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Originally published in 1974, this book is a critical work of Indigenous political activism that has long been out of print. George Manuel, a leader in the North American Indian movement at that time, with coauthor journalist Michael Posluns, presents a rich historical document that traces the struggle for Indigenous survival as a nation, a culture, and a reality. The(...)
The Fourth World: An Indian reality
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Originally published in 1974, this book is a critical work of Indigenous political activism that has long been out of print. George Manuel, a leader in the North American Indian movement at that time, with coauthor journalist Michael Posluns, presents a rich historical document that traces the struggle for Indigenous survival as a nation, a culture, and a reality. The authors shed light on alternatives for coexistence that would take place in the Fourth World—an alternative to the new world, the old world, and the Third World. Manuel was the first to develop this concept of the “fourth world” to describe the place occupied by Indigenous nations within colonial nation-states. Accompanied by a new introduction and afterword, this book is as poignant and provocative today as it was when first published.
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This book is a comprehensive investigation into photographic works by artists from the African continent and its diaspora. Taking the politics of the “colonial gaze” as its starting point, Events of the Social looks at the diverse complexity of the nineteenth-century archive through a selection of vintage portraits, cartes de visite, postcards and album pages. Three(...)
Events of the social: portraiture and collective agency
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This book is a comprehensive investigation into photographic works by artists from the African continent and its diaspora. Taking the politics of the “colonial gaze” as its starting point, Events of the Social looks at the diverse complexity of the nineteenth-century archive through a selection of vintage portraits, cartes de visite, postcards and album pages. Three generations of African artists from the 1940s till now then chart the changing features of African societies through portraiture, exploring notions of the self, gender, sexuality, race, social status and politics. The book also examines landscape and the built environment, showing how architecture and spatial planning convey social order and ideology while reflecting experiences of migration, colonialism, war and industrialization. Another group of artists, born after the mid-1970s, explores issues of social identity, lineage, questions of belonging and personal experiences.
Photographie- collections
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Surrealism was not only an international artistic movement, but also a political one. Its members denounced European colonial policy, opposed fascist regimes, fought for the Spanish Republic, were persecuted, went into exile, and died in war. They wrote poetry, deconstructed the language of a supposedly rational world, worked on paintings, collective drawings, took(...)
Surrealism and anti-fascism: An anthology
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Surrealism was not only an international artistic movement, but also a political one. Its members denounced European colonial policy, opposed fascist regimes, fought for the Spanish Republic, were persecuted, went into exile, and died in war. They wrote poetry, deconstructed the language of a supposedly rational world, worked on paintings, collective drawings, took photographs, and made collages. Surrealism was associated with later emancipatory concerns not as a style, but as a method, and was taken up by the student protests of the 1960s and the Black Liberation Movement. This catalogue is published on the occasion of an exhibition at the Lenbachhaus Munich. In the form of an anthology, it presents pivotal texts and manifestoes of political Surrealism from its beginnings to current references in art and politics. It thus offers a valuable contribution to revising the still narrowly defined Surrealist canon.
Théorie de l’art
Lawn: Object lessons
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A quintessential feature in Western gardens and landscaping, the lawn is now at the center of a climate change controversy. The large carbon footprint maintenance, its unquenchable thirst for fertilizers, weedkillers, and water, and the notorious unfriendliness towards all forms of wildlife have recently attracted criticism and even spurred an anti-lawn movement. Lawn(...)
Lawn: Object lessons
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A quintessential feature in Western gardens and landscaping, the lawn is now at the center of a climate change controversy. The large carbon footprint maintenance, its unquenchable thirst for fertilizers, weedkillers, and water, and the notorious unfriendliness towards all forms of wildlife have recently attracted criticism and even spurred an anti-lawn movement. Lawn untangles the colonial-capitalist threads that keep our passion for mown grass alive despite mounting evidence that we'd be better off without it. The lawn is aesthetically and ideologically versatile. From museums and hospitals to corporate headquarters and university campuses, it has become the verdant lingua franca of institutions of all kinds. Its formal homogeneity and neatness imply reliability, constancy, and solicit our trust. But beneath the lawn lies a stratification of intricate ideological and ecological issues that over time have come to define our conception of nature.
Théorie/ philosophie
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In "Plant life", Rosetta S. Elkin explores the procedures of afforestation, the large-scale planting of trees in otherwise treeless environments, including grasslands, prairies, and drylands. Elkin reveals that planting a tree can either be one of the ultimate offerings to thriving on this planet, or one of the most extreme perversions of human agency over it. Using(...)
Plant life: the entangled politics of afforestation
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In "Plant life", Rosetta S. Elkin explores the procedures of afforestation, the large-scale planting of trees in otherwise treeless environments, including grasslands, prairies, and drylands. Elkin reveals that planting a tree can either be one of the ultimate offerings to thriving on this planet, or one of the most extreme perversions of human agency over it. Using three supracontinental case studies-scientific forestry in the American prairies, colonial control in Africa's Sahelian grasslands, and Chinese efforts to control and administer territory-Elkin explores the political implications of plant life as a tool of environmentalism. By exposing the human tendency to fix or solve environmental matters by exploiting other organisms, this work exposes the relationship between human and plant life, revealing that afforestation is not an ecological act: rather, it is deliberately political and distressingly social.
L'écologie de l'architecure
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To confront the Anthropocene, designers must increasingly move between scales and across disciplines to develop new structures of knowledge and tools of representation: from the embodied to the technical, the investigative to the projective. Ultimately, this volume asks: What stakes are embedded in contemporary architectural environmental media, and how are designers(...)
Architecture as environmental media: Rendering the planetary
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To confront the Anthropocene, designers must increasingly move between scales and across disciplines to develop new structures of knowledge and tools of representation: from the embodied to the technical, the investigative to the projective. Ultimately, this volume asks: What stakes are embedded in contemporary architectural environmental media, and how are designers re-imagining this media landscape today? Chapters in the book explore counter-cartographies of migration and materials, forest ecologies and theories of abundance, hyperreal visualization and environmental simulation, architecture’s extractive and colonial systems, and pedagogies and practices for environmental futures. This book organizes these efforts into three threads of media practice: rendering visible, rendering sensible, and rendering actionable. While these categories are inextricably intertwined, they represent distinct tactical approaches to media production, each exploring possible methods to develop new knowledge systems, shift aesthetic regimes, and transform collective politics.
L'écologie de l'architecure
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Since the invention of photography in the nineteenth century, Africa has been defined largely by Western images of its cultures and traditions. From the colonial carte de visite and ethnographic archive to the rise of studio portraiture and social documents of racial surveillance, the fraught relationship between Africa and the photographic lens has become inseparable(...)
A world in common: Contemporary African photography
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Since the invention of photography in the nineteenth century, Africa has been defined largely by Western images of its cultures and traditions. From the colonial carte de visite and ethnographic archive to the rise of studio portraiture and social documents of racial surveillance, the fraught relationship between Africa and the photographic lens has become inseparable from the discourses of post-colonialism. Challenging these dominant images of exoticism and otherness, this book illustrates how photography has allowed artists to reimagine African histories through the lens of the present, to shape our understanding of the contemporary realities we face. Bringing together a diverse range of artists and thinkers to present varied perspectives on issues such as cultural heritage and restitution, spirituality, urbanism and climate change, it reveals how innovative contemporary photography challenges perceptions of history, culture and identity.
Photographie- collections
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The seventh issue of Errant Journal is guest edited by Ghiwa Sayegh and aims to interrogate the role of the body in strategies of resistance from below. Taking Palestine as a starting point, the ongoing genocide committed by Israel and other colonial powers and the people’s continued struggle for liberation inform the issue’s thinking and praxis. From this political(...)
Errant Journal #7: Embodying resistance
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The seventh issue of Errant Journal is guest edited by Ghiwa Sayegh and aims to interrogate the role of the body in strategies of resistance from below. Taking Palestine as a starting point, the ongoing genocide committed by Israel and other colonial powers and the people’s continued struggle for liberation inform the issue’s thinking and praxis. From this political standpoint, it explores the ways in which bodies – that are sexualised, criminalised, racialised, crip – have been able to divert and subvert in order to fight back. To resist from the body is what crip theory tells us is a matter of need. It is a body that no longer fears deviation, specifically because of how cheap our lives are considered and how dangerous our futures are treated. It is about finding community and kinship when we are told we are alone.
Revues
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Founded in the fifteenth century, planned and rebuilt by the French, and then modernised and expanded in the era after independence, the city of Phnom Penh displays a diverse mix of styles. Here, early religious and vernacular buildings, the glittering structures of the Royal Palace, and colonial buildings of the French Protectorate (1863–1953) coexist with the gems of(...)
Phnom Penh architectural guide
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Founded in the fifteenth century, planned and rebuilt by the French, and then modernised and expanded in the era after independence, the city of Phnom Penh displays a diverse mix of styles. Here, early religious and vernacular buildings, the glittering structures of the Royal Palace, and colonial buildings of the French Protectorate (1863–1953) coexist with the gems of the ‘New Khmer Architecture’ of the 1960s. After the destructive period under the Khmer Rouge, the city went through a rebirth. It has seen rapid modernisation and economic development in recent years, and its urban landscape is transforming at a breathtaking pace. This guide offers a comprehensive overview of Phnom Penh’s built heritage, highlighting its history and architectural layers. In addition to covering better-known masterpieces, it also takes readers through the city’s ‘everyday architecture’, revealing places off the beaten track.
Guides des villes
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This fifth volume in Lars Müller’s Architect’s Studio series is dedicated to the Nairobi-based architects Cave_bureau. This acclaimed collective of architects and researchers-- the first Kenyan firm to appear at the Venice Architecture Biennale, in 2021-- explores the synergy between architecture, urbanism and nature, and curates performative events of resistance within(...)
Architecture, monographies
septembre 2023
Cave bureau: The architect's studio
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This fifth volume in Lars Müller’s Architect’s Studio series is dedicated to the Nairobi-based architects Cave_bureau. This acclaimed collective of architects and researchers-- the first Kenyan firm to appear at the Venice Architecture Biennale, in 2021-- explores the synergy between architecture, urbanism and nature, and curates performative events of resistance within caves along the Great Rift Valley in East Africa. The cave, as physical space and as metaphor, is seen by the collective as a provocation to test the limits of contemporary architecture. Here, Cave_bureau’s Stella Mutegi and Kabage Karanja describe eight of their projects. Photographs are accompanied by essays posing questions about the future of architecture in the age of the Anthropocene, the effects of colonial extraction and erasure on African architecture, as well as the specificity of each continent and each geographic space.
Architecture, monographies