5111 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2011.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the interior atrium of the Telus Garden Presentation Centre, located at the corner of West Georgia and Richards streets in Vancouver, British Columbia. Oberlander worked on this project in 2011 with architectural firm Henriquez Partners Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in designing an interior atrium space of eight-storey high. The atrium included an interior garden with trees and low growing fern, a restaurant, a commercial area, a public space and an outdoor patio with pines and ornemental trees. It was completed in 2012. This project is documented through correspondence, including correspondence with architects, concept presentation documents, and landscape services proposals from Sharp and Diamond Landscape Architects. The project series also contains design development drawings, including planters details, sections, plans and building working drawings used as reference.
AP075.S1.2011.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the interior atrium of the Telus Garden Presentation Centre, located at the corner of West Georgia and Richards streets in Vancouver, British Columbia. Oberlander worked on this project in 2011 with architectural firm Henriquez Partners Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in designing an interior atrium space of eight-storey high. The atrium included an interior garden with trees and low growing fern, a restaurant, a commercial area, a public space and an outdoor patio with pines and ornemental trees. It was completed in 2012. This project is documented through correspondence, including correspondence with architects, concept presentation documents, and landscape services proposals from Sharp and Diamond Landscape Architects. The project series also contains design development drawings, including planters details, sections, plans and building working drawings used as reference.
Personnes et institutions:
Date:
2003-2011
2003-2011
Titre:
Telus Garden Presentation Centre, Vancouver, British Columbia (2011)
Actions:
AP075.S1.2011.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the interior atrium of the Telus Garden Presentation Centre, located at the corner of West Georgia and Richards streets in Vancouver, British Columbia. Oberlander worked on this project in 2011 with architectural firm Henriquez Partners Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in designing an interior atrium space of eight-storey high. The atrium included an interior garden with trees and low growing fern, a restaurant, a commercial area, a public space and an outdoor patio with pines and ornemental trees. It was completed in 2012. This project is documented through correspondence, including correspondence with architects, concept presentation documents, and landscape services proposals from Sharp and Diamond Landscape Architects. The project series also contains design development drawings, including planters details, sections, plans and building working drawings used as reference.
Telus Garden Presentation Centre, Vancouver, British Columbia (2011)
Actions:
AP075.S1.2011.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the interior atrium of the Telus Garden Presentation Centre, located at the corner of West Georgia and Richards streets in Vancouver, British Columbia. Oberlander worked on this project in 2011 with architectural firm Henriquez Partners Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in designing an interior atrium space of eight-storey high. The atrium included an interior garden with trees and low growing fern, a restaurant, a commercial area, a public space and an outdoor patio with pines and ornemental trees. It was completed in 2012. This project is documented through correspondence, including correspondence with architects, concept presentation documents, and landscape services proposals from Sharp and Diamond Landscape Architects. The project series also contains design development drawings, including planters details, sections, plans and building working drawings used as reference.
Niveau de description archivistique:
Project
Project
Date:
2003-2011
2003-2011
Personnes et institutions:
Classification:
expositions
expositions
Titre:
Mies en Amérique
Mies en Amérique
Actions:
Description:
Grand penseur et artiste minutieux, et l’un des plus illustres architectes de l’histoire, Ludwig Mies van der Rohe est déjà une figure dominante de sa profession en Allemagne, lorsque, en 1938, dans la cinquantaine, il émigre aux États-Unis. Transplanté de l’école du Bauhaus (dont il a été le dernier directeur) à un institut technique de Chicago, délaissant le milieu de(...)
Grand penseur et artiste minutieux, et l’un des plus illustres architectes de l’histoire, Ludwig Mies van der Rohe est déjà une figure dominante de sa profession en Allemagne, lorsque, en 1938, dans la cinquantaine, il émigre aux États-Unis. Transplanté de l’école du Bauhaus (dont il a été le dernier directeur) à un institut technique de Chicago, délaissant le milieu de(...)
Localisation:
Salles principales
Salles principales
Date:
17 octobre 2001 au 20 janvier 2002
17 octobre 2001 au 20 janvier 2002
Titre:
Mies en Amérique
Actions:
Description:
Grand penseur et artiste minutieux, et l’un des plus illustres architectes de l’histoire, Ludwig Mies van der Rohe est déjà une figure dominante de sa profession en Allemagne, lorsque, en 1938, dans la cinquantaine, il émigre aux États-Unis. Transplanté de l’école du Bauhaus (dont il a été le dernier directeur) à un institut technique de Chicago, délaissant le milieu de(...)
Mies en Amérique
Actions:
Description:
Grand penseur et artiste minutieux, et l’un des plus illustres architectes de l’histoire, Ludwig Mies van der Rohe est déjà une figure dominante de sa profession en Allemagne, lorsque, en 1938, dans la cinquantaine, il émigre aux États-Unis. Transplanté de l’école du Bauhaus (dont il a été le dernier directeur) à un institut technique de Chicago, délaissant le milieu de(...)
Classification:
expositions
expositions
Date:
17 octobre 2001 au
20 janvier 2002
17 octobre 2001 au
20 janvier 2002
Localisation:
Salles principales
Salles principales
Niveau de description archivistique:
Projet
Projet
Titre:
House 11a
House 11a
Numéro de référence:
AP143.S4.D23
Description:
File documents an unexecuted project for House 11a, designed for Mr. and Mrs. Kurt Forster, Palo Alto, California, United States. File also includes one drawing for the International Seminary of Design in the Area of Cannaregio-West in Venice, Italy. Material in this file was produced in 1978. File does not contain any conceptual drawings by Eisenman. Freehand diagrams explain the series of "topological" operations at the origin of the design (DR1994:0139:001-008). The original presentation drawings are published in 'Progressive Architecture' (DR1994:0139:283-301). File contains conceptual drawings, design development drawings, and presentation drawings. - Conceptual drawings include elevations, sections, and axonometrics - mostly black and coloured felt-tip pen on tracing vellum. Design development drawings include plans and axonometrics - some black felt-tip pen and some graphite on yellow tracing paper; and reprographic copies include - one photocopy on wove paper. Presentation drawings include plans, elevations, and axonometrics - mostly pen and black ink on tracing vellum. Copies include a stat of an axonometric of House 11a and a photocopy of part of the Cannaregio site plan.
AP143.S4.D23
Description:
File documents an unexecuted project for House 11a, designed for Mr. and Mrs. Kurt Forster, Palo Alto, California, United States. File also includes one drawing for the International Seminary of Design in the Area of Cannaregio-West in Venice, Italy. Material in this file was produced in 1978. File does not contain any conceptual drawings by Eisenman. Freehand diagrams explain the series of "topological" operations at the origin of the design (DR1994:0139:001-008). The original presentation drawings are published in 'Progressive Architecture' (DR1994:0139:283-301). File contains conceptual drawings, design development drawings, and presentation drawings. - Conceptual drawings include elevations, sections, and axonometrics - mostly black and coloured felt-tip pen on tracing vellum. Design development drawings include plans and axonometrics - some black felt-tip pen and some graphite on yellow tracing paper; and reprographic copies include - one photocopy on wove paper. Presentation drawings include plans, elevations, and axonometrics - mostly pen and black ink on tracing vellum. Copies include a stat of an axonometric of House 11a and a photocopy of part of the Cannaregio site plan.
Personnes et institutions:
Date:
1978
1978
Titre:
House 11a
Actions:
AP143.S4.D23
Description:
File documents an unexecuted project for House 11a, designed for Mr. and Mrs. Kurt Forster, Palo Alto, California, United States. File also includes one drawing for the International Seminary of Design in the Area of Cannaregio-West in Venice, Italy. Material in this file was produced in 1978. File does not contain any conceptual drawings by Eisenman. Freehand diagrams explain the series of "topological" operations at the origin of the design (DR1994:0139:001-008). The original presentation drawings are published in 'Progressive Architecture' (DR1994:0139:283-301). File contains conceptual drawings, design development drawings, and presentation drawings. - Conceptual drawings include elevations, sections, and axonometrics - mostly black and coloured felt-tip pen on tracing vellum. Design development drawings include plans and axonometrics - some black felt-tip pen and some graphite on yellow tracing paper; and reprographic copies include - one photocopy on wove paper. Presentation drawings include plans, elevations, and axonometrics - mostly pen and black ink on tracing vellum. Copies include a stat of an axonometric of House 11a and a photocopy of part of the Cannaregio site plan.
House 11a
Actions:
AP143.S4.D23
Description:
File documents an unexecuted project for House 11a, designed for Mr. and Mrs. Kurt Forster, Palo Alto, California, United States. File also includes one drawing for the International Seminary of Design in the Area of Cannaregio-West in Venice, Italy. Material in this file was produced in 1978. File does not contain any conceptual drawings by Eisenman. Freehand diagrams explain the series of "topological" operations at the origin of the design (DR1994:0139:001-008). The original presentation drawings are published in 'Progressive Architecture' (DR1994:0139:283-301). File contains conceptual drawings, design development drawings, and presentation drawings. - Conceptual drawings include elevations, sections, and axonometrics - mostly black and coloured felt-tip pen on tracing vellum. Design development drawings include plans and axonometrics - some black felt-tip pen and some graphite on yellow tracing paper; and reprographic copies include - one photocopy on wove paper. Presentation drawings include plans, elevations, and axonometrics - mostly pen and black ink on tracing vellum. Copies include a stat of an axonometric of House 11a and a photocopy of part of the Cannaregio site plan.
Niveau de description archivistique:
File 23
File 23
Date:
1978
1978
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Édouard Baldus a défini mieux qu’aucun autre la notion moderne de paysage et les critères de la photographie d’architecture. Les photographies d’Édouard Baldus : paysages et monuments de France témoigne de l’âge d’or français du point de vue du photographe. L’exposition se présente comme une suite chronologique de séquences qui montrent l’évolution du travail de l’artiste(...)
Édouard Baldus a défini mieux qu’aucun autre la notion moderne de paysage et les critères de la photographie d’architecture. Les photographies d’Édouard Baldus : paysages et monuments de France témoigne de l’âge d’or français du point de vue du photographe. L’exposition se présente comme une suite chronologique de séquences qui montrent l’évolution du travail de l’artiste(...)
Localisation:
Salles principales
Salles principales
Date:
25 janvier 1995 au 23 avril 1995
25 janvier 1995 au 23 avril 1995
Titre:
Les photographies d'Édouard Baldus : paysages et monuments de France
Actions:
Description:
Édouard Baldus a défini mieux qu’aucun autre la notion moderne de paysage et les critères de la photographie d’architecture. Les photographies d’Édouard Baldus : paysages et monuments de France témoigne de l’âge d’or français du point de vue du photographe. L’exposition se présente comme une suite chronologique de séquences qui montrent l’évolution du travail de l’artiste(...)
Les photographies d'Édouard Baldus : paysages et monuments de France
Actions:
Description:
Édouard Baldus a défini mieux qu’aucun autre la notion moderne de paysage et les critères de la photographie d’architecture. Les photographies d’Édouard Baldus : paysages et monuments de France témoigne de l’âge d’or français du point de vue du photographe. L’exposition se présente comme une suite chronologique de séquences qui montrent l’évolution du travail de l’artiste(...)
Classification:
expositions
expositions
Date:
25 janvier 1995 au
23 avril 1995
25 janvier 1995 au
23 avril 1995
Localisation:
Salles principales
Salles principales
Classification:
documents textuels, né numérique, archives
Niveau de description archivistique:
Fonds
documents textuels, né numérique, archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Anyone Corporation
Fonds Anyone Corporation
Numéro de référence:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Personnes et institutions:
Date:
1990-2001
1990-2001
Titre:
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Classification:
documents textuels, né numérique, archives
Niveau de description archivistique:
Fonds
documents textuels, né numérique, archives
Niveau de description archivistique:
Fonds
Date:
1990-2001
1990-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP154.S1.1966.PR01
Description:
File AP154.S1.1966.PR01, Wykeham Rise School, Washington, Connecticut: Master plan for new campus (1966), documents a project by Giovanni Pasanella and Joseph Merz for a master plan for a new campus for Wykeham Rise School in Washington, Connecticut. The project was awarded to the architects as the outcome of a limited competition. The design was featured in the exhibition 40 under 40: an exhibition of young talent in architecture, organized by the Architectural League of New York and presented in 1966. The project, described as being "under design" in the exhibition catalogue, seem not to have been realized. The file consists of presentation drawings and design drawings.
AP154.S1.1966.PR01
Description:
File AP154.S1.1966.PR01, Wykeham Rise School, Washington, Connecticut: Master plan for new campus (1966), documents a project by Giovanni Pasanella and Joseph Merz for a master plan for a new campus for Wykeham Rise School in Washington, Connecticut. The project was awarded to the architects as the outcome of a limited competition. The design was featured in the exhibition 40 under 40: an exhibition of young talent in architecture, organized by the Architectural League of New York and presented in 1966. The project, described as being "under design" in the exhibition catalogue, seem not to have been realized. The file consists of presentation drawings and design drawings.
Personnes et institutions:
Date:
1966
1966
Titre:
Wykeham Rise School, Washington, Connecticut: Master plan for new campus (1966)
Actions:
AP154.S1.1966.PR01
Description:
File AP154.S1.1966.PR01, Wykeham Rise School, Washington, Connecticut: Master plan for new campus (1966), documents a project by Giovanni Pasanella and Joseph Merz for a master plan for a new campus for Wykeham Rise School in Washington, Connecticut. The project was awarded to the architects as the outcome of a limited competition. The design was featured in the exhibition 40 under 40: an exhibition of young talent in architecture, organized by the Architectural League of New York and presented in 1966. The project, described as being "under design" in the exhibition catalogue, seem not to have been realized. The file consists of presentation drawings and design drawings.
Wykeham Rise School, Washington, Connecticut: Master plan for new campus (1966)
Actions:
AP154.S1.1966.PR01
Description:
File AP154.S1.1966.PR01, Wykeham Rise School, Washington, Connecticut: Master plan for new campus (1966), documents a project by Giovanni Pasanella and Joseph Merz for a master plan for a new campus for Wykeham Rise School in Washington, Connecticut. The project was awarded to the architects as the outcome of a limited competition. The design was featured in the exhibition 40 under 40: an exhibition of young talent in architecture, organized by the Architectural League of New York and presented in 1966. The project, described as being "under design" in the exhibition catalogue, seem not to have been realized. The file consists of presentation drawings and design drawings.
Niveau de description archivistique:
Project
Project
Date:
1966
1966
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Reference material
Reference material
Numéro de référence:
AP206.S4
Description:
The Reference material series, circa 1947-2008, contains diverse materials used by Aditya Prakash throughout his career as an architect, artist and academic. This series is recorded through textual records, books, serials, maps and drawings, likely used for research and presentations. The drawings are largely reprographic copies and predominantly consist of plans of Indian cities, sector and city plans of Chandigarh, and buildings in Chandigarh. Likewise, the series contains a large number of maps and tourism brochures collected from Indian cities and some international cities. Many books, magazines and their excerpts are also included, as well as other small publications and papers on subjects of art and architecture.
AP206.S4
Description:
The Reference material series, circa 1947-2008, contains diverse materials used by Aditya Prakash throughout his career as an architect, artist and academic. This series is recorded through textual records, books, serials, maps and drawings, likely used for research and presentations. The drawings are largely reprographic copies and predominantly consist of plans of Indian cities, sector and city plans of Chandigarh, and buildings in Chandigarh. Likewise, the series contains a large number of maps and tourism brochures collected from Indian cities and some international cities. Many books, magazines and their excerpts are also included, as well as other small publications and papers on subjects of art and architecture.
Personnes et institutions:
Date:
circa 1947-2008
circa 1947-2008
Titre:
Reference material
Actions:
AP206.S4
Description:
The Reference material series, circa 1947-2008, contains diverse materials used by Aditya Prakash throughout his career as an architect, artist and academic. This series is recorded through textual records, books, serials, maps and drawings, likely used for research and presentations. The drawings are largely reprographic copies and predominantly consist of plans of Indian cities, sector and city plans of Chandigarh, and buildings in Chandigarh. Likewise, the series contains a large number of maps and tourism brochures collected from Indian cities and some international cities. Many books, magazines and their excerpts are also included, as well as other small publications and papers on subjects of art and architecture.
Reference material
Actions:
AP206.S4
Description:
The Reference material series, circa 1947-2008, contains diverse materials used by Aditya Prakash throughout his career as an architect, artist and academic. This series is recorded through textual records, books, serials, maps and drawings, likely used for research and presentations. The drawings are largely reprographic copies and predominantly consist of plans of Indian cities, sector and city plans of Chandigarh, and buildings in Chandigarh. Likewise, the series contains a large number of maps and tourism brochures collected from Indian cities and some international cities. Many books, magazines and their excerpts are also included, as well as other small publications and papers on subjects of art and architecture.
Niveau de description archivistique:
Series
Series
Date:
circa 1947-2008
circa 1947-2008
Personnes et institutions:
Classification:
expositions
expositions
Titre:
Naoya Hatakeyama : Échelles
Naoya Hatakeyama : Échelles
Actions:
Description:
L’œuvre de l’artiste japonais Naoya Hatakeyama interroge en particulier la relation entre ville et nature. Commandées par le CCA, les trois séries de photographies, dont Échelles, captent les maquettes d’architecture existantes de New York et Tokyo sous un angle qui défie les notions d’échelle et la perception de la réalité. Naoya Hatakeyama : Échelles est la quatrième et(...)
L’œuvre de l’artiste japonais Naoya Hatakeyama interroge en particulier la relation entre ville et nature. Commandées par le CCA, les trois séries de photographies, dont Échelles, captent les maquettes d’architecture existantes de New York et Tokyo sous un angle qui défie les notions d’échelle et la perception de la réalité. Naoya Hatakeyama : Échelles est la quatrième et(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
27 septembre 2007 au 3 février 2008
27 septembre 2007 au 3 février 2008
Titre:
Naoya Hatakeyama : Échelles
Actions:
Description:
L’œuvre de l’artiste japonais Naoya Hatakeyama interroge en particulier la relation entre ville et nature. Commandées par le CCA, les trois séries de photographies, dont Échelles, captent les maquettes d’architecture existantes de New York et Tokyo sous un angle qui défie les notions d’échelle et la perception de la réalité. Naoya Hatakeyama : Échelles est la quatrième et(...)
Naoya Hatakeyama : Échelles
Actions:
Description:
L’œuvre de l’artiste japonais Naoya Hatakeyama interroge en particulier la relation entre ville et nature. Commandées par le CCA, les trois séries de photographies, dont Échelles, captent les maquettes d’architecture existantes de New York et Tokyo sous un angle qui défie les notions d’échelle et la perception de la réalité. Naoya Hatakeyama : Échelles est la quatrième et(...)
Classification:
expositions
expositions
Date:
27 septembre 2007 au
3 février 2008
27 septembre 2007 au
3 février 2008
Localisation:
Salle octogonale
Salle octogonale
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Academic work and interviews
Academic work and interviews
Numéro de référence:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Personnes et institutions:
Date:
circa 1970-2015
circa 1970-2015
Titre:
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Niveau de description archivistique:
Series
Series
Date:
circa 1970-2015
circa 1970-2015
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds André Blouin
Fonds André Blouin
Numéro de référence:
AP038
Résumé:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
AP038
Résumé:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
Personnes et institutions:
Date:
1933-1996
1933-1996
Titre:
Fonds André Blouin
Actions:
AP038
Résumé:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
Fonds André Blouin
Actions:
AP038
Résumé:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1933-1996
1933-1996
Personnes et institutions:
