Thomas Demand: House of card
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Published on the occasion of a major solo exhibition of Thomas Demand’s work at Belgium museum M Leuven in October 2020, this book focuses on Demand’s relationship to architecture and his engagement with architects over almost fifteen years. The starting point is his ongoing series ‘Model Studies’, in which the concept of the model itself is key, and includes rarely show(...)
Thomas Demand: House of card
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Published on the occasion of a major solo exhibition of Thomas Demand’s work at Belgium museum M Leuven in October 2020, this book focuses on Demand’s relationship to architecture and his engagement with architects over almost fifteen years. The starting point is his ongoing series ‘Model Studies’, in which the concept of the model itself is key, and includes rarely show projects such as Black Label (2009), Embassy (2007), and Nagelhaus (2008).
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This catalogue accompanies an exhibition of the work of Christopher Williams at the Contemporary Art Gallery, Vancouver. For this project Christopher Williams drew from three disparate sources: the development of colour photography for commercial applications in the United States, the European reception of Pop Art - specifically in relation to Marcel Broodthaer’s first(...)
janvier 2005, Vancouver
Christopher Williams : archäologie beaux-arts / ethnography théâtre-vérité
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This catalogue accompanies an exhibition of the work of Christopher Williams at the Contemporary Art Gallery, Vancouver. For this project Christopher Williams drew from three disparate sources: the development of colour photography for commercial applications in the United States, the European reception of Pop Art - specifically in relation to Marcel Broodthaer’s first solo exhibition at Galerie Saint-Laurent, Brussels in 1964, and the work of Raoul Hausmann, made during his stay in Ibiza, Spain between 1933 and 1936.
Jurgen Naber: Stops
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In this slender first-time solo publication of recent works by the German photo-based artist Jurgen Nabor, a series of 48 black and white photographs of bus shelters in people-less rural Norwegian landscapes recall the visual texture of the Dusseldorf aesthetic of the 1970s. An essay by independent curator Henriette Heidbrink discusses the centering of the subject in each(...)
Jurgen Naber: Stops
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In this slender first-time solo publication of recent works by the German photo-based artist Jurgen Nabor, a series of 48 black and white photographs of bus shelters in people-less rural Norwegian landscapes recall the visual texture of the Dusseldorf aesthetic of the 1970s. An essay by independent curator Henriette Heidbrink discusses the centering of the subject in each photograph and Nabor's debt to other conceptual photographic series such as Ed Ruscha's 26 Gas Stations (1963),
Monographies photo
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The Kinfolk Table, a cookbook from the creators of the magazine, with profiles of 45 tastemakers who are cooking and entertaining in a way that is beautiful, uncomplicated, and inexpensive. Each of these home cooks—artisans, bloggers, chefs, writers, bakers, crafters—has provided one to three of the recipes they most love to share with others, whether they be simple(...)
The kinfolk table: recipes for small gathering
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The Kinfolk Table, a cookbook from the creators of the magazine, with profiles of 45 tastemakers who are cooking and entertaining in a way that is beautiful, uncomplicated, and inexpensive. Each of these home cooks—artisans, bloggers, chefs, writers, bakers, crafters—has provided one to three of the recipes they most love to share with others, whether they be simple breakfasts for two, one-pot dinners for six, or a perfectly composed sandwich for a solo picnic.
Bouffe
James Turrell
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The artist’s first solo exhibition in a New York museum since 1980, James Turrell considers his long-standing explorations of perception, light, color and space with special attention to the role of site-specificity in his practice. Local audiences find new occasion to experience his work through a major new project created especially for the Guggenheim, Aten Reign(...)
juillet 2013
James Turrell
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The artist’s first solo exhibition in a New York museum since 1980, James Turrell considers his long-standing explorations of perception, light, color and space with special attention to the role of site-specificity in his practice. Local audiences find new occasion to experience his work through a major new project created especially for the Guggenheim, Aten Reign (2013), recasting the museum’s rotunda as a volume of shifting natural and artificial light. This publication documents the Aten Reign.
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According to some recent astrophysical theories, the Universe is largely composed of matter known as black or dark – ‘Dark Matter’ – because it does not react to light. This mysterious matter, invisible, undetectable, and in a way ‘hypothetical’, is the inspiration behind this book and the second solo exhibition of Abdelkader Benchamma (b 1975) at the galerie agnès b.(...)
Abdelkader Benchama : dark matter
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According to some recent astrophysical theories, the Universe is largely composed of matter known as black or dark – ‘Dark Matter’ – because it does not react to light. This mysterious matter, invisible, undetectable, and in a way ‘hypothetical’, is the inspiration behind this book and the second solo exhibition of Abdelkader Benchamma (b 1975) at the galerie agnès b. This enigmatic name, conjuring both the scientific and the esoteric, directly reflects the artistic research and graphic experimentation which Benchamma reveals in his latest work.
Eva Hesse: one more than one
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Eva Hesse (1936–1970) was one of the foremost women artists of the twentieth century. Her artistic practice combined the seriality and reduction of 1960s Minimalism with emotion, sensuousness and physicality, while the transparency and transience of her unconventional materials also contributed greatly to her unique position in the art world of her day. From November 2013(...)
mars 2014
Eva Hesse: one more than one
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Eva Hesse (1936–1970) was one of the foremost women artists of the twentieth century. Her artistic practice combined the seriality and reduction of 1960s Minimalism with emotion, sensuousness and physicality, while the transparency and transience of her unconventional materials also contributed greatly to her unique position in the art world of her day. From November 2013 onward, the Hamburger Kunsthalle is presenting the first solo exhibition of Hesse’s work in her native city. This publication is the catalogue of the exhibition.
Cy Twombly: writings on
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While Cy Twombly was still a student, his inspiring work attracted the attention of art critics and art historians, and also prompted poets, philosophers, essayists and fellow artists to write about him. In the present volume, long-time collaborator Nicola Del Roscio brings together a total of 43 contemporary commentaries on Twombly in the form of poems, exhibition(...)
Cy Twombly: writings on
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While Cy Twombly was still a student, his inspiring work attracted the attention of art critics and art historians, and also prompted poets, philosophers, essayists and fellow artists to write about him. In the present volume, long-time collaborator Nicola Del Roscio brings together a total of 43 contemporary commentaries on Twombly in the form of poems, exhibition reviews, letters, philosophical essays and discussions of art history, dating from 1951 (the year of his first solo show) through to the present.
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Among others : Blackness at MoMA / Darby English and Charlotte Barat ; [foreword by Glenn D. Lowry].
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475 pages : illustrations (chiefly color) ; 28 x 24 cm
New York : The Museum of Modern Art, [2019], New York : Distributed in the United States and Canada by ARTBOOK/D.A.P., ©2019
Among others : Blackness at MoMA / Darby English and Charlotte Barat ; [foreword by Glenn D. Lowry].
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475 pages : illustrations (chiefly color) ; 28 x 24 cm
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New York : The Museum of Modern Art, [2019], New York : Distributed in the United States and Canada by ARTBOOK/D.A.P., ©2019
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This bilingual book was published following Vincent Meessen’s solo exhibitions "Sire, je suis de l'ôtre pays" at WIELS, Brussels (2016) and Omar en mai at Centre Pompidou, Paris (2018). The fourth volume in the artist’s publication series Prospectus, it is structured around four major installations that made up these shows (One.Two.Three, SIISIS, Wild Architect, and(...)
L'Autre pays / The other country
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This bilingual book was published following Vincent Meessen’s solo exhibitions "Sire, je suis de l'ôtre pays" at WIELS, Brussels (2016) and Omar en mai at Centre Pompidou, Paris (2018). The fourth volume in the artist’s publication series Prospectus, it is structured around four major installations that made up these shows (One.Two.Three, SIISIS, Wild Architect, and Cinéma Omarx), which are placed in parallel with newly commissioned essays by scholars Pedro Monaville, Stefano Collicelli Cagol and Ruth Baumeister, and an in-depth conversation between Tom McDonough and Vincent Meessen.