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Résumé:
The undead of contemporary painting, avant-garde populism, photography courting stupidity, fraught networking, synthetic atmospheres, displaced abstractions, and the mediation of pain: these are among the subjects treated in this collection of essays by art historian and critic Ina Blom. Drawing on Blom's familiarity with the contemporary art scene as well as the archives(...)
Houses to die in and other essays on art
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The undead of contemporary painting, avant-garde populism, photography courting stupidity, fraught networking, synthetic atmospheres, displaced abstractions, and the mediation of pain: these are among the subjects treated in this collection of essays by art historian and critic Ina Blom. Drawing on Blom's familiarity with the contemporary art scene as well as the archives of twentieth-century avant-garde art, these texts share a pull towards artistic projects that are not redemptive or exemplary but that rather convey a sense of—often unheroic—trouble. Leaning into ambivalence as a methodology of criticism, Blom takes a particular interest in the detours, doubts, and difficulties that run alongside avant-garde art’s more constructively hopeful desires for transformative innovation and change.
Théorie de l’art
50:50 Words for reuse
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This is a compilation of the dialects of reuse. Its proposition is that an obsolete entity is not only a site of depredation, it is a condition for mediation: a location for research and design processes for meaningful change through reuse. In other words, the creative re-designation of all existing matter. This publication characterises centuries of these practices, and(...)
50:50 Words for reuse
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This is a compilation of the dialects of reuse. Its proposition is that an obsolete entity is not only a site of depredation, it is a condition for mediation: a location for research and design processes for meaningful change through reuse. In other words, the creative re-designation of all existing matter. This publication characterises centuries of these practices, and specifies their relevance to the 21st century. Our time will be characterised by its responses to the challenge of climate emergency, and to the need for social justice. It is a resource: lexicon of language, an expression of vocabularies, and a glossary of terms used to distinguish the transformation of the existing, into something new.
Théorie de l’architecture
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For Bernard Tschumi, "drawing is thinking" and "being with a piece of paper and a pen does not feel like working. It can be sheer bliss", he writes, "seeing thought materialise itself in front of your eyes through the almost unconscious mediation of your hand. It is a form of notation of the mind." This collection of previously unpublished drawings, diagrams, and other(...)
Notations: diagrams and sequences
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For Bernard Tschumi, "drawing is thinking" and "being with a piece of paper and a pen does not feel like working. It can be sheer bliss", he writes, "seeing thought materialise itself in front of your eyes through the almost unconscious mediation of your hand. It is a form of notation of the mind." This collection of previously unpublished drawings, diagrams, and other remnants of the architectural process provides new insight into well-known projects like the Parc de la villette and the New Acropolis Museum, as well as tracing a number of unbuilt pr oposals and speculations. Notations (Diagrams & Sequences) offers a unique view into the working process of Bernard Tschumi and his office.
Architecture, monographies
vidéo
Description:
1 videocassette (77 min.) : sound, color ; 1/2 in.
Paris : TRIAC documentaire, ©1995.
Georges Duby - Jean-Pierre Raynaud, conférence du 6 mars 1995 / organisée par l'Université François Rabelais et conçue par le Centre de Création Contemporaine de Tours ; médiateur, Philippe Piguet ; [conception, Gilles Coudert, Frédéric Migayrou ; réalisation, Gilles Coudert].
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1 videocassette (77 min.) : sound, color ; 1/2 in.
vidéo
Paris : TRIAC documentaire, ©1995.
A dream of stone
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Best known for her seminal novel "Memoirs of Hadrian" (1951), an imagined autobiography of the Roman emperor, Yourcenar brings the same depth of inquiry and inventive speculation to her lyric prose on art and artists in this newest title in the ekphrasis series. In these five jewel-like essays, Yourcenar meditates on the decay of time, the desire both satiated and refused(...)
A dream of stone
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Best known for her seminal novel "Memoirs of Hadrian" (1951), an imagined autobiography of the Roman emperor, Yourcenar brings the same depth of inquiry and inventive speculation to her lyric prose on art and artists in this newest title in the ekphrasis series. In these five jewel-like essays, Yourcenar meditates on the decay of time, the desire both satiated and refused by art, and the imagery animating the lives, works, and dreams of Michelangelo, Dürer, and Piranesi. And in an intimate mediation on the historical novel, Yourcenar describes her own encounters with how language and sound reveal the past. Together these exquisite essays explore that fundamental awe—perhaps even the terror—at the heart of an encounter with beauty.
Théorie de l’art
Log 41
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Log 41 both observes the state of architecture today and devotes 114 pages to a special section called Working Queer, guest-edited by architect Jaffer Kolb. From Hans Tursack’s commentary on “shape architecture” to Michael Young’s valuation of parafiction as a critique of realism; from Lisa Hsieh’s examination of modernology in Japan to Cynthia Davidson’s conversation(...)
Log 41
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Log 41 both observes the state of architecture today and devotes 114 pages to a special section called Working Queer, guest-edited by architect Jaffer Kolb. From Hans Tursack’s commentary on “shape architecture” to Michael Young’s valuation of parafiction as a critique of realism; from Lisa Hsieh’s examination of modernology in Japan to Cynthia Davidson’s conversation with Martino Stierli, Log 41 considers both history and the contemporary. In Working Queer, nineteen authors take a similar look at history and the contemporary in articles ranging from homo-fascism in early 20th-century aesthetics to trans gender bathroom typologies for today, as well as methods of work, materials, and mediation that can all be considered queer, or queering, in our pluralist, mediated world.
Revues
Reality modeled after images
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This publication explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and(...)
Reality modeled after images
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This publication explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and transformed. Critical investigations are conjoined with inquiries into aesthetics and technology in the hope that the tensions between them can aid an exploration into how architectural images are produced, disseminated, and valued; how images alter assumptions regarding the appearances of architecture and the environment. For students and academics in architecture, design and media studies, architectural and art history, and related fields, this book shows how design is impacted and changed by shifts in image culture, representational conventions and technologies.
Théorie de l’architecture
livres
Description:
xxiii, 329 pages : illustrations (some color), plans ; 24 cm
Paris : Éditions des Cendres, ©2015.
La maquette : un outil au service du projet architectural : actes du colloque qui s'est tenu les 20-21 mai 2011 à la Cité de l'architecture & du patrimoine.
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xxiii, 329 pages : illustrations (some color), plans ; 24 cm
livres
Paris : Éditions des Cendres, ©2015.
$54.95
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The success of any architectural project depends on the architect’s ability to depict it. Conveying architectural ideas as drawings, pictures, or models is both a critical part of the process and one that can tell us much about the design itself in a particular time or place. Over the past two decades, major new trends in architectural representation have emerged in(...)
Pictures of the floating microcosm: new representations of Japanese architecture
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The success of any architectural project depends on the architect’s ability to depict it. Conveying architectural ideas as drawings, pictures, or models is both a critical part of the process and one that can tell us much about the design itself in a particular time or place. Over the past two decades, major new trends in architectural representation have emerged in Japan, which have gained widespread attention in the western world. "Pictures of the floating microcosm" considers these trends and takes readers through their development to the present day. Olivier Meystre undertakes a critique of the design tools and mediation techniques that have been employed and reveals the very special ways of conceiving an architectural project, drawing on a wealth of new research and interviews with contemporary Japanese architects.
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In her works, Ulla von Brandenburg interlinks various genres to create highly symbolic, staged presentations: sculpture, installation and film, performance, fashion and music, silhouettes and wall drawings. The exhibition space becomes a stage for her examination of the various modes of expression found in theater, the play with fiction and reality, role and identity. For(...)
Ulla von Brandenbrg: The Motion's Method
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In her works, Ulla von Brandenburg interlinks various genres to create highly symbolic, staged presentations: sculpture, installation and film, performance, fashion and music, silhouettes and wall drawings. The exhibition space becomes a stage for her examination of the various modes of expression found in theater, the play with fiction and reality, role and identity. For her solo exhibition in the Darmstadt Artists' Colony Museum, Ulla von Brandenburg focuses on an installation developed specifically for this venue, which stands in connection with the unique history of the Mathildenhöhe as a think tank and experimental laboratory of modernism. She stages works from the Darmstadt Municipal Art Collection in combination with her own objects, whereby the focus is laid not only on the historic reception of the works, but also on questions of presentation, perception, and mediation.