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Papa part Papa veut partir de la maison, pourquoi ? — il en a marre de voir ma mère, il supporte plus les haricots verts, il en a marre de toujours rentrer au même endroit tous les soirs, toute l’année, il veut faire son intéressant il veut qu’on le supplie de rester, il supporte plus le papier peint du salon, je le comprends. Maman ment elle est pompée, elle nous(...)
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septembre 2011
Papa part, maman ment, mémé meurt
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Papa part Papa veut partir de la maison, pourquoi ? — il en a marre de voir ma mère, il supporte plus les haricots verts, il en a marre de toujours rentrer au même endroit tous les soirs, toute l’année, il veut faire son intéressant il veut qu’on le supplie de rester, il supporte plus le papier peint du salon, je le comprends. Maman ment elle est pompée, elle nous pompe, elle nous pompe l’air, elle m’énerve, elle a les nerfs, elle a les dents pointues, elle a la hargne, elle a chopé l’angoisse, elle nous file l’angoisse, c’est une angoisse vivante, c’est pas la joie Mémé meurt Mémé a dit : ma petite chérie, ne pleure pas quand je serai morte. Je serai enfin heureuse, et de toute façon tu viendras me rejoindre un jour.
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Cheerful in 3 1/2 months
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Do things differently than you’re used to, and things will seem a lot more fun straight away. Like a fake cigarette, send a gift to someone you don’t know, practice to do a wheelie, replace all your filler words in Hawaiian. With the course you find in this book you say goodbye to dreary, miserable days and aloha to cheerful madness.
Cheerful in 3 1/2 months
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Do things differently than you’re used to, and things will seem a lot more fun straight away. Like a fake cigarette, send a gift to someone you don’t know, practice to do a wheelie, replace all your filler words in Hawaiian. With the course you find in this book you say goodbye to dreary, miserable days and aloha to cheerful madness.
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Dans ma maison...
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La maison ou l'on vit, la maison de vacances, la maison imaginaire, la cabane-maison... La maison est un lieu de souvenirs, d'émotions, de rêves... Ce livre est une visite-découverte de maisons imaginées par 76 personnalités de l'illustration. Elles sont accompagées de courts textes sensibles, sortes de petites annonces poétiques empreintes de rêve, d'humour et de(...)
Dans ma maison...
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La maison ou l'on vit, la maison de vacances, la maison imaginaire, la cabane-maison... La maison est un lieu de souvenirs, d'émotions, de rêves... Ce livre est une visite-découverte de maisons imaginées par 76 personnalités de l'illustration. Elles sont accompagées de courts textes sensibles, sortes de petites annonces poétiques empreintes de rêve, d'humour et de douceur, inventés par Thomas Scotto.
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Emiliano Ponzi: 10 X 10
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10x10 is an account of 10 years of Emiliano Ponzi’s work, spent designing ideas whilst comfortably seated in a 10x10 sq m room in Milan - the illustrator’s home and office. Four walls, a white screen and a window, the only means of escape through which the artist’s images, like carrier pigeons, fly away to editors and art directors. Some of these modern visual metaphors(...)
Emiliano Ponzi: 10 X 10
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10x10 is an account of 10 years of Emiliano Ponzi’s work, spent designing ideas whilst comfortably seated in a 10x10 sq m room in Milan - the illustrator’s home and office. Four walls, a white screen and a window, the only means of escape through which the artist’s images, like carrier pigeons, fly away to editors and art directors. Some of these modern visual metaphors are lost in space, while others return to the window-sill, bringing welcome and, sometimes, unwelcome replies. With an introduction by Nicholas Blechman (art director of the New York Times Book Review), this publication brings us a collection of these images with four different cover choices and a selection of e-mails, sent as Emiliano Ponzi received them. Some amusing, some scathing, but all anonymous. Vividly illustrated for the international press and advertising companies, Ponzi’s sharp accounts record the joys and sorrows of his captivating profession.
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Michael Pollan and Maira Kalman come together to create an enhanced "Food Rules" for hardcover, now beautifully illustrated and with even more food wisdom. Michael Pollan's definitive compendium, "Food Rules," is here brought to colorful life with the addition of Maira Kalman's beloved illustrations. This brilliant pairing is rooted in Pollan's and Kalman's(...)
Food rules : an eater's manual
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Michael Pollan and Maira Kalman come together to create an enhanced "Food Rules" for hardcover, now beautifully illustrated and with even more food wisdom. Michael Pollan's definitive compendium, "Food Rules," is here brought to colorful life with the addition of Maira Kalman's beloved illustrations. This brilliant pairing is rooted in Pollan's and Kalman's shared appreciation for eating's pleasures, and their understanding that eating doesn't have to be so complicated. Written with the clarity, concision, and wit that is Michael Pollan's trademark, this indispensable handbook lays out a set of straightforward, memorable rules for eating wisely. Kalman's paintings remind us that there is delight in learning to eat well.
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A collection of 150 vintage educational charts that celebrates the art of education. Complete with a brief introduction surveying the history of educational charts and their production, it offers both a visual wonder and a glimpse into a design heritage that is still of significance today.
The art of instruction: vintage educational charts from the 19th and the 20th centuries
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A collection of 150 vintage educational charts that celebrates the art of education. Complete with a brief introduction surveying the history of educational charts and their production, it offers both a visual wonder and a glimpse into a design heritage that is still of significance today.
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Hosukai Manga
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The legendary masterpieces of Hokusai-fifteen volumes in a single chunky book. Hokusai Manga is one of the masterpieces by Katsushika Hokusai (1760-1849), a master of Ukiyo-e art, depicting ordinary people's lives, animals, plants, landscapes and human figures, historical and supernatural, even demons and monsters, as if it were a visual encyclopedia, amounting to fifteen volumes.
Hosukai Manga
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The legendary masterpieces of Hokusai-fifteen volumes in a single chunky book. Hokusai Manga is one of the masterpieces by Katsushika Hokusai (1760-1849), a master of Ukiyo-e art, depicting ordinary people's lives, animals, plants, landscapes and human figures, historical and supernatural, even demons and monsters, as if it were a visual encyclopedia, amounting to fifteen volumes.
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This issue of Un Sedicesimo is an incursion into the 19th century gloomy atmosphere of Edgar Allan Poe's short story: The Murders in the Rue Morgue. Over the 16 pages, Gianluigi Toccafondo gives us his version of one of the great crime writer's most famous tales, published for the first time in 1841. A macabre double crime takes place in a Parisian apartment. Ferocious(...)
Un sedicesimo 21: rue Morgue, Edgar Allan Poe
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This issue of Un Sedicesimo is an incursion into the 19th century gloomy atmosphere of Edgar Allan Poe's short story: The Murders in the Rue Morgue. Over the 16 pages, Gianluigi Toccafondo gives us his version of one of the great crime writer's most famous tales, published for the first time in 1841. A macabre double crime takes place in a Parisian apartment. Ferocious and unexplainable, it can only be solved by brilliant detective, Auguste Dupin. The lugubrious details of the story are transferred to an unprecedented black and white issue of Un Sedicesimo. The pages are crowded with quick ink strokes, differing shades of tempera and daubs of colour, to recreate in dark and urgent images the murky atmosphere of the tale.
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The new issue of Un Sedicesimo pays tribute to the comic strip. Without text or bubbles, the story is created here by the rhythm of the panels on the page, and by their alternating figures and colours. Gianpaolo Pagni creates patterns, people and geometric shapes using specially designed stamps of different shapes and sizes, coated in ink and used like a pencil or(...)
Un sedicesimo 22: Senza Nuvole, rubber stamp drawings
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The new issue of Un Sedicesimo pays tribute to the comic strip. Without text or bubbles, the story is created here by the rhythm of the panels on the page, and by their alternating figures and colours. Gianpaolo Pagni creates patterns, people and geometric shapes using specially designed stamps of different shapes and sizes, coated in ink and used like a pencil or paintbrush to make drawings. Graphics combine with overlapping figures and mass production to create an abstract cartoon that uses geometric figures and human silhouettes in a personal interpretation of wordless narrative.
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This issue of Un Sedicesimo originates from a journey into the present and from memory as its sediment is deposited in our own personal gaze. It focuses on the dialogue between images and words, taking the shape of a notebook recording our daily lives; it is a collection of tracks and traces represented through collages, charcoals drawings, watercolours, shellac and(...)
Un sedicesimo 23: borderlands
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This issue of Un Sedicesimo originates from a journey into the present and from memory as its sediment is deposited in our own personal gaze. It focuses on the dialogue between images and words, taking the shape of a notebook recording our daily lives; it is a collection of tracks and traces represented through collages, charcoals drawings, watercolours, shellac and burns. Gianluigi Colin works with the precision of an archaeologist to highlight fragments of words, signs and figures within the fissures of our everyday existence. Gianluigi Colin was born in Pordenone in 1956. For many years he has been conducting artistic research touching upon two systems that only appear different: words and pictures. His work is an investigation of the meaning of representation, the importance of memory, and the layering of vision.
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