In pursuit of color. From fungi to fossil fuels: Uncovering the origins of the world's famous dyes
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Over the centuries our manipulation of the natural world has resulted in an explosion of synthetic dye production and application globally. To gain insight into the history of how folk practices have been lost and technical processes found, anthropologist and textile artist Lauren MacDonald explores a practice that is both ancient and wholly modern: coloring cloth. The(...)
In pursuit of color. From fungi to fossil fuels: Uncovering the origins of the world's famous dyes
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Over the centuries our manipulation of the natural world has resulted in an explosion of synthetic dye production and application globally. To gain insight into the history of how folk practices have been lost and technical processes found, anthropologist and textile artist Lauren MacDonald explores a practice that is both ancient and wholly modern: coloring cloth. The pursuit of color has long spurred economic and social contest, and through this deeply researched volume we explore the stories that the materials used to dye cloth tell us about our complex relationship to nature, our troubling ideas about progress and our understanding of power and labor. In Pursuit of Color: From Fungi to Fossil Fuels: Uncovering the Origins of the World's Most Famous Dyes brings together historic techniques, archive photography, specimens and present-day events to tell the histories of some of the world’s most important dyestuffs.
Bracket 3, At Extremes
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"Bracket [at Extremes]" includes critical articles and unpublished design projects that investigate architecture, infrastructure and technology as they operate in conditions of imbalance, negotiate tipping points and test limit states. We are conditioned, as designers of the built environment, towards the organization of people, programs and movement. Indeed the history(...)
Bracket 3, At Extremes
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"Bracket [at Extremes]" includes critical articles and unpublished design projects that investigate architecture, infrastructure and technology as they operate in conditions of imbalance, negotiate tipping points and test limit states. We are conditioned, as designers of the built environment, towards the organization of people, programs and movement. Indeed the history of modern urbanism, architecture and building science has been predicated on an anti-entropic notion of programmatic and social order. But are there scenarios in which a state of extremity or imbalance is productive? Bracket [at Extremes] seeks to understand what new spatial orders emerge in this liminal space. How might it be leveraged as an opportunity for invention? What are the limits of wilderness and control, of the natural and artificial, the real and the virtual? What new landscapes, networks, and urban models might emerge in the wake of destabilized economic, social and environmental conditions?
Revues
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Traditional and modern design come together to form a sharp new aesthetic in Geometric Graphics, a collection that features the best of contemporary design utilizing geometric shapes. While it may be easy to take shapes like quadrilaterals, circles and even straight lines for granted, the projects in this volume show how designers can create fresh concepts with these(...)
Geometric graphics: a visual celebration of simple forms
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Traditional and modern design come together to form a sharp new aesthetic in Geometric Graphics, a collection that features the best of contemporary design utilizing geometric shapes. While it may be easy to take shapes like quadrilaterals, circles and even straight lines for granted, the projects in this volume show how designers can create fresh concepts with these seemingly rigid forms. The works in Geometric Graphics tap into the philosophy of geometry, allowing them a sense of timelessness despite the undeniably current feel of the designs; album covers, calendars, clothing lines, even packaging for canned fish are reworked with crisp, minimalist designs centering around timeless shapes that are used in visually fascinating new ways. With projects drawn from a multitude of brands and designers, Geometric Graphics is a valuable resource for design creatives as well as those casually interested in the hipness of squares.
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Walker Evans (1903-1975) was one of the most important and influential artists of the twentieth century, producing a body of photographs that continues to shape our understanding of the modern era. He worked in every genre and format, in black & white and colour, but two passions were constant: literature and the printed page. While his photographic books are among the(...)
Walker Evans: the magazine work
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Walker Evans (1903-1975) was one of the most important and influential artists of the twentieth century, producing a body of photographs that continues to shape our understanding of the modern era. He worked in every genre and format, in black & white and colour, but two passions were constant: literature and the printed page. While his photographic books are among the most influential in the medium's history, Evans's more ephemeral pages remain largely unknown. From small avant-garde publications to mainstream titles such as Harper's Bazaar, Vogue, Architectural Forum, Life and Fortune he produced innovative and independent journalism, often setting his own assignments, editing, writing and designing his pages. Presenting many of his photo-essays in their entirety Walker Evans: the Magazine Work assembles the unwritten history of this work, allowing us to see how he protected his autonomy, earned a living and found audiences far beyond the museum and gallery.
Monographies photo
Frank Lloyd Wright
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The life and architecture of Frank Lloyd Wright (1867-1959) have been much-studied, yet there is a consistent division between analyses of his architecture, which exclude any discussion of his daily life, and books that tell the often sensational tale of his life, with barely a passing reference to the buildings themselves. The result is that, despite the large number of(...)
Frank Lloyd Wright
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The life and architecture of Frank Lloyd Wright (1867-1959) have been much-studied, yet there is a consistent division between analyses of his architecture, which exclude any discussion of his daily life, and books that tell the often sensational tale of his life, with barely a passing reference to the buildings themselves. The result is that, despite the large number of volumes on Wright, the most essential part of his life – his life as an architect, working, as he said, ‘in the cause of architecture’ – remains virtually unexplored. "Frank Lloyd Wright" offers an account of Wright’s life as an architect, the ideas, beliefs and relationships that shaped his life and work, and the manner in which these affected, and are reflected in, his architecture. During a tumultuous life and extensive career which includes such hugely defining buildings as the Guggenheim Museum, Fallingwater, Taliesin, Unity Temple, and the prolific Prairie Houses, Wright endeavoured to shape the emerging and evolving American democracy, its mode of dwelling, and its relation to the traditional conception of the city. Fusing ancient construction geometries with contemporary ideals of Transcendental philosophy, Wright sought to develop an appropriate architecture for the new world of the twentieth century. In doing so, he served as the primary inspiration for the emergence of Modern architecture around the world. Robert McCarter examines how Wright’s architecture crystallized key conceptions of both private dwelling and public citizenship for American society, and relates how, through his work and writings, Wright developed relationships with key leaders of the arts, industry and society. He analyses how and why Wright maintained that architecture was the ‘background or framework’ for daily life, never the literal ‘object’ of our attention, as well as Wright’s belief that architects have the most significant ethical responsibilities to improve the larger society and culture to which they belong. In exploring Wright’s life, times and culture, Robert McCarter shows how Wright was an architect of astonishing ability, whose works continue to shape the world around us, fifty years after his death.
Architecture, monographies
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In "Architectures of Time", Sanford Kwinter offers a critical guide to the modern history of time and to the interplay between the physical sciences and the arts. Tracing the transformation of twentieth-century epistemology to the rise of thermodynamics and statistical mechanics, Kwinter explains how the demise of the concept of absolute time, and of the classical notion(...)
Architectures of time : toward a theory of the event in modernist culture
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In "Architectures of Time", Sanford Kwinter offers a critical guide to the modern history of time and to the interplay between the physical sciences and the arts. Tracing the transformation of twentieth-century epistemology to the rise of thermodynamics and statistical mechanics, Kwinter explains how the demise of the concept of absolute time, and of the classical notion of space as a fixed background against which things occur, led to field theory and a physics of the "event." He suggests that the closed, controlled, and mechanical world of physics gave way to the approximate, active, and qualitative world of biology as a model of both scientific and metaphysical explanation. Kwinter examines theory of time and space in Einstein's theories of relativity and shows how these ideas were reflected in the writings of the sculptor Umberto Boccioni, the town planning schema of the Futurist architect Antonio Sant'Elia, the philosophy of Henri Bergson, and the writings of Franz Kafka. He argues that the writings of Boccioni and the visionary architecture of Sant'Elia represent the earliest and most profound deployments of the concepts of field and event. In discussing Kafka's work, he moves away from the thermodynamic model in favor of the closely related one of Bergsonian durée, or virtuality. He argues that Kafka's work manifests a coherent cosmology that can be understood only in relation to the constant temporal flux that underlies it.
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juin 2001, Cambridge
Théorie de l’architecture
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The German-American architect Dirk Lohan began to record his conversations with his grandfather Ludwig Mies van der Rohe in the summer of 1969. The tapes, recorded during the final weeks of Mies's life, captured some of the architect's very last words. They were sent to the Museum of Modern Art in New York after his death, though they went missing under unknown(...)
The lost, last words of Mies van der Rohe: the Lohan tapes from 1969
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The German-American architect Dirk Lohan began to record his conversations with his grandfather Ludwig Mies van der Rohe in the summer of 1969. The tapes, recorded during the final weeks of Mies's life, captured some of the architect's very last words. They were sent to the Museum of Modern Art in New York after his death, though they went missing under unknown circumstances. Only an incomplete typescript remains as a testimony to the conversations. ''The lost, last words of Mies van der Rohe'' presents this text in its entirety for the very first time. The conversations relayed in the typescript reveal the famously reticent Mies speaking about his own life with a level of detail, precision, and candour found nowhere else. They shed new light on Mies's character – not only as a serious, philosophical man but also as a human being alive to the humorous aspects of life. This book features a foreword by Dirk Lohan and an introductory essay by Fritz Neumeyer, the world's foremost scholar on Mies. Neumeyer's commentary and analysis provide keen insights into how Mies developed his architectural thinking during his early career, on his way to becoming the most important modern architects of the twentieth century.
Architecture, monographies
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"Jeff Wall" is published to accompany a major exhibition of photographs at Tate Modern. The exhibition, developed in close consultation with the artist, features works from throughout his career, together with new work produced especially for the exhibition. Wall (b. 1946) has been making photographs since 1967. He has helped to give photography a prominent place in(...)
Jeff Wall : photographs, 1978-2004
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"Jeff Wall" is published to accompany a major exhibition of photographs at Tate Modern. The exhibition, developed in close consultation with the artist, features works from throughout his career, together with new work produced especially for the exhibition. Wall (b. 1946) has been making photographs since 1967. He has helped to give photography a prominent place in contemporary art as well as effecting one of the most radical new developments in the field. His highly innovative approach, best known through large color transparencies of carefully constructed scenes mounted in wall-hung light boxes, has been complemented for the past 10 years by large black-and-white photographs on paper. This book illustrates many of these important works, including "Picture for Women", "The Storyteller", and "After the Invisible Man", and explores the impact of the history of art and cinema on Wall's practice, revealing how he meshes documentary techniques with staged settings and digital collage.
Monographies photo
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Seaweed is so familiar, and yet we know so little about it. Even its names-- pepper dulse, sea lettuce, bladderwrack-- are mystifying. In this exquisitely illustrated portrait, poet and artist Miek Zwamborn shares discoveries of seaweed's history, culture, and science. We encounter its medicinal and gastronomic properties and long history of human use, from the Neolithic(...)
Seaweed: An enchanting miscellany
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Seaweed is so familiar, and yet we know so little about it. Even its names-- pepper dulse, sea lettuce, bladderwrack-- are mystifying. In this exquisitely illustrated portrait, poet and artist Miek Zwamborn shares discoveries of seaweed's history, culture, and science. We encounter its medicinal and gastronomic properties and long history of human use, from the Neolithic people of the Orkney islands to sushi artisans in modern Japan. We find seaweed troubling Columbus on his voyages across the Atlantic and intriguing Humboldt in the Sargasso Sea. We follow its inspiration for artists from Hokusai to Matisse, its collection by Victorians as pressed specimens in books, its adoption into fashion and dance, and its potential for combating climate change, as a sustainable food source and a means of reducing methane emissions in cattle. And, of course, we learn how to eat seaweed, through a fabulous series of recipes based around these "truffles of the seas."
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Architect Paul Rudolph (1918–1997) was known for his iconic modern houses and exemplary Brutalist buildings in exposed concrete. Rudolph’s popularity peaked during the 1950s and 1960s, when he served as the chair of Yale University’s Department of Architecture, but his work fell from favor with the advent of postmodernism in the 1970s. This compact volume provides an(...)
Materialized space: The architecture of Paul Rudolph
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Architect Paul Rudolph (1918–1997) was known for his iconic modern houses and exemplary Brutalist buildings in exposed concrete. Rudolph’s popularity peaked during the 1950s and 1960s, when he served as the chair of Yale University’s Department of Architecture, but his work fell from favor with the advent of postmodernism in the 1970s. This compact volume provides an introduction to and long-overdue reassessment of the architect’s trailblazing career, from his modernist Florida houses to his public and institutional buildings, unrealized megastructures, experimental interiors, and later mixed use developments in Asia. Abraham Thomas examines how Rudolph explored concepts such as functionalism, urbanism, and modular construction across decades and continents. Richly illustrated with photographs of the structures and Rudolph’s own drawings as well as models, furniture, and period press clippings, this book sheds light on the architect’s process and takes up themes as important in his time as in our own, such as civic design, housing development, and experimental materials and methods.
Architecture, monographies