The stones of Venice
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John Ruskin, Victorian England's greatest writer on art and literature, believed himself an adopted son of Venice, and his feelings for this city are exquisitely expressed in "The Stones of Venice". This edition contains Ruskin's famous essay "The Nature of Gothic," a marvelously descriptive tour of Venice before its postwar restoration. As Ruskin wrote in 1851, "Thank(...)
septembre 2003, New York / Cambridge, Mass.
The stones of Venice
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$21.50
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John Ruskin, Victorian England's greatest writer on art and literature, believed himself an adopted son of Venice, and his feelings for this city are exquisitely expressed in "The Stones of Venice". This edition contains Ruskin's famous essay "The Nature of Gothic," a marvelously descriptive tour of Venice before its postwar restoration. As Ruskin wrote in 1851, "Thank God I am here, it is a Paradise of Cities."
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xii, 258 pages : illustrations ; 24 cm.
Aldershot, Hampshire, Great Britain ; Burlington, USA : Ashgate/Varorium, ©2000.
Through the looking glass : Byzantium through British eyes / papers from the Twenty-ninth Spring Symposium of Byzantine Studies, London, March 1995 ; edited by Robin Cormack and Elizabeth Jeffreys.
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xii, 258 pages : illustrations ; 24 cm.
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Aldershot, Hampshire, Great Britain ; Burlington, USA : Ashgate/Varorium, ©2000.
Ruskin on Venice
$90.00
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Venice represented John Ruskin’s ideal of civic society—“The Paradise of Cities,” where culture, government, and faith existed in creative harmony. Robert Hewison traces Ruskin’s long and intricate relationship with the city. He shows how Ruskin shed his earlier Romantic vision of the city and developed a harder, clearer conception of neglected Gothic Venice through an(...)
Ruskin on Venice
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$90.00
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Venice represented John Ruskin’s ideal of civic society—“The Paradise of Cities,” where culture, government, and faith existed in creative harmony. Robert Hewison traces Ruskin’s long and intricate relationship with the city. He shows how Ruskin shed his earlier Romantic vision of the city and developed a harder, clearer conception of neglected Gothic Venice through an intense study of the city's physical fabric that would change the international understanding of the city. Drawing on the rich resources of Ruskin’s drawings, architectural notebooks, and manuscripts, Hewison offers insights into both Ruskin and nineteenth-century Venice and reveals how Ruskin’s work and his connection with the city from youth to old age have helped to shape the image of the Venice we know today.
Théorie de l’architecture
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461 pages : illustrations ; 25 cm
Princeton : Princeton University Press, [2019], ©2019
A history of art history / Christopher S. Wood.
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461 pages : illustrations ; 25 cm
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Princeton : Princeton University Press, [2019], ©2019
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409 pages ; 24 cm
Paris : L'Harmattan, [2017], ©2017
Enquêtes sur l'imagination architecturale : de l'opéra au cinéma sonore / Arnaud François.
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409 pages ; 24 cm
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Paris : L'Harmattan, [2017], ©2017
On art and life
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John Ruskin's insights into the need for individual artistic freedom, and his disdain for the mass - production art of the Victorian era, radically altered society's perception of creative design and remain powerfully relevant to our ideas of beauty today.
On art and life
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$9.99
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John Ruskin's insights into the need for individual artistic freedom, and his disdain for the mass - production art of the Victorian era, radically altered society's perception of creative design and remain powerfully relevant to our ideas of beauty today.
$61.95
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John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation, but rather, should depict the natural world as mankind experiences it, with all the sensations of both beauty and(...)
Landscapes after Ruskin: redefining the sublime
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John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation, but rather, should depict the natural world as mankind experiences it, with all the sensations of both beauty and terror it elicits. Today, in a world overwhelmed by industrial development and environmental uncertainty, contemporary artists are discovering new beauties and terrors associated with nature, invoking a sense of the sublime that is uniquely modern. "Landscapes after Ruskin" explores how a joyful experience of nature is now mixed with a particular dread as the earth and its atmosphere are increasingly touched by human activity.
Photographie- collections
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John Ruskin est méconnu en France. Auteur fécond et prolixe, l'ampleur même de ses travaux a sans doute découragé la critique. De plus, maints a priori ont fait de l'écrivain une caricature qui ne rend pas justice à la nature subtile et contrastée de l'homme et de son œuvre. Ce travail concentré sur la Bourgogne permet, à travers une région particulière, grâce à la(...)
L'oeil de Ruskin: l'exemple de la Bourgogne
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John Ruskin est méconnu en France. Auteur fécond et prolixe, l'ampleur même de ses travaux a sans doute découragé la critique. De plus, maints a priori ont fait de l'écrivain une caricature qui ne rend pas justice à la nature subtile et contrastée de l'homme et de son œuvre. Ce travail concentré sur la Bourgogne permet, à travers une région particulière, grâce à la publication de textes et de dessins souvent inédits, de disséquer la complexité de l'univers de Ruskin et sa méthode, basée sur l'observation d'une constellation de points spécifiques pour aboutir à des conceptions globales.
Théorie de l’art
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39, [1] pages ; 22 cm
Hammersmith [England] : Hammersmith Publishing Society, MDCCCCV [1905]
The arts and crafts movement / by T.J. Cobden-Sanderson.
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39, [1] pages ; 22 cm
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Hammersmith [England] : Hammersmith Publishing Society, MDCCCCV [1905]
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95 pages : illustrations ; 16 cm.
New York : Abbeville Press, ©1995.
Arts & crafts / James Massey & Shirley Maxwell.
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95 pages : illustrations ; 16 cm.
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New York : Abbeville Press, ©1995.