4505 Résultats
Classification:
dessins
Quantité:
25 File
dessins
Quantité:
25 File
Numéro de référence:
ARCH46555
Description:
staff cafeteria, light fixture for Saskatchewan room, kitchen layouts, partial basement plan, banquette and chair for Cascade room, interior perspectives of Nova Scotia room, bathrooms, private dining rooms and beauty parlour, bathroom arrangements, telephone booths, bedroom floor plans, section through laundry area, elevator machinery room, T.C.A. office
ARCH46555
Description:
staff cafeteria, light fixture for Saskatchewan room, kitchen layouts, partial basement plan, banquette and chair for Cascade room, interior perspectives of Nova Scotia room, bathrooms, private dining rooms and beauty parlour, bathroom arrangements, telephone booths, bedroom floor plans, section through laundry area, elevator machinery room, T.C.A. office
Personnes et institutions:
Titre:
Saskatchewan room, Cascade room, Nova Scotia room
Actions:
ARCH46555
Description:
staff cafeteria, light fixture for Saskatchewan room, kitchen layouts, partial basement plan, banquette and chair for Cascade room, interior perspectives of Nova Scotia room, bathrooms, private dining rooms and beauty parlour, bathroom arrangements, telephone booths, bedroom floor plans, section through laundry area, elevator machinery room, T.C.A. office
Saskatchewan room, Cascade room, Nova Scotia room
Actions:
ARCH46555
Description:
staff cafeteria, light fixture for Saskatchewan room, kitchen layouts, partial basement plan, banquette and chair for Cascade room, interior perspectives of Nova Scotia room, bathrooms, private dining rooms and beauty parlour, bathroom arrangements, telephone booths, bedroom floor plans, section through laundry area, elevator machinery room, T.C.A. office
Classification:
dessins
Quantité:
25 File
dessins
Quantité:
25 File
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
Personnes et institutions:
Date:
2013-2015
2013-2015
Titre:
Architecture Ondoyante (2014)
Actions:
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
Architecture Ondoyante (2014)
Actions:
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2013-2015
2013-2015
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP179.S2
Description:
Series 2, Witte Arts Center, Green Bay, Wisconsin, 2000 – 2002, documents the development of a project (unrealized) by Office d’A in response to a real estate brief for a floor of artists’ studios supported by a street level gallery in Green Bay, Wisconsin. The design for the Witte Arts Center addresses functional architectural concerns like light and circulation through elements such as suspended skylights and an open-air staircase. For the staircase in particular, corbelled brick patterning around the interior stairs creates a distortion of the building’s façade nicknamed “the smile.” The series consists of sketches, drawings and reprographic copies from the pre-design to design development phases of the project, a model, and photographic materials. Textual records in the series include correspondence, meeting notes and vendor catalogues. Digital material consists of CAD drawings, 3D models and renderings, images of the model and drawings, correspondence and other documents.
AP179.S2
Description:
Series 2, Witte Arts Center, Green Bay, Wisconsin, 2000 – 2002, documents the development of a project (unrealized) by Office d’A in response to a real estate brief for a floor of artists’ studios supported by a street level gallery in Green Bay, Wisconsin. The design for the Witte Arts Center addresses functional architectural concerns like light and circulation through elements such as suspended skylights and an open-air staircase. For the staircase in particular, corbelled brick patterning around the interior stairs creates a distortion of the building’s façade nicknamed “the smile.” The series consists of sketches, drawings and reprographic copies from the pre-design to design development phases of the project, a model, and photographic materials. Textual records in the series include correspondence, meeting notes and vendor catalogues. Digital material consists of CAD drawings, 3D models and renderings, images of the model and drawings, correspondence and other documents.
Personnes et institutions:
Date:
2000 - 2002
2000 - 2002
Titre:
Witte Arts Center, Green Bay, Wisconsin (2000 - 2002)
Actions:
AP179.S2
Description:
Series 2, Witte Arts Center, Green Bay, Wisconsin, 2000 – 2002, documents the development of a project (unrealized) by Office d’A in response to a real estate brief for a floor of artists’ studios supported by a street level gallery in Green Bay, Wisconsin. The design for the Witte Arts Center addresses functional architectural concerns like light and circulation through elements such as suspended skylights and an open-air staircase. For the staircase in particular, corbelled brick patterning around the interior stairs creates a distortion of the building’s façade nicknamed “the smile.” The series consists of sketches, drawings and reprographic copies from the pre-design to design development phases of the project, a model, and photographic materials. Textual records in the series include correspondence, meeting notes and vendor catalogues. Digital material consists of CAD drawings, 3D models and renderings, images of the model and drawings, correspondence and other documents.
Witte Arts Center, Green Bay, Wisconsin (2000 - 2002)
Actions:
AP179.S2
Description:
Series 2, Witte Arts Center, Green Bay, Wisconsin, 2000 – 2002, documents the development of a project (unrealized) by Office d’A in response to a real estate brief for a floor of artists’ studios supported by a street level gallery in Green Bay, Wisconsin. The design for the Witte Arts Center addresses functional architectural concerns like light and circulation through elements such as suspended skylights and an open-air staircase. For the staircase in particular, corbelled brick patterning around the interior stairs creates a distortion of the building’s façade nicknamed “the smile.” The series consists of sketches, drawings and reprographic copies from the pre-design to design development phases of the project, a model, and photographic materials. Textual records in the series include correspondence, meeting notes and vendor catalogues. Digital material consists of CAD drawings, 3D models and renderings, images of the model and drawings, correspondence and other documents.
Niveau de description archivistique:
Series
Series
Date:
2000 - 2002
2000 - 2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1999.PR01
Description:
This project series documents the Canadian Embassy in Berlin, Germany from 1999-2005. The office identified the project number as 9903. This project consisted of a new embassy building for Canada in the reunified German capital located at the junction of Leipziger Platz and Potsdamer Platz. The embassy was built in joint venture with Gagnon Letellier Cyr Architects and Smith Carter Architects and Engineers. The firms were selected for the project by the Canadian Department of Foreign Affairs and International Trade after a national competition was held. The competition jury had chosen a different design, by architecture firm Saucier + Perrotte.[1] The embassy, built to follow the original octagonal wall of Leipziger Platz, had a stone exterior punched with windows, as dictated by the District Office of Central Berlin's guidelines.[2] It occupied the first four floors of the Leipziger Platz block and all floors of the Ebertstrasse block. Inside, the Focus Canada Centre off the Ebertstrasse entrance served as the central government information centre and included interactive kiosks. The Embassy Reception Hall, complete was an Inuksuk at its entrance, was a space that greeted guests and provided consular services. The Canada Lounge defined the ground floor and provided a space where visitors could engage with Canadian news through newspapers, radios and televisions. The cylindrical Great Timber Hall pierced through the embassy. This wood-lined space had a sky-light ceiling to allow natural light to flow inside and served as an executive meeting room and a space for special guests, entertainment, events and exhibits. Retail spaces were also provided along Vossstrasse and a residential component made up the upper floors of Leipziger Platz. The project is recorded through a model and drawings dating from 1998-2000. The large part of these drawings are sketches, but plans, elevations, sections, perspectives and details are also included. [1] Adele Weder, "A Berlin Chronicle," The Canadian Architect, June 20, 1999, 20-21. [2] "Canadian Embassy Berlin." KPMB. Accessed April 18, 2019. http://www.kpmb.com/project/canadian-embassy-berlin/
AP056.S1.1999.PR01
Description:
This project series documents the Canadian Embassy in Berlin, Germany from 1999-2005. The office identified the project number as 9903. This project consisted of a new embassy building for Canada in the reunified German capital located at the junction of Leipziger Platz and Potsdamer Platz. The embassy was built in joint venture with Gagnon Letellier Cyr Architects and Smith Carter Architects and Engineers. The firms were selected for the project by the Canadian Department of Foreign Affairs and International Trade after a national competition was held. The competition jury had chosen a different design, by architecture firm Saucier + Perrotte.[1] The embassy, built to follow the original octagonal wall of Leipziger Platz, had a stone exterior punched with windows, as dictated by the District Office of Central Berlin's guidelines.[2] It occupied the first four floors of the Leipziger Platz block and all floors of the Ebertstrasse block. Inside, the Focus Canada Centre off the Ebertstrasse entrance served as the central government information centre and included interactive kiosks. The Embassy Reception Hall, complete was an Inuksuk at its entrance, was a space that greeted guests and provided consular services. The Canada Lounge defined the ground floor and provided a space where visitors could engage with Canadian news through newspapers, radios and televisions. The cylindrical Great Timber Hall pierced through the embassy. This wood-lined space had a sky-light ceiling to allow natural light to flow inside and served as an executive meeting room and a space for special guests, entertainment, events and exhibits. Retail spaces were also provided along Vossstrasse and a residential component made up the upper floors of Leipziger Platz. The project is recorded through a model and drawings dating from 1998-2000. The large part of these drawings are sketches, but plans, elevations, sections, perspectives and details are also included. [1] Adele Weder, "A Berlin Chronicle," The Canadian Architect, June 20, 1999, 20-21. [2] "Canadian Embassy Berlin." KPMB. Accessed April 18, 2019. http://www.kpmb.com/project/canadian-embassy-berlin/
Personnes et institutions:
Date:
1998-2000
1998-2000
Titre:
Canadian Embassy, Berlin, Germany (1999-2005)
Actions:
AP056.S1.1999.PR01
Description:
This project series documents the Canadian Embassy in Berlin, Germany from 1999-2005. The office identified the project number as 9903. This project consisted of a new embassy building for Canada in the reunified German capital located at the junction of Leipziger Platz and Potsdamer Platz. The embassy was built in joint venture with Gagnon Letellier Cyr Architects and Smith Carter Architects and Engineers. The firms were selected for the project by the Canadian Department of Foreign Affairs and International Trade after a national competition was held. The competition jury had chosen a different design, by architecture firm Saucier + Perrotte.[1] The embassy, built to follow the original octagonal wall of Leipziger Platz, had a stone exterior punched with windows, as dictated by the District Office of Central Berlin's guidelines.[2] It occupied the first four floors of the Leipziger Platz block and all floors of the Ebertstrasse block. Inside, the Focus Canada Centre off the Ebertstrasse entrance served as the central government information centre and included interactive kiosks. The Embassy Reception Hall, complete was an Inuksuk at its entrance, was a space that greeted guests and provided consular services. The Canada Lounge defined the ground floor and provided a space where visitors could engage with Canadian news through newspapers, radios and televisions. The cylindrical Great Timber Hall pierced through the embassy. This wood-lined space had a sky-light ceiling to allow natural light to flow inside and served as an executive meeting room and a space for special guests, entertainment, events and exhibits. Retail spaces were also provided along Vossstrasse and a residential component made up the upper floors of Leipziger Platz. The project is recorded through a model and drawings dating from 1998-2000. The large part of these drawings are sketches, but plans, elevations, sections, perspectives and details are also included. [1] Adele Weder, "A Berlin Chronicle," The Canadian Architect, June 20, 1999, 20-21. [2] "Canadian Embassy Berlin." KPMB. Accessed April 18, 2019. http://www.kpmb.com/project/canadian-embassy-berlin/
Canadian Embassy, Berlin, Germany (1999-2005)
Actions:
AP056.S1.1999.PR01
Description:
This project series documents the Canadian Embassy in Berlin, Germany from 1999-2005. The office identified the project number as 9903. This project consisted of a new embassy building for Canada in the reunified German capital located at the junction of Leipziger Platz and Potsdamer Platz. The embassy was built in joint venture with Gagnon Letellier Cyr Architects and Smith Carter Architects and Engineers. The firms were selected for the project by the Canadian Department of Foreign Affairs and International Trade after a national competition was held. The competition jury had chosen a different design, by architecture firm Saucier + Perrotte.[1] The embassy, built to follow the original octagonal wall of Leipziger Platz, had a stone exterior punched with windows, as dictated by the District Office of Central Berlin's guidelines.[2] It occupied the first four floors of the Leipziger Platz block and all floors of the Ebertstrasse block. Inside, the Focus Canada Centre off the Ebertstrasse entrance served as the central government information centre and included interactive kiosks. The Embassy Reception Hall, complete was an Inuksuk at its entrance, was a space that greeted guests and provided consular services. The Canada Lounge defined the ground floor and provided a space where visitors could engage with Canadian news through newspapers, radios and televisions. The cylindrical Great Timber Hall pierced through the embassy. This wood-lined space had a sky-light ceiling to allow natural light to flow inside and served as an executive meeting room and a space for special guests, entertainment, events and exhibits. Retail spaces were also provided along Vossstrasse and a residential component made up the upper floors of Leipziger Platz. The project is recorded through a model and drawings dating from 1998-2000. The large part of these drawings are sketches, but plans, elevations, sections, perspectives and details are also included. [1] Adele Weder, "A Berlin Chronicle," The Canadian Architect, June 20, 1999, 20-21. [2] "Canadian Embassy Berlin." KPMB. Accessed April 18, 2019. http://www.kpmb.com/project/canadian-embassy-berlin/
Niveau de description archivistique:
Project
Project
Date:
1998-2000
1998-2000
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1964.PR04
Description:
This project series documents an office tower and additions to the Simpson's store at 401 Bay Street in Toronto from 1964-1968. The office identified the project number as 6408. This project consisted of a 585,000 square foot building with 9 low-rise levels and 23 high-rise office floors. The low-rise exteriors were visually separated from the office tower by their larger square footage and different façades. The lower exteriors were characterized by light amber metal panels and display windows of glass with stainless steel frames at the shopping levels. The building is wrapped from the ground to the top in concrete columns. The building contained the Simpson's store, barber shop, banking mezzanine, cafeteria, restaurant and cocktail lounge and headquarters office spaces. The project is recorded through reprographic copies of drawings and a presentation board of a photograph dating from 1966-1968. The drawings are a set of construction plans, sections, details, elevations, project graphics, layouts, and schedules.
AP018.S1.1964.PR04
Description:
This project series documents an office tower and additions to the Simpson's store at 401 Bay Street in Toronto from 1964-1968. The office identified the project number as 6408. This project consisted of a 585,000 square foot building with 9 low-rise levels and 23 high-rise office floors. The low-rise exteriors were visually separated from the office tower by their larger square footage and different façades. The lower exteriors were characterized by light amber metal panels and display windows of glass with stainless steel frames at the shopping levels. The building is wrapped from the ground to the top in concrete columns. The building contained the Simpson's store, barber shop, banking mezzanine, cafeteria, restaurant and cocktail lounge and headquarters office spaces. The project is recorded through reprographic copies of drawings and a presentation board of a photograph dating from 1966-1968. The drawings are a set of construction plans, sections, details, elevations, project graphics, layouts, and schedules.
Personnes et institutions:
Date:
1966-1968
1966-1968
Titre:
The Robert Simpson Company Limited Downtown Store, Office Tower and Additions, Toronto (1964-1968)
Actions:
AP018.S1.1964.PR04
Description:
This project series documents an office tower and additions to the Simpson's store at 401 Bay Street in Toronto from 1964-1968. The office identified the project number as 6408. This project consisted of a 585,000 square foot building with 9 low-rise levels and 23 high-rise office floors. The low-rise exteriors were visually separated from the office tower by their larger square footage and different façades. The lower exteriors were characterized by light amber metal panels and display windows of glass with stainless steel frames at the shopping levels. The building is wrapped from the ground to the top in concrete columns. The building contained the Simpson's store, barber shop, banking mezzanine, cafeteria, restaurant and cocktail lounge and headquarters office spaces. The project is recorded through reprographic copies of drawings and a presentation board of a photograph dating from 1966-1968. The drawings are a set of construction plans, sections, details, elevations, project graphics, layouts, and schedules.
The Robert Simpson Company Limited Downtown Store, Office Tower and Additions, Toronto (1964-1968)
Actions:
AP018.S1.1964.PR04
Description:
This project series documents an office tower and additions to the Simpson's store at 401 Bay Street in Toronto from 1964-1968. The office identified the project number as 6408. This project consisted of a 585,000 square foot building with 9 low-rise levels and 23 high-rise office floors. The low-rise exteriors were visually separated from the office tower by their larger square footage and different façades. The lower exteriors were characterized by light amber metal panels and display windows of glass with stainless steel frames at the shopping levels. The building is wrapped from the ground to the top in concrete columns. The building contained the Simpson's store, barber shop, banking mezzanine, cafeteria, restaurant and cocktail lounge and headquarters office spaces. The project is recorded through reprographic copies of drawings and a presentation board of a photograph dating from 1966-1968. The drawings are a set of construction plans, sections, details, elevations, project graphics, layouts, and schedules.
Niveau de description archivistique:
Project
Project
Date:
1966-1968
1966-1968
Personnes et institutions:
Classification:
dessins
Quantité:
18 File
dessins
Quantité:
18 File
Titre:
General Offices
General Offices
Numéro de référence:
ARCH41057
Description:
General Offices; structure, dental clinic, pipe trench: Signal and A.S.D.I.C. basement toilets, dimensioned block plans, pedestal cuspidor and operating light, Machine Shop and Engineering Building expansion joints, wall details of barracks buildings, water pipe lines, Hospital pipe branches and steel stack, hospital pipe trench and water main, manhole, exterior sewer of Torpedo and Gunnery School
ARCH41057
Description:
General Offices; structure, dental clinic, pipe trench: Signal and A.S.D.I.C. basement toilets, dimensioned block plans, pedestal cuspidor and operating light, Machine Shop and Engineering Building expansion joints, wall details of barracks buildings, water pipe lines, Hospital pipe branches and steel stack, hospital pipe trench and water main, manhole, exterior sewer of Torpedo and Gunnery School
Personnes et institutions:
Titre:
General Offices
Actions:
ARCH41057
Description:
General Offices; structure, dental clinic, pipe trench: Signal and A.S.D.I.C. basement toilets, dimensioned block plans, pedestal cuspidor and operating light, Machine Shop and Engineering Building expansion joints, wall details of barracks buildings, water pipe lines, Hospital pipe branches and steel stack, hospital pipe trench and water main, manhole, exterior sewer of Torpedo and Gunnery School
General Offices
Actions:
ARCH41057
Description:
General Offices; structure, dental clinic, pipe trench: Signal and A.S.D.I.C. basement toilets, dimensioned block plans, pedestal cuspidor and operating light, Machine Shop and Engineering Building expansion joints, wall details of barracks buildings, water pipe lines, Hospital pipe branches and steel stack, hospital pipe trench and water main, manhole, exterior sewer of Torpedo and Gunnery School
Classification:
dessins
Quantité:
18 File
dessins
Quantité:
18 File
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Il Ritorno Dei Re (1980)
Il Ritorno Dei Re (1980)
Numéro de référence:
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Personnes et institutions:
Date:
circa 1980
circa 1980
Titre:
Il Ritorno Dei Re (1980)
Actions:
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Il Ritorno Dei Re (1980)
Actions:
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Niveau de description archivistique:
Subseries
Subseries
Date:
circa 1980
circa 1980
Personnes et institutions:
Classification:
dessins
Quantité:
19 working drawing(s)
dessins
Quantité:
19 working drawing(s)
Numéro de référence:
ARCH188122
Description:
footing and foundation plan, sectional details, ground floor plan, plan showing window openings and ground floor ceiling structure, upper floor plan, sections, elevations, wall sections, details of fireplace, windows and doors, washroom wall sections and living room reflected ceiling plan, elevation and details of wood screen, kitchen and miscellaneous details, stair details, balustrade, light baffle and door details
ARCH188122
Description:
footing and foundation plan, sectional details, ground floor plan, plan showing window openings and ground floor ceiling structure, upper floor plan, sections, elevations, wall sections, details of fireplace, windows and doors, washroom wall sections and living room reflected ceiling plan, elevation and details of wood screen, kitchen and miscellaneous details, stair details, balustrade, light baffle and door details
Personnes et institutions:
Titre:
Footing and foundation plan, sectional details, ground floor plan
Actions:
ARCH188122
Description:
footing and foundation plan, sectional details, ground floor plan, plan showing window openings and ground floor ceiling structure, upper floor plan, sections, elevations, wall sections, details of fireplace, windows and doors, washroom wall sections and living room reflected ceiling plan, elevation and details of wood screen, kitchen and miscellaneous details, stair details, balustrade, light baffle and door details
Footing and foundation plan, sectional details, ground floor plan
Actions:
ARCH188122
Description:
footing and foundation plan, sectional details, ground floor plan, plan showing window openings and ground floor ceiling structure, upper floor plan, sections, elevations, wall sections, details of fireplace, windows and doors, washroom wall sections and living room reflected ceiling plan, elevation and details of wood screen, kitchen and miscellaneous details, stair details, balustrade, light baffle and door details
Classification:
dessins
Quantité:
19 working drawing(s)
dessins
Quantité:
19 working drawing(s)
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1990.PR09
Description:
The project series documents the Recuperação do Restaurante Pai Ramiro in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 19/90. The office assigned the dates 1990-1994 for this project. This project consists of a design for the restaurant Pai Ramiro in an existing eighteenth-century home. The restaurant was to have a capacity of 36 people, with a waiting bar, kitchen, storage spaces and a second-floor terrace. The building program proposed a bar area flooded in natural light from windows that revealed a backyard garden. The installation of air conditioning, a fire detection system and ventilation systems were also proposed. This project was not built. The project is recorded through drawings, photographic materials and some textual records dating from 1989-1995. The drawings include sketches, plans, elevations, sections, perspectives, details and framing drawings, while the photographic materials largely document the exisiting building. The textual records consist of correspondence, permit and supplier documentation, and the electrical program.
AP178.S1.1990.PR09
Description:
The project series documents the Recuperação do Restaurante Pai Ramiro in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 19/90. The office assigned the dates 1990-1994 for this project. This project consists of a design for the restaurant Pai Ramiro in an existing eighteenth-century home. The restaurant was to have a capacity of 36 people, with a waiting bar, kitchen, storage spaces and a second-floor terrace. The building program proposed a bar area flooded in natural light from windows that revealed a backyard garden. The installation of air conditioning, a fire detection system and ventilation systems were also proposed. This project was not built. The project is recorded through drawings, photographic materials and some textual records dating from 1989-1995. The drawings include sketches, plans, elevations, sections, perspectives, details and framing drawings, while the photographic materials largely document the exisiting building. The textual records consist of correspondence, permit and supplier documentation, and the electrical program.
Personnes et institutions:
Date:
1989-1995
1989-1995
Titre:
Recuperação do Restaurante Pai Ramiro [Pai Ramiro restaurant renovations], Porto, Portugal (1990-1994)
Actions:
AP178.S1.1990.PR09
Description:
The project series documents the Recuperação do Restaurante Pai Ramiro in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 19/90. The office assigned the dates 1990-1994 for this project. This project consists of a design for the restaurant Pai Ramiro in an existing eighteenth-century home. The restaurant was to have a capacity of 36 people, with a waiting bar, kitchen, storage spaces and a second-floor terrace. The building program proposed a bar area flooded in natural light from windows that revealed a backyard garden. The installation of air conditioning, a fire detection system and ventilation systems were also proposed. This project was not built. The project is recorded through drawings, photographic materials and some textual records dating from 1989-1995. The drawings include sketches, plans, elevations, sections, perspectives, details and framing drawings, while the photographic materials largely document the exisiting building. The textual records consist of correspondence, permit and supplier documentation, and the electrical program.
Recuperação do Restaurante Pai Ramiro [Pai Ramiro restaurant renovations], Porto, Portugal (1990-1994)
Actions:
AP178.S1.1990.PR09
Description:
The project series documents the Recuperação do Restaurante Pai Ramiro in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 19/90. The office assigned the dates 1990-1994 for this project. This project consists of a design for the restaurant Pai Ramiro in an existing eighteenth-century home. The restaurant was to have a capacity of 36 people, with a waiting bar, kitchen, storage spaces and a second-floor terrace. The building program proposed a bar area flooded in natural light from windows that revealed a backyard garden. The installation of air conditioning, a fire detection system and ventilation systems were also proposed. This project was not built. The project is recorded through drawings, photographic materials and some textual records dating from 1989-1995. The drawings include sketches, plans, elevations, sections, perspectives, details and framing drawings, while the photographic materials largely document the exisiting building. The textual records consist of correspondence, permit and supplier documentation, and the electrical program.
Niveau de description archivistique:
Project
Project
Date:
1989-1995
1989-1995
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP018.S2.005
Description:
This box contains folders of correspondence, memos, and agreements related to various projects including correpondence with Marathon Realty and correspondence related to the Toronto Sun, National Gallery, University of Ottawa, Caribbean Financial Services, and Art Gallery of Ontario. Also included is correspondence related to two withdrawals from Parkin Partnership and a folder on proposed light, air, view privacy standards for the City of Toronto Planning Board.
AP018.S2.005
Description:
This box contains folders of correspondence, memos, and agreements related to various projects including correpondence with Marathon Realty and correspondence related to the Toronto Sun, National Gallery, University of Ottawa, Caribbean Financial Services, and Art Gallery of Ontario. Also included is correspondence related to two withdrawals from Parkin Partnership and a folder on proposed light, air, view privacy standards for the City of Toronto Planning Board.
Personnes et institutions:
Date:
1977-1988
1977-1988
Titre:
Correspondence, memos, and agreements related to projects
Actions:
AP018.S2.005
Description:
This box contains folders of correspondence, memos, and agreements related to various projects including correpondence with Marathon Realty and correspondence related to the Toronto Sun, National Gallery, University of Ottawa, Caribbean Financial Services, and Art Gallery of Ontario. Also included is correspondence related to two withdrawals from Parkin Partnership and a folder on proposed light, air, view privacy standards for the City of Toronto Planning Board.
Correspondence, memos, and agreements related to projects
Actions:
AP018.S2.005
Description:
This box contains folders of correspondence, memos, and agreements related to various projects including correpondence with Marathon Realty and correspondence related to the Toronto Sun, National Gallery, University of Ottawa, Caribbean Financial Services, and Art Gallery of Ontario. Also included is correspondence related to two withdrawals from Parkin Partnership and a folder on proposed light, air, view privacy standards for the City of Toronto Planning Board.
Classification:
documents textuels
documents textuels
Date:
1977-1988
1977-1988
Personnes et institutions:
