Everything is police
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Policing is constitutive of colonial modernity: normalizing, internalizing, and legalizing anti-Black violence as the ongoing condition for white life and freedom. The result, Tia Trafford argues here, is a situation where we cannot practically experience or even imagine worlds free from policing. From the plantation to the prison, global apartheid, and pandemic control,(...)
Everything is police
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Policing is constitutive of colonial modernity: normalizing, internalizing, and legalizing anti-Black violence as the ongoing condition for white life and freedom. The result, Tia Trafford argues here, is a situation where we cannot practically experience or even imagine worlds free from policing. From the plantation to the prison, global apartheid, and pandemic control, this book examines why and how policing has become the most ingrained, commonsense-and insidious-way of managing our world.
Social
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Los Angeles in the 1930s returns to print an invaluable document of Depression-era Los Angeles, illuminating a pivotal moment in L.A.’s history, when writers like Raymond Chandler, Nathanael West, and F. Scott Fitzgerald were creating the images and associations—and the mystique—for which the City of Angels is still known. Los Angeles in the 1930s revisits the Spanish(...)
Los Angeles in the 1930s: The WPA guide to the city of angels
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Los Angeles in the 1930s returns to print an invaluable document of Depression-era Los Angeles, illuminating a pivotal moment in L.A.’s history, when writers like Raymond Chandler, Nathanael West, and F. Scott Fitzgerald were creating the images and associations—and the mystique—for which the City of Angels is still known. Los Angeles in the 1930s revisits the Spanish colonial period, the Mexican period, the brief California Republic, and finally American sovereignty.
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This reader, edited and introduced by noted art historian and critic Gilda Williams, gathers the key critical writings across the artist’s essential works as explored through the lens of art history, post-colonial theory, film analysis, and more. Catalogue essays and exhibition reviews on individual works are set alongside Tan’s own substantial body of writing: essays,(...)
Fiona Tan: With the other hand
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This reader, edited and introduced by noted art historian and critic Gilda Williams, gathers the key critical writings across the artist’s essential works as explored through the lens of art history, post-colonial theory, film analysis, and more. Catalogue essays and exhibition reviews on individual works are set alongside Tan’s own substantial body of writing: essays, letters, scripts, project notes, as well as discussions of other artists’ work, from Chantal Akerman to Jeff Wall.
Théorie de l’art
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This landmark collection of illustrated essays explores the vastly under-appreciated history of America's other cities — the great metropolises found south of our borders in Central and South America. Buenos Aires, Sao Paulo, Mexico City, Caracas, Havana, Santiago, Rio, Tijuana, and Quito are just some of the subjects of this diverse collection. How have desires to(...)
Cruelty & utopia : cities and landscapes of Latin America
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This landmark collection of illustrated essays explores the vastly under-appreciated history of America's other cities — the great metropolises found south of our borders in Central and South America. Buenos Aires, Sao Paulo, Mexico City, Caracas, Havana, Santiago, Rio, Tijuana, and Quito are just some of the subjects of this diverse collection. How have desires to create modern societies shaped these cities, leading to both architectural masterworks (by the likes of Luis Barragan, Juan O'Gorman, Lucio Costa, Roberto Burle Marx, Carlos Raul Villanueva, and Lina Bo Bardi) and the most shocking favelas? How have they grappled with concepts of national identity, their colonial history, and the continued demands of a globalized economy? Lavishly illustrated, "Cruelty and Utopia" features the work of such leading scholars as Carlos Fuentes, Edward Burian, Lauro Cavalcanti, Fernando Oayrzun, Roberto Segre, and Eduardo Subirats, along with artwork ranging from colonial paintings to stills from Chantal Akerman's film "From the Other Side". Also included is a revised translation of Spanish King Philip II's influential planning treatise of 1573, the "Laws of the Indies," which did so much to define the form of the Latin American city.
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janvier 2005, New York
Arch Moyen-Orient
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Benjamin Franklin secretly loved London more than Philadelphia: it was simply the most exciting place to be in the British Empire. And in the decade before the outbreak of the American Revolution, thousands of his fellow colonists flocked to the Georgian city in its first big wave of American visitors. At the very point of political rupture, mother country and colonies(...)
When London was capital of America
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Benjamin Franklin secretly loved London more than Philadelphia: it was simply the most exciting place to be in the British Empire. And in the decade before the outbreak of the American Revolution, thousands of his fellow colonists flocked to the Georgian city in its first big wave of American visitors. At the very point of political rupture, mother country and colonies were socially and culturally closer than ever before. In this first-ever portrait of eighteenth-century London as the capital of America, Julie Flavell recreates the famous city's heyday as the centre of an empire that encompassed North America and the West Indies. The momentous years before independence saw more colonial Americans than ever on London's streets: wealthy Southern plantation owners in quest of culture, slaves hoping for a chance of freedom, Yankee businessmen looking for opportunities in the city, even Ben Franklin seeking a second, more distinguished career. The stories of the colonials, no innocents abroad, vividly recreate a time when Americans saw London as their own and remind us of the complex, multiracial - at times even decadent - nature of America's colonial British heritage.
A culture of stone
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A major contribution to both art history and Latin American studies, A Culture of Stone offers new insights into Inka culture and the interpretation of non-Western art. Carolyn Dean focuses on rock outcrops masterfully integrated into Inka architecture, exquisitely worked masonry, and freestanding sacred rocks, explaining how certain stones took on lives of their own and(...)
A culture of stone
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A major contribution to both art history and Latin American studies, A Culture of Stone offers new insights into Inka culture and the interpretation of non-Western art. Carolyn Dean focuses on rock outcrops masterfully integrated into Inka architecture, exquisitely worked masonry, and freestanding sacred rocks, explaining how certain stones took on lives of their own and played a vital role in the unfolding of Inka history. Examining the multiple uses of stone, she argues that the Inka understood building in stone as a way of ordering the chaos of unordered nature, converting untamed spaces into domesticated places, and laying claim to new territories. Dean contends that understanding what the rocks signified requires seeing them as the Inka saw them: as potentially animate, sentient, and sacred. Through careful analysis of Inka stonework, colonial-period accounts of the Inka, and contemporary ethnographic and folkloric studies of indigenous Andean culture, Dean reconstructs the relationships between stonework and other aspects of Inka life, including imperial expansion, worship, and agriculture. She also scrutinizes meanings imposed on Inka stone by the colonial Spanish and, later, by tourism and the tourist industry.
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''Granular Configurations: Sand, Materiality, and Planetary Urbanization'' explores the world’s most used—yet often overlooked—building material: sand. Bringing together voices from geography, geology, social sciences, art, and the humanities, the book traces how sand moves and transforms, resisting easy capture by political and ecological systems. From extractive(...)
Granular Configurations : Sand, Materiality, and Planetary Urbanization
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''Granular Configurations: Sand, Materiality, and Planetary Urbanization'' explores the world’s most used—yet often overlooked—building material: sand. Bringing together voices from geography, geology, social sciences, art, and the humanities, the book traces how sand moves and transforms, resisting easy capture by political and ecological systems. From extractive practices and colonial legacies to fragile infrastructures and grassroots struggles, sand emerges here not just as a resource, but as an unstable force shaping the planetary urban condition.
L'écologie de l'architecure
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The architecture of India reflects both the cultural diversity of the subcontinent and its rich political and historical inheritance. In this guide, the various strands of this rich architectural history, from the dawn of civilization to modern times, are presented in word and picture. Readers are taken on a tour of Indus Valley civilization, early Vedic traditions,(...)
Introduction to Indian architecture
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The architecture of India reflects both the cultural diversity of the subcontinent and its rich political and historical inheritance. In this guide, the various strands of this rich architectural history, from the dawn of civilization to modern times, are presented in word and picture. Readers are taken on a tour of Indus Valley civilization, early Vedic traditions, Hindu, Jain, Mughal, regional, colonial and post-independencearchitectural styles, and thematic architecture, as well as specific monuments and buildings.
Arch Moyen-Orient
Deanna Bowen
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This black-on-black book brings together over 20 years of Deanna Bowen’s commitment to the excavation and recontextualization of colonial legacies—particularly those which implicate her family history and the Black diaspora in North America—making her artworks vital, both in Canada and abroad. Working primarily with photography—both rediscovered and new, but also video,(...)
Deanna Bowen
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This black-on-black book brings together over 20 years of Deanna Bowen’s commitment to the excavation and recontextualization of colonial legacies—particularly those which implicate her family history and the Black diaspora in North America—making her artworks vital, both in Canada and abroad. Working primarily with photography—both rediscovered and new, but also video, documentary film, sound, performance, publishing, found objects and installation art—Bowen introduces us to a re-reading of white historic and archival facts.
Monographies photo
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Literary critics frequently portray early Native American writers either as individuals caught between two worlds or as subjects who, even as they defied the colonial world, struggled to exist within it. In counterpoint to these analyses, Lisa Brooks demonstrates the ways in which Native leaders — including Samson Occom, Joseph Brant, Hendrick Aupaumut, and William Apess(...)
The common pot : the recovery of Native space in the north
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Literary critics frequently portray early Native American writers either as individuals caught between two worlds or as subjects who, even as they defied the colonial world, struggled to exist within it. In counterpoint to these analyses, Lisa Brooks demonstrates the ways in which Native leaders — including Samson Occom, Joseph Brant, Hendrick Aupaumut, and William Apess — adopted writing as a tool to reclaim rights and land in the Native networks of what is now the northeastern United States.
Théorie du paysage