330 Résultats
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South Korean artist Haegue Yang (born 1971) uses a wide array of mediums—ranging from paper collage, video essays and performative sculptures to large-scale installations—to create images and experiences in which people, places and things are evocatively linked. Often using ordinary objects in elaborate abstract compositions, Yang's work stages chance encounters between(...)
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South Korean artist Haegue Yang (born 1971) uses a wide array of mediums—ranging from paper collage, video essays and performative sculptures to large-scale installations—to create images and experiences in which people, places and things are evocatively linked. Often using ordinary objects in elaborate abstract compositions, Yang's work stages chance encounters between(...)
Titre:
Haegue Yang: Anthology 2006-2018
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South Korean artist Haegue Yang (born 1971) uses a wide array of mediums—ranging from paper collage, video essays and performative sculptures to large-scale installations—to create images and experiences in which people, places and things are evocatively linked. Often using ordinary objects in elaborate abstract compositions, Yang's work stages chance encounters between viewers and materials that can generate unexpected forms, emotions and narratives. This publication is a rich, fully illustrated anthology of the most significant writing on Yang's work from 2006 to 2018. Featuring essays and interviews by Lars Bang Larsen, Nicolas Bourriaud, Binna Choi, Doryun Chong, T.J. Demos, Yilmaz Dziewior, Patricia Falguières, Eungie Joo, Tom McDonough, Ute Meta Bauer, Bart van der Heide and Anne M. Wagner, the selection of texts in this volume thoroughly engage the complexity of the artist's work.
Haegue Yang: Anthology 2006-2018
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South Korean artist Haegue Yang (born 1971) uses a wide array of mediums—ranging from paper collage, video essays and performative sculptures to large-scale installations—to create images and experiences in which people, places and things are evocatively linked. Often using ordinary objects in elaborate abstract compositions, Yang's work stages chance encounters between viewers and materials that can generate unexpected forms, emotions and narratives. This publication is a rich, fully illustrated anthology of the most significant writing on Yang's work from 2006 to 2018. Featuring essays and interviews by Lars Bang Larsen, Nicolas Bourriaud, Binna Choi, Doryun Chong, T.J. Demos, Yilmaz Dziewior, Patricia Falguières, Eungie Joo, Tom McDonough, Ute Meta Bauer, Bart van der Heide and Anne M. Wagner, the selection of texts in this volume thoroughly engage the complexity of the artist's work.
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livres
Publication:
juin 2019
juin 2019
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livres
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An exhibition catalogue from the Migros Museum featuring 21 artists and architects including Anish Kapoor, Jane and Louise Wilson, James Casebere, and Daniel Libeskind among others. The exhibition takes as its point of departure three contexts in which space occupies a central position: Sigmund Freud’s notion of “das Unheimliche” and psychoanalytical elaboration of(...)
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An exhibition catalogue from the Migros Museum featuring 21 artists and architects including Anish Kapoor, Jane and Louise Wilson, James Casebere, and Daniel Libeskind among others. The exhibition takes as its point of departure three contexts in which space occupies a central position: Sigmund Freud’s notion of “das Unheimliche” and psychoanalytical elaboration of(...)
Publication:
novembre 2003, Zurich / Gdansk
novembre 2003, Zurich / Gdansk
Titre:
Bewitched, bothered and bewildered : spatial emotion in contemporary art and architecture
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An exhibition catalogue from the Migros Museum featuring 21 artists and architects including Anish Kapoor, Jane and Louise Wilson, James Casebere, and Daniel Libeskind among others. The exhibition takes as its point of departure three contexts in which space occupies a central position: Sigmund Freud’s notion of “das Unheimliche” and psychoanalytical elaboration of space and its emotion; Michel Foucault’s other spaces – heterotopias and their counter-site qualities of socio-political implications; and Walter Benjamin’s outmoded and repressed space with all its auratic traces (fake or authentic) of philosophical and historic charge. “Bewitched, Bothered and Bewildered” aims to exploit the psychological associations of space with its multiplicity of emotional overtones, mapping its extremes and its psychic environment. Focusing on spatial pathologies (agoraphobia, vertigo, claustrophobia...), the exhibition identifies space as a cause of mental disorder, fear or estrangement, ultimate trauma. Hysteria, panic and neurosis overlap with other spatial stories of psychic unrest and unease: distortions and perversions (warped space); anxiety and enigmas (haunted space); spatial inconvenience and discomfort, perfectly domestic and yet alienating; space half-spoken, half-pronounced: a promise, a puzzle, a magic spell, temptation.
Bewitched, bothered and bewildered : spatial emotion in contemporary art and architecture
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An exhibition catalogue from the Migros Museum featuring 21 artists and architects including Anish Kapoor, Jane and Louise Wilson, James Casebere, and Daniel Libeskind among others. The exhibition takes as its point of departure three contexts in which space occupies a central position: Sigmund Freud’s notion of “das Unheimliche” and psychoanalytical elaboration of space and its emotion; Michel Foucault’s other spaces – heterotopias and their counter-site qualities of socio-political implications; and Walter Benjamin’s outmoded and repressed space with all its auratic traces (fake or authentic) of philosophical and historic charge. “Bewitched, Bothered and Bewildered” aims to exploit the psychological associations of space with its multiplicity of emotional overtones, mapping its extremes and its psychic environment. Focusing on spatial pathologies (agoraphobia, vertigo, claustrophobia...), the exhibition identifies space as a cause of mental disorder, fear or estrangement, ultimate trauma. Hysteria, panic and neurosis overlap with other spatial stories of psychic unrest and unease: distortions and perversions (warped space); anxiety and enigmas (haunted space); spatial inconvenience and discomfort, perfectly domestic and yet alienating; space half-spoken, half-pronounced: a promise, a puzzle, a magic spell, temptation.
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livres
livres
Publication:
novembre 2003, Zurich / Gdansk
novembre 2003, Zurich / Gdansk
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livres
livres
Titre:
Idea 311: Sound cosmography
Idea 311: Sound cosmography
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Special Feature: Sound Cosmography Response in Silence: on the way to ECM covers; "the heaven is round and the earth is square" The world of Kohei Sugiura's record jackets; datamatics = C4I + data.series--a project by Ryoji Ikeda; Karlheinz Stockhausen's original drawings: between sound and sight; Emotions and Expressions--Works of Hidetoshi Mito; When Pigs Design(...)
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Special Feature: Sound Cosmography Response in Silence: on the way to ECM covers; "the heaven is round and the earth is square" The world of Kohei Sugiura's record jackets; datamatics = C4I + data.series--a project by Ryoji Ikeda; Karlheinz Stockhausen's original drawings: between sound and sight; Emotions and Expressions--Works of Hidetoshi Mito; When Pigs Design(...)
Titre:
Idea 311: Sound cosmography
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Special Feature: Sound Cosmography Response in Silence: on the way to ECM covers; "the heaven is round and the earth is square" The world of Kohei Sugiura's record jackets; datamatics = C4I + data.series--a project by Ryoji Ikeda; Karlheinz Stockhausen's original drawings: between sound and sight; Emotions and Expressions--Works of Hidetoshi Mito; When Pigs Design Vol.32 by Kyoichi Tsuzuki "Tempting 4 color process prints--City Heaven, the printed cosmos of 2500gram"; Typography Review vol. 9 "The Origins and Historical Changes of the Shueitai Typeface" Text by Taro Yamamoto, Design by Yoshihisa Shirai,Typeset by Akira Okayasu / Kuni Metal--Design of the new special paper by GRAPH; Variations on a Silence:Project for a Recycling Plant; News + Information / Shinro Ohtake Original Serial Poster; 2nd Impact; Part 12, Side A: 'Office Room', Side B: 'What's already there'
Idea 311: Sound cosmography
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Special Feature: Sound Cosmography Response in Silence: on the way to ECM covers; "the heaven is round and the earth is square" The world of Kohei Sugiura's record jackets; datamatics = C4I + data.series--a project by Ryoji Ikeda; Karlheinz Stockhausen's original drawings: between sound and sight; Emotions and Expressions--Works of Hidetoshi Mito; When Pigs Design Vol.32 by Kyoichi Tsuzuki "Tempting 4 color process prints--City Heaven, the printed cosmos of 2500gram"; Typography Review vol. 9 "The Origins and Historical Changes of the Shueitai Typeface" Text by Taro Yamamoto, Design by Yoshihisa Shirai,Typeset by Akira Okayasu / Kuni Metal--Design of the new special paper by GRAPH; Variations on a Silence:Project for a Recycling Plant; News + Information / Shinro Ohtake Original Serial Poster; 2nd Impact; Part 12, Side A: 'Office Room', Side B: 'What's already there'
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livres
livres
Publication:
juillet 2005, Tokyo
juillet 2005, Tokyo
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livres
livres
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Each year, the New York chapter of the AIGA invites a group of emerging designers to participate in the Fresh Dialogue forum. In/Visible: Graphic Data Revealed brings together a diverse group of information graphics designers for a lively discussion about the challenges they face visualizing information. Steve Duenes manages the New York Times print and online graphics(...)
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Each year, the New York chapter of the AIGA invites a group of emerging designers to participate in the Fresh Dialogue forum. In/Visible: Graphic Data Revealed brings together a diverse group of information graphics designers for a lively discussion about the challenges they face visualizing information. Steve Duenes manages the New York Times print and online graphics(...)
Titre:
Fresh dialogue nine: In/visible: graphic data revealed
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Each year, the New York chapter of the AIGA invites a group of emerging designers to participate in the Fresh Dialogue forum. In/Visible: Graphic Data Revealed brings together a diverse group of information graphics designers for a lively discussion about the challenges they face visualizing information. Steve Duenes manages the New York Times print and online graphics department; Andrew Kuo attempts to categorize unmeasurable human emotions through meticulous charts and diagrams; Fernanda Viégas of IBM’s Visual Communication Lab is the cocreator of the Many Eyes social website that encourages members to upload, interpret, and revisualize one another’s data. Their discussion, moderated by Rhode Island School of Design president John Maeda, covers a range of current and anticipated trends in visual journalism, including issues such as data integrity and visual ethics, judicious simplicity versus seductive complexity, and the everincreasing demand for dynamic information.
Fresh dialogue nine: In/visible: graphic data revealed
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Each year, the New York chapter of the AIGA invites a group of emerging designers to participate in the Fresh Dialogue forum. In/Visible: Graphic Data Revealed brings together a diverse group of information graphics designers for a lively discussion about the challenges they face visualizing information. Steve Duenes manages the New York Times print and online graphics department; Andrew Kuo attempts to categorize unmeasurable human emotions through meticulous charts and diagrams; Fernanda Viégas of IBM’s Visual Communication Lab is the cocreator of the Many Eyes social website that encourages members to upload, interpret, and revisualize one another’s data. Their discussion, moderated by Rhode Island School of Design president John Maeda, covers a range of current and anticipated trends in visual journalism, including issues such as data integrity and visual ethics, judicious simplicity versus seductive complexity, and the everincreasing demand for dynamic information.
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livres
livres
Publication:
janvier 2009
janvier 2009
Sujet:
Théorie du design
Théorie du design
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livres
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Using CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedman’s recreated scenes of roadside diners,(...)
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Using CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedman’s recreated scenes of roadside diners,(...)
Titre:
Benjamin Freedman: Positive illusions
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Using CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedman’s recreated scenes of roadside diners, pools, and picnics create a visceral and sensory dreamscape, evoking the sounds and smells attached to his childhood recollections. These digitally constructed images explore how technology permits us to revisit and reimagine the past in ways that feel both familiar and uncanny. Distinctions between personal recollection and collective nostalgia are compromised, creating an idiosyncratic visual realm saturated with shared emotions and histories. Freedman’s use of digital tools to recapture nostalgic scenes underscores the fluidity of memory while also challenging traditional conventions of the photographic medium.
Benjamin Freedman: Positive illusions
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Using CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedman’s recreated scenes of roadside diners, pools, and picnics create a visceral and sensory dreamscape, evoking the sounds and smells attached to his childhood recollections. These digitally constructed images explore how technology permits us to revisit and reimagine the past in ways that feel both familiar and uncanny. Distinctions between personal recollection and collective nostalgia are compromised, creating an idiosyncratic visual realm saturated with shared emotions and histories. Freedman’s use of digital tools to recapture nostalgic scenes underscores the fluidity of memory while also challenging traditional conventions of the photographic medium.
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livres
livres
Publication:
mai 2025
mai 2025
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
The big fish
The big fish
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A little island inhabited by fishermen, the sun, the waves. The little boats quietly fish the high seas, but one day a big boat comes to steal all the fishes to the fishermen. The poor fishermen are desperate, till a frightening storm will abandon a big, big fish on the beach: onec more the nature has won... Aoi Huber-Kono writes and draws a tender and fascinating(...)
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A little island inhabited by fishermen, the sun, the waves. The little boats quietly fish the high seas, but one day a big boat comes to steal all the fishes to the fishermen. The poor fishermen are desperate, till a frightening storm will abandon a big, big fish on the beach: onec more the nature has won... Aoi Huber-Kono writes and draws a tender and fascinating(...)
Titre:
The big fish
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A little island inhabited by fishermen, the sun, the waves. The little boats quietly fish the high seas, but one day a big boat comes to steal all the fishes to the fishermen. The poor fishermen are desperate, till a frightening storm will abandon a big, big fish on the beach: onec more the nature has won... Aoi Huber-Kono writes and draws a tender and fascinating story, where the soft and winding stroke and non-conventional use of colours create a mysterious and bewitching atmosphere. The creative make-up by Max Huber, inspired by calligrammes, follows the waves’ rythm, the spaces and moves suggested by drawings, and generates emotions in the reader. “Il grande pesce”, published for the first time in 1968, it’s a book that continues to talk and touch contemporary children and adults.
The big fish
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A little island inhabited by fishermen, the sun, the waves. The little boats quietly fish the high seas, but one day a big boat comes to steal all the fishes to the fishermen. The poor fishermen are desperate, till a frightening storm will abandon a big, big fish on the beach: onec more the nature has won... Aoi Huber-Kono writes and draws a tender and fascinating story, where the soft and winding stroke and non-conventional use of colours create a mysterious and bewitching atmosphere. The creative make-up by Max Huber, inspired by calligrammes, follows the waves’ rythm, the spaces and moves suggested by drawings, and generates emotions in the reader. “Il grande pesce”, published for the first time in 1968, it’s a book that continues to talk and touch contemporary children and adults.
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livres
livres
Publication:
janvier 1900, Mantova
janvier 1900, Mantova
Sujet:
Littérature jeunesse
Littérature jeunesse
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livres
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Description:
303 pages : color illustrations ; 33 cm
Description:
303 pages : color illustrations ; 33 cm
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Paris : Tallandier : Établissement public Rebâtir Notre-Dame de Paris, [2024], ©2024
Paris : Tallandier : Établissement public Rebâtir Notre-Dame de Paris, [2024], ©2024
Titre:
Rebâtir Notre-Dame de Paris / textes, Mathieu Lours ; photographies, David Bordes, Romaric Toussaint, Patrick Zachmann.
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303 pages : color illustrations ; 33 cm
Rebâtir Notre-Dame de Paris / textes, Mathieu Lours ; photographies, David Bordes, Romaric Toussaint, Patrick Zachmann.
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303 pages : color illustrations ; 33 cm
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Paris : Tallandier : Établissement public Rebâtir Notre-Dame de Paris, [2024], ©2024
Paris : Tallandier : Établissement public Rebâtir Notre-Dame de Paris, [2024], ©2024
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Blue
Blue
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Originally released as a feature film in 1993, the year before the acclaimed artist and filmmaker Derek Jarman’s death due to an AIDS-related illness, Blue is a daring and powerful work of art. The film and its script, as reproduced in this volume, serve as an impassioned response to the lack of political engagement with the AIDS crisis. Jarman’s Blue moves through myriad(...)
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Originally released as a feature film in 1993, the year before the acclaimed artist and filmmaker Derek Jarman’s death due to an AIDS-related illness, Blue is a daring and powerful work of art. The film and its script, as reproduced in this volume, serve as an impassioned response to the lack of political engagement with the AIDS crisis. Jarman’s Blue moves through myriad(...)
Titre:
Blue
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Originally released as a feature film in 1993, the year before the acclaimed artist and filmmaker Derek Jarman’s death due to an AIDS-related illness, Blue is a daring and powerful work of art. The film and its script, as reproduced in this volume, serve as an impassioned response to the lack of political engagement with the AIDS crisis. Jarman’s Blue moves through myriad scenes, some banal, others fantastical. Stories of quotidian life––getting coffee, reading the newspaper, and walking down the sidewalk––escalate to visions of Marco Polo, the Taj Mahal, or blue fighting yellow. Facing death and a cascade of pills, Jarman presents his illness in delirium and metaphors. He contemplates the physicality of emotions in lyrical prose as he grounds this story in the constant return to Blue—a color, a feeling, a funk. Michael Charlesworth’s compelling introduction brings Blue into conversation with Jarman’s visual paintings.
Blue
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Originally released as a feature film in 1993, the year before the acclaimed artist and filmmaker Derek Jarman’s death due to an AIDS-related illness, Blue is a daring and powerful work of art. The film and its script, as reproduced in this volume, serve as an impassioned response to the lack of political engagement with the AIDS crisis. Jarman’s Blue moves through myriad scenes, some banal, others fantastical. Stories of quotidian life––getting coffee, reading the newspaper, and walking down the sidewalk––escalate to visions of Marco Polo, the Taj Mahal, or blue fighting yellow. Facing death and a cascade of pills, Jarman presents his illness in delirium and metaphors. He contemplates the physicality of emotions in lyrical prose as he grounds this story in the constant return to Blue—a color, a feeling, a funk. Michael Charlesworth’s compelling introduction brings Blue into conversation with Jarman’s visual paintings.
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livres
livres
Publication:
mai 2023
mai 2023
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Material matters: paper
Material matters: paper
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$37.95
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The ''Material matters'' series illustrates the power of materials to affect human experiences and emotions by helping us build intimate connections with inanimate objects through touch and feel. Whether they are used as a point of reference or the medium of creation itself, they are integral to artists and designers who seek to explore fresh outcomes, experiment with new(...)
$37.95
(disponible en magasin)
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The ''Material matters'' series illustrates the power of materials to affect human experiences and emotions by helping us build intimate connections with inanimate objects through touch and feel. Whether they are used as a point of reference or the medium of creation itself, they are integral to artists and designers who seek to explore fresh outcomes, experiment with new(...)
Titre:
Material matters: paper
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$37.95
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The ''Material matters'' series illustrates the power of materials to affect human experiences and emotions by helping us build intimate connections with inanimate objects through touch and feel. Whether they are used as a point of reference or the medium of creation itself, they are integral to artists and designers who seek to explore fresh outcomes, experiment with new techniques, and elicit distinct responses from their audiences. ''Material matters : paper'' showcases stunning creative interpretations of the common material across a variety of mediums. From the simple act of folding or tearing different sheets up to create complex new shapes to burning random pieces to make radical elements for an artwork, this edition explores the compelling ways with which the unique characteristics of paper can be cleverly drawn upon or manipulated to shape the outcome of a particular project, with insights into the key techniques featured.
Material matters: paper
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The ''Material matters'' series illustrates the power of materials to affect human experiences and emotions by helping us build intimate connections with inanimate objects through touch and feel. Whether they are used as a point of reference or the medium of creation itself, they are integral to artists and designers who seek to explore fresh outcomes, experiment with new techniques, and elicit distinct responses from their audiences. ''Material matters : paper'' showcases stunning creative interpretations of the common material across a variety of mediums. From the simple act of folding or tearing different sheets up to create complex new shapes to burning random pieces to make radical elements for an artwork, this edition explores the compelling ways with which the unique characteristics of paper can be cleverly drawn upon or manipulated to shape the outcome of a particular project, with insights into the key techniques featured.
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livres
livres
Publication:
septembre 2019
septembre 2019
Classification:
livres
livres
Titre:
Nadav Kander: The Meeting
Nadav Kander: The Meeting
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$130.00
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Regardless of his sitter whether family member or influential celebrity the portraiture of London-based photographer Nadav Kander (born 1961) shows what makes that particular individual human. His aim is to move beyond capturing an accurate likeness?to access the emotions within, the uncertainty, the shadow as much as the light, the complex sense of self that otherwise(...)
$130.00
(disponible en magasin)
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Regardless of his sitter whether family member or influential celebrity the portraiture of London-based photographer Nadav Kander (born 1961) shows what makes that particular individual human. His aim is to move beyond capturing an accurate likeness?to access the emotions within, the uncertainty, the shadow as much as the light, the complex sense of self that otherwise(...)
Titre:
Nadav Kander: The Meeting
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$130.00
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Regardless of his sitter whether family member or influential celebrity the portraiture of London-based photographer Nadav Kander (born 1961) shows what makes that particular individual human. His aim is to move beyond capturing an accurate likeness?to access the emotions within, the uncertainty, the shadow as much as the light, the complex sense of self that otherwise lays hidden. “Revealed and concealed, beauty and destruction, ease and disease, shame and shameless,” explains Kander, “These paradoxes are essential to all my work and represent what is common to all my varied subject matter.” This collection, the first book dedicated to his portraiture, shows the range and nuance of Kander’s work. His enigmatic depictions of actors, artists, musicians, authors, sports icons and political leaders?from Barack Obama, John le Carré and Alexander McQueen to Tracey Emin, Robert Plant and Prince Charles are layered and penetrating, revealing unexpected moments of reverie and vulnerability.
Nadav Kander: The Meeting
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$130.00
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Regardless of his sitter whether family member or influential celebrity the portraiture of London-based photographer Nadav Kander (born 1961) shows what makes that particular individual human. His aim is to move beyond capturing an accurate likeness?to access the emotions within, the uncertainty, the shadow as much as the light, the complex sense of self that otherwise lays hidden. “Revealed and concealed, beauty and destruction, ease and disease, shame and shameless,” explains Kander, “These paradoxes are essential to all my work and represent what is common to all my varied subject matter.” This collection, the first book dedicated to his portraiture, shows the range and nuance of Kander’s work. His enigmatic depictions of actors, artists, musicians, authors, sports icons and political leaders?from Barack Obama, John le Carré and Alexander McQueen to Tracey Emin, Robert Plant and Prince Charles are layered and penetrating, revealing unexpected moments of reverie and vulnerability.
Classification:
livres
livres
Publication:
décembre 2019
décembre 2019
Sujet:
Monographies photo
Monographies photo
