3245 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
Personnes et institutions:
Date:
between 1919 and 1920
between 1919 and 1920
Titre:
Bruno Taut
Actions:
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
Bruno Taut
Actions:
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
Niveau de description archivistique:
series
series
Date:
between 1919 and 1920
between 1919 and 1920
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP166.S1
Description:
Series 1, Architectural Projects (1990-2012, predominant 1990-1996) contains files for seven projects developed by Shoei Yoh and the firm Shoei Yoh + Architects. Six of these projects were developed during the period 1990-1996 in Japan. The Galaxy Toyama Gymnasium in Imizu, Toyama Prefecture, Japan, is the most voluminous project file and is related to two other projects in the series—the Odawara Municipal Sports Complex and the Prospecta Toyama ’92 Observatory Tower. The Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium were developed at approximately the same time, and, for both projects, digital technology was used to calculate the dimensions of elements in a space frame roof structure. The Galaxy Toyama Gymnasium and the Prospecta Toyama ’92 Observatory Tower were both designed by Shoei Yoh for the 1st Japan Expo Toyama ’92 (JET ‘92) and each of the two project files contains some material related to the other. The Galaxy Toyama Gymnasium project contains CAD files related to the roof design, printouts from computer simulations of the roof, design drawings, presentation material, architectural and structural working drawings, models and textual records. The project file for the Odawara Municipal Sports Complex contains some design drawings--including printouts from computer simulations of the roof, proposal documents and some photographs of the site. The other built projects—the Prospecta Toyama ’92 Observatory Tower, the Glass Station, the Naiju Community Center and Nursery School, and the Uchino Community Center for Seniors and Children—are documented through drawings, models, and photographic material. The final project file in the series--a project for a tower in Taichung, Taiwan—is composed of a few presentation documents. Drawings in the series include hand drawings and printouts or photocopies of images created using digital design software. Apart from the CAD files related to the roof design for the Galaxy Toyama Gymnasium, digital material in the series is composed of still images in .jpg format related to the projects for the Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium. Some of the documents in .jpg format are duplicates of paper documents in the series.
AP166.S1
Description:
Series 1, Architectural Projects (1990-2012, predominant 1990-1996) contains files for seven projects developed by Shoei Yoh and the firm Shoei Yoh + Architects. Six of these projects were developed during the period 1990-1996 in Japan. The Galaxy Toyama Gymnasium in Imizu, Toyama Prefecture, Japan, is the most voluminous project file and is related to two other projects in the series—the Odawara Municipal Sports Complex and the Prospecta Toyama ’92 Observatory Tower. The Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium were developed at approximately the same time, and, for both projects, digital technology was used to calculate the dimensions of elements in a space frame roof structure. The Galaxy Toyama Gymnasium and the Prospecta Toyama ’92 Observatory Tower were both designed by Shoei Yoh for the 1st Japan Expo Toyama ’92 (JET ‘92) and each of the two project files contains some material related to the other. The Galaxy Toyama Gymnasium project contains CAD files related to the roof design, printouts from computer simulations of the roof, design drawings, presentation material, architectural and structural working drawings, models and textual records. The project file for the Odawara Municipal Sports Complex contains some design drawings--including printouts from computer simulations of the roof, proposal documents and some photographs of the site. The other built projects—the Prospecta Toyama ’92 Observatory Tower, the Glass Station, the Naiju Community Center and Nursery School, and the Uchino Community Center for Seniors and Children—are documented through drawings, models, and photographic material. The final project file in the series--a project for a tower in Taichung, Taiwan—is composed of a few presentation documents. Drawings in the series include hand drawings and printouts or photocopies of images created using digital design software. Apart from the CAD files related to the roof design for the Galaxy Toyama Gymnasium, digital material in the series is composed of still images in .jpg format related to the projects for the Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium. Some of the documents in .jpg format are duplicates of paper documents in the series.
Personnes et institutions:
Date:
1990-2012, predominant 1990-1996
1990-2012, predominant 1990-1996
Titre:
Architectural projects
Actions:
AP166.S1
Description:
Series 1, Architectural Projects (1990-2012, predominant 1990-1996) contains files for seven projects developed by Shoei Yoh and the firm Shoei Yoh + Architects. Six of these projects were developed during the period 1990-1996 in Japan. The Galaxy Toyama Gymnasium in Imizu, Toyama Prefecture, Japan, is the most voluminous project file and is related to two other projects in the series—the Odawara Municipal Sports Complex and the Prospecta Toyama ’92 Observatory Tower. The Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium were developed at approximately the same time, and, for both projects, digital technology was used to calculate the dimensions of elements in a space frame roof structure. The Galaxy Toyama Gymnasium and the Prospecta Toyama ’92 Observatory Tower were both designed by Shoei Yoh for the 1st Japan Expo Toyama ’92 (JET ‘92) and each of the two project files contains some material related to the other. The Galaxy Toyama Gymnasium project contains CAD files related to the roof design, printouts from computer simulations of the roof, design drawings, presentation material, architectural and structural working drawings, models and textual records. The project file for the Odawara Municipal Sports Complex contains some design drawings--including printouts from computer simulations of the roof, proposal documents and some photographs of the site. The other built projects—the Prospecta Toyama ’92 Observatory Tower, the Glass Station, the Naiju Community Center and Nursery School, and the Uchino Community Center for Seniors and Children—are documented through drawings, models, and photographic material. The final project file in the series--a project for a tower in Taichung, Taiwan—is composed of a few presentation documents. Drawings in the series include hand drawings and printouts or photocopies of images created using digital design software. Apart from the CAD files related to the roof design for the Galaxy Toyama Gymnasium, digital material in the series is composed of still images in .jpg format related to the projects for the Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium. Some of the documents in .jpg format are duplicates of paper documents in the series.
Architectural projects
Actions:
AP166.S1
Description:
Series 1, Architectural Projects (1990-2012, predominant 1990-1996) contains files for seven projects developed by Shoei Yoh and the firm Shoei Yoh + Architects. Six of these projects were developed during the period 1990-1996 in Japan. The Galaxy Toyama Gymnasium in Imizu, Toyama Prefecture, Japan, is the most voluminous project file and is related to two other projects in the series—the Odawara Municipal Sports Complex and the Prospecta Toyama ’92 Observatory Tower. The Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium were developed at approximately the same time, and, for both projects, digital technology was used to calculate the dimensions of elements in a space frame roof structure. The Galaxy Toyama Gymnasium and the Prospecta Toyama ’92 Observatory Tower were both designed by Shoei Yoh for the 1st Japan Expo Toyama ’92 (JET ‘92) and each of the two project files contains some material related to the other. The Galaxy Toyama Gymnasium project contains CAD files related to the roof design, printouts from computer simulations of the roof, design drawings, presentation material, architectural and structural working drawings, models and textual records. The project file for the Odawara Municipal Sports Complex contains some design drawings--including printouts from computer simulations of the roof, proposal documents and some photographs of the site. The other built projects—the Prospecta Toyama ’92 Observatory Tower, the Glass Station, the Naiju Community Center and Nursery School, and the Uchino Community Center for Seniors and Children—are documented through drawings, models, and photographic material. The final project file in the series--a project for a tower in Taichung, Taiwan—is composed of a few presentation documents. Drawings in the series include hand drawings and printouts or photocopies of images created using digital design software. Apart from the CAD files related to the roof design for the Galaxy Toyama Gymnasium, digital material in the series is composed of still images in .jpg format related to the projects for the Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium. Some of the documents in .jpg format are duplicates of paper documents in the series.
Niveau de description archivistique:
series
series
Date:
1990-2012, predominant 1990-1996
1990-2012, predominant 1990-1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1974.PR21
Description:
This project series documents a land use study for the Toronto International Airport in Mississauga, Ontario in 1974. The project number assigned by the office is unknown. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of a study to determine, amongst other things, where to place future hangars for Air Canada, near the airline's existing hangars. The project also proposed locations for passenger and cargo terminals and cargo terminals, parking, and air cargo areas, with future expansions in mind. This study included both short term and long term planning of the airport land. The project is recorded through drawings dating from 1973-1974, which include sketches and reprographic copies of site plans.
AP018.S1.1974.PR21
Description:
This project series documents a land use study for the Toronto International Airport in Mississauga, Ontario in 1974. The project number assigned by the office is unknown. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of a study to determine, amongst other things, where to place future hangars for Air Canada, near the airline's existing hangars. The project also proposed locations for passenger and cargo terminals and cargo terminals, parking, and air cargo areas, with future expansions in mind. This study included both short term and long term planning of the airport land. The project is recorded through drawings dating from 1973-1974, which include sketches and reprographic copies of site plans.
Personnes et institutions:
Date:
1973-1974
1973-1974
Titre:
Toronto International Airport, Land Use Study, Mississauga, Ontario (1974)
Actions:
AP018.S1.1974.PR21
Description:
This project series documents a land use study for the Toronto International Airport in Mississauga, Ontario in 1974. The project number assigned by the office is unknown. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of a study to determine, amongst other things, where to place future hangars for Air Canada, near the airline's existing hangars. The project also proposed locations for passenger and cargo terminals and cargo terminals, parking, and air cargo areas, with future expansions in mind. This study included both short term and long term planning of the airport land. The project is recorded through drawings dating from 1973-1974, which include sketches and reprographic copies of site plans.
Toronto International Airport, Land Use Study, Mississauga, Ontario (1974)
Actions:
AP018.S1.1974.PR21
Description:
This project series documents a land use study for the Toronto International Airport in Mississauga, Ontario in 1974. The project number assigned by the office is unknown. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of a study to determine, amongst other things, where to place future hangars for Air Canada, near the airline's existing hangars. The project also proposed locations for passenger and cargo terminals and cargo terminals, parking, and air cargo areas, with future expansions in mind. This study included both short term and long term planning of the airport land. The project is recorded through drawings dating from 1973-1974, which include sketches and reprographic copies of site plans.
Niveau de description archivistique:
Project
Project
Date:
1973-1974
1973-1974
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Palais des Congrès
Palais des Congrès
Numéro de référence:
AP163.S2.SS1.D71
Description:
This project series documents Victor Prus's project for the Palais des Congrés, a convention centre in Montréal, Québec. Prus worked in collation with Labelle, Lalonde et Lemoyne architects. The project was completed in 1979. The building situated on top of the Autoroute Ville-Marie, between Saint-Antoine Street and Avenue Viger Ouest. From 1999 to 2002, major renovations and additions will double the size of the original building. The project series contains drawings, including sketches and perspectives drawings, site plans, floor plans, sections, details, elevations and other working drawings, and photographs of the buildings model, and photographs of the site and the surroundings. It also include press clippings about the project, promotional materials, samples of interior decorations, correspondence with clients, asssociates, contractors, and consultants, reports and studies from diffrentes stages of the developement of the project and the construction, specifications and buildings programs, and minutes of meetings. The project series also inlcudes models of the building.
AP163.S2.SS1.D71
Description:
This project series documents Victor Prus's project for the Palais des Congrés, a convention centre in Montréal, Québec. Prus worked in collation with Labelle, Lalonde et Lemoyne architects. The project was completed in 1979. The building situated on top of the Autoroute Ville-Marie, between Saint-Antoine Street and Avenue Viger Ouest. From 1999 to 2002, major renovations and additions will double the size of the original building. The project series contains drawings, including sketches and perspectives drawings, site plans, floor plans, sections, details, elevations and other working drawings, and photographs of the buildings model, and photographs of the site and the surroundings. It also include press clippings about the project, promotional materials, samples of interior decorations, correspondence with clients, asssociates, contractors, and consultants, reports and studies from diffrentes stages of the developement of the project and the construction, specifications and buildings programs, and minutes of meetings. The project series also inlcudes models of the building.
Personnes et institutions:
Date:
1978-1985
1978-1985
Titre:
Palais des Congrès
Actions:
AP163.S2.SS1.D71
Description:
This project series documents Victor Prus's project for the Palais des Congrés, a convention centre in Montréal, Québec. Prus worked in collation with Labelle, Lalonde et Lemoyne architects. The project was completed in 1979. The building situated on top of the Autoroute Ville-Marie, between Saint-Antoine Street and Avenue Viger Ouest. From 1999 to 2002, major renovations and additions will double the size of the original building. The project series contains drawings, including sketches and perspectives drawings, site plans, floor plans, sections, details, elevations and other working drawings, and photographs of the buildings model, and photographs of the site and the surroundings. It also include press clippings about the project, promotional materials, samples of interior decorations, correspondence with clients, asssociates, contractors, and consultants, reports and studies from diffrentes stages of the developement of the project and the construction, specifications and buildings programs, and minutes of meetings. The project series also inlcudes models of the building.
Palais des Congrès
Actions:
AP163.S2.SS1.D71
Description:
This project series documents Victor Prus's project for the Palais des Congrés, a convention centre in Montréal, Québec. Prus worked in collation with Labelle, Lalonde et Lemoyne architects. The project was completed in 1979. The building situated on top of the Autoroute Ville-Marie, between Saint-Antoine Street and Avenue Viger Ouest. From 1999 to 2002, major renovations and additions will double the size of the original building. The project series contains drawings, including sketches and perspectives drawings, site plans, floor plans, sections, details, elevations and other working drawings, and photographs of the buildings model, and photographs of the site and the surroundings. It also include press clippings about the project, promotional materials, samples of interior decorations, correspondence with clients, asssociates, contractors, and consultants, reports and studies from diffrentes stages of the developement of the project and the construction, specifications and buildings programs, and minutes of meetings. The project series also inlcudes models of the building.
Niveau de description archivistique:
File 71
File 71
Date:
1978-1985
1978-1985
Personnes et institutions:
Classification:
dessins, graphique
dessins, graphique
Numéro de référence:
DR1988:0270:001-005
Description:
- Five competition drawings for a Temple of Glory on the site of the Madeleine, Paris, placed in an album by the architects, who also wrote the petition on folio 2. Apparently this album with its five drawings is the complete submission, since the other album guards have no traces of glue. Also received with the album, placed loosely inside it, were two pamphlets for different projects from the same competition. They were inserted at a later date, possibly by the collector Hippolyte-Alexandre-Gabriel-Walter Destailleur, whose bookplate appears on the front endpaper.
DR1988:0270:001-005
Description:
- Five competition drawings for a Temple of Glory on the site of the Madeleine, Paris, placed in an album by the architects, who also wrote the petition on folio 2. Apparently this album with its five drawings is the complete submission, since the other album guards have no traces of glue. Also received with the album, placed loosely inside it, were two pamphlets for different projects from the same competition. They were inserted at a later date, possibly by the collector Hippolyte-Alexandre-Gabriel-Walter Destailleur, whose bookplate appears on the front endpaper.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
after 20 December 1806
after 20 December 1806
Titre:
Projet pour la Madeleine. Album de 5 dessins (vers 1806).
Actions:
DR1988:0270:001-005
Description:
- Five competition drawings for a Temple of Glory on the site of the Madeleine, Paris, placed in an album by the architects, who also wrote the petition on folio 2. Apparently this album with its five drawings is the complete submission, since the other album guards have no traces of glue. Also received with the album, placed loosely inside it, were two pamphlets for different projects from the same competition. They were inserted at a later date, possibly by the collector Hippolyte-Alexandre-Gabriel-Walter Destailleur, whose bookplate appears on the front endpaper.
Projet pour la Madeleine. Album de 5 dessins (vers 1806).
Actions:
DR1988:0270:001-005
Description:
- Five competition drawings for a Temple of Glory on the site of the Madeleine, Paris, placed in an album by the architects, who also wrote the petition on folio 2. Apparently this album with its five drawings is the complete submission, since the other album guards have no traces of glue. Also received with the album, placed loosely inside it, were two pamphlets for different projects from the same competition. They were inserted at a later date, possibly by the collector Hippolyte-Alexandre-Gabriel-Walter Destailleur, whose bookplate appears on the front endpaper.
Classification:
dessins, graphique
dessins, graphique
Date:
after 20 December 1806
after 20 December 1806
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Personnes et institutions:
Date:
1967-1988
1967-1988
Titre:
Public relations, marketing and collaborations
Actions:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Public relations, marketing and collaborations
Actions:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Niveau de description archivistique:
sub-series
sub-series
Date:
1967-1988
1967-1988
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR1987:0585
Description:
- This drawing for an hexagonal-shaped sign for Wayfarers' Chapel, Palos Verdes, California, is developed within the equilateral parallelogram grid unit of the chapel. The grid unit is inscribed on several orthographic drawings (DR1987:0530) and is described by Lloyd Wright in the architect's statement (DR1987:0869:011:009). This sign could either be for the entrance gate sign or the roadside sign shown on other drawings (eg. DR1987:0625).
DR1987:0585
Description:
- This drawing for an hexagonal-shaped sign for Wayfarers' Chapel, Palos Verdes, California, is developed within the equilateral parallelogram grid unit of the chapel. The grid unit is inscribed on several orthographic drawings (DR1987:0530) and is described by Lloyd Wright in the architect's statement (DR1987:0869:011:009). This sign could either be for the entrance gate sign or the roadside sign shown on other drawings (eg. DR1987:0625).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
between 1953 and 1958
between 1953 and 1958
Titre:
Wayfarers' Chapel, Palos Verdes, California: Elevation for a sign developed within an equilateral parallelogram
Actions:
DR1987:0585
Description:
- This drawing for an hexagonal-shaped sign for Wayfarers' Chapel, Palos Verdes, California, is developed within the equilateral parallelogram grid unit of the chapel. The grid unit is inscribed on several orthographic drawings (DR1987:0530) and is described by Lloyd Wright in the architect's statement (DR1987:0869:011:009). This sign could either be for the entrance gate sign or the roadside sign shown on other drawings (eg. DR1987:0625).
Wayfarers' Chapel, Palos Verdes, California: Elevation for a sign developed within an equilateral parallelogram
Actions:
DR1987:0585
Description:
- This drawing for an hexagonal-shaped sign for Wayfarers' Chapel, Palos Verdes, California, is developed within the equilateral parallelogram grid unit of the chapel. The grid unit is inscribed on several orthographic drawings (DR1987:0530) and is described by Lloyd Wright in the architect's statement (DR1987:0869:011:009). This sign could either be for the entrance gate sign or the roadside sign shown on other drawings (eg. DR1987:0625).
Classification:
dessins
dessins
Date:
between 1953 and 1958
between 1953 and 1958
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S1.SS9.012
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from B-CO. The largest portion of the box is comprised of drafts and correspondence on Caltrava Bridges. Also included is a dossier for the International Committee of Architectural Critica (CICA). Other subjects and architects explored in these texts include Georges Baines, Luis Barragan, H.P. Berlage, Mario Botta, the British Library, Alberto Campo Baeza, China's sacred sites, and David Chipperfield.
AP197.S1.SS9.012
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from B-CO. The largest portion of the box is comprised of drafts and correspondence on Caltrava Bridges. Also included is a dossier for the International Committee of Architectural Critica (CICA). Other subjects and architects explored in these texts include Georges Baines, Luis Barragan, H.P. Berlage, Mario Botta, the British Library, Alberto Campo Baeza, China's sacred sites, and David Chipperfield.
Personnes et institutions:
Date:
1977-2016
1977-2016
Titre:
Kenneth Frampton writings (B-CO)
Actions:
AP197.S1.SS9.012
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from B-CO. The largest portion of the box is comprised of drafts and correspondence on Caltrava Bridges. Also included is a dossier for the International Committee of Architectural Critica (CICA). Other subjects and architects explored in these texts include Georges Baines, Luis Barragan, H.P. Berlage, Mario Botta, the British Library, Alberto Campo Baeza, China's sacred sites, and David Chipperfield.
Kenneth Frampton writings (B-CO)
Actions:
AP197.S1.SS9.012
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from B-CO. The largest portion of the box is comprised of drafts and correspondence on Caltrava Bridges. Also included is a dossier for the International Committee of Architectural Critica (CICA). Other subjects and architects explored in these texts include Georges Baines, Luis Barragan, H.P. Berlage, Mario Botta, the British Library, Alberto Campo Baeza, China's sacred sites, and David Chipperfield.
Classification:
documents textuels
documents textuels
Date:
1977-2016
1977-2016
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
Personnes et institutions:
Date:
1932-1975
1932-1975
Titre:
Projets d'architecture = Architectural projects
Actions:
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
Projets d'architecture = Architectural projects
Actions:
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
Niveau de description archivistique:
Série 3
Série 3
Date:
1932-1975
1932-1975
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Personnes et institutions:
Date:
circa 1981-1988
circa 1981-1988
Titre:
Concurso, Block 121, Schlesisches Tor [Competition for Schlesisches Tor residential complex], Berlin, Germany (1981-1988)
Actions:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Concurso, Block 121, Schlesisches Tor [Competition for Schlesisches Tor residential complex], Berlin, Germany (1981-1988)
Actions:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Niveau de description archivistique:
Project
Project
Date:
circa 1981-1988
circa 1981-1988
Personnes et institutions:
