideas about urban development, including this design for a semi-detached dwelling in reinforced concrete. Oud's plans were never realized as Rotterdam only experimented with concrete building projects later, in 1921 (Taverne et al. 2001,191, 210-212). The project series includes Oud's drawings of plans for the Double Worker's Dwelling in Reinforced Concrete.
Personnes et institutions:
Date:
1918
1918
Titre:
Double Worker's Dwelling in Reinforced Concrete, Rotterdam, Netherlands (1919)
Actions:
CI005.S1.1919.PR3
Description:
The post-First World War shortage of affordable housing led the city of Rotterdam to initiate low income dwelling developments to alleviate the crisis in housing for working class residents. Oud's involvement with the Rotterdam Housing Authority -- the Rotterdam Woningdienst -- allowed him to use public housing projects as a platform for his ideas about urban development, including this design for a semi-detached dwelling in reinforced concrete. Oud's plans were never realized as Rotterdam only experimented with concrete building projects later, in 1921 (Taverne et al. 2001,191, 210-212). The project series includes Oud's drawings of plans for the Double Worker's Dwelling in Reinforced Concrete.
Double Worker's Dwelling in Reinforced Concrete, Rotterdam, Netherlands (1919)
Actions:
CI005.S1.1919.PR3
Description:
The post-First World War shortage of affordable housing led the city of Rotterdam to initiate low income dwelling developments to alleviate the crisis in housing for working class residents. Oud's involvement with the Rotterdam Housing Authority -- the Rotterdam Woningdienst -- allowed him to use public housing projects as a platform for his ideas about urban development, including this design for a semi-detached dwelling in reinforced concrete. Oud's plans were never realized as Rotterdam only experimented with concrete building projects later, in 1921 (Taverne et al. 2001,191, 210-212). The project series includes Oud's drawings of plans for the Double Worker's Dwelling in Reinforced Concrete.
Niveau de description archivistique:
project
project
Date:
1918
1918
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP173.S2
Description:
Series documents the public art installations and exhibitions in Europe and Asia of Lars Spuybroek and his architectural firm NOX between the end of the 1990s to 2010. The series includes projects like the exhibition installation WetGRID at the Musée des Beaux-Arts of Nantes in France and the D-Tower in Doetinchem, Netherlands, and many other projects, predominantly in Europe. The material in the series was produced between the 1900s and 2010. The series contains drawings and reprographic copies of conceptual drawings, design development drawings, working drawings and presentation drawings. The series contains also photographic material, predominantly slides, and works of art related to an exhibition in a gallery in Haarlem, Netherlands.
AP173.S2
Description:
Series documents the public art installations and exhibitions in Europe and Asia of Lars Spuybroek and his architectural firm NOX between the end of the 1990s to 2010. The series includes projects like the exhibition installation WetGRID at the Musée des Beaux-Arts of Nantes in France and the D-Tower in Doetinchem, Netherlands, and many other projects, predominantly in Europe. The material in the series was produced between the 1900s and 2010. The series contains drawings and reprographic copies of conceptual drawings, design development drawings, working drawings and presentation drawings. The series contains also photographic material, predominantly slides, and works of art related to an exhibition in a gallery in Haarlem, Netherlands.
Personnes et institutions:
Date:
1990s-2010
1990s-2010
Titre:
Public art installations and exhibitions
Actions:
AP173.S2
Description:
Series documents the public art installations and exhibitions in Europe and Asia of Lars Spuybroek and his architectural firm NOX between the end of the 1990s to 2010. The series includes projects like the exhibition installation WetGRID at the Musée des Beaux-Arts of Nantes in France and the D-Tower in Doetinchem, Netherlands, and many other projects, predominantly in Europe. The material in the series was produced between the 1900s and 2010. The series contains drawings and reprographic copies of conceptual drawings, design development drawings, working drawings and presentation drawings. The series contains also photographic material, predominantly slides, and works of art related to an exhibition in a gallery in Haarlem, Netherlands.
Public art installations and exhibitions
Actions:
AP173.S2
Description:
Series documents the public art installations and exhibitions in Europe and Asia of Lars Spuybroek and his architectural firm NOX between the end of the 1990s to 2010. The series includes projects like the exhibition installation WetGRID at the Musée des Beaux-Arts of Nantes in France and the D-Tower in Doetinchem, Netherlands, and many other projects, predominantly in Europe. The material in the series was produced between the 1900s and 2010. The series contains drawings and reprographic copies of conceptual drawings, design development drawings, working drawings and presentation drawings. The series contains also photographic material, predominantly slides, and works of art related to an exhibition in a gallery in Haarlem, Netherlands.
Niveau de description archivistique:
Series
Series
Date:
1990s-2010
1990s-2010
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
Personnes et institutions:
Date:
between 1919 and 1920
between 1919 and 1920
Titre:
Bruno Taut
Actions:
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
Bruno Taut
Actions:
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
Niveau de description archivistique:
series
series
Date:
between 1919 and 1920
between 1919 and 1920
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1992.PR01
Description:
Project series documents Cornelia Hahn Oberlander’s project for the landscape design for Library Square, the new central branch of the Vancouver’s public library on West Georgia Street. Oberlander worked on this project in 1992-1995 with architect Moshe Safdie and architectural firm Downs/Archambault & Patners. Oberlander landscape design included a roof garden, planned to be accessible by the public, and terraces with integral planting of cascading roses of the southeast edge of the building. She was also consulted for the landscape for the street-level spaces: “Along the streets bordering the site, Oberlander selected tulip trees, except on W. Georgia Street where the city required maples.” [1] The project was completed in 1995. The project series contains sketches, design development drawings, including planting plans, landscape plans for the green roof and the plaza, working drawings, such as site plans, planting plans, irrigation plans, landscape sections and elevations, and drawings of the building used as reference. The project is also recorded through textual records, such as concept notes by Oberlander, research material, specifications, including landscape specifications, correspondence, including correspondence with architects, client and contractors, contract, financial documents, documents for plan selection, and press and articles on the project. The project series also includes photographs of the construction and landscaping work, and photographs of the completed project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 176.
AP075.S1.1992.PR01
Description:
Project series documents Cornelia Hahn Oberlander’s project for the landscape design for Library Square, the new central branch of the Vancouver’s public library on West Georgia Street. Oberlander worked on this project in 1992-1995 with architect Moshe Safdie and architectural firm Downs/Archambault & Patners. Oberlander landscape design included a roof garden, planned to be accessible by the public, and terraces with integral planting of cascading roses of the southeast edge of the building. She was also consulted for the landscape for the street-level spaces: “Along the streets bordering the site, Oberlander selected tulip trees, except on W. Georgia Street where the city required maples.” [1] The project was completed in 1995. The project series contains sketches, design development drawings, including planting plans, landscape plans for the green roof and the plaza, working drawings, such as site plans, planting plans, irrigation plans, landscape sections and elevations, and drawings of the building used as reference. The project is also recorded through textual records, such as concept notes by Oberlander, research material, specifications, including landscape specifications, correspondence, including correspondence with architects, client and contractors, contract, financial documents, documents for plan selection, and press and articles on the project. The project series also includes photographs of the construction and landscaping work, and photographs of the completed project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 176.
Personnes et institutions:
Date:
1989-2009
1989-2009
Titre:
Library Square, Vancouver, British Columbia (1992-1995)
Actions:
AP075.S1.1992.PR01
Description:
Project series documents Cornelia Hahn Oberlander’s project for the landscape design for Library Square, the new central branch of the Vancouver’s public library on West Georgia Street. Oberlander worked on this project in 1992-1995 with architect Moshe Safdie and architectural firm Downs/Archambault & Patners. Oberlander landscape design included a roof garden, planned to be accessible by the public, and terraces with integral planting of cascading roses of the southeast edge of the building. She was also consulted for the landscape for the street-level spaces: “Along the streets bordering the site, Oberlander selected tulip trees, except on W. Georgia Street where the city required maples.” [1] The project was completed in 1995. The project series contains sketches, design development drawings, including planting plans, landscape plans for the green roof and the plaza, working drawings, such as site plans, planting plans, irrigation plans, landscape sections and elevations, and drawings of the building used as reference. The project is also recorded through textual records, such as concept notes by Oberlander, research material, specifications, including landscape specifications, correspondence, including correspondence with architects, client and contractors, contract, financial documents, documents for plan selection, and press and articles on the project. The project series also includes photographs of the construction and landscaping work, and photographs of the completed project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 176.
Library Square, Vancouver, British Columbia (1992-1995)
Actions:
AP075.S1.1992.PR01
Description:
Project series documents Cornelia Hahn Oberlander’s project for the landscape design for Library Square, the new central branch of the Vancouver’s public library on West Georgia Street. Oberlander worked on this project in 1992-1995 with architect Moshe Safdie and architectural firm Downs/Archambault & Patners. Oberlander landscape design included a roof garden, planned to be accessible by the public, and terraces with integral planting of cascading roses of the southeast edge of the building. She was also consulted for the landscape for the street-level spaces: “Along the streets bordering the site, Oberlander selected tulip trees, except on W. Georgia Street where the city required maples.” [1] The project was completed in 1995. The project series contains sketches, design development drawings, including planting plans, landscape plans for the green roof and the plaza, working drawings, such as site plans, planting plans, irrigation plans, landscape sections and elevations, and drawings of the building used as reference. The project is also recorded through textual records, such as concept notes by Oberlander, research material, specifications, including landscape specifications, correspondence, including correspondence with architects, client and contractors, contract, financial documents, documents for plan selection, and press and articles on the project. The project series also includes photographs of the construction and landscaping work, and photographs of the completed project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 176.
Niveau de description archivistique:
Project
Project
Date:
1989-2009
1989-2009
Personnes et institutions:
Classification:
photographies
Quantité:
410 photographic material(s)
photographies
Quantité:
410 photographic material(s)
Numéro de référence:
ARCH274235
Description:
3 project dcument binders used for presentation purposes. Filed under "Government": Ministry of Public Works and Housing, Riyadh (1977), Government of Canada Office Building (1977), Ministry of Foreign Affairs Interim Headquarters, Jeddah (1979), Canadian Embassy Redevelopment, Tokyo (1985), Hamma Government Complex, Algiers (1984), Etisalat Headquarters (1985), Harold Washington Library Centre (1988), Brent Branch Library (1987).Contains images of sites, models, perspective sketches, presentation drawings and renderings. Also contains graphics, newspaper clippings and photocopies.
ARCH274235
Description:
3 project dcument binders used for presentation purposes. Filed under "Government": Ministry of Public Works and Housing, Riyadh (1977), Government of Canada Office Building (1977), Ministry of Foreign Affairs Interim Headquarters, Jeddah (1979), Canadian Embassy Redevelopment, Tokyo (1985), Hamma Government Complex, Algiers (1984), Etisalat Headquarters (1985), Harold Washington Library Centre (1988), Brent Branch Library (1987).Contains images of sites, models, perspective sketches, presentation drawings and renderings. Also contains graphics, newspaper clippings and photocopies.
Personnes et institutions:
Date:
1 October 1990
1 October 1990
Titre:
Project presentation binders for various governmental projects
Actions:
ARCH274235
Description:
3 project dcument binders used for presentation purposes. Filed under "Government": Ministry of Public Works and Housing, Riyadh (1977), Government of Canada Office Building (1977), Ministry of Foreign Affairs Interim Headquarters, Jeddah (1979), Canadian Embassy Redevelopment, Tokyo (1985), Hamma Government Complex, Algiers (1984), Etisalat Headquarters (1985), Harold Washington Library Centre (1988), Brent Branch Library (1987).Contains images of sites, models, perspective sketches, presentation drawings and renderings. Also contains graphics, newspaper clippings and photocopies.
Project presentation binders for various governmental projects
Actions:
ARCH274235
Description:
3 project dcument binders used for presentation purposes. Filed under "Government": Ministry of Public Works and Housing, Riyadh (1977), Government of Canada Office Building (1977), Ministry of Foreign Affairs Interim Headquarters, Jeddah (1979), Canadian Embassy Redevelopment, Tokyo (1985), Hamma Government Complex, Algiers (1984), Etisalat Headquarters (1985), Harold Washington Library Centre (1988), Brent Branch Library (1987).Contains images of sites, models, perspective sketches, presentation drawings and renderings. Also contains graphics, newspaper clippings and photocopies.
Classification:
photographies
Quantité:
410 photographic material(s)
photographies
Quantité:
410 photographic material(s)
Date:
1 October 1990
1 October 1990
Personnes et institutions:
