Alighiero e Boetti: mappa
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In 1971 Alighiero e Boetti commissioned Afghan embroiderers to create a map of the world, with each country bearing the colours and pattern of its flag. The commission grew into a beautifully crafted, large-scale series of maps produced over a period of twenty years in Kabul, Afghanistan and Peshawar, Pakistan. Each map tracked geopolitical changes throughout the world:(...)
Alighiero e Boetti: mappa
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In 1971 Alighiero e Boetti commissioned Afghan embroiderers to create a map of the world, with each country bearing the colours and pattern of its flag. The commission grew into a beautifully crafted, large-scale series of maps produced over a period of twenty years in Kabul, Afghanistan and Peshawar, Pakistan. Each map tracked geopolitical changes throughout the world: the break-up of the Soviet Union, the unification of Germany, disputes over territories in the Middle East and regime changes in the Eurasian peninsula. In this new study, Italian curator Luca Cerizza looks at Boetti's Mappa in relation to world events and the history of map-making, as well as to the contemporary art movements of Minimalism, Conceptualism and Arte Povera. Luca Cerizza is an art historian and curator based in Berlin.
Théorie de l’art
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In "Havana beyond the Ruins," prominent architects, scholars, and writers based in and outside of Cuba analyze how Havana has been portrayed in literature, music, and the visual arts since Soviet subsidies of Cuba ceased, and the Cuban state has re-imagined Havana as a destination for international tourists and business ventures. Cuba's capital has experienced little(...)
Havana, beyond the ruins: cultural mappings after 1989
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In "Havana beyond the Ruins," prominent architects, scholars, and writers based in and outside of Cuba analyze how Havana has been portrayed in literature, music, and the visual arts since Soviet subsidies of Cuba ceased, and the Cuban state has re-imagined Havana as a destination for international tourists and business ventures. Cuba's capital has experienced little construction since the revolution of 1959; many of its citizens live in poorly maintained colonial and modernist dwellings. It is this Havana--of crumbling houses, old cars, and a romantic aura of ruined hopes--that is marketed in picture books, memorabilia, and films. Bringing together assessments of the city's dwellings and urban development projects, "Havana beyond the Ruins" provides unique insights into issues of memory, citizenship, urban life, and the future of the revolution in Cuba.
Théorie de l’urbanisme
The queue
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Vladimir Sorokin’s first published novel, "The Queue," is a sly comedy about the late Soviet 'years of stagnation.' Thousands of citizens are in line for . . . nobody knows quite what, but the rumors are flying. Leather or suede? Jackets, jeans? Turkish, Swedish, maybe even American? It doesn’t matter–if anything is on sale, you better line up to buy it. Sorokin’s tour de(...)
The queue
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Vladimir Sorokin’s first published novel, "The Queue," is a sly comedy about the late Soviet 'years of stagnation.' Thousands of citizens are in line for . . . nobody knows quite what, but the rumors are flying. Leather or suede? Jackets, jeans? Turkish, Swedish, maybe even American? It doesn’t matter–if anything is on sale, you better line up to buy it. Sorokin’s tour de force of ventriloquism and formal daring tells the whole story in snatches of unattributed dialogue, adding up to nothing less than the real voice of the people, overheard on the street as they joke and curse, fall in and out of love, slurp down ice cream or vodka, fill out crossword puzzles, even go to sleep and line up again in the morning as the queue drags on.
Expositions en cours
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Nikolai Vavilov anticipated the disappearance of plant diversity and within the space of a few decades through study and travel all over the world he found the means of saving it. For political and ideological reasons, Vavilov was condemned to death and left to starve in the dungeon of a Soviet prison. Gradually, on both sides of the iron curtain, his memory began to(...)
Mario del Curto: seeds of the earth
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Nikolai Vavilov anticipated the disappearance of plant diversity and within the space of a few decades through study and travel all over the world he found the means of saving it. For political and ideological reasons, Vavilov was condemned to death and left to starve in the dungeon of a Soviet prison. Gradually, on both sides of the iron curtain, his memory began to fade. One hundred years after Vavilov's first expedition, the photographer Mario Del Curto retraced his footsteps. For four years he met with those who, despite overwhelming obstacles, perpetuate Vavilov's seed prospecting, selection and conservation work in order to save the planet's staple food crops. This book is the unprecedented story of his journey to the heart of the Vavilov Institute and its twelve research stations.
Monographies photo
Nick Waplington: settlement
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The book investigates the topography of Jewish identity in the West Bank, which is in conflict not only with the Palestinian majority but also with mainstream Israeli society: While all the settlers are Jewish, and almost all are Israeli citizens, many are not natives of Israel. Most of the men and women photographed by Waplington are immigrants who arrived in the West(...)
Nick Waplington: settlement
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The book investigates the topography of Jewish identity in the West Bank, which is in conflict not only with the Palestinian majority but also with mainstream Israeli society: While all the settlers are Jewish, and almost all are Israeli citizens, many are not natives of Israel. Most of the men and women photographed by Waplington are immigrants who arrived in the West Bank from the United States, South Africa, Australia, the UK, the former Soviet Union, and other parts of the wider Jewish diaspora. The exact number of settlements cannot be determined with accuracy, as both construction and demolition take place regularly throughout the region. In general, however, the presence of Jewish settlers in the West Bank is entrenched, and their building projects continue with the support of the state of Israel.
Monographies photo
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Inside The Rainbow reprints for the first time in English a unique compendium of Soviet picture books from the 1920 and 1930s. In the dark and dangerous world of revolutionary Petrograd, a group of Russian poets and artists came together to create a new kind of book for children. They dreamed of endless possibilities in a new world where children and grown-ups alike would(...)
Inside the rainbow: Russian children's literature 1920-35
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Inside The Rainbow reprints for the first time in English a unique compendium of Soviet picture books from the 1920 and 1930s. In the dark and dangerous world of revolutionary Petrograd, a group of Russian poets and artists came together to create a new kind of book for children. They dreamed of endless possibilities in a new world where children and grown-ups alike would be free from the bitterness of ignorance. For a time, when children's publications still escaped the scourge of state censorship, their books became a last haven for learning, poetic irony, burlesque and laughter. In this book 250 examples of illustration and design are complemented by some translations of poems and stories as well as texts from the victims, criminals and witnesses to the Russian revolution.
Illustration
Chien fou: Selected writings
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The career of avant-garde photographer and activist Germaine Krull (1897–1985) took her across the world over a turbulent century. After growing up around Europe, Krull studied photography in Munich during the First World War. There she acquired her nickname or alter-ego ‘Chien fou’ (Mad Dog), which provides the chronological and thematic starting point for this volume of(...)
Chien fou: Selected writings
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The career of avant-garde photographer and activist Germaine Krull (1897–1985) took her across the world over a turbulent century. After growing up around Europe, Krull studied photography in Munich during the First World War. There she acquired her nickname or alter-ego ‘Chien fou’ (Mad Dog), which provides the chronological and thematic starting point for this volume of writings drawn from the course of Krull’s extraordinary life, most published for the first time. The selected texts range from artistic manifestos to political essays to memoirs, written between the 1920s and ’80s in a wide variety of places and circumstances. They narrate Krull’s life among the creative communities of the Bavarian Soviet Republic and interwar Paris, her participation in the French Resistance in Brazil and Equatorial Africa, and her later decision to settle in Thailand, then India.
Théorie de la photographie
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The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland, and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea(...)
Early warning systems: Art, the DEW line, and an arctic on the front lines
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The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland, and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea and land invasion. Today, the Arctic is seen as a place primed for data storage and vaults––doomsday structures with a utilitarian vernacular of architecture, protecting the "knowledge" of places further south rather than recognizing the local presence and expertise of place and Indigenous lifeways and Indigenous science. This book looks at the role of artists as early warning systems and explores the ways we connect and disconnect place and people through technology and the ideas of boundaries.
Théorie de l’art
The measure of darkness
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Martin, an acclaimed architect, emerges from a coma after a roadside accident to find his world transformed: not only has the commission of a lifetime been taken from him, but his injury has left him with neglect syndrome, a loss of spatial awareness that has rendered him unfit to practice and unable to recognize the extent of his illness. Despite support from his(...)
The measure of darkness
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Martin, an acclaimed architect, emerges from a coma after a roadside accident to find his world transformed: not only has the commission of a lifetime been taken from him, but his injury has left him with neglect syndrome, a loss of spatial awareness that has rendered him unfit to practice and unable to recognize the extent of his illness. Despite support from his formerly estranged brother and two grown daughters, his paranoia builds, alienating those closest to him. His only solace is found in the parallels he draws between himself and gifted Soviet-era architect Konstantin Melnikov, who survived Stalin’s disfavor by retreating into obscurity. As Martin retraces Melnikov’s life and his own fateful decisions, he becomes increasingly unsettled, until the discovery of the harrowing truth about the night of his accident hurtles him toward a deadly confrontation.
Architecture de Montréal
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In an empty factory unit tucked away in Berlin’s Köpenicker Strasse, The Proletarian Building Exhibition was mounted with the humblest of resources in 1931. It marked the first action by a group of revolutionary architects, builders, and students forming the Kollektiv für sozialistisches Bauen under the architect Arthur Korn. Taking aim at modernist architects(...)
mai 2016
Collective for a socialist architecture: proletarian building exhibition 1931
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In an empty factory unit tucked away in Berlin’s Köpenicker Strasse, The Proletarian Building Exhibition was mounted with the humblest of resources in 1931. It marked the first action by a group of revolutionary architects, builders, and students forming the Kollektiv für sozialistisches Bauen under the architect Arthur Korn. Taking aim at modernist architects participating in the German Building Exhibition and CIAM, they cast architecture as an instrument of power, questioned capitalist solutions to the housing question, and unveiled planning approaches imported from the then-Soviet Union. A full facsimile of the exhibition manifesto/catalog and exhibition panels is featured in addition to contributing essays by contemporary architects, writers and educators, and the Collectives’ Annual Report including a proposed work program and statement of intent. Historical photos are interspersed throughout providing a full reconstruction of this significant architectural and sociopolitical event.