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Ultimate restaurant design
$45.50
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Within the large number of places that comprise the fabric of today’s contemporary urban landscape, public interior venues are taking on an ever growing significance in the face of exterior spaces. Whether in terms of climate, security, leisure or well-being, interiors have naturally incorporated themselves into the daily urban itinerary as part of public(...)
octobre 2004, New York
Ultimate restaurant design
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$45.50
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Within the large number of places that comprise the fabric of today’s contemporary urban landscape, public interior venues are taking on an ever growing significance in the face of exterior spaces. Whether in terms of climate, security, leisure or well-being, interiors have naturally incorporated themselves into the daily urban itinerary as part of public activity. The intense social interaction that takes place within these public spaces is concentrated within bars and restaurants, home to flirtations and friendships, entertainment and relaxation, observers and the observed. “Ultimate Restaurant Design” presents over seventy contemporary venues that have been chosen for their innovative interior architecture. Taking in venues from North and South America, Europe, Asia and Australia, the projects are accompanied by full colour photography, detailed plans and insightful descriptions, making this a truly comprehensive survey of some of the most striking restaurant and bar interiors in the world today.
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octobre 2004, New York
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344 pages : color illustrations ; 28 x 24 cm
New York, New York : Timber Press, 2025., ©2025
The modern Japanese garden / Stephen Mansfield ; foreword by Pico Iyer ; contributions by Kengo Kuma, Mira Locher, Tim Richardson, Masuno Shunmyo.
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344 pages : color illustrations ; 28 x 24 cm
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New York, New York : Timber Press, 2025., ©2025
Timber
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Timber is a vital resource that is all around us. It is the house that shelters us, the furniture we relax in, the books we read, the paper we print, the disposable diapers for our babies, and the boxes that contain our cereal, detergent, and new appliances. The way we produce and consume timber, however, is changing. With international timber companies and big box(...)
Timber
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Timber is a vital resource that is all around us. It is the house that shelters us, the furniture we relax in, the books we read, the paper we print, the disposable diapers for our babies, and the boxes that contain our cereal, detergent, and new appliances. The way we produce and consume timber, however, is changing. With international timber companies and big box discount retailers increasingly controlling through global commodity chains where and how much timber is traded, the world's remaining old-growth forests, particularly in the developing world, are under threat of disappearing - all for the price of a consumer bargain. This trailblazing book is the first to expose what's happening inside corporate commodity chains with conclusions that fundamentally challenge our understanding of how and why deforestation persists. Authors Peter Dauvergne and Jane Lister reveal how timber now moves through long and complex supply chains from the forests of the global South through the factories of emerging economies like China to the big box retail shelves of Europe and North America. Well-off consumers are getting unprecedented deals. But the social and environmental costs are extraordinarily high as corporations mine the world's poorest regions and most vulnerable ecosystems. The growing power of big retail within these commodity chains is further increasing South-North inequities and unsustainable global consumption. Yet, as this book's highly original analysis uncovers, it is also creating some intriguing opportunities to promote more responsible business practices and better global forest governance.
Expositions en cours
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Vancouver photographer and video artist Stan Douglas (born 1960) has been celebrated since the late 1980s for his politically freighted retrievals of obsolete technologies and failed utopias. The emphatically narrative character of his films and photographs has made for comparisons with his Vancouver contemporary Jeff Wall, but Douglas also laces his work with a literary(...)
Stan Douglas: midcentury studio
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Vancouver photographer and video artist Stan Douglas (born 1960) has been celebrated since the late 1980s for his politically freighted retrievals of obsolete technologies and failed utopias. The emphatically narrative character of his films and photographs has made for comparisons with his Vancouver contemporary Jeff Wall, but Douglas also laces his work with a literary engagement, in references to works by Proust, Beckett and other writers. This publication sees Douglas pursue a new direction. It chronicles the burgeoning discipline of press photography in North America during the postwar period, for which Douglas assumes the role of a fictional photographer, creating a series of images hypothetically produced between 1945-1951. Douglas constructed a “mid-century studio” using authentic equipment as well as actors to produce carefully staged, black-and-white photographs that painstakingly emulate the period's obsession with crime scenes, dance, gambling and technology. This volume juxtaposes actual photographs from the era with Douglas' photo-fictions.
Monographies photo
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Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York—1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City(...)
Partners in design: Alfred H. Barr Jr. and Philip Johnson
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Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York—1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City Ballet; their work to help Bauhaus artists like Josef and Anni Albers escape Nazi Germany—and the dissemination of their ideas across the United States through MoMA’s traveling exhibition program. Illustrated with icons of modernist design, MoMA installation views, and previously unpublished images of the Barr and Johnson apartments—domestic laboratories for modernism, and in Johnson’s case, designed and furnished by Ludwig Mies van der Rohe—this fascinating study sheds new light on the introduction and success in North America of a new kind of modernism, thanks to the combined efforts of two uniquely discerning and influential individuals.
Architecture, monographies
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For some of us, the family is a source of love and support. But for many others, the family is a place of private horror, coercion, and personal domination. In a capitalist society, the private family carries the impossible demands of interpersonal care and social reproductive labor. Can we imagine a different future? In ''Family abolition'', author M.E. O'Brien uncovers(...)
Family abolition: Capitalism and the communizing of care
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For some of us, the family is a source of love and support. But for many others, the family is a place of private horror, coercion, and personal domination. In a capitalist society, the private family carries the impossible demands of interpersonal care and social reproductive labor. Can we imagine a different future? In ''Family abolition'', author M.E. O'Brien uncovers the history of struggles to create radical alternatives to the private family. O'Brien traces the changing family politics of racial capitalism in the industrial cities of Europe and the slave plantations and settler frontier of North America, explaining the rise and fall of the housewife-based family form. From early Marxists to Black and queer insurrectionists to today's mass protest movements, O'Brien finds revolutionaries seeking better ways of loving, caring, and living. ''Family abolition'' takes us through the past and present of family politics into a speculative future of the commune, imagining how care could be organized in a free society.
Social
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Moderating urban density
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The architects Alfredo Brillembourg and Hubert Klumpner, over the last ten years, have developed the Caracas/Venezuela based Urban-Think Tank (UTT) into an international network to face the challenges of uncontrolled urban growth in the dense informal centers of the 21st century Mega-cities. The exhibit will include photos, videos and projects that question the notion(...)
Moderating urban density
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The architects Alfredo Brillembourg and Hubert Klumpner, over the last ten years, have developed the Caracas/Venezuela based Urban-Think Tank (UTT) into an international network to face the challenges of uncontrolled urban growth in the dense informal centers of the 21st century Mega-cities. The exhibit will include photos, videos and projects that question the notion of contemporary architecture and urbanism that pulls together some of the Urban Think Tanks most consistent propositions. UTT has moved to propose design solutions, to make that crucial passage from protest to project in an effort to make a real impact in Caracas and in Europe and North America, presenting the relevance of their ideas for the Stadtwerk in Salzburg and for a Vertical Gym in Spanish Harlem, New York. ‘Moderating Urban Density’ exhibit shows how negotiation and design can work in the interface between the social conflicts and the production of new urban infrastructures, architecture, and sustainable human environments in the so called “barrios” of the informal mega city.
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décembre 2006, Berlin
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The global cities reader
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During the last decade, research on global cities has exploded throughout the social sciences. It has now become one of the most exciting, if controversial approaches to the study of urban life today. Fifty generous selections, including contributions from John Friedmann, Michael Peter Smith, Saskia Sassen, Peter Taylor, Manuel Castells, and Anthony King, explore the(...)
Théorie de l’urbanisme
novembre 2005, London, New York
The global cities reader
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During the last decade, research on global cities has exploded throughout the social sciences. It has now become one of the most exciting, if controversial approaches to the study of urban life today. Fifty generous selections, including contributions from John Friedmann, Michael Peter Smith, Saskia Sassen, Peter Taylor, Manuel Castells, and Anthony King, explore the interrelationships between cities and globalization. The seven sections with accompanying editorial introductions guide the student through the key theoretical, methodological, and empirical debates. "The global cities reader" explores the major foundations and intellectual influences of research on globalized urbanization. Classic and contemporary case studies of globalizing cities from Europe, North America and East Asia as well as from emerging world city regions of the global South are presented. The political and cultural dimensions of global city formation are examined in separate sections. The reader concludes by examining the refinement and critique of global cities research in the last fifteen years.
Théorie de l’urbanisme
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"Bad new days" examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror. Considering the work of artists such as Thomas Hirschhorn, Tacita Dean, and Isa Genzken, and the writing of thinkers like(...)
Bad new days: art, criticism, emergency
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"Bad new days" examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror. Considering the work of artists such as Thomas Hirschhorn, Tacita Dean, and Isa Genzken, and the writing of thinkers like Jacques Rancière, Bruno Latour, and Giorgio Agamben, Hal Foster shows the ways in which art has anticipated this condition, at times resisting the collapse of the social contract or gesturing toward its repair; at other times burlesquing it. Against the claim that art making has become so heterogeneous as to defy historical analysis, Foster argues that the critic must still articulate a clear account of the contemporary in all its complexity. To that end, he offers several paradigms for the art of recent years, which he terms “abject,” “archival,” “mimetic,” and “precarious.”
Théorie de l’art
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When Marjorie Hill graduated in 1920 as Canada's "first girl architect," she was entering a profession that had been established in Canada just 30 years earlier. For the Record, the first history of women architects in Canada, provides a fascinating introduction to early women architects, presented within the context of developments in both Europe and North(...)
For the record: first women in Canadian architecture
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When Marjorie Hill graduated in 1920 as Canada's "first girl architect," she was entering a profession that had been established in Canada just 30 years earlier. For the Record, the first history of women architects in Canada, provides a fascinating introduction to early women architects, presented within the context of developments in both Europe and North America. Profiles of the women who graduated from the School of Architecture at the University of Toronto between 1920 and 1960 are illustrated with photographs of their work and include archival material that has never before been published. The final chapter on contemporary women in architecture showcases contributions by leading women architects across the country, from Halifax to Vancouver to Iqaluit. For the Record also provides current information on schools of architecture in Canada and includes a list of other resources to encourage young women who are thinking of pursuing careers in architecture. Foreword by Eva Matsuzaki.
Architectes canadiens