13024 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CP138.S5.D20
Description:
File consists of drawings which explore dwellings resembling oversized baskets or primitive huts placed in a landscape setting. Created ca. 1970-1971, they are related to other early projects involving recycling and alternative housing and house materials such as Garbage Wall (1970) and Tree Dance (1971). File contains drawings.
CP138.S5.D20
Description:
File consists of drawings which explore dwellings resembling oversized baskets or primitive huts placed in a landscape setting. Created ca. 1970-1971, they are related to other early projects involving recycling and alternative housing and house materials such as Garbage Wall (1970) and Tree Dance (1971). File contains drawings.
Personnes et institutions:
Date:
[1970-1971]
[1970-1971]
Titre:
Basket housing and tree drawings
Actions:
CP138.S5.D20
Description:
File consists of drawings which explore dwellings resembling oversized baskets or primitive huts placed in a landscape setting. Created ca. 1970-1971, they are related to other early projects involving recycling and alternative housing and house materials such as Garbage Wall (1970) and Tree Dance (1971). File contains drawings.
Basket housing and tree drawings
Actions:
CP138.S5.D20
Description:
File consists of drawings which explore dwellings resembling oversized baskets or primitive huts placed in a landscape setting. Created ca. 1970-1971, they are related to other early projects involving recycling and alternative housing and house materials such as Garbage Wall (1970) and Tree Dance (1971). File contains drawings.
Niveau de description archivistique:
File 20
File 20
Date:
[1970-1971]
[1970-1971]
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP180.S1.2002.PR02
Description:
This project series documents the Casa Amoruso, a three-storey house with a roof terrace on Via Belvedere in Brindisi, Italy, in 2002. This project was built. The project is recorded through design development drawings and presentation drawings. The project series includes floor plans, sections, and elevations. This project is also identified as the Appartamento lonoce-Amoruso.
AP180.S1.2002.PR02
Description:
This project series documents the Casa Amoruso, a three-storey house with a roof terrace on Via Belvedere in Brindisi, Italy, in 2002. This project was built. The project is recorded through design development drawings and presentation drawings. The project series includes floor plans, sections, and elevations. This project is also identified as the Appartamento lonoce-Amoruso.
Personnes et institutions:
Date:
2002
2002
Titre:
Casa Amoruso [Casa Amoruso], Brindisi, Italy (2002)
Actions:
AP180.S1.2002.PR02
Description:
This project series documents the Casa Amoruso, a three-storey house with a roof terrace on Via Belvedere in Brindisi, Italy, in 2002. This project was built. The project is recorded through design development drawings and presentation drawings. The project series includes floor plans, sections, and elevations. This project is also identified as the Appartamento lonoce-Amoruso.
Casa Amoruso [Casa Amoruso], Brindisi, Italy (2002)
Actions:
AP180.S1.2002.PR02
Description:
This project series documents the Casa Amoruso, a three-storey house with a roof terrace on Via Belvedere in Brindisi, Italy, in 2002. This project was built. The project is recorded through design development drawings and presentation drawings. The project series includes floor plans, sections, and elevations. This project is also identified as the Appartamento lonoce-Amoruso.
Niveau de description archivistique:
Project
Project
Date:
2002
2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1981.PR04
Description:
This project series documents a residence for Dr. Kirpal Singh in Chandigarh, India in 1981. Located in Sector 8, house no. 72, the project consisted of the addition of a two-storey annex to the back of an existing home. The project is recorded through drawings of plans, elevations, a section, a perspective and a detail dating from 1981. These drawings are mostly originals.
AP206.S1.1981.PR04
Description:
This project series documents a residence for Dr. Kirpal Singh in Chandigarh, India in 1981. Located in Sector 8, house no. 72, the project consisted of the addition of a two-storey annex to the back of an existing home. The project is recorded through drawings of plans, elevations, a section, a perspective and a detail dating from 1981. These drawings are mostly originals.
Personnes et institutions:
Date:
1981
1981
Titre:
Residence for Dr. Kirpal Singh, Chandigarh, India (1981)
Actions:
AP206.S1.1981.PR04
Description:
This project series documents a residence for Dr. Kirpal Singh in Chandigarh, India in 1981. Located in Sector 8, house no. 72, the project consisted of the addition of a two-storey annex to the back of an existing home. The project is recorded through drawings of plans, elevations, a section, a perspective and a detail dating from 1981. These drawings are mostly originals.
Residence for Dr. Kirpal Singh, Chandigarh, India (1981)
Actions:
AP206.S1.1981.PR04
Description:
This project series documents a residence for Dr. Kirpal Singh in Chandigarh, India in 1981. Located in Sector 8, house no. 72, the project consisted of the addition of a two-storey annex to the back of an existing home. The project is recorded through drawings of plans, elevations, a section, a perspective and a detail dating from 1981. These drawings are mostly originals.
Niveau de description archivistique:
Project
Project
Date:
1981
1981
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP096
Résumé:
The Charles B.K. Van Norman fonds consists of photographs, drawings, albums, a presentation panel, and textual records. The material ranges in date from ca. 1942 to 1967, and shows the variety of building types that Van Norman designed, primarily for corporate and government clients, through the busiest period of his career.
AP096
Résumé:
The Charles B.K. Van Norman fonds consists of photographs, drawings, albums, a presentation panel, and textual records. The material ranges in date from ca. 1942 to 1967, and shows the variety of building types that Van Norman designed, primarily for corporate and government clients, through the busiest period of his career.
Personnes et institutions:
Date:
[ca. 1942-1967]
[ca. 1942-1967]
Titre:
Fonds Charles B.K. Van Norman
Actions:
AP096
Résumé:
The Charles B.K. Van Norman fonds consists of photographs, drawings, albums, a presentation panel, and textual records. The material ranges in date from ca. 1942 to 1967, and shows the variety of building types that Van Norman designed, primarily for corporate and government clients, through the busiest period of his career.
Fonds Charles B.K. Van Norman
Actions:
AP096
Résumé:
The Charles B.K. Van Norman fonds consists of photographs, drawings, albums, a presentation panel, and textual records. The material ranges in date from ca. 1942 to 1967, and shows the variety of building types that Van Norman designed, primarily for corporate and government clients, through the busiest period of his career.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
[ca. 1942-1967]
[ca. 1942-1967]
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Alternatives in Retrospect
Alternatives in Retrospect
Numéro de référence:
CP138.S9.SS3.D4
Description:
File consists of a videocassette of interviews with Richard Nonas and Tina Girouard and excerpts of the Gordon Matta-Clark "Open House" (1972) film that were included in "Alternatives in Retrospect," a 1981 film produced by Jacki Apple made for the exhibition of the same name at The New Museum of Contemporary Art, New York City, New York. File contains a videocassette.
CP138.S9.SS3.D4
Description:
File consists of a videocassette of interviews with Richard Nonas and Tina Girouard and excerpts of the Gordon Matta-Clark "Open House" (1972) film that were included in "Alternatives in Retrospect," a 1981 film produced by Jacki Apple made for the exhibition of the same name at The New Museum of Contemporary Art, New York City, New York. File contains a videocassette.
Personnes et institutions:
Date:
1981
1981
Titre:
Alternatives in Retrospect
Actions:
CP138.S9.SS3.D4
Description:
File consists of a videocassette of interviews with Richard Nonas and Tina Girouard and excerpts of the Gordon Matta-Clark "Open House" (1972) film that were included in "Alternatives in Retrospect," a 1981 film produced by Jacki Apple made for the exhibition of the same name at The New Museum of Contemporary Art, New York City, New York. File contains a videocassette.
Alternatives in Retrospect
Actions:
CP138.S9.SS3.D4
Description:
File consists of a videocassette of interviews with Richard Nonas and Tina Girouard and excerpts of the Gordon Matta-Clark "Open House" (1972) film that were included in "Alternatives in Retrospect," a 1981 film produced by Jacki Apple made for the exhibition of the same name at The New Museum of Contemporary Art, New York City, New York. File contains a videocassette.
Niveau de description archivistique:
File 4
File 4
Date:
1981
1981
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Domestic Commissions
Domestic Commissions
Numéro de référence:
CI001.S1.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. The austere classicism of Hubert's domestic work reflects the prevailing taste of the day and reveals the strong influence of his teacher, Jean Nicholas Louis Durand. The compostional effect of the houses' façades relies on the shape and rhythm of the fenestration and the geometric division by string courses and occasionally, pilasters. Columns are used infrequently as is decorative stonework. The plans are symmetrical and modular. This approach to design is especially evident in the series of proposals for a country house for comte Treilhard (DR1974:0002:034:001-082) and in a group of unidentified designs for houses (DR1974:0002:035:001-034), all of which illustrate an emphasis on plan in the design process and a distinct approach to the composition of the elevations, both derived from Durand. Hubert's domestic work was also influenced by Palladio (see especially DR1974:0002:038:001-029). The interiors and furniture designed by Hubert are typical of the Empire style (1). The drawings in the CCA collection illustrate the materials, palette and ornamental motifs of the period. The garden structures in Hubert's albums are more fanciful than his houses and are either Rustic, Chinoiserie or classical in style (2). His garden designs follow the contemporary French trend for "jardins anglais" with winding paths and naturalistic placement of the vegetation, sometimes in combination with more formal French gardens (3). One of the most comprehensively documented domestic project by Hubert is the Rohault de Fleury House (12-14 rue d'Aguesseau; 1824). The CCA collection contains an interesting series of preliminary drawings for alternate proposals for this house, a number of highly finished wash drawings (including the interior decorative scheme) for the final scheme (DR1974:0002:011:001-08) and several earlier (ca. 1806) proposals (DR1974:0002:035:001-034). The Domaine de la Vallée album (DR1974:0002:025:001-059) is notable for the range of subject matter included as well as for the insights into the character of a working country estate in the nineteenth century. The proposed modifications encompassed both functional (a bridge, a levee, granaries and stables) and aesthetic improvements, such as ornamental garden temples. The renovation of the house also exhibits both functional and aesthetic improvements. (1) Examples of Hubert's interiors and furniture can be found in albums, DR1974:0002:007:001-068, DR1974:0002:011:001-089, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (2) The best examples of his pavilions are found in album, DR1974:0002:038:001-029 with other examples in albums, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (3) Examples are found in albums, DR1974:0002:035:001-034 and DR1974:0002 :025:001-059. Also of note are drawings, DR1974:0002:007:007 and DR1974:0002:007:068.
CI001.S1.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. The austere classicism of Hubert's domestic work reflects the prevailing taste of the day and reveals the strong influence of his teacher, Jean Nicholas Louis Durand. The compostional effect of the houses' façades relies on the shape and rhythm of the fenestration and the geometric division by string courses and occasionally, pilasters. Columns are used infrequently as is decorative stonework. The plans are symmetrical and modular. This approach to design is especially evident in the series of proposals for a country house for comte Treilhard (DR1974:0002:034:001-082) and in a group of unidentified designs for houses (DR1974:0002:035:001-034), all of which illustrate an emphasis on plan in the design process and a distinct approach to the composition of the elevations, both derived from Durand. Hubert's domestic work was also influenced by Palladio (see especially DR1974:0002:038:001-029). The interiors and furniture designed by Hubert are typical of the Empire style (1). The drawings in the CCA collection illustrate the materials, palette and ornamental motifs of the period. The garden structures in Hubert's albums are more fanciful than his houses and are either Rustic, Chinoiserie or classical in style (2). His garden designs follow the contemporary French trend for "jardins anglais" with winding paths and naturalistic placement of the vegetation, sometimes in combination with more formal French gardens (3). One of the most comprehensively documented domestic project by Hubert is the Rohault de Fleury House (12-14 rue d'Aguesseau; 1824). The CCA collection contains an interesting series of preliminary drawings for alternate proposals for this house, a number of highly finished wash drawings (including the interior decorative scheme) for the final scheme (DR1974:0002:011:001-08) and several earlier (ca. 1806) proposals (DR1974:0002:035:001-034). The Domaine de la Vallée album (DR1974:0002:025:001-059) is notable for the range of subject matter included as well as for the insights into the character of a working country estate in the nineteenth century. The proposed modifications encompassed both functional (a bridge, a levee, granaries and stables) and aesthetic improvements, such as ornamental garden temples. The renovation of the house also exhibits both functional and aesthetic improvements. (1) Examples of Hubert's interiors and furniture can be found in albums, DR1974:0002:007:001-068, DR1974:0002:011:001-089, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (2) The best examples of his pavilions are found in album, DR1974:0002:038:001-029 with other examples in albums, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (3) Examples are found in albums, DR1974:0002:035:001-034 and DR1974:0002 :025:001-059. Also of note are drawings, DR1974:0002:007:007 and DR1974:0002:007:068.
Personnes et institutions:
Date:
1802-[1840]
1802-[1840]
Titre:
Domestic Commissions
CI001.S1.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. The austere classicism of Hubert's domestic work reflects the prevailing taste of the day and reveals the strong influence of his teacher, Jean Nicholas Louis Durand. The compostional effect of the houses' façades relies on the shape and rhythm of the fenestration and the geometric division by string courses and occasionally, pilasters. Columns are used infrequently as is decorative stonework. The plans are symmetrical and modular. This approach to design is especially evident in the series of proposals for a country house for comte Treilhard (DR1974:0002:034:001-082) and in a group of unidentified designs for houses (DR1974:0002:035:001-034), all of which illustrate an emphasis on plan in the design process and a distinct approach to the composition of the elevations, both derived from Durand. Hubert's domestic work was also influenced by Palladio (see especially DR1974:0002:038:001-029). The interiors and furniture designed by Hubert are typical of the Empire style (1). The drawings in the CCA collection illustrate the materials, palette and ornamental motifs of the period. The garden structures in Hubert's albums are more fanciful than his houses and are either Rustic, Chinoiserie or classical in style (2). His garden designs follow the contemporary French trend for "jardins anglais" with winding paths and naturalistic placement of the vegetation, sometimes in combination with more formal French gardens (3). One of the most comprehensively documented domestic project by Hubert is the Rohault de Fleury House (12-14 rue d'Aguesseau; 1824). The CCA collection contains an interesting series of preliminary drawings for alternate proposals for this house, a number of highly finished wash drawings (including the interior decorative scheme) for the final scheme (DR1974:0002:011:001-08) and several earlier (ca. 1806) proposals (DR1974:0002:035:001-034). The Domaine de la Vallée album (DR1974:0002:025:001-059) is notable for the range of subject matter included as well as for the insights into the character of a working country estate in the nineteenth century. The proposed modifications encompassed both functional (a bridge, a levee, granaries and stables) and aesthetic improvements, such as ornamental garden temples. The renovation of the house also exhibits both functional and aesthetic improvements. (1) Examples of Hubert's interiors and furniture can be found in albums, DR1974:0002:007:001-068, DR1974:0002:011:001-089, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (2) The best examples of his pavilions are found in album, DR1974:0002:038:001-029 with other examples in albums, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (3) Examples are found in albums, DR1974:0002:035:001-034 and DR1974:0002 :025:001-059. Also of note are drawings, DR1974:0002:007:007 and DR1974:0002:007:068.
Domestic Commissions
CI001.S1.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. The austere classicism of Hubert's domestic work reflects the prevailing taste of the day and reveals the strong influence of his teacher, Jean Nicholas Louis Durand. The compostional effect of the houses' façades relies on the shape and rhythm of the fenestration and the geometric division by string courses and occasionally, pilasters. Columns are used infrequently as is decorative stonework. The plans are symmetrical and modular. This approach to design is especially evident in the series of proposals for a country house for comte Treilhard (DR1974:0002:034:001-082) and in a group of unidentified designs for houses (DR1974:0002:035:001-034), all of which illustrate an emphasis on plan in the design process and a distinct approach to the composition of the elevations, both derived from Durand. Hubert's domestic work was also influenced by Palladio (see especially DR1974:0002:038:001-029). The interiors and furniture designed by Hubert are typical of the Empire style (1). The drawings in the CCA collection illustrate the materials, palette and ornamental motifs of the period. The garden structures in Hubert's albums are more fanciful than his houses and are either Rustic, Chinoiserie or classical in style (2). His garden designs follow the contemporary French trend for "jardins anglais" with winding paths and naturalistic placement of the vegetation, sometimes in combination with more formal French gardens (3). One of the most comprehensively documented domestic project by Hubert is the Rohault de Fleury House (12-14 rue d'Aguesseau; 1824). The CCA collection contains an interesting series of preliminary drawings for alternate proposals for this house, a number of highly finished wash drawings (including the interior decorative scheme) for the final scheme (DR1974:0002:011:001-08) and several earlier (ca. 1806) proposals (DR1974:0002:035:001-034). The Domaine de la Vallée album (DR1974:0002:025:001-059) is notable for the range of subject matter included as well as for the insights into the character of a working country estate in the nineteenth century. The proposed modifications encompassed both functional (a bridge, a levee, granaries and stables) and aesthetic improvements, such as ornamental garden temples. The renovation of the house also exhibits both functional and aesthetic improvements. (1) Examples of Hubert's interiors and furniture can be found in albums, DR1974:0002:007:001-068, DR1974:0002:011:001-089, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (2) The best examples of his pavilions are found in album, DR1974:0002:038:001-029 with other examples in albums, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (3) Examples are found in albums, DR1974:0002:035:001-034 and DR1974:0002 :025:001-059. Also of note are drawings, DR1974:0002:007:007 and DR1974:0002:007:068.
Niveau de description archivistique:
File 2
File 2
Date:
1802-[1840]
1802-[1840]
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Kew
Kew
Numéro de référence:
AP144.S2.D115
Description:
File documents an unsuccessful entry to an architectural competition for a new building for the Royal Botanical Gardens, Kew in Richmond upon Thames, Greater London, England. The building's primary purpose was to house the Reference Collection, with a seconday purpose of providing exhibition space. Material in this file was produced between 1981 and 1982. File contains textual records.
AP144.S2.D115
Description:
File documents an unsuccessful entry to an architectural competition for a new building for the Royal Botanical Gardens, Kew in Richmond upon Thames, Greater London, England. The building's primary purpose was to house the Reference Collection, with a seconday purpose of providing exhibition space. Material in this file was produced between 1981 and 1982. File contains textual records.
Personnes et institutions:
Date:
1981-1982
1981-1982
Titre:
Kew
Actions:
AP144.S2.D115
Description:
File documents an unsuccessful entry to an architectural competition for a new building for the Royal Botanical Gardens, Kew in Richmond upon Thames, Greater London, England. The building's primary purpose was to house the Reference Collection, with a seconday purpose of providing exhibition space. Material in this file was produced between 1981 and 1982. File contains textual records.
Kew
Actions:
AP144.S2.D115
Description:
File documents an unsuccessful entry to an architectural competition for a new building for the Royal Botanical Gardens, Kew in Richmond upon Thames, Greater London, England. The building's primary purpose was to house the Reference Collection, with a seconday purpose of providing exhibition space. Material in this file was produced between 1981 and 1982. File contains textual records.
Niveau de description archivistique:
File 115
File 115
Date:
1981-1982
1981-1982
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI007.S1.1926.PR02
Description:
This project series contains photographs documenting the project House 1, 2, 3 and 4 for the Weissenhof Housing Colony in Stuttgart, Germany, in 1926. The photographs were produced between 1926 and 1927, and are predominantly general views of the housing colony by Dr. Lossen & Co., and a photograph of the model for the housing developement.
CI007.S1.1926.PR02
Description:
This project series contains photographs documenting the project House 1, 2, 3 and 4 for the Weissenhof Housing Colony in Stuttgart, Germany, in 1926. The photographs were produced between 1926 and 1927, and are predominantly general views of the housing colony by Dr. Lossen & Co., and a photograph of the model for the housing developement.
Personnes et institutions:
Date:
1926-1932
1926-1932
Titre:
Weissenhofsiedlung [Weissenhof Housing Colony], Stuttgart, Germany (1926-1927)
Actions:
CI007.S1.1926.PR02
Description:
This project series contains photographs documenting the project House 1, 2, 3 and 4 for the Weissenhof Housing Colony in Stuttgart, Germany, in 1926. The photographs were produced between 1926 and 1927, and are predominantly general views of the housing colony by Dr. Lossen & Co., and a photograph of the model for the housing developement.
Weissenhofsiedlung [Weissenhof Housing Colony], Stuttgart, Germany (1926-1927)
Actions:
CI007.S1.1926.PR02
Description:
This project series contains photographs documenting the project House 1, 2, 3 and 4 for the Weissenhof Housing Colony in Stuttgart, Germany, in 1926. The photographs were produced between 1926 and 1927, and are predominantly general views of the housing colony by Dr. Lossen & Co., and a photograph of the model for the housing developement.
Niveau de description archivistique:
project
project
Date:
1926-1932
1926-1932
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Migrant housing
Migrant housing
Numéro de référence:
AP182.S1.2011.D2
Description:
File documents a research project on chawls, tenement houses found in Bombay and other Indian cities. File contains photographs and models.
AP182.S1.2011.D2
Description:
File documents a research project on chawls, tenement houses found in Bombay and other Indian cities. File contains photographs and models.
Personnes et institutions:
Date:
2011-2014
2011-2014
Titre:
Migrant housing
Actions:
AP182.S1.2011.D2
Description:
File documents a research project on chawls, tenement houses found in Bombay and other Indian cities. File contains photographs and models.
Migrant housing
Actions:
AP182.S1.2011.D2
Description:
File documents a research project on chawls, tenement houses found in Bombay and other Indian cities. File contains photographs and models.
Niveau de description archivistique:
Project
Project
Date:
2011-2014
2011-2014
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP178.S1.1980.PR06.013
Description:
Original file title: Casa J.M. Teixera - Quinta do Forno - Briteiros Nota: Contem um negativo da Maquete da Casa Avelino Duarte (4/80) (R-CAD028) This file incudes a negative of the model of the Avelino Duarte house. Siza's office numbered negatives in this file CJMT016-CJMT019
AP178.S1.1980.PR06.013
Description:
Original file title: Casa J.M. Teixera - Quinta do Forno - Briteiros Nota: Contem um negativo da Maquete da Casa Avelino Duarte (4/80) (R-CAD028) This file incudes a negative of the model of the Avelino Duarte house. Siza's office numbered negatives in this file CJMT016-CJMT019
Personnes et institutions:
Date:
1981-1991
1981-1991
Titre:
Negatives of model, Casa J. M. Teixeira, Quinta do Forno, Briteiros - Guimarães
Actions:
AP178.S1.1980.PR06.013
Description:
Original file title: Casa J.M. Teixera - Quinta do Forno - Briteiros Nota: Contem um negativo da Maquete da Casa Avelino Duarte (4/80) (R-CAD028) This file incudes a negative of the model of the Avelino Duarte house. Siza's office numbered negatives in this file CJMT016-CJMT019
Negatives of model, Casa J. M. Teixeira, Quinta do Forno, Briteiros - Guimarães
Actions:
AP178.S1.1980.PR06.013
Description:
Original file title: Casa J.M. Teixera - Quinta do Forno - Briteiros Nota: Contem um negativo da Maquete da Casa Avelino Duarte (4/80) (R-CAD028) This file incudes a negative of the model of the Avelino Duarte house. Siza's office numbered negatives in this file CJMT016-CJMT019
Classification:
photographies
photographies
Date:
1981-1991
1981-1991
Personnes et institutions:
