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This publication offers a fresh cultural history of midcentury modernism through the film and multimedia experiments of Charles and Ray Eames and their peers-Will Burtin, Laszlo Moholy-Nagy, and Gyoergy Kepes, among others-at a moment when designers enjoyed a new cultural prestige. Justus Nieland traces how, as representatives of the American Century's exuberant material(...)
Happiness by design: modernism and media in the Eames era
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This publication offers a fresh cultural history of midcentury modernism through the film and multimedia experiments of Charles and Ray Eames and their peers-Will Burtin, Laszlo Moholy-Nagy, and Gyoergy Kepes, among others-at a moment when designers enjoyed a new cultural prestige. Justus Nieland traces how, as representatives of the American Century's exuberant material culture, Cold War designers engaged in creative activities that spanned disciplines and blended art and technoscience while reckoning with the environmental reach of media at the dawn of the information age.
Théorie de l’architecture
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Tom Vanderbilt maps the visible and invisible legacies of the cold war, exhuming the blueprints for the apocalypse we once envisioned and chronicling a time when we all lived at ground zero. In this road trip among ruined missile silos, atomic storage bunkers, and secret test sites, a lost battleground emerges amid the architecture of the 1950s, accompanied by Walter(...)
Survival city: adventures among the ruins of atomic America
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Tom Vanderbilt maps the visible and invisible legacies of the cold war, exhuming the blueprints for the apocalypse we once envisioned and chronicling a time when we all lived at ground zero. In this road trip among ruined missile silos, atomic storage bunkers, and secret test sites, a lost battleground emerges amid the architecture of the 1950s, accompanied by Walter Cotten’s stunning photographs. Survival City looks deep into the national soul, unearthing the dreams and fears that drove us during the latter half of the twentieth century.
Théorie de l’urbanisme
JHQ: Blaffert & Wamhof
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JHQ, short for "Joint Headquarters," designates the merger of various military general staffs of NATO and the British armed forces in Germany. The complex, built between 1952-1954 and scheduled to close in 2013, resembles a small town. German photographers Nicole Blaffert and Franz Wamhof lived at the JHQ over a period of two months, recording the architecture, landscape(...)
JHQ: Blaffert & Wamhof
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JHQ, short for "Joint Headquarters," designates the merger of various military general staffs of NATO and the British armed forces in Germany. The complex, built between 1952-1954 and scheduled to close in 2013, resembles a small town. German photographers Nicole Blaffert and Franz Wamhof lived at the JHQ over a period of two months, recording the architecture, landscape and people and resulting in an intimate photographic document in the tradition of Atget and Evans. JHQ details the dissolution of a Cold War relic before our eyes.
Monographies photo
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The idea of public spaces—city parks, waterfront bike paths, and bustling squares—has long been associated with urban environments. Public Spheres After Socialism challenges this idea in light of the end of the cold war and the disintegration of the Soviet Union. Drawing together experiences from across Europe, this innovative volume reconsiders the public sphere as a(...)
Théorie de l’urbanisme
octobre 2008, Bristol, Chicago
Public spheres after socialism
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The idea of public spaces—city parks, waterfront bike paths, and bustling squares—has long been associated with urban environments. Public Spheres After Socialism challenges this idea in light of the end of the cold war and the disintegration of the Soviet Union. Drawing together experiences from across Europe, this innovative volume reconsiders the public sphere as a figurative, or mythical, location where members of society shape and determine its values. This book examines monuments, reconstruction, film, and new media to ask whether public spaces are viable in an age of globalized consumerism.
Théorie de l’urbanisme
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Benjamin Flowers explores the role of culture and ideology in shaping the construction of skyscrapers and the way wealth and power have operated to reshape the urban landscape. Flowers narrates this modern tale by closely examining the creation and reception of three significant sites: the Empire State Building, the Seagram Building, and the World Trade Center. He(...)
Skyscraper: the politics and power of building New York City in the twentieth century
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Benjamin Flowers explores the role of culture and ideology in shaping the construction of skyscrapers and the way wealth and power have operated to reshape the urban landscape. Flowers narrates this modern tale by closely examining the creation and reception of three significant sites: the Empire State Building, the Seagram Building, and the World Trade Center. He demonstrates how architects and their clients employed a diverse range of modernist styles to engage with and influence broader cultural themes in American society: immigration, the Cold War, and the rise of American global capitalism.
Gratte-ciels
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In The Aura of a Hole explores the work of A Laurie Palmer an ar tist, writer, and teacher. Her work is concerned, most immediately, with resistance to privatisation, and more generally, with theoretical and material explorations of matter's active nature as it asserts itself on different scales and at different speeds. Her work takes various forms - as sculpture,(...)
In the aura of a hole : exploring sites of material extraction
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In The Aura of a Hole explores the work of A Laurie Palmer an ar tist, writer, and teacher. Her work is concerned, most immediately, with resistance to privatisation, and more generally, with theoretical and material explorations of matter's active nature as it asserts itself on different scales and at different speeds. Her work takes various forms - as sculpture, installation, public projects, and writing. This publication focuses specifically on a decade-long project Palmer undertook - an extended exploration of mineral extraction sites in the US. Through her narration, the project discusses themes of the raw scientific and mechanical aspects of the industry, alongside environmental justice, First Nation rights, industrial agriculture, chemical weapons, low temperature physics, the Cold War, the Iraq War, biotechnology, bio geochronology, nanotechnology, Homeland Security, globalised trade, global warming and unemployment.
Théorie de l’architecture
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The geography of the visual arts changed with the end of the Cold War. Contemporary art was no longer defined, exhibited, interpreted, and acquired according to a blueprint drawn up in New York, London, Paris, or Berlin. With the emergence of new art scenes in Asia and the Middle East and the explosion of biennials, the visual arts have become globalized as surely as the(...)
The global contemporary and the rise of new art worlds
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The geography of the visual arts changed with the end of the Cold War. Contemporary art was no longer defined, exhibited, interpreted, and acquired according to a blueprint drawn up in New York, London, Paris, or Berlin. With the emergence of new art scenes in Asia and the Middle East and the explosion of biennials, the visual arts have become globalized as surely as the world economy has. The Global Contemporary and the Rise of New Art Worlds documents the globalization of the visual arts and the rise of the contemporary over the last twenty years.
Théorie de l’art
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This large-format book of Soviet posters allows the reader to remove individual posters and is at once a revealing historical document and a sublime example of graphic art at its best. Dating from 1917 to the end of the Cold War, the posters in this book feature the work of groundbreaking Russian artists such as El Lissitzky and Alexander Rodchenko, alongside(...)
Soviet Posters: pull-out edition
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This large-format book of Soviet posters allows the reader to remove individual posters and is at once a revealing historical document and a sublime example of graphic art at its best. Dating from 1917 to the end of the Cold War, the posters in this book feature the work of groundbreaking Russian artists such as El Lissitzky and Alexander Rodchenko, alongside extraordinary works by their contemporaries. Presented in full color, printed on heavy paper, and in a large-format, the posters gathered here represent the pinnacle of Russian avant-garde design from the 20th century.
Arts graphiques imprimés
Prague pictures
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John Banville traces Prague’s often tragic history and portrays the people who made it, the emperors and princes, geniuses and charlatans, heroes and scoundrels, and paints a portrait of the Prague of today, revelling in its newfound freedoms, eager to join the European Community and at the same time suspicious of what many Praguers see as yet another totalitarian(...)
Prague pictures
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John Banville traces Prague’s often tragic history and portrays the people who made it, the emperors and princes, geniuses and charlatans, heroes and scoundrels, and paints a portrait of the Prague of today, revelling in its newfound freedoms, eager to join the European Community and at the same time suspicious of what many Praguers see as yet another totalitarian takeover. He writes of his first visit to the city, in the depths of the cold War, when he engaged in a spot of art smuggling, and of subsequent trips there, of the people he met, the friends he made, the places he came to know.
Théorie de l’architecture
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Squeezed between the two rival Cold War blocs, Yugoslav architecture consistently adhered to a modernist trajectory. As a founding nation of the Non-Aligned Movement, Yugoslavia became a major exporter of modernist architecture to Africa and the Middle East in a postcolonial world. By merging a variety of local traditions and contemporary international influences in the(...)
juin 2018
Toward a concrete utopia: architecture in Yugoslavia, 1948-1980
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Squeezed between the two rival Cold War blocs, Yugoslav architecture consistently adhered to a modernist trajectory. As a founding nation of the Non-Aligned Movement, Yugoslavia became a major exporter of modernist architecture to Africa and the Middle East in a postcolonial world. By merging a variety of local traditions and contemporary international influences in the context of a unique Yugoslav brand of socialism, often described as the “Third Way,” local architects produced a veritable “parallel universe” of modern architecture during the 45 years of the country’s existence. This remarkable body of work has sparked recurrent international interest, yet a rigorous interpretative study never materialized in the United States until now.