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Lina Bo Bardi, the Rome-born architect, emigrated after World War Two to Brazil, a country where she undertook her professional career. The outcome of her personal experience and of a wish to get closer to the culture and ways of life of the people, Bo Bardi’s creativity moved in the direction of an architecture that prized simplicity, spontaneity, the residual and the(...)
Architecture, monographies
juin 2006, Barcelona, Sao Paulo
Subtle substances : the architecture of Lina Bo Bardi
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Lina Bo Bardi, the Rome-born architect, emigrated after World War Two to Brazil, a country where she undertook her professional career. The outcome of her personal experience and of a wish to get closer to the culture and ways of life of the people, Bo Bardi’s creativity moved in the direction of an architecture that prized simplicity, spontaneity, the residual and the ephemeral; an architecture understood as 'an organism suitable for life' which incorporated everydayness and the energy of the people who use it. As a result she used the word ‘substances’, rather than ‘materials’, to explain what her architecture was made of. These substances are air, light, nature and art, to which the author, Olivia de Oliveira, adds time. The work of Lina Bo Bardi, then, is presented here via a huge array of previously unpublished drawings, images, writings and projects that enable the reader to grasp in a kaleidoscopic way the power and current importance of her architecture as a critical confrontation with established reality.
Architecture, monographies
$78.00
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"You gotta love it", says 65-year-old Bill Delaney, beauty salesman in the greater Los Angeles area. Yes, you gotta love it. You gotta love the hustle, the getting-up-and-going-out, the repeating sales pitches, the flirting and the haggling; the unending calls, all week, Monday to Sunday, all day, morning till night. You gotta love the dance, the rush, and the territory.(...)
Too Many Products Too Much Pressure
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"You gotta love it", says 65-year-old Bill Delaney, beauty salesman in the greater Los Angeles area. Yes, you gotta love it. You gotta love the hustle, the getting-up-and-going-out, the repeating sales pitches, the flirting and the haggling; the unending calls, all week, Monday to Sunday, all day, morning till night. You gotta love the dance, the rush, and the territory. In 1980, as a young photographer just beginning her MFA in San Francisco and developing a keen interest in documenting labor, Janet Delaney embarked for a week on the job with her soon-to-retire father. The days are long and exhausting, but there is, in the incessant driving, carrying and chatting, a restless, pulsing energy streaming from Delaney’s photographs. Picturing the beauty parlors with a critical distance (she did, after all, grow up in a time of questioning constricted gender roles and capitalist consumer culture), using frontal, wide shots and often harsh flash, Delaney created a witty documentation of a day in the life of a salesman.
Monographies photo
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"Sound—at the Interregnum" asks: What are the sounds you make? What are the sounds you want to make? What are the sounds you need to make? What are the sounds you need to leave to a world on the cusp of becoming something else?At the interregnum we meet oligarchs and fascists and manufactured crises of housing, ongoing genocides and displacements, extraordinary(...)
Acoustique
septembre 2026
Sound -- at the Interregnum. The Alchemy Lecture 2025
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"Sound—at the Interregnum" asks: What are the sounds you make? What are the sounds you want to make? What are the sounds you need to make? What are the sounds you need to leave to a world on the cusp of becoming something else?At the interregnum we meet oligarchs and fascists and manufactured crises of housing, ongoing genocides and displacements, extraordinary renditions, the takeover of universities and a deepening anti-intellectualism, the militarization of public space, the shrinking of the commons, the use of sonic weapons (LRADs-Long Range Acoustic Device), the complicit silences of mainstream media, and the refusal by those who have taken power to make a world in which everyone’s needs are met. Their sounds of avarice, capital accumulation, and immiseration do not enter the world uncontested. Sound is also key to life. There are the sounds of protest, of living and witness, of anthems and ululation, of chants and keening, noise of all kinds, blue notes, ghost notes, high notes—which also take us over as vibration, energy, atmosphere, and breath itself.
livres
septembre 2026
Acoustique
Still beautiful
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David Grandorge’s work is a type of Reconnaissance. In his photographs of cities, architecture appears as part of a network of reciprocal situations. His landscapes evoke a sense of balanced disequilibrium, of great energy and stillness. Natural and man-made aspects of reality seem to occur simultaneously, almost casually, as if discovered by the photographer in a state(...)
Still beautiful
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David Grandorge’s work is a type of Reconnaissance. In his photographs of cities, architecture appears as part of a network of reciprocal situations. His landscapes evoke a sense of balanced disequilibrium, of great energy and stillness. Natural and man-made aspects of reality seem to occur simultaneously, almost casually, as if discovered by the photographer in a state of unselfconscious innocence. This appearance of innocence is beguiling. On reflection, the charm, beauty and stillness of the photographs reveal the complexity and depth of the entanglements of humankind and the world. Comprising essays by Paul Shepheard and David Grandorge, and an interview between the photographer and David Campany, ''Still beautiful'' is a timely and poignant document. David Grandorge’s Arctic photographs, taken in 2007, are a form of witness to what is now a lost world. In 2017 he recorded the effects of mass migration – of global politics – upon the water levels of The Dead Sea. Still Beautiful is an acclamation of wonder: of both the beauty of the world, and of capacity of photography to move us to acknowledge it.
Monographies photo
Drivers of change
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Conceived and designed by the Foresight, innovation and incubation team at Arup, the influential consulting firm that advises on all aspects of the built environment, this card set features seven topics that have been chosen as headings for further discussion: energy, waste, climate change, water, demographics, urbanization and poverty. The 189 cards are divided into five(...)
Drivers of change
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Conceived and designed by the Foresight, innovation and incubation team at Arup, the influential consulting firm that advises on all aspects of the built environment, this card set features seven topics that have been chosen as headings for further discussion: energy, waste, climate change, water, demographics, urbanization and poverty. The 189 cards are divided into five domains known as the steep framework: societal, technological, economic, environmental, and political. Each card represents a single driver of change-for instance urban migration, ageing population, austerity-along with a challenging and thought-provoking question. The flip side of the card provides pertinent data to expand on the question, as well as maps, graphs, and other illustrations. An accompanying booklet offers tips on how to use these cards independently or in a group setting. Whether brainstorming for new ideas or facilitating a discussion, these graphically sophisticated cards are an excellent resource for anyone interested in the future of technology, design and sustainability or indeed the way we might live in the years to come.
Architecture écologique
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The Institute of Contemporary Art, designed by Diller + Scofidio (now Diller Scofidio + Renfro), was the first new art museum to be built in Boston in a century. Opened in December 2006, the ICA is located on a small parcel of land on Boston Harbor and this is the 25th location for the museum in its 75 year history and its first, permanent, free-standing home. “The ICA's(...)
Diller Scofidio & Renfro: Institute of Contemporary Art (ICA) Boston
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The Institute of Contemporary Art, designed by Diller + Scofidio (now Diller Scofidio + Renfro), was the first new art museum to be built in Boston in a century. Opened in December 2006, the ICA is located on a small parcel of land on Boston Harbor and this is the 25th location for the museum in its 75 year history and its first, permanent, free-standing home. “The ICA's decision to hire Diller + Scofidio reflected our belief in the firm's vision that architecture can shape as well as reflect contemporary experience,” stated Jill Medvedow, director of ICA. The architects balanced use of cool and transparent glass with the warmth of wood and the energy of light, as well as their design of spare, flexible spaces for presenting contemporary art, was a revelation for a city and an architectural community. ''Their brilliant and beautiful design of the ICA was a harbinger of change: edgy, bold and breathtaking, transforming the landscape for contemporary art and culture in Boston and for the artists, art and ideas of our time,” Medvedow has said.
Architecture, monographies
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It is said that the history of modern architecture can be observed through the evolution of the single-family home. Over generations, each has hoped to improve on the last, rethinking and reinventing this seemingly simple building type. At certain historic moments in the discourse, new ideas about domesticity have given form to radically different configurations of home(...)
From the gournd up : innovative green homes
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It is said that the history of modern architecture can be observed through the evolution of the single-family home. Over generations, each has hoped to improve on the last, rethinking and reinventing this seemingly simple building type. At certain historic moments in the discourse, new ideas about domesticity have given form to radically different configurations of home and community. Current emphasis on sustainability presents a unique opportunity to design affordable houses that respond to specific economic, social, and environmental challenges. In From the Ground Up, editor Peggy Tully presents the results of an international competition to create new models for affordable high-performance green homes in urban residential neighborhoods. Developed for a vacant infill site in Syracuse's Near Westside, these ambitious projects offer an array of innovative designs that provide a new vision for once-vital urban residential neighborhoods and well-designed energy-efficient homes throughout the United States. From the Ground Up includes topical essays by series editor Mark Robbins, architect Michael Sorkin, and architectural historianSusan Henderson.
Architecture écologique
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The book gathers more than one hundred works by the Catalan graphic designer Claret Serrahima. It is divided in four books-chapters that are focused on different aspects from its own trajectory, from his conceptual and strategic design to his more free and irreverent works. The compilation is a glance to this hyperactive creator in his most active period with the Studio(...)
Claret Serrahima : from head to feet
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The book gathers more than one hundred works by the Catalan graphic designer Claret Serrahima. It is divided in four books-chapters that are focused on different aspects from its own trajectory, from his conceptual and strategic design to his more free and irreverent works. The compilation is a glance to this hyperactive creator in his most active period with the Studio Clase bcn. One of the main features of Serrahima's creative energy is that he likes to have younger people working in the studio and not to entrench himself in old postulates and positions like most of his contemporaries. What you will find are excerpts from his career, work, obsessions and achievements. The viewpoint will be that of a graphic artist, an activist of the city and culture and we will therefore take the graphic image as a narrative line that will draw for us (never better said) the designer, the communicator, the visual chronicler, vocational artist, the draughtsman photographer, the cultural activist-in short, the storyteller.
The smart house
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Divided into three sections, "The Smart House" illustrates how technology is changing our homes. The book looks at three areas: Smart Technology, which examines five aspects of technology and how it's being integrated throughout the house: lighting design and window treatments; audio and video entertainment; voice and data management; security and access; and(...)
Architecture résidentielle
novembre 2003, New York
The smart house
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Divided into three sections, "The Smart House" illustrates how technology is changing our homes. The book looks at three areas: Smart Technology, which examines five aspects of technology and how it's being integrated throughout the house: lighting design and window treatments; audio and video entertainment; voice and data management; security and access; and environmental controls and energy management. Smart Materials, which shows new building materials such as titanium, electronic glass that can become transparent or opaque at the flick of a switch, polycarbonate materials, laser-perforated metals, all of which are changing the way homes are built and the ways in which we use and perceive spaces within these structures. Smart Design looks at more extravagant innovations such as swimming pools cantilevered in mid-air, windows that recreate digital views at night, interior spaces whose functions are transformed through architectural slight of hand and computer aided design, all of which point to new ways of thinking about how we live and how we use space in this increasingly space-challenged world. Case studies of ten recently constructed homes are detailed to illustrate each aspect of this technology and to show the full potential technology affords modern home design.
Architecture résidentielle
Smart architecture
$30.95
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Consider the notions of time, efficiency and interactivity in the context of architecture and instantly you may find your head clouded with images of technocratic modernism. Think of ecology and environmental issues in relation to buildings and what you get is either a vision of Arcadian green landscapes thinly built-on with small reed-roofed houses, or horrific projects(...)
Théorie de l’architecture
janvier 2002, Rotterdam
Smart architecture
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Consider the notions of time, efficiency and interactivity in the context of architecture and instantly you may find your head clouded with images of technocratic modernism. Think of ecology and environmental issues in relation to buildings and what you get is either a vision of Arcadian green landscapes thinly built-on with small reed-roofed houses, or horrific projects with environmentally responsible add-ons. The smart thing to do is to think in terms of interaction, minimum use of materials and energy, and careful planning over longer periods of time, so as to reduce the environmental impact of this major human activity called building. What you then get is smart architecture. "Smart Architecture" is a lavishly illustrated, light-hearted book. The outcome of the research project that SLA Foundation presented on its smartarch website (www.smartarch.nl), it mainly consists of examples involving climate control, supplemented with new ideas on planning, building and construction and the application of intelligent systems, all contributing to sustainability. In the book challenges and opportunities are analysed, guided by numerous inspiring examples. It presents a smart way to fulfil user demands now and in roughly three hundred years' time.
Théorie de l’architecture