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This book presents the origins of the projects carried out by the young Spanish architect Raúl Almenara, based in Madrid. From inspiration, through process and development, to transformation into idea and form. "I'm interested in exploring the possibilities of converting into architecture everything that has never been architecture before. It's a world that doesn't start(...)
Raúl Almenara: Feathers/ Piume
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This book presents the origins of the projects carried out by the young Spanish architect Raúl Almenara, based in Madrid. From inspiration, through process and development, to transformation into idea and form. "I'm interested in exploring the possibilities of converting into architecture everything that has never been architecture before. It's a world that doesn't start from a preconceived form or scale, that explores the possibilities of being translated to generate an emotion in the viewer".
Architecture, monographies
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This publication offers a synthetic introduction to the felt dynamics of cities and the character of places. We understand nostalgia, desire, and hope as virtual; that is, even though they are not material, they are nevertheless real and must be accounted for. The authors take up affect, emotion, and emplacement and consider them in relation to one another and how they(...)
décembre 2010
Ecologies of affect: placing nostalgia, desire, and hope
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This publication offers a synthetic introduction to the felt dynamics of cities and the character of places. We understand nostalgia, desire, and hope as virtual; that is, even though they are not material, they are nevertheless real and must be accounted for. The authors take up affect, emotion, and emplacement and consider them in relation to one another and how they work to produce and are produced by certain temporal and spatial dimensions.
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The term Brutalism is used to describe a form of architecture that appeared, mainly in Europe, from around 1945–1975. Uncompromisingly modern, this trend in architecture was both striking and arresting and, perhaps like no other style before or since, aroused extremes of emotion and debate. Some regarded Brutalist buildings as monstrous soulless structures of concrete,(...)
Brutalism : post-war British architecture
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The term Brutalism is used to describe a form of architecture that appeared, mainly in Europe, from around 1945–1975. Uncompromisingly modern, this trend in architecture was both striking and arresting and, perhaps like no other style before or since, aroused extremes of emotion and debate. Some regarded Brutalist buildings as monstrous soulless structures of concrete, steel, and glass, whereas others saw the genre as a logical progression, having its own grace and balance.
Brutalisme
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We
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Written in 1921, "We" is set in the One State, where all live for the collective good and individual freedom does not exist. The novel takes the form of the diary of mathematician D-503, who, to his shock, experiences the most disruptive emotion imaginable: love. At once satirical and sobering—and now available in a powerful new translation—"We" is both a rediscovered(...)
We
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Written in 1921, "We" is set in the One State, where all live for the collective good and individual freedom does not exist. The novel takes the form of the diary of mathematician D-503, who, to his shock, experiences the most disruptive emotion imaginable: love. At once satirical and sobering—and now available in a powerful new translation—"We" is both a rediscovered classic and a work of tremendous relevance to our own times.
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juillet 2006
Expositions en cours
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Description:
149 pages : illustrations ; 23 x 29 cm.
Toronto : Coles Pub. Co., ©1978.
Yesterday's Toronto, 1870-1910 / edited by Linda Shapiro.
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149 pages : illustrations ; 23 x 29 cm.
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Toronto : Coles Pub. Co., ©1978.
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Une approche anthropologique, historique et artistique des rapports entre l'homme et l'arbre. L'auteur étudie les métamorphoses des représentations, de l'imaginaire et des usages associés à ce végétal depuis l'Antiquité (Pline l'Ancien, Virgile, Columelle) jusqu'aux époques moderne et contemporaine (de Duhamel du Monceau à J. Beuys, en passant par Hugo, Proust ou Y. Bonnefoy).
La douceur de l'ombre : l'arbre, source d'émotions, de l'Antiquité à nos jours
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Une approche anthropologique, historique et artistique des rapports entre l'homme et l'arbre. L'auteur étudie les métamorphoses des représentations, de l'imaginaire et des usages associés à ce végétal depuis l'Antiquité (Pline l'Ancien, Virgile, Columelle) jusqu'aux époques moderne et contemporaine (de Duhamel du Monceau à J. Beuys, en passant par Hugo, Proust ou Y. Bonnefoy).
Théorie/ philosophie
Eva Hesse: one more than one
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Eva Hesse (1936–1970) was one of the foremost women artists of the twentieth century. Her artistic practice combined the seriality and reduction of 1960s Minimalism with emotion, sensuousness and physicality, while the transparency and transience of her unconventional materials also contributed greatly to her unique position in the art world of her day. From November 2013(...)
mars 2014
Eva Hesse: one more than one
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Eva Hesse (1936–1970) was one of the foremost women artists of the twentieth century. Her artistic practice combined the seriality and reduction of 1960s Minimalism with emotion, sensuousness and physicality, while the transparency and transience of her unconventional materials also contributed greatly to her unique position in the art world of her day. From November 2013 onward, the Hamburger Kunsthalle is presenting the first solo exhibition of Hesse’s work in her native city. This publication is the catalogue of the exhibition.
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Description:
xx, 252 pages : illustrations (some color) ; 29 cm
Austin : University of Texas Press, 1991.
Harwell Hamilton Harris / by Lisa Germany ; foreword by Kenneth Frampton ; introduction by Bruno Zevi.
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xx, 252 pages : illustrations (some color) ; 29 cm
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Austin : University of Texas Press, 1991.
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Description:
vii, 496 pages : illustrations ; 25 cm.
Philadelphia : University of Pennsylvania Press, ©2001.
Theory of garden art / C.C.L. Hirshfeld ; edited and translated by Linda B. Parshall.
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vii, 496 pages : illustrations ; 25 cm.
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Philadelphia : University of Pennsylvania Press, ©2001.
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This issue is dedicated to the politics of memory and forms of ritualized mourning in art and culture. Rather than focusing on an analysis of an ostensibly universal emotion or general state of affairs, the contributions look into the concrete and diverse practices of engagement with loss and grief as a continual challenge to society. Issue #126 addresses questions of(...)
Texte Zur Kunst 126: mourning
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This issue is dedicated to the politics of memory and forms of ritualized mourning in art and culture. Rather than focusing on an analysis of an ostensibly universal emotion or general state of affairs, the contributions look into the concrete and diverse practices of engagement with loss and grief as a continual challenge to society. Issue #126 addresses questions of loss and mourning in the context of racist and right-wing violence. At the same time, it draws attention to the transformative powers of grief.
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