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The first treatise ever written on the sociology of cities, On the Causes of the Greatness and Magnificence of Cities (1588) marked a radical departure from previous literature on urban centres. It provided a revolutionary analysis of how cities function, and of the political, economic, demographic and geographic factors that cause their growth and decline. Noteworthy too(...)
On the causes of the greatness and magnificence of cities
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The first treatise ever written on the sociology of cities, On the Causes of the Greatness and Magnificence of Cities (1588) marked a radical departure from previous literature on urban centres. It provided a revolutionary analysis of how cities function, and of the political, economic, demographic and geographic factors that cause their growth and decline. Noteworthy too is Botero’s strikingly original use of sources in his analysis: moving beyond familiar classical and biblical references, he drew groundbreaking insights from reports by travelers and missionaries about cities in the non-European world, especially in China. Though seminally important to the history of urban studies, this book has not been available in a modern translation until now. This edition of the treatise – which includes an introduction by Geoffrey W. Symcox on the intellectual context within which it was conceived – is a must-read for anyone interested in the life of cities both historical and contemporary.
Théorie de l’urbanisme
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Known for her monumental wooden wall pieces and outdoor sculptures, Louise Nevelson (1899–1988) was a towering figure in twentieth-century American art. A more nuanced picture of Nevelson emerges in ''The world outside: Louise Nevelson at midcentury''. Discussions about Nevelson’s early involvement with modern dance and subsequent immersion in avant-garde theater bring(...)
The world outside: Louise Nevelson at midcentury
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Known for her monumental wooden wall pieces and outdoor sculptures, Louise Nevelson (1899–1988) was a towering figure in twentieth-century American art. A more nuanced picture of Nevelson emerges in ''The world outside: Louise Nevelson at midcentury''. Discussions about Nevelson’s early involvement with modern dance and subsequent immersion in avant-garde theater bring new understandings of her drawings and sculptures. A reframing of her travels to Mexico and Guatemala in the early 1950s demonstrates, for the first time, how colonial archaeology haunted her visual language for decades. Other little-known facets of Nevelson’s life—her interest in folk art, architecture, and period furniture—open up a conversation about the artist’s approach to America’s past material culture.The book also reconsiders Nevelson’s work in the context of the environmental movement. Additionally, three contemporary artists relate Nevelson’s role in their careers and lives, a local expert describes her roots and relationship to Maine, and the artist’s granddaughter shares thoughts on Nevelson’s spirituality.
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Official catalog of the National Pavilion of Lebanon at the 19th Venice biennale of Architecture, The Land Remembers invites us to explore alternative ways of healing and preserving the natural environment by harnessing local knowledge and the land intelligens. The content of this catalog confronts the deliberate destruction of Lebanon's ecosystems and societies, drawing(...)
Architecture contemporaine
septembre 2025
The land remembers: A Collective exploration into the possibilities for regeneration
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Official catalog of the National Pavilion of Lebanon at the 19th Venice biennale of Architecture, The Land Remembers invites us to explore alternative ways of healing and preserving the natural environment by harnessing local knowledge and the land intelligens. The content of this catalog confronts the deliberate destruction of Lebanon's ecosystems and societies, drawing on the soil's memory as a testament to resilience and renewal. The format of the memory box is an archive of the land's richness, challenges, and potential, asking: How can we heal the land to build for future generations? The catalog combines expert analysis, personal stories, and diverse perspectives on destruction, regeneration, and coexistence. From ecological restoration to regenerative architecture and preservation of Lebanon's biodiversity, it underscores the urgent need for a symbiotic relationship between people and nature. By counter-mapping environmental destruction, reflecting on modern warfare's impacts, and embracing innovative solutions, this collective work envisions a legacy for future generations—one rooted in resilience, learning, and hope.
Architecture contemporaine
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The Gothic era produced some of the Western world’s most imposing structures, today icons of the European cityscape. Unlike buildings from the Renaissance onward, these medieval works are rarely discussed as the products of the ingenious, innovative contributions of individual architects. This book challenges that common perception by asserting the significant impact of(...)
Gothic by design: The dawn of architectural draftsmanship
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The Gothic era produced some of the Western world’s most imposing structures, today icons of the European cityscape. Unlike buildings from the Renaissance onward, these medieval works are rarely discussed as the products of the ingenious, innovative contributions of individual architects. This book challenges that common perception by asserting the significant impact of draftsmanship on the development of the Gothic style from the twelfth to early sixteenth century. The rediscovery of a little-known corpus of architectural drawings and prints reveals the crucial role of drawings in the development of complex and visually appealing structures—from monumental stone cathedrals to small liturgical objects. "Gothic by design" includes surprising ties to contemporary concerns, showing how these works on paper functioned on and off the building site, established the basis for modern concepts of artistic identity and intellectual property, and provided evidence of the long afterlife of Gothic design strategies and their potential use today in sustainable architecture.
Dessin d’architecture
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"Jeff Wall" is published to accompany a major exhibition of photographs at Tate Modern. The exhibition, developed in close consultation with the artist, features works from throughout his career, together with new work produced especially for the exhibition. Wall (b. 1946) has been making photographs since 1967. He has helped to give photography a prominent place in(...)
Jeff Wall : photographs, 1978-2004
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"Jeff Wall" is published to accompany a major exhibition of photographs at Tate Modern. The exhibition, developed in close consultation with the artist, features works from throughout his career, together with new work produced especially for the exhibition. Wall (b. 1946) has been making photographs since 1967. He has helped to give photography a prominent place in contemporary art as well as effecting one of the most radical new developments in the field. His highly innovative approach, best known through large color transparencies of carefully constructed scenes mounted in wall-hung light boxes, has been complemented for the past 10 years by large black-and-white photographs on paper. This book illustrates many of these important works, including "Picture for Women", "The Storyteller", and "After the Invisible Man", and explores the impact of the history of art and cinema on Wall's practice, revealing how he meshes documentary techniques with staged settings and digital collage.
Monographies photo
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Seaweed is so familiar, and yet we know so little about it. Even its names-- pepper dulse, sea lettuce, bladderwrack-- are mystifying. In this exquisitely illustrated portrait, poet and artist Miek Zwamborn shares discoveries of seaweed's history, culture, and science. We encounter its medicinal and gastronomic properties and long history of human use, from the Neolithic(...)
Seaweed: An enchanting miscellany
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Seaweed is so familiar, and yet we know so little about it. Even its names-- pepper dulse, sea lettuce, bladderwrack-- are mystifying. In this exquisitely illustrated portrait, poet and artist Miek Zwamborn shares discoveries of seaweed's history, culture, and science. We encounter its medicinal and gastronomic properties and long history of human use, from the Neolithic people of the Orkney islands to sushi artisans in modern Japan. We find seaweed troubling Columbus on his voyages across the Atlantic and intriguing Humboldt in the Sargasso Sea. We follow its inspiration for artists from Hokusai to Matisse, its collection by Victorians as pressed specimens in books, its adoption into fashion and dance, and its potential for combating climate change, as a sustainable food source and a means of reducing methane emissions in cattle. And, of course, we learn how to eat seaweed, through a fabulous series of recipes based around these "truffles of the seas."
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Architect Paul Rudolph (1918–1997) was known for his iconic modern houses and exemplary Brutalist buildings in exposed concrete. Rudolph’s popularity peaked during the 1950s and 1960s, when he served as the chair of Yale University’s Department of Architecture, but his work fell from favor with the advent of postmodernism in the 1970s. This compact volume provides an(...)
Materialized space: The architecture of Paul Rudolph
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Architect Paul Rudolph (1918–1997) was known for his iconic modern houses and exemplary Brutalist buildings in exposed concrete. Rudolph’s popularity peaked during the 1950s and 1960s, when he served as the chair of Yale University’s Department of Architecture, but his work fell from favor with the advent of postmodernism in the 1970s. This compact volume provides an introduction to and long-overdue reassessment of the architect’s trailblazing career, from his modernist Florida houses to his public and institutional buildings, unrealized megastructures, experimental interiors, and later mixed use developments in Asia. Abraham Thomas examines how Rudolph explored concepts such as functionalism, urbanism, and modular construction across decades and continents. Richly illustrated with photographs of the structures and Rudolph’s own drawings as well as models, furniture, and period press clippings, this book sheds light on the architect’s process and takes up themes as important in his time as in our own, such as civic design, housing development, and experimental materials and methods.
Architecture, monographies
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This ambitious collection treating the Italian Fascists’ appropriation of the past for political purposes focuses on the role of the visual in the aim of fusing the past and the modern world in Mussolini’s Italy. With contributions by art historians and classicists, literary and intellectual historians, "Donatello among the Blackshirts" demonstrates that the Fascist(...)
Théorie de l’architecture
septembre 2004, Ithaca
Donatello and the Blackshirts : history and modernity in the visual culture of fascist Italy
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This ambitious collection treating the Italian Fascists’ appropriation of the past for political purposes focuses on the role of the visual in the aim of fusing the past and the modern world in Mussolini’s Italy. With contributions by art historians and classicists, literary and intellectual historians, "Donatello among the Blackshirts" demonstrates that the Fascist regime appropriated not only Italy’s ancient Roman past but also the medieval, Renaissance, and even baroque eras, as well as its own recent history, in constructing a new myth of the nation. Every aspect of visual culture—from monumental architecture, sculpture, painting, and gardens to exhibitions, spectacles, films, medals, household items, and stamps—helped to link the past with modernity. As a result, Italy’s artistic traditions became familiar to all social classes throughout the peninsula. While this richly illustrated book concerns Fascist Italy, at the same time it also shows how Italy’s premodern artistic traditions have been passed down to the present through the filter of the Fascist era.
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septembre 2004, Ithaca
Théorie de l’architecture
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What constitutes a high-rise building? A high-rise is, in fact, any building with more than 9 storeys and not just those striking skyscrapers which shape modern city skylines. In the past, architects who designed such structures used to be the exception but in the last 10 years more and more architectural offices have begun to focus on this type of building. However, the(...)
High-rise manual : typology and design, construction and technology
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What constitutes a high-rise building? A high-rise is, in fact, any building with more than 9 storeys and not just those striking skyscrapers which shape modern city skylines. In the past, architects who designed such structures used to be the exception but in the last 10 years more and more architectural offices have begun to focus on this type of building. However, the sheer complexity of designing and planning the construction of a high-rise as opposed to other building types requires a wealth of specialized experience and expertise. The High-Rise Manual is the first comprehensive reference work on this subject. All relevant aspects of such an undertaking are examined in detail by some 25 specialist authors. Each step is extensively documented. Theoretical contributions present the basic principles of selected topics revealing how the task is viewed from the different perspectives. With countless illustrations, plans, and CAD drawings, this volume highlights the basic principles and details vital to building high-rise structures.
Gratte-ciels
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A compendium of lectures from the international architecture conference in 2005, Architecture + Art: New Visions, New Strategies looks at the fertile overlap between two competing (and complementary) disciplines. Published by the Alvar Aalto Academy, the essays explore the history of the border between art and architecture, from Aalto to Gordon Matta-Clark. What role did(...)
Théorie de l’architecture
janvier 1900, Helsinki
Architecture and art: New visions, new strategies
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A compendium of lectures from the international architecture conference in 2005, Architecture + Art: New Visions, New Strategies looks at the fertile overlap between two competing (and complementary) disciplines. Published by the Alvar Aalto Academy, the essays explore the history of the border between art and architecture, from Aalto to Gordon Matta-Clark. What role did art play in the history of modern architecture? How did architecture influence art? What’s the current state of the balance between the two fields? Illustrated with color photographs and black and white reproductions, with a foreward by Aalto Academy Professor Eeva-Lisa Pelkonen, the thought-provoking essays strive to illuminate the mystery of overlap, from Le Corbusier to Donald Judd. In a world where Frank Gehry claims architecture is art against Richard Serra’s wishes, it’s refreshing to learn there’s more than one viewpoint at the table. The most recent publication from the Academy’s forward-thinking conferences held every summer in Finland.
Théorie de l’architecture