2688 Résultats
Classification:
livres
livres
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$56.95
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Résumé:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in (...)
$56.95
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Résumé:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in (...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
octobre 2000, Cambridge, Mass.
octobre 2000, Cambridge, Mass.
Titre:
Uncommon ground : architecture, technology, and topography
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$56.95
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Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in building gave way to an awareness of its disruptive impact on cities and culture. He examines the work of three architects, Richard Neutra, Antonin Raymond, and Aris Konstantinidis, who practiced in the United States, Japan, and Greece respectively. Leatherbarrow rejects the assumption that buildings of the modern period, particularly those that used the latest technology, were designed without regard to their surroundings. Although the prefabricated elements used in the buildings were designed independent of siting considerations, architects used these elements to modulate the environment. Leatherbarrow shows how the role of walls, the traditional element of architectural definition and platform partition, became less significant than that of the platforms themselves, the floors, ceilings, and intermediate levels. He shows how frontality was replaced by the building's four-sided extension into its surroundings, resulting in frontal configurations previously characteristic of the back. Arguing that the boundary between inside and outside was radically redefined, Leatherbarrow challenges cherished notions about the autonomy of the architectural object and about regional coherence. Modern architectural topography, he suggests, is an interplay of buildings, landscapes, and cities, as well as the humans who use them. The conflict between technological progress and cultural continuity, Leatherbarrow claims, exists only in theory, not in the real world of architecture. He argues that the act of building is not a matter of restoring regional identity by re-creating familiar signs, but of incorporating construction into the process of topography's perpetual becoming.
Uncommon ground : architecture, technology, and topography
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$56.95
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Résumé:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in building gave way to an awareness of its disruptive impact on cities and culture. He examines the work of three architects, Richard Neutra, Antonin Raymond, and Aris Konstantinidis, who practiced in the United States, Japan, and Greece respectively. Leatherbarrow rejects the assumption that buildings of the modern period, particularly those that used the latest technology, were designed without regard to their surroundings. Although the prefabricated elements used in the buildings were designed independent of siting considerations, architects used these elements to modulate the environment. Leatherbarrow shows how the role of walls, the traditional element of architectural definition and platform partition, became less significant than that of the platforms themselves, the floors, ceilings, and intermediate levels. He shows how frontality was replaced by the building's four-sided extension into its surroundings, resulting in frontal configurations previously characteristic of the back. Arguing that the boundary between inside and outside was radically redefined, Leatherbarrow challenges cherished notions about the autonomy of the architectural object and about regional coherence. Modern architectural topography, he suggests, is an interplay of buildings, landscapes, and cities, as well as the humans who use them. The conflict between technological progress and cultural continuity, Leatherbarrow claims, exists only in theory, not in the real world of architecture. He argues that the act of building is not a matter of restoring regional identity by re-creating familiar signs, but of incorporating construction into the process of topography's perpetual becoming.
Classification:
livres
livres
Publication:
octobre 2000, Cambridge, Mass.
octobre 2000, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$85.00
(disponible en magasin)
Résumé:
From early reports of the invention to its wide application during World War I, the idea of photography created anticipation and participation in the modern world. The first volume of ''A History of Photography in Canada'' captures this phenomenon by looking at hundreds of photographs generated in and about Canada-in-the-making and by listening to the chords they struck(...)
$85.00
(disponible en magasin)
Résumé:
From early reports of the invention to its wide application during World War I, the idea of photography created anticipation and participation in the modern world. The first volume of ''A History of Photography in Canada'' captures this phenomenon by looking at hundreds of photographs generated in and about Canada-in-the-making and by listening to the chords they struck(...)
Titre:
History of photography in Canada, Volume 1
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$85.00
(disponible en magasin)
Résumé:
From early reports of the invention to its wide application during World War I, the idea of photography created anticipation and participation in the modern world. The first volume of ''A History of Photography in Canada'' captures this phenomenon by looking at hundreds of photographs generated in and about Canada-in-the-making and by listening to the chords they struck in the collective imagination. Emphasizing technological readiness and cultural eagerness for the medium, Martha Langford shows how photography served ideals of progress and improvement as Canada’s settler society looked to master the world by seizing its visible traces. The imposition of these programs on Indigenous Peoples and indentured labourers is confronted throughout this volume, which offers both narratives and counternarratives of subjectification. Reproducing images of people, places, events, and objects from the unceded territories of the First Nations, Inuit, and Métis, from British North America, and from the Dominion of Canada and the Dominion of Newfoundland, Langford asks where and when photographs were taken, why, and by whom. How did the making and preservation of a photograph alter the circumstances in which it was produced, and how did this affect individual and collective consciousness? Alongside accomplished portraits, landscapes, still lifes, and their vernacular counterparts, the book draws glimmers of photographic experience from treatises and doggerel, official reports and personal diaries, newspapers, magazines, letters, and travelogues.
History of photography in Canada, Volume 1
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Prix:
$85.00
(disponible en magasin)
Résumé:
From early reports of the invention to its wide application during World War I, the idea of photography created anticipation and participation in the modern world. The first volume of ''A History of Photography in Canada'' captures this phenomenon by looking at hundreds of photographs generated in and about Canada-in-the-making and by listening to the chords they struck in the collective imagination. Emphasizing technological readiness and cultural eagerness for the medium, Martha Langford shows how photography served ideals of progress and improvement as Canada’s settler society looked to master the world by seizing its visible traces. The imposition of these programs on Indigenous Peoples and indentured labourers is confronted throughout this volume, which offers both narratives and counternarratives of subjectification. Reproducing images of people, places, events, and objects from the unceded territories of the First Nations, Inuit, and Métis, from British North America, and from the Dominion of Canada and the Dominion of Newfoundland, Langford asks where and when photographs were taken, why, and by whom. How did the making and preservation of a photograph alter the circumstances in which it was produced, and how did this affect individual and collective consciousness? Alongside accomplished portraits, landscapes, still lifes, and their vernacular counterparts, the book draws glimmers of photographic experience from treatises and doggerel, official reports and personal diaries, newspapers, magazines, letters, and travelogues.
Classification:
livres
livres
Publication:
juillet 2025
juillet 2025
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
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$39.95
(disponible sur commande)
Résumé:
"Building with earth" is a comprehensive guide to describe the re-emergence of earthen architecture in North America, where adventurous builders are combining timeless forms such as arches, vaults, and domes with modern materials and techniques. Using cheap recycled or salvaged polypropylene tubing or textile grain sacks, even relatively inexperienced builders can(...)
$39.95
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Résumé:
"Building with earth" is a comprehensive guide to describe the re-emergence of earthen architecture in North America, where adventurous builders are combining timeless forms such as arches, vaults, and domes with modern materials and techniques. Using cheap recycled or salvaged polypropylene tubing or textile grain sacks, even relatively inexperienced builders can(...)
Titre:
Building with earth : a guide to flexible-form earthbag construction
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$39.95
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"Building with earth" is a comprehensive guide to describe the re-emergence of earthen architecture in North America, where adventurous builders are combining timeless forms such as arches, vaults, and domes with modern materials and techniques. Using cheap recycled or salvaged polypropylene tubing or textile grain sacks, even relatively inexperienced builders can construct an essentially tree-free building, from foundation to curved roof. With ordinary barbed wire between courses for tensile strength, and with beautifully textured earth- and lime-based finish plasters for weather protection, "earthbag" buildings are being used for retreats, studios, and full-time homes in a wide variety of climates and conditions. This book will tell and show readers how to plan and build their own earthen "Superadobe" building.
Building with earth : a guide to flexible-form earthbag construction
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Prix:
$39.95
(disponible sur commande)
Résumé:
"Building with earth" is a comprehensive guide to describe the re-emergence of earthen architecture in North America, where adventurous builders are combining timeless forms such as arches, vaults, and domes with modern materials and techniques. Using cheap recycled or salvaged polypropylene tubing or textile grain sacks, even relatively inexperienced builders can construct an essentially tree-free building, from foundation to curved roof. With ordinary barbed wire between courses for tensile strength, and with beautifully textured earth- and lime-based finish plasters for weather protection, "earthbag" buildings are being used for retreats, studios, and full-time homes in a wide variety of climates and conditions. This book will tell and show readers how to plan and build their own earthen "Superadobe" building.
Classification:
livres
livres
Publication:
mai 2001, White River
mai 2001, White River
Sujet:
Architecture écologique
Architecture écologique
Classification:
livres
livres
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$49.95
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''Dwelling in the World'' considers family, house, and home in Tianjin to explore how tempos and structures of everyday life changed with the fall of the Qing Empire and the rise of a colonized city. Elizabeth LaCouture argues that the intimate ideas and practices of the modern home were more important in shaping the gender and status identities of Tianjin’s urban elites(...)
$49.95
(disponible sur commande)
Résumé:
''Dwelling in the World'' considers family, house, and home in Tianjin to explore how tempos and structures of everyday life changed with the fall of the Qing Empire and the rise of a colonized city. Elizabeth LaCouture argues that the intimate ideas and practices of the modern home were more important in shaping the gender and status identities of Tianjin’s urban elites(...)
Titre:
Dwelling in the world: family, house, and home in Tianjin, China, 1860-1960
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$49.95
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''Dwelling in the World'' considers family, house, and home in Tianjin to explore how tempos and structures of everyday life changed with the fall of the Qing Empire and the rise of a colonized city. Elizabeth LaCouture argues that the intimate ideas and practices of the modern home were more important in shaping the gender and status identities of Tianjin’s urban elites than the new public ideology of the nation. Placing the Chinese home in a global context, she challenges Euro-American historical notions that the private sphere emerged from industrialization. She argues that concepts of individual property rights that emerged during the Republican era became foundational to state-society relations in early Communist housing reforms and in today’s middle-class real estate boom.
Dwelling in the world: family, house, and home in Tianjin, China, 1860-1960
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$49.95
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Résumé:
''Dwelling in the World'' considers family, house, and home in Tianjin to explore how tempos and structures of everyday life changed with the fall of the Qing Empire and the rise of a colonized city. Elizabeth LaCouture argues that the intimate ideas and practices of the modern home were more important in shaping the gender and status identities of Tianjin’s urban elites than the new public ideology of the nation. Placing the Chinese home in a global context, she challenges Euro-American historical notions that the private sphere emerged from industrialization. She argues that concepts of individual property rights that emerged during the Republican era became foundational to state-society relations in early Communist housing reforms and in today’s middle-class real estate boom.
Classification:
livres
livres
Publication:
août 2021
août 2021
Sujet:
Histoire jusqu'à 1900, Asie
Histoire jusqu'à 1900, Asie
Classification:
livres
livres
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$79.00
(disponible en magasin)
Résumé:
How a protean mathematical object, the graph, ushered in new images, tools, and infrastructures for design and catalyzed a digital future for architecture. In "Graph vision", Theodora Vardouli offers a fresh history of architecture's early entanglements with modern mathematics and digital computing by focusing on a hidden protagonist: the graph. Fueled by iconoclastic(...)
$79.00
(disponible en magasin)
Résumé:
How a protean mathematical object, the graph, ushered in new images, tools, and infrastructures for design and catalyzed a digital future for architecture. In "Graph vision", Theodora Vardouli offers a fresh history of architecture's early entanglements with modern mathematics and digital computing by focusing on a hidden protagonist: the graph. Fueled by iconoclastic(...)
Titre:
Graph vision: Digital architecture's skeletons
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Prix:
$79.00
(disponible en magasin)
Résumé:
How a protean mathematical object, the graph, ushered in new images, tools, and infrastructures for design and catalyzed a digital future for architecture. In "Graph vision", Theodora Vardouli offers a fresh history of architecture's early entanglements with modern mathematics and digital computing by focusing on a hidden protagonist: the graph. Fueled by iconoclastic sentiments and skepticism of geometric depiction, architects, she explains, turned to the skeletal underpinnings of their work, and with it the graph, as a site of representation, operation, and political possibility. Taking the reader on an enthralling journey through a polyvalent mathematical entity, Vardouli combines close readings of graphs' architectural manifestations as images, tools, and infrastructures for design with original archival work on research centers that spearheaded mathematical and computational approaches to architecture.
Graph vision: Digital architecture's skeletons
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Prix:
$79.00
(disponible en magasin)
Résumé:
How a protean mathematical object, the graph, ushered in new images, tools, and infrastructures for design and catalyzed a digital future for architecture. In "Graph vision", Theodora Vardouli offers a fresh history of architecture's early entanglements with modern mathematics and digital computing by focusing on a hidden protagonist: the graph. Fueled by iconoclastic sentiments and skepticism of geometric depiction, architects, she explains, turned to the skeletal underpinnings of their work, and with it the graph, as a site of representation, operation, and political possibility. Taking the reader on an enthralling journey through a polyvalent mathematical entity, Vardouli combines close readings of graphs' architectural manifestations as images, tools, and infrastructures for design with original archival work on research centers that spearheaded mathematical and computational approaches to architecture.
Classification:
livres
livres
Publication:
novembre 2024
novembre 2024
Sujet:
Architecture numérique
Architecture numérique
Classification:
livres
livres
Prix:
$79.00
(disponible sur commande)
Résumé:
In "Albert Kahn Inc." Claire Zimmerman provides a history of second-wave industrialization associated with the growth and development of the United States auto industry and its global footprint. A forensic analysis of the "architects of Ford," the book theorizes how building and capitalism intersected in the case of twentieth-century industrial buildings, but also in(...)
$79.00
(disponible sur commande)
Résumé:
In "Albert Kahn Inc." Claire Zimmerman provides a history of second-wave industrialization associated with the growth and development of the United States auto industry and its global footprint. A forensic analysis of the "architects of Ford," the book theorizes how building and capitalism intersected in the case of twentieth-century industrial buildings, but also in(...)
Titre:
Albert Kahn Inc.: Architecture, labor, and industry, 1905-1961
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$79.00
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Résumé:
In "Albert Kahn Inc." Claire Zimmerman provides a history of second-wave industrialization associated with the growth and development of the United States auto industry and its global footprint. A forensic analysis of the "architects of Ford," the book theorizes how building and capitalism intersected in the case of twentieth-century industrial buildings, but also in other kinds of architecture and in the built environment writ large. Generally a marginal subject in histories of architecture, industrialism here exposes the expansionist modern project in Western architecture and culture, which was based on natural resource extraction and labor exploitation. With more than 140 full-color illustrations, the book combines an analysis of industrial architecture with compelling photographic evidence drawn from assorted archives.
Albert Kahn Inc.: Architecture, labor, and industry, 1905-1961
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$79.00
(disponible sur commande)
Résumé:
In "Albert Kahn Inc." Claire Zimmerman provides a history of second-wave industrialization associated with the growth and development of the United States auto industry and its global footprint. A forensic analysis of the "architects of Ford," the book theorizes how building and capitalism intersected in the case of twentieth-century industrial buildings, but also in other kinds of architecture and in the built environment writ large. Generally a marginal subject in histories of architecture, industrialism here exposes the expansionist modern project in Western architecture and culture, which was based on natural resource extraction and labor exploitation. With more than 140 full-color illustrations, the book combines an analysis of industrial architecture with compelling photographic evidence drawn from assorted archives.
Classification:
livres
livres
Publication:
août 2025
août 2025
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$53.95
(disponible sur commande)
Résumé:
“Inspiring Designers” a sourcebook provides an insight into the minds of 18 of the world's most distinguished designers working today. The book comprehensively explores what makes these designers critically and commercially successful. Moreover, it poses the question: Do designers possess a special something in their genetic make up - 'cultural DNA' - that makes them(...)
$53.95
(disponible sur commande)
Résumé:
“Inspiring Designers” a sourcebook provides an insight into the minds of 18 of the world's most distinguished designers working today. The book comprehensively explores what makes these designers critically and commercially successful. Moreover, it poses the question: Do designers possess a special something in their genetic make up - 'cultural DNA' - that makes them(...)
Titre:
Inspiring designers : a sourcebook
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$53.95
(disponible sur commande)
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“Inspiring Designers” a sourcebook provides an insight into the minds of 18 of the world's most distinguished designers working today. The book comprehensively explores what makes these designers critically and commercially successful. Moreover, it poses the question: Do designers possess a special something in their genetic make up - 'cultural DNA' - that makes them flourish in the contemporary design world? ”Inspiring Designers” presents personal narratives of each designer's cultural development providing a comprehensive overview of the iconic influences used in today's design practice. Each designer has been interviewed about their influences and inspiration sources - buildings, products, films, artists, books, cars, music, magazines, people. As such the book provides a unique and accessible introduction as to how inspiration works within and informs our modern world.
Inspiring designers : a sourcebook
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$53.95
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Résumé:
“Inspiring Designers” a sourcebook provides an insight into the minds of 18 of the world's most distinguished designers working today. The book comprehensively explores what makes these designers critically and commercially successful. Moreover, it poses the question: Do designers possess a special something in their genetic make up - 'cultural DNA' - that makes them flourish in the contemporary design world? ”Inspiring Designers” presents personal narratives of each designer's cultural development providing a comprehensive overview of the iconic influences used in today's design practice. Each designer has been interviewed about their influences and inspiration sources - buildings, products, films, artists, books, cars, music, magazines, people. As such the book provides a unique and accessible introduction as to how inspiration works within and informs our modern world.
Classification:
livres
livres
Publication:
juin 2004, London
juin 2004, London
Sujet:
Design d’intérieur
Design d’intérieur
Classification:
livres
livres
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$23.95
(disponible sur commande)
Résumé:
"Unhoused: Adorno and the Problem of Dwelling" is the first book-length study of Theodor Adorno as a philosopher of housing. Treating his own experience of exile as emblematic of late modern life, Adorno observed that twentieth-century dwelling had been rendered “impossible” by nativism, by the decimations of war, and, in the postwar period, by housing’s increasingly(...)
$23.95
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"Unhoused: Adorno and the Problem of Dwelling" is the first book-length study of Theodor Adorno as a philosopher of housing. Treating his own experience of exile as emblematic of late modern life, Adorno observed that twentieth-century dwelling had been rendered “impossible” by nativism, by the decimations of war, and, in the postwar period, by housing’s increasingly(...)
Titre:
Unhoused: Adorno and the problem of dwelling
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$23.95
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"Unhoused: Adorno and the Problem of Dwelling" is the first book-length study of Theodor Adorno as a philosopher of housing. Treating his own experience of exile as emblematic of late modern life, Adorno observed that twentieth-century dwelling had been rendered “impossible” by nativism, by the decimations of war, and, in the postwar period, by housing’s increasingly thorough assimilation into private property. Adorno’s position on the meaning and prospects for adequate dwelling—a concept he never wrote about systematically but nevertheless returned to frequently—was not that some invulnerable state of home or dwelling should be revived. Rather, Adorno believed that the only responsible approach to housing was to cultivate an ethic of displacement, to learn “how not to be at home in one’s home.”
Unhoused: Adorno and the problem of dwelling
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$23.95
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Résumé:
"Unhoused: Adorno and the Problem of Dwelling" is the first book-length study of Theodor Adorno as a philosopher of housing. Treating his own experience of exile as emblematic of late modern life, Adorno observed that twentieth-century dwelling had been rendered “impossible” by nativism, by the decimations of war, and, in the postwar period, by housing’s increasingly thorough assimilation into private property. Adorno’s position on the meaning and prospects for adequate dwelling—a concept he never wrote about systematically but nevertheless returned to frequently—was not that some invulnerable state of home or dwelling should be revived. Rather, Adorno believed that the only responsible approach to housing was to cultivate an ethic of displacement, to learn “how not to be at home in one’s home.”
Classification:
livres
livres
Publication:
avril 2018
avril 2018
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Dafi Kühne: true print
Dafi Kühne: true print
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$49.00
(disponible sur commande)
Résumé:
Dafi Ku¨hne is a Swiss designer who works with analogue and digital techniques to produce fresh and unique letterpress-printed posters. Using very different kinds of tools — from a computer to a pantograph — for his compositions, he pushes the boundaries of design. Never afraid of getting his hands dirty in his creative workshop, Dafi Kühne embraces the labor involved in(...)
$49.00
(disponible sur commande)
Résumé:
Dafi Ku¨hne is a Swiss designer who works with analogue and digital techniques to produce fresh and unique letterpress-printed posters. Using very different kinds of tools — from a computer to a pantograph — for his compositions, he pushes the boundaries of design. Never afraid of getting his hands dirty in his creative workshop, Dafi Kühne embraces the labor involved in(...)
Titre:
Dafi Kühne: true print
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Prix:
$49.00
(disponible sur commande)
Résumé:
Dafi Ku¨hne is a Swiss designer who works with analogue and digital techniques to produce fresh and unique letterpress-printed posters. Using very different kinds of tools — from a computer to a pantograph — for his compositions, he pushes the boundaries of design. Never afraid of getting his hands dirty in his creative workshop, Dafi Kühne embraces the labor involved in the entire process of creating a poster, from initial idea to finished product. Fusing modern means with the century-old tradition of letterpress, he forms a new vocabulary for how to communicate through type and form in a truly contemporary way. Never retro, his work is a clever response to the search for new possibilities of graphic expression: true print.
Dafi Kühne: true print
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Prix:
$49.00
(disponible sur commande)
Résumé:
Dafi Ku¨hne is a Swiss designer who works with analogue and digital techniques to produce fresh and unique letterpress-printed posters. Using very different kinds of tools — from a computer to a pantograph — for his compositions, he pushes the boundaries of design. Never afraid of getting his hands dirty in his creative workshop, Dafi Kühne embraces the labor involved in the entire process of creating a poster, from initial idea to finished product. Fusing modern means with the century-old tradition of letterpress, he forms a new vocabulary for how to communicate through type and form in a truly contemporary way. Never retro, his work is a clever response to the search for new possibilities of graphic expression: true print.
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Classification:
livres
livres
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$61.95
(disponible en magasin)
Résumé:
John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation, but rather, should depict the natural world as mankind experiences it, with all the sensations of both beauty and(...)
$61.95
(disponible en magasin)
Résumé:
John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation, but rather, should depict the natural world as mankind experiences it, with all the sensations of both beauty and(...)
Titre:
Landscapes after Ruskin: redefining the sublime
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$61.95
(disponible en magasin)
Résumé:
John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation, but rather, should depict the natural world as mankind experiences it, with all the sensations of both beauty and terror it elicits. Today, in a world overwhelmed by industrial development and environmental uncertainty, contemporary artists are discovering new beauties and terrors associated with nature, invoking a sense of the sublime that is uniquely modern. "Landscapes after Ruskin" explores how a joyful experience of nature is now mixed with a particular dread as the earth and its atmosphere are increasingly touched by human activity.
Landscapes after Ruskin: redefining the sublime
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Prix:
$61.95
(disponible en magasin)
Résumé:
John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation, but rather, should depict the natural world as mankind experiences it, with all the sensations of both beauty and terror it elicits. Today, in a world overwhelmed by industrial development and environmental uncertainty, contemporary artists are discovering new beauties and terrors associated with nature, invoking a sense of the sublime that is uniquely modern. "Landscapes after Ruskin" explores how a joyful experience of nature is now mixed with a particular dread as the earth and its atmosphere are increasingly touched by human activity.
Classification:
livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Photographie- collections
Photographie- collections
