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The development of modern architecture in Korea and, more recently, South Korea, is closely tied to the country’s dramatic transformations since the late 19th century. The authors interrogate major periods from the Late Joseon Dynasty to the vibrant democratic present, showing how architecture, by making technological and stylistic leaps, has played a important role in(...)
septembre 2021
Korean modern: the matter of identity. Modern architecture in an east Asian country
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The development of modern architecture in Korea and, more recently, South Korea, is closely tied to the country’s dramatic transformations since the late 19th century. The authors interrogate major periods from the Late Joseon Dynasty to the vibrant democratic present, showing how architecture, by making technological and stylistic leaps, has played a important role in the construction of the nation’s identity. The architectural analyses, ranging from Hwaseong Fortress to 21st-century constructions like Paju Book City, Ssamziegil Shopping Center, the Boutique Monaco skyscraper, and the Bauzium Sculpture Museum, focus on buildings in which the formation of a specifically Korean modernism is particularly observable. The appendix includes biographical descriptions of major architectural figures.
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$112.00
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The first monograph on the work of this internationally active Australian firm includes and introduction by Peter G. Rowe and an essay by Deyan Sudjic.
Denton Corker Marshall : rule playing and the ratbag element
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The first monograph on the work of this internationally active Australian firm includes and introduction by Peter G. Rowe and an essay by Deyan Sudjic.
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janvier 2000, Basel
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Prefix photo 40
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Issue 40: Tourism Ecologies. Featuring Jessica Auer, Igor Drljaca, Katherine Knight, Micah Lexier, Emanuel Licha, Meagan Musseau, Nadia Myre, Sean Patrick O'Brien, Paulette Phillips, Allison Rowe, Adrien Siberchicot, Camille Turner.
Prefix photo 40
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Issue 40: Tourism Ecologies. Featuring Jessica Auer, Igor Drljaca, Katherine Knight, Micah Lexier, Emanuel Licha, Meagan Musseau, Nadia Myre, Sean Patrick O'Brien, Paulette Phillips, Allison Rowe, Adrien Siberchicot, Camille Turner.
Revues
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In Ancient Wisdom And Modern Knowhow, Maxwell considers the notion of doubt encountered by the modern architect. In ten chapters that draw upon writers and topics as diverse and engaging as Andre Malraux and his concept of the Musée Imaginaire, Colin Rowe and his exploration of Mannerism in Modern Architecture as well as Rowe s book with Fred Koetter, Collage City, and(...)
Ancient wisdom and modern knowhow: learning to live with uncertainty
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In Ancient Wisdom And Modern Knowhow, Maxwell considers the notion of doubt encountered by the modern architect. In ten chapters that draw upon writers and topics as diverse and engaging as Andre Malraux and his concept of the Musée Imaginaire, Colin Rowe and his exploration of Mannerism in Modern Architecture as well as Rowe s book with Fred Koetter, Collage City, and examining works by artists including Albrecht Dürer, Picasso and Duchamp and architects including James Stirling, Zaha Hadid, Frank Gehry and Daniel Libeskind, Maxwell steps through a range of ideas and concepts, to create an engaging and provocative thesis.
Théorie de l’architecture
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In this book, Anthony Vidler examines the work of four historians of architectural modernism and the ways in which their histories were constructed as more or less overt programs for the theory and practice of design in a contemporary context. Vidler looks at the historical approaches of Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri, and the specific(...)
Histories of the immediate present: inventing architectural modernism
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In this book, Anthony Vidler examines the work of four historians of architectural modernism and the ways in which their histories were constructed as more or less overt programs for the theory and practice of design in a contemporary context. Vidler looks at the historical approaches of Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri, and the specific versions of modernism advanced by their historical narratives. Vidler shows that the modernism conceived by Kaufmann was, like the late Enlightenment projects he revered, one of pure, geometrical forms and elemental composition; that of Rowe saw mannerist ambiguity and complexity in contemporary design; Banham's modernism took its cue from the aspirations of the futurists; and the "Renaissance modernism" of Tafuri found its source in the division between the technical experimentation of Brunelleschi and the cultural nostalgia of Alberti.
Théorie de l’architecture
AA files 72
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AA Files 72 features contributions by Davide Spina, Thomas Daniell, Itsuko Hasegawa, Mario Tedeschini-Lalli, Laurent Stalder & Moritz Gleich, Colin Rowe, Daniel Naegele, Irénée Scalbert, Peter St John, Silvia Micheli & Léa-Catherine Szacka, Paulo Berdini, Daniel Sherer, Hubert Damisch, Nicolas Kemper, Thomas Weaver, Alexander Brodsky, Emma Letizia Jones, Henrik(...)
AA files 72
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AA Files 72 features contributions by Davide Spina, Thomas Daniell, Itsuko Hasegawa, Mario Tedeschini-Lalli, Laurent Stalder & Moritz Gleich, Colin Rowe, Daniel Naegele, Irénée Scalbert, Peter St John, Silvia Micheli & Léa-Catherine Szacka, Paulo Berdini, Daniel Sherer, Hubert Damisch, Nicolas Kemper, Thomas Weaver, Alexander Brodsky, Emma Letizia Jones, Henrik Schoenefeldt and Max Moya.
Revues
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This publication results from a conference intended to reopen the debate on the development of architectural discourse in America from 1923 to 1949. Contributors include: Bernard Tschumi, Terence Riley, Robert E. Somol, Phyllis Lambert, Philip Johnson and Jeffrey Kipnis, Colin Rowe, Peter Eisenman, Joan Ockman, Paulette Singley, Sylvia Lavin, Francesco(...)
Autonomy and ideology: positioning an avant-garde in America
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This publication results from a conference intended to reopen the debate on the development of architectural discourse in America from 1923 to 1949. Contributors include: Bernard Tschumi, Terence Riley, Robert E. Somol, Phyllis Lambert, Philip Johnson and Jeffrey Kipnis, Colin Rowe, Peter Eisenman, Joan Ockman, Paulette Singley, Sylvia Lavin, Francesco Dal Co, Detlef Mertins, Mitchell Schwarzer, Sanford Kwinter, Rem Koolhaas, and Beatriz Colomina.
Publications du CCA
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The list of authors in "Theorizing a New Agenda" reads like a "Who's Who" of contemporary architectural thought: Tadao Ando, Giulio Carlo Argan, Alan Colquhoun, Jacques Derrida, Peter Eisenman, Marco Frascari,(...)
Theorizing a new agenda for architecture : an anthology of architectural theory 1965-1995
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The list of authors in "Theorizing a New Agenda" reads like a "Who's Who" of contemporary architectural thought: Tadao Ando, Giulio Carlo Argan, Alan Colquhoun, Jacques Derrida, Peter Eisenman, Marco Frascari, Kenneth Frampton, Diane Ghirardo, Vittorio Gregotti, Karsten Harries, Rem Koolhaas, Christian Norberg-Schulz, Aldo Rossi, Colin Rowe, Thomas Schumacher, Ignasi de Solá-Morales Rubió, Bernard Tschumi, Robert Venturi and Denise Scott Brown, and Anthony Vidler. A bibliography and notes on all the contributors are also included.
livres
novembre 1995, New York
Théorie de l’architecture
$37.95
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'Lessons' begins with Risselada's and Tupker's own student years, in which the famous Forum-group dominated the architectural debate with the illustrous Dick Apon, Jaap Bakema, Aldo van Eyck, Joop Hardy and Herman Hertzberger. International influences discussed in 'Lessons' come from designers like Charles and Ray Eames, Alison and Peter Smithson, John Hejduk, Peter(...)
Théorie de l’architecture
avril 2005, amsterdam
Lessons : Tupker\Risselada : a double portrait of dutch architectural education, 1953\2003
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'Lessons' begins with Risselada's and Tupker's own student years, in which the famous Forum-group dominated the architectural debate with the illustrous Dick Apon, Jaap Bakema, Aldo van Eyck, Joop Hardy and Herman Hertzberger. International influences discussed in 'Lessons' come from designers like Charles and Ray Eames, Alison and Peter Smithson, John Hejduk, Peter Eisenman and Tadao Ando, and from the historians Emil Kaufmann, Colin Rowe, Charles Jencks and Beatriz Colomina. 'Lessons' also gives an account of the work by students of Risselada and Tupker.
Théorie de l’architecture
livres
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In 'Nothing less than literal : architecture after minimalism', Mark Linder shows how minimalist art of the 1960's was infiltrated with architecture, resulting in a reconfiguration of the disciplines of both art and architecture. Linder traces the exchange of concepts and techniques between architecture and art through a reading of the work of critics Clement Greenberg,(...)
Nothing less than literal : architecture after minimalism
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In 'Nothing less than literal : architecture after minimalism', Mark Linder shows how minimalist art of the 1960's was infiltrated with architecture, resulting in a reconfiguration of the disciplines of both art and architecture. Linder traces the exchange of concepts and techniques between architecture and art through a reading of the work of critics Clement Greenberg, Colin Rowe, Michael Fried, and the artist-writer Robert Smithson, and then locates a recuparation of "the architecture of minimalism" in the contemporary works of John Hejduk and Frank Gehry.
livres
décembre 2004, Cambridge, Mass.
Théorie de l’architecture