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From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar.
From a nation torn: decolonizing art and representation in France, 1945-1962
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From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar.
Théorie de l’art
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Consacrée en 1925 par la grande exposition des Arts Décoratifs à Paris, la tendance Art Déco trouve ses racines dans la simplification formelle qui se dessine dans les arts plastiques dès la fin des années 1910, au moment où s'amorce le déclin de l'Art Nouveau. De son côté, le Modernisme trouve les siennes dans le déploiement du fonctionnalisme et l'influence déterminante(...)
octobre 2007, Belgique
Art deco & modernisme en Belgique
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Consacrée en 1925 par la grande exposition des Arts Décoratifs à Paris, la tendance Art Déco trouve ses racines dans la simplification formelle qui se dessine dans les arts plastiques dès la fin des années 1910, au moment où s'amorce le déclin de l'Art Nouveau. De son côté, le Modernisme trouve les siennes dans le déploiement du fonctionnalisme et l'influence déterminante de l'école du Bauhaus et de Le Corbusier. Relativement antagonistes à leur naissance, les deux tendances réalisent une synthèse vers 1930. Les oeuvres singulières d'Antoine Pompe, de Henry Van de Velde ou de Victor Horta (tous trois anciens de l'Art Nouveau) indiqueront des voies de recherche et de création particulièrement riches. Parallèlement, le mouvement des cités-jardins va induire une nouvelle façon de penser l'urbanisme.
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Jonathan Crary's "Techniques of the observer" provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the "society of the spectacle."
Techniques of the observer : on vision and modernity in the nineteenth century
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Jonathan Crary's "Techniques of the observer" provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the "society of the spectacle."
Théorie de l’architecture
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How has the concept of wild nature changed over the milennia? And what have been the environmental consequences? The author presents an examination of humankind's relationship with the natural world through the ages - from early teomism through Egyptian, Greco-Roman and Judeo-Christian supernaturalism to the rise of materialism and modernism.
The idea of wilderness : from prehistory to the age of ecology
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How has the concept of wild nature changed over the milennia? And what have been the environmental consequences? The author presents an examination of humankind's relationship with the natural world through the ages - from early teomism through Egyptian, Greco-Roman and Judeo-Christian supernaturalism to the rise of materialism and modernism.
Théorie du paysage
$65.00
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Created over the course of three years by Australian photographer Tom Blachford, the surreal images function as portals in time, with the homes, cars, and beautiful scenery appearing almost exactly as it all did 60 years ago. The crisp moonlight adds a new dimension to the famous mecca of desert modernism.
Midnight modern: Palm Springs under the full moon
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Created over the course of three years by Australian photographer Tom Blachford, the surreal images function as portals in time, with the homes, cars, and beautiful scenery appearing almost exactly as it all did 60 years ago. The crisp moonlight adds a new dimension to the famous mecca of desert modernism.
Monographies photo
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This anthology provides a much-needed contextual grounding for documentary art. It explores the roots of documentary in modernism and its critique under postmodernism; surveys current theoretical thinking about documentary; and examines a wide range of work by artists within, around, or against documentary through their own writings and interviews.
Documentary (Documents of contemporary art series)
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This anthology provides a much-needed contextual grounding for documentary art. It explores the roots of documentary in modernism and its critique under postmodernism; surveys current theoretical thinking about documentary; and examines a wide range of work by artists within, around, or against documentary through their own writings and interviews.
The LEGO architect
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Travel through the history of architecture in The LEGO Architect. You'll learn about styles like Art Deco, Modernism, and High-Tech, and find inspiration in galleries of LEGO models. Then take your turn building 12 models in a variety of styles. Snap together some bricks and learn architecture the fun way!
The LEGO architect
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Travel through the history of architecture in The LEGO Architect. You'll learn about styles like Art Deco, Modernism, and High-Tech, and find inspiration in galleries of LEGO models. Then take your turn building 12 models in a variety of styles. Snap together some bricks and learn architecture the fun way!
Jouets
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In paintings, murals, and book illustrations, Aaron Douglas (1899–1979) produced the most powerful visual legacy of the Harlem Renaissance, prompting the philosopher and writer Alain Locke to dub him the “father of Black American art.” Presenting more than ninety illustrations of Douglas’s works and the commentary of leading critics and historians, this book focuses on(...)
octobre 2007, New Haven/London
Aaron Douglas. African American Modernist
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In paintings, murals, and book illustrations, Aaron Douglas (1899–1979) produced the most powerful visual legacy of the Harlem Renaissance, prompting the philosopher and writer Alain Locke to dub him the “father of Black American art.” Presenting more than ninety illustrations of Douglas’s works and the commentary of leading critics and historians, this book focuses on the artist’s career from the 1920s through the 1940s in relation to American modernism. Its authors argue that Douglas’s bold work opened doors for African American artists in Harlem and beyond, and that it invited a dialogue with modernism that put African American life, labor, and freedom, along with African traditions and motifs, at its center. New information emerges from these pages, reflecting the rich interchange between the visual arts, music, dance, literature, and politics that shaped Douglas’s work and also defined the Harlem Renaissance.
Future history
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The buildings in ''Future history'' are examples of ‘Razionalismo’, the Italian version of International Style Modernism built in the 1930s. Emerging during Mussolini’s dictatorship, Razionalismo architecture was contemporaneous and frequently indivisible in design from official fascist building, now referred to as Stile Littorio. Italian fascism and Modernism blossomed(...)
Future history
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The buildings in ''Future history'' are examples of ‘Razionalismo’, the Italian version of International Style Modernism built in the 1930s. Emerging during Mussolini’s dictatorship, Razionalismo architecture was contemporaneous and frequently indivisible in design from official fascist building, now referred to as Stile Littorio. Italian fascism and Modernism blossomed in approximately the same period, during which the fascist state engaged in a significant infrastructural and institutional building programme. Countless school, hospital, road, rail, housing, government building and redevelopment projects were realised, several of which are viewed today as noteworthy examples of Razionalismo. These projects put architecture at the service of a state equally intent on improving health and housing, making its might conspicuous domestically and colonising in Africa.The photographs in ''Future history'' are interleaved with extracts from a series of papers first published in 1926 and 1927 by Gruppo 7.
Monographies photo
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Pluralism, fusion and hybridity are the dominant traits of cultural change in twenty-first-century India. The resultant architecture reflects this fabric of one of the world's largest and most populous nation states. Architect, educator and author Rahul Mehrotra has been at the forefront of the Indian contemporary architecture scene for more than two decades, and(...)
Architecture in India since 1990
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Pluralism, fusion and hybridity are the dominant traits of cultural change in twenty-first-century India. The resultant architecture reflects this fabric of one of the world's largest and most populous nation states. Architect, educator and author Rahul Mehrotra has been at the forefront of the Indian contemporary architecture scene for more than two decades, and Architecture in India since 1900 is his take on the topic across four themed chapters: "Global Practice: Expression of (Impatient) Capital"; "Regional Modernism"; "Alternative Practice: Towards Sustainability"; and "Counter Modernism: Resurfacing of the Ancient." Each chapter introduces exponents of these distinct genres of architectural expression, examining the work of more than 60 contemporary architects in more than 500 photographs. Architects, students, academics, architecture buffs and admirers of India's famed heritage of architectural pioneering will find this volume a rich trove of design ideas.
Arch Moyen-Orient