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Drawing People is an illustrated survey of inventive drawings of the human form being produced today by 70 contemporary artists from around the world. An introduction places the medium of drawing in its historical context, discussing its intersection with photography, painting, collage and illustration, as well as its ability to intimately express thought, personality and(...)
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Drawing People is an illustrated survey of inventive drawings of the human form being produced today by 70 contemporary artists from around the world. An introduction places the medium of drawing in its historical context, discussing its intersection with photography, painting, collage and illustration, as well as its ability to intimately express thought, personality and(...)
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Drawing People: the human figure in contemporary art
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Drawing People is an illustrated survey of inventive drawings of the human form being produced today by 70 contemporary artists from around the world. An introduction places the medium of drawing in its historical context, discussing its intersection with photography, painting, collage and illustration, as well as its ability to intimately express thought, personality and emotion. Five chapters—Body, Self, Personal Lives, Social Reality and Fictions—include short introductions outlining each theme, followed by generously illustrated profiles on individual artists exploring their style, approach to the medium and the ideas, narratives and inspirations that lie behind their mark-making. Five chapters—Body, Self, Personal Lives, Social Reality and Fictions—include short introductions outlining each theme, followed by generously illustrated profiles on individual artists exploring their style, approach to the medium and the ideas, narratives and inspirations that lie behind their mark-making.
Drawing People: the human figure in contemporary art
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Drawing People is an illustrated survey of inventive drawings of the human form being produced today by 70 contemporary artists from around the world. An introduction places the medium of drawing in its historical context, discussing its intersection with photography, painting, collage and illustration, as well as its ability to intimately express thought, personality and emotion. Five chapters—Body, Self, Personal Lives, Social Reality and Fictions—include short introductions outlining each theme, followed by generously illustrated profiles on individual artists exploring their style, approach to the medium and the ideas, narratives and inspirations that lie behind their mark-making. Five chapters—Body, Self, Personal Lives, Social Reality and Fictions—include short introductions outlining each theme, followed by generously illustrated profiles on individual artists exploring their style, approach to the medium and the ideas, narratives and inspirations that lie behind their mark-making.
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livres
livres
Publication:
février 2015
février 2015
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3 volumes : illustrations (some color) ; 25 cm.
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3 volumes : illustrations (some color) ; 25 cm.
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New York, N.Y. : Zone ; Cambridge, Mass. : Distributed by the MIT Press, ©1989.
New York, N.Y. : Zone ; Cambridge, Mass. : Distributed by the MIT Press, ©1989.
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Fragments for a history of the human body / edited by Michel Feher with Ramona Naddaff and Nadia Tazi.
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3 volumes : illustrations (some color) ; 25 cm.
Fragments for a history of the human body / edited by Michel Feher with Ramona Naddaff and Nadia Tazi.
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3 volumes : illustrations (some color) ; 25 cm.
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New York, N.Y. : Zone ; Cambridge, Mass. : Distributed by the MIT Press, ©1989.
New York, N.Y. : Zone ; Cambridge, Mass. : Distributed by the MIT Press, ©1989.
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$78.00
(disponible en magasin)
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Since his first visit to Japan in 1987, British photographer Michael Kenna (born 1953) has returned time and again to capture Asia's landscapes. The poetic power of Kenna's photographs and their ability to extract emotion from the landscape—from the dignity of a tree or a rock—has led some commentators to describe them as visual haikus. "Silver Haikus" provides a(...)
$78.00
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Since his first visit to Japan in 1987, British photographer Michael Kenna (born 1953) has returned time and again to capture Asia's landscapes. The poetic power of Kenna's photographs and their ability to extract emotion from the landscape—from the dignity of a tree or a rock—has led some commentators to describe them as visual haikus. "Silver Haikus" provides a(...)
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Michael Kenna: Silver haikus. Asia photographed.
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Since his first visit to Japan in 1987, British photographer Michael Kenna (born 1953) has returned time and again to capture Asia's landscapes. The poetic power of Kenna's photographs and their ability to extract emotion from the landscape—from the dignity of a tree or a rock—has led some commentators to describe them as visual haikus. "Silver Haikus" provides a thematic retrospective of his work in Asia over the last 40 years. It explores the connection between his aesthetic and Asian art through formal dialogues between his photographs and works from the Chinese, Korean and Japanese collections of the Musée Guimet. More specifically, this book observes the influence of Asian arts in Kenna's work: the choice of monochrome, the economy of means, the use of emptiness and the desire to suggest rather than describe evoke the ink paintings of Chinese scholars and Japanese Zen monks.
Michael Kenna: Silver haikus. Asia photographed.
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Since his first visit to Japan in 1987, British photographer Michael Kenna (born 1953) has returned time and again to capture Asia's landscapes. The poetic power of Kenna's photographs and their ability to extract emotion from the landscape—from the dignity of a tree or a rock—has led some commentators to describe them as visual haikus. "Silver Haikus" provides a thematic retrospective of his work in Asia over the last 40 years. It explores the connection between his aesthetic and Asian art through formal dialogues between his photographs and works from the Chinese, Korean and Japanese collections of the Musée Guimet. More specifically, this book observes the influence of Asian arts in Kenna's work: the choice of monochrome, the economy of means, the use of emptiness and the desire to suggest rather than describe evoke the ink paintings of Chinese scholars and Japanese Zen monks.
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livres
livres
Publication:
juillet 2025
juillet 2025
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Monographies photo
Monographies photo
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livres
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$62.50
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The artists Cy Twombly and Sally Mann may at first seem an unlikely pairing. He was a leading contemporary artist who defied easy categorization, a painter and sculptor whose enigmatic work often referenced mythology and epic poetry. She is a photographer with an uncanny ability to tap raw human emotion, whether depicting members of her family or the landscape of the(...)
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The artists Cy Twombly and Sally Mann may at first seem an unlikely pairing. He was a leading contemporary artist who defied easy categorization, a painter and sculptor whose enigmatic work often referenced mythology and epic poetry. She is a photographer with an uncanny ability to tap raw human emotion, whether depicting members of her family or the landscape of the(...)
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Remembered light: Cy Twombly in Lexington
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The artists Cy Twombly and Sally Mann may at first seem an unlikely pairing. He was a leading contemporary artist who defied easy categorization, a painter and sculptor whose enigmatic work often referenced mythology and epic poetry. She is a photographer with an uncanny ability to tap raw human emotion, whether depicting members of her family or the landscape of the American South. What they had in common was place—both grew up in rural Lexington, Virginia, where Twombly kept a studio and produced some of his most important work until his death in 2011, and where Mann has lived and worked all her life.Over the course of several years, Mann photographed inside Twombly’s studio. The result is a rare insider’s view of Twombly’s process—we sense him in the room at every turn, although he is always just beyond the frame—and a poetic dialogue between two artistic visions.
Remembered light: Cy Twombly in Lexington
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The artists Cy Twombly and Sally Mann may at first seem an unlikely pairing. He was a leading contemporary artist who defied easy categorization, a painter and sculptor whose enigmatic work often referenced mythology and epic poetry. She is a photographer with an uncanny ability to tap raw human emotion, whether depicting members of her family or the landscape of the American South. What they had in common was place—both grew up in rural Lexington, Virginia, where Twombly kept a studio and produced some of his most important work until his death in 2011, and where Mann has lived and worked all her life.Over the course of several years, Mann photographed inside Twombly’s studio. The result is a rare insider’s view of Twombly’s process—we sense him in the room at every turn, although he is always just beyond the frame—and a poetic dialogue between two artistic visions.
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livres
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Publication:
octobre 2016
octobre 2016
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$61.95
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The "Island Position" is an advertising term that describes the premium position of an advertisement surrounded solely by editorial content. In ''The Island Position,'' John Lehr explores the facades of American commercial spaces that are threatened by the emergence of e-commerce. In a rush to remain relevant, storeowners emblazon their windows and walls with anything(...)
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The "Island Position" is an advertising term that describes the premium position of an advertisement surrounded solely by editorial content. In ''The Island Position,'' John Lehr explores the facades of American commercial spaces that are threatened by the emergence of e-commerce. In a rush to remain relevant, storeowners emblazon their windows and walls with anything(...)
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John Lehr: the island position
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The "Island Position" is an advertising term that describes the premium position of an advertisement surrounded solely by editorial content. In ''The Island Position,'' John Lehr explores the facades of American commercial spaces that are threatened by the emergence of e-commerce. In a rush to remain relevant, storeowners emblazon their windows and walls with anything that will grab attention: tessellations of quick-fading ads, floor-to-ceiling decals of fanned money or flowing hair, haphazard product displays, and desperate, hand-scrawled invitations. Masquerading as a typology of storefronts, the surfaces in ''The Island Position'' embody something unseen: the people who constructed them. The signage is not simply an appeal to consumption, but a typography of emotion: vulnerability, ingenuity, distress, and hope-the language of capitalism as a form of public address. Lehr is not interested in what is for sale. He is interested in what is at stake.
John Lehr: the island position
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The "Island Position" is an advertising term that describes the premium position of an advertisement surrounded solely by editorial content. In ''The Island Position,'' John Lehr explores the facades of American commercial spaces that are threatened by the emergence of e-commerce. In a rush to remain relevant, storeowners emblazon their windows and walls with anything that will grab attention: tessellations of quick-fading ads, floor-to-ceiling decals of fanned money or flowing hair, haphazard product displays, and desperate, hand-scrawled invitations. Masquerading as a typology of storefronts, the surfaces in ''The Island Position'' embody something unseen: the people who constructed them. The signage is not simply an appeal to consumption, but a typography of emotion: vulnerability, ingenuity, distress, and hope-the language of capitalism as a form of public address. Lehr is not interested in what is for sale. He is interested in what is at stake.
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livres
livres
Publication:
février 2019
février 2019
Sujet:
Monographies photo
Monographies photo
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Description:
251 pages : illustrations ; 23 cm.
Description:
251 pages : illustrations ; 23 cm.
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Marseille : Parenthèses, [2024], ©2024
Marseille : Parenthèses, [2024], ©2024
Titre:
Se mouvoir et être ému : l'expérience esthétique en architecture / Céline Bonicco-Donato.
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251 pages : illustrations ; 23 cm.
Se mouvoir et être ému : l'expérience esthétique en architecture / Céline Bonicco-Donato.
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251 pages : illustrations ; 23 cm.
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Marseille : Parenthèses, [2024], ©2024
Marseille : Parenthèses, [2024], ©2024
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173 pages : illustrations (chiefly color) ; 30 cm
Description:
173 pages : illustrations (chiefly color) ; 30 cm
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Paris : Ulmer, [2018]
Paris : Ulmer, [2018]
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Minéral végétal : deux visions du jardin / Jean-Michel Wilmotte, architecte, Jean Mus, paysagiste ; propos recueillis par Dane McDowell.
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173 pages : illustrations (chiefly color) ; 30 cm
Minéral végétal : deux visions du jardin / Jean-Michel Wilmotte, architecte, Jean Mus, paysagiste ; propos recueillis par Dane McDowell.
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173 pages : illustrations (chiefly color) ; 30 cm
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Paris : Ulmer, [2018]
Paris : Ulmer, [2018]
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The poetics of space
The poetics of space
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$24.00
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Since its initial publication in 1958, The Poetics of Space has been a muse to philosophers, architects, writers, psychologists, critics, and readers alike. The rare work of irresistibly inviting philosophy, Bachelard’s seminal work brims with quiet revelations and stirring, mysterious imagery. This lyrical journey takes as its premise the emergence of the poetic image(...)
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Since its initial publication in 1958, The Poetics of Space has been a muse to philosophers, architects, writers, psychologists, critics, and readers alike. The rare work of irresistibly inviting philosophy, Bachelard’s seminal work brims with quiet revelations and stirring, mysterious imagery. This lyrical journey takes as its premise the emergence of the poetic image(...)
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The poetics of space
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Since its initial publication in 1958, The Poetics of Space has been a muse to philosophers, architects, writers, psychologists, critics, and readers alike. The rare work of irresistibly inviting philosophy, Bachelard’s seminal work brims with quiet revelations and stirring, mysterious imagery. This lyrical journey takes as its premise the emergence of the poetic image and finds an ideal metaphor in the intimate spaces of our homes. Guiding us through a stream of meditations on poetry, art, and the blooming of consciousness itself, Bachelard examines the domestic places that shape and hold our dreams and memories. Houses and rooms; cellars and attics; drawers, chests, and wardrobes; nests and shells; nooks and corners: No space is too vast or too small to be filled by our thoughts and our reveries. In Bachelard’s enchanting spaces, “We are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.”
The poetics of space
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Since its initial publication in 1958, The Poetics of Space has been a muse to philosophers, architects, writers, psychologists, critics, and readers alike. The rare work of irresistibly inviting philosophy, Bachelard’s seminal work brims with quiet revelations and stirring, mysterious imagery. This lyrical journey takes as its premise the emergence of the poetic image and finds an ideal metaphor in the intimate spaces of our homes. Guiding us through a stream of meditations on poetry, art, and the blooming of consciousness itself, Bachelard examines the domestic places that shape and hold our dreams and memories. Houses and rooms; cellars and attics; drawers, chests, and wardrobes; nests and shells; nooks and corners: No space is too vast or too small to be filled by our thoughts and our reveries. In Bachelard’s enchanting spaces, “We are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.”
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livres
livres
Publication:
décembre 2014
décembre 2014
Sujet:
Littérature et poésie
Littérature et poésie
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livres
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Retail & interior design
Retail & interior design
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$43.50
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"Retail & Interior Design" is about branding, design, experience and emotion, theatricality, continuity and sustainability. Developments in interior architecture and retail design in the last decade have been gripping. Although architecture has long been renowned as the ‘mother of the art’, interior architecture has always been regarded as a tradition of decoration or(...)
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"Retail & Interior Design" is about branding, design, experience and emotion, theatricality, continuity and sustainability. Developments in interior architecture and retail design in the last decade have been gripping. Although architecture has long been renowned as the ‘mother of the art’, interior architecture has always been regarded as a tradition of decoration or(...)
Publication:
mars 2004, Rotterdam
mars 2004, Rotterdam
Titre:
Retail & interior design
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$43.50
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"Retail & Interior Design" is about branding, design, experience and emotion, theatricality, continuity and sustainability. Developments in interior architecture and retail design in the last decade have been gripping. Although architecture has long been renowned as the ‘mother of the art’, interior architecture has always been regarded as a tradition of decoration or arrangement, but retail design has extended its boundaries beyond the arrangement or decoration of space. The design process starts with analysis of the brand identity and finishes only when delivery is completed. Included in and completing this process are components such as visual merchandising, lighting, circulation and all forms of communication relevant to the retail space. The essays in "Retail & Interior Design" give an impression of the diversity of retail design, the profession of retail designer and the MA course Retail & Interior Design at the Piet Zwart Institute, Rotterdam. The publication contains contributions by Lieven De Cauter, Marc Dubois, Mark van der Geest, Rodney Fitch, Patrick Kruithof, Hans van der Loo, Luc Pauwels, and Michel van Tongeren.
Retail & interior design
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$43.50
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"Retail & Interior Design" is about branding, design, experience and emotion, theatricality, continuity and sustainability. Developments in interior architecture and retail design in the last decade have been gripping. Although architecture has long been renowned as the ‘mother of the art’, interior architecture has always been regarded as a tradition of decoration or arrangement, but retail design has extended its boundaries beyond the arrangement or decoration of space. The design process starts with analysis of the brand identity and finishes only when delivery is completed. Included in and completing this process are components such as visual merchandising, lighting, circulation and all forms of communication relevant to the retail space. The essays in "Retail & Interior Design" give an impression of the diversity of retail design, the profession of retail designer and the MA course Retail & Interior Design at the Piet Zwart Institute, Rotterdam. The publication contains contributions by Lieven De Cauter, Marc Dubois, Mark van der Geest, Rodney Fitch, Patrick Kruithof, Hans van der Loo, Luc Pauwels, and Michel van Tongeren.
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livres
livres
Publication:
mars 2004, Rotterdam
mars 2004, Rotterdam
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livres
livres
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$49.95
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In 1452, Florentine sculptor Lorenzo Ghiberti unveiled a masterpiece that had been a quarter-century in the making: ten bronze panels depicting intricate scenes from the Old Testament. The monumental gilded bronze doors (each more than 15 feet tall) were designed for the Baptistery in the Piazza del Duomo in Florence. Centuries of admirers have considered “The Gates of(...)
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In 1452, Florentine sculptor Lorenzo Ghiberti unveiled a masterpiece that had been a quarter-century in the making: ten bronze panels depicting intricate scenes from the Old Testament. The monumental gilded bronze doors (each more than 15 feet tall) were designed for the Baptistery in the Piazza del Duomo in Florence. Centuries of admirers have considered “The Gates of(...)
Titre:
The gates of paradise : Lorenzo Ghiberti's masterpiece
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In 1452, Florentine sculptor Lorenzo Ghiberti unveiled a masterpiece that had been a quarter-century in the making: ten bronze panels depicting intricate scenes from the Old Testament. The monumental gilded bronze doors (each more than 15 feet tall) were designed for the Baptistery in the Piazza del Duomo in Florence. Centuries of admirers have considered “The Gates of Paradise” one of the great masterworks of Western art. This extensively illustrated book displays the full glory and elaborate details of many of the newly restored bronze panels, the extraordinary work of the conservators and restorers who cleaned the priceless doors. In a series of fascinating chapters, expert contributors capture Ghiberti’s world, his remarkable talent at representing human emotion in rich illusionistic settings, the relationships between Renaissance patrons and artists, and the collaborations and rivalries among artists. Other chapters explore the challenging craft of bronze sculpture, Ghiberti’s casting and finishing techniques, and the painstaking process involved in documenting and restoring the treasured doors. A chronology of Ghiberti’s life completes this lavishly produced volume.
The gates of paradise : Lorenzo Ghiberti's masterpiece
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In 1452, Florentine sculptor Lorenzo Ghiberti unveiled a masterpiece that had been a quarter-century in the making: ten bronze panels depicting intricate scenes from the Old Testament. The monumental gilded bronze doors (each more than 15 feet tall) were designed for the Baptistery in the Piazza del Duomo in Florence. Centuries of admirers have considered “The Gates of Paradise” one of the great masterworks of Western art. This extensively illustrated book displays the full glory and elaborate details of many of the newly restored bronze panels, the extraordinary work of the conservators and restorers who cleaned the priceless doors. In a series of fascinating chapters, expert contributors capture Ghiberti’s world, his remarkable talent at representing human emotion in rich illusionistic settings, the relationships between Renaissance patrons and artists, and the collaborations and rivalries among artists. Other chapters explore the challenging craft of bronze sculpture, Ghiberti’s casting and finishing techniques, and the painstaking process involved in documenting and restoring the treasured doors. A chronology of Ghiberti’s life completes this lavishly produced volume.
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livres
livres
Publication:
août 2007, New Haven London
août 2007, New Haven London
