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[Place of publication not identified] : Lateral Addition, 2018.
June 21, 2018 : Listening for Southwest Key in San Diego.
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1 online resource.
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[Place of publication not identified] : Lateral Addition, 2018.
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Many of the projects described in the "Handbook" have combined innovative architectural training with cross-cultural immersion, social activism, and environmental science, using design skills (and where appropriate) hands-on construction projects to confront poverty and urgent social problems. Often involving community members and students, these case studies promote(...)
juillet 2005, Los Angeles
Cityworks Los Angeles : handbook
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Many of the projects described in the "Handbook" have combined innovative architectural training with cross-cultural immersion, social activism, and environmental science, using design skills (and where appropriate) hands-on construction projects to confront poverty and urgent social problems. Often involving community members and students, these case studies promote maximum use of recycled or inexpensive, locally available materials, as well as lighting and energy systems that reduce utility costs and promote resource conservation. Not all the projects are specific to the City of Los Angeles, but they are examples of the types of projects CITYWORKSLA hopes to develop. Our aim is that the case studies assembled within the "Handbook" will serve as models for making architectural education relevant to urgent social problems, helping communities mobilize indigenous resources and social capital to develop long-term sustainable practices that protect, rather than erode, cultural identity, dignity, and stability. Edited by Elizabeth Martin with articles by : Peter Aesbacher, Chantal Aquin, Monique Birault, John Cary, Jeanine Centuori, Joaquin Herranz, Jr., Maria-Rosario Jackson, Florence Kabwasa-Green, Bruce Lindsey, Vic Liptak, Elizabeth Martin, Ken McCown, William McDonough, Russell Rock, Leslie Thomas, John Quale.
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This book examines trends in the display of art since the mid-twentieth century, focusing particularly on institutional issues. The contributors present a series of case studies that illuminate the practices of museums, galleries, and exhibitions in Western Europe and the United States and that encourage reflection on the experience of the spectator. The first(...)
Contemporary cultures of display
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This book examines trends in the display of art since the mid-twentieth century, focusing particularly on institutional issues. The contributors present a series of case studies that illuminate the practices of museums, galleries, and exhibitions in Western Europe and the United States and that encourage reflection on the experience of the spectator. The first section of the book considers the traditional sanctum of art, the museum, and how approaches to display have changed as modern museums have sought to become accessible to new audiences. In the second section, case studies address issues surrounding temporary exhibitions, their dominance of the display of art today, and the implications of this for artists, spectators, and the institutions that stage such exhibitions. The third section considers the wider social context in which art is displayed today and discusses the widespread reliance on urban regeneration projects, with special reference to modern art museums, and the place of heritage in Britain, specifically the cult of the country house. The book concludes with an exploration of the art world in contemporary Ireland and the role of Irish institutions in the production and reception of art.
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novembre 1999, New Haven
Muséologie
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When it comes to questions like these, making decisions about what ought to be done—or what is the "best" or "right" solution—requires more than sound technical knowledge and strong design talent. It demands a solid understanding of the ethical issues that lie at the heart of architectural practice. (...)
Théorie de l’architecture
janvier 1900, New York
Ethics and the practice of architecture
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When it comes to questions like these, making decisions about what ought to be done—or what is the "best" or "right" solution—requires more than sound technical knowledge and strong design talent. It demands a solid understanding of the ethical issues that lie at the heart of architectural practice. Ethics and the Practice of Architecture offers a complete, broad-based introduction to this crucial subject. First, it examines basic ethical theories and their application to architecture, and discusses different ways of identifying ethical content in architecture. Bridging the gap between theory and practice, the second part of the book surveys different professional settings and building project processes that frequently hold ethical concerns, and charts the ethical mandates that arise from them. In the final section of the book, thirty case studies explore a wide range of ethical dilemmas encountered in architectural practice, with useful guidance on how to work through them effectively. Arranged by topics that span the key phases of a project from pre-design through post-occupancy evaluation, these case studies allow a detailed look at ethical concerns in real-life situations where multiple issues are often at stake.
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janvier 1900, New York
Théorie de l’architecture
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Buildings that feel good
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What makes a building good? This central challenge facing architects and clients can only be answered by looking at what works well for those who know the buildings most intimately – the building's users. This book includes case studies of recent buildings that feel good. It is rooted in the physical but mediated by human experience, and may only be judged after the(...)
octobre 2008
Buildings that feel good
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What makes a building good? This central challenge facing architects and clients can only be answered by looking at what works well for those who know the buildings most intimately – the building's users. This book includes case studies of recent buildings that feel good. It is rooted in the physical but mediated by human experience, and may only be judged after the building has been ‘lived in' and stood the test of time. The trick is to identify the relevant characteristics that will inform new buildings before they are built. Written by a briefing and design evaluation expert who specialises in optimising the experience of building users, Buildings that Feel Good distils a set of hard-won lessons synthesised from years of empirical research. It argues that a powerful key to designing good buildings is to decipher consistent principles from users' positive experience of existing buildings. The case studies include many recent highly-rated projects that cover a wide range of building types – offices, retail, industrial, infrastructure, sport and education. The lessons extracted are universal and provide valuable generic insights into the critically important briefing process.
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octobre 2008
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221 pages : illustrations (some color), plans ; 30 cm
Basel, Switzerland : Birkhäuser, [2020], ©2020
New move : architecture in motion -- new dynamic components and elements / Michael Schumacher, Michael-Marcus Vogt, Luis A. Cordón Krumme ; translation, Julian Reisenberger.
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221 pages : illustrations (some color), plans ; 30 cm
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Basel, Switzerland : Birkhäuser, [2020], ©2020
livres
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xii, 297 pages : color illustrations ; 31 cm
University Park, Pa. : Pennsylvania State University Press, ©2002.
Painted prints : the revelation of color in Northern Renaissance & Baroque engravings, etchings & woodcuts / Susan Dackerman ; with an essay by Thomas Primeau ; catalogue entries by Deborah Carton [and others].
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xii, 297 pages : color illustrations ; 31 cm
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University Park, Pa. : Pennsylvania State University Press, ©2002.
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This book uses 240 artworks as case studies to tell the story of ten individual colours or colour groups. It explores the history and meaning of each colour in art, highlighting fascinating tales of discovery and artistic passion, and offering easily accessible explanations of the science and theory behind specific colours. From Isaac Newton's optics to impressionist(...)
Chromaphilia: the story of colour in art
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This book uses 240 artworks as case studies to tell the story of ten individual colours or colour groups. It explores the history and meaning of each colour in art, highlighting fascinating tales of discovery and artistic passion, and offering easily accessible explanations of the science and theory behind specific colours. From Isaac Newton's optics to impressionist theory, from the dynamics of Josef Albers to the contemporary metaphysics of Olafur Eliasson, this book shows how colour paints our world.
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Elizabeth Martin draws closely on the work of composer John Cage, with whom she corresponded at length, and her study brings together ten projects by musicians and architects that explore (...)
Pamphlet architecture #16 : architecture as a translation of music
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Elizabeth Martin draws closely on the work of composer John Cage, with whom she corresponded at length, and her study brings together ten projects by musicians and architects that explore the language, philosophy and character of both disciplines. Pamphlet Architecture #16 contains analytical drawings, diagrams, and models of the translation of minimalist music theory into built form. Case studies include buildings by architects Bernhard Leitner, Ellen Fullman, Maryanne Amacher, Neil Denari, Steven Holl, and Mangurian + Ray.
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mai 1994, New York
petits formats
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'Into the White' uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates of perception and matter, of representation, discovery, and the time of the earth – long before the nineteenth century romanticized the polar landscape. In the far North, this book contends, the Renaissance exotic became something far(...)
Into the white: the Renaissance Arctic and the end of the image
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'Into the White' uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates of perception and matter, of representation, discovery, and the time of the earth – long before the nineteenth century romanticized the polar landscape. In the far North, this book contends, the Renaissance exotic became something far stranger than the marvelous or the curious, something darkly material and unmasterable, something beyond the idea of image itself.
Théorie de l’art