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Anti-racist design interventions can be difficult. Well-intentioned conversations can fuel tensions, activate racialized trauma, and lead to misunderstandings, especially in spaces not typically focused on diversity, equity, and inclusion. Even when progress is made, white supremacy culture can resurface. We need anti-racist guidelines and approaches that lay bare(...)
Racism untaught: Revealing and unlearning racialized design
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Anti-racist design interventions can be difficult. Well-intentioned conversations can fuel tensions, activate racialized trauma, and lead to misunderstandings, especially in spaces not typically focused on diversity, equity, and inclusion. Even when progress is made, white supremacy culture can resurface. We need anti-racist guidelines and approaches that lay bare racialized systems of oppression and fundamentally disrupt their replication. In Racism Untaught, Lisa E. Mercer and Terresa Moses, two veteran anti-racist educators, deliver this exact approach. Mercer and Moses provide a step-by-step guide to anti-racist interventions in academic, business, and community settings that benefits all participants. Adapted from their successful workshop series and filled with concrete examples and ample case studies, their book teaches participants how to analyze design—and reimagine racialized artifacts, systems, and experiences guided by anti-oppressive principles. They demonstrate how to examine positionality within the context of racism and oppression; help us understand how design can reinforce and perpetuate oppression; and reveal the unique relationship among equity, ethics, and responsibility that constitutes the core value of an anti-racist design discipline. In ''Racism untaught'', Mercer and Moses provide the framework we need to unlearn racialized design practices and move more generatively toward collective liberation.
Théorie du design
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This book brings the history of the geosciences and world cosmologies together, exploring many traditions, including Chinese, Pacific, Islamic, South and Southeast Asian conceptions of the earth’s origin and makeup. Together the chapters ask: How have different ideas about the sacred, animate, and earthly changed modern environmental sciences? How have different world(...)
novembre 2023
New earth histories: Geo-cosmologies and the making of the modern world
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This book brings the history of the geosciences and world cosmologies together, exploring many traditions, including Chinese, Pacific, Islamic, South and Southeast Asian conceptions of the earth’s origin and makeup. Together the chapters ask: How have different ideas about the sacred, animate, and earthly changed modern environmental sciences? How have different world traditions understood human and geological origins? How does the inclusion of multiple cosmologies change the meaning of the Anthropocene and the global climate crisis? By carefully examining these questions, ''New earth histories'' sets an ambitious agenda for how we think about the earth. The chapters consider debates about the age and structure of the earth, how humans and earth systems interact, and how empire has been conceived in multiple traditions. The methods the authors deploy are diverse—from cultural history and visual and material studies to ethnography, geography, and Indigenous studies—and the effect is to highlight how earth knowledge emerged from historically specific situations. ''New earth histories'' provides both a framework for studying science at a global scale and fascinating examples to educate as well as inspire future work. Essential reading for students and scholars of earth science history, environmental humanities, history of science and religion, and science and empire.
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Discard studies is an emerging field that looks at waste and wasting broadly construed. Rather than focusing on waste and trash as the primary objects of study, discard studies looks at wider systems of waste and wasting to explore how some materials, practices, regions, and people are valued or devalued, becoming dominant or disposable. In this book, Max Liboiron and(...)
mai 2022
Discard studies: Wasting, systems, and power
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Discard studies is an emerging field that looks at waste and wasting broadly construed. Rather than focusing on waste and trash as the primary objects of study, discard studies looks at wider systems of waste and wasting to explore how some materials, practices, regions, and people are valued or devalued, becoming dominant or disposable. In this book, Max Liboiron and Josh Lepawsky argue that social, political, and economic systems maintain power by discarding certain people, places, and things. They show how the theories and methods of discard studies can be applied in a variety of cases, many of which do not involve waste, trash, or pollution. Liboiron and Lepawsky consider the partiality of knowledge and offer a theory of scale, exploring the myth that most waste is municipal solid waste produced by consumers; discuss peripheries, centers, and power, using content moderation as an example of how dominant systems find ways to discard; and use theories of difference to show that universalism, stereotypes, and inclusion all have politics of discard and even purification—as exemplified in ''inclusive'' efforts to broaden the Black Lives Matter movement. Finally, they develop a theory of change by considering ''wasting well,'' outlining techniques, methods, and propositions for a justice-oriented discard studies that keeps power in view.
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This is the first "Oxford companion" to deal with the subject of photography. It appears at a watershed in the medium's history, as digital imaging increasingly dominates the global photography scene at both amateur and professional levels. In addition to a wide range of technical information, the book encapsulates in concise and readily accessible form the mass of recent(...)
The Oxford companion to the photograph
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This is the first "Oxford companion" to deal with the subject of photography. It appears at a watershed in the medium's history, as digital imaging increasingly dominates the global photography scene at both amateur and professional levels. In addition to a wide range of technical information, the book encapsulates in concise and readily accessible form the mass of recent scholarship on photography as a social and artistic practice, organized both thematically and geographically. There are over 800 biographical entries, both on photographers and on other individuals who have significantly influenced photographic culture from the early 19th century to the present. The book's scope is worldwide. The international team of contributors is made up of leading authorities in their fields, and include: Heather Angel, Sylvie Aubenas, Quentin Bajac, Marta Braun, Clement Cheroux, Elizabeth Edwards, John Falconer, Colin Ford, Ron Graham, Sarah Greenough, Mark Haworth-Booth, Roger Hicks, Paul Hill, Jens Jaeger, Jan-Erik Lundstrom, Naomi Rosenblum, Rolf Sachsse, Martha Sandweiss, Graham Saxby, Joan Schwartz, Sara Stevenson, Roger Taylor, Regine Thiriez, John Ward, Liz Wells, and Mike Ware. The book is extensively illustrated and includes many pictures never before published. The majority of the 1600-plus entries include suggestions for further reading. But the work's usefulness is further enhanced by the inclusion of an extensive bibliography, a chronology of photographic history, a list of important websites, and an index of people.
Théorie de la photographie
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When Lenin asked, "Who will beat whom?" (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest "cultural hegemony" from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class(...)
The cultural front: power and culture in Revolutionary Russia
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When Lenin asked, "Who will beat whom?" (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest "cultural hegemony" from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class struggle between "proletarian" Communists and the "bourgeois" intelligentsia? Or was it, as the intelligentsia believed, an onslaught by the ruling Communist Party on the eternal principles of cultural autonomy and intellectual freedom? In this volume, one of the foremost historians of the Soviet Union chronicles the fierce battle on "the cultural front" from the October Revolution through the Stalinist 1930s. Sheila Fitzpatrick brings together ten of her essays- two previously unpublished and all revised for inclusion here- which illuminate key arenas of the prolonged struggle over cultural values and institutional control. Individual essays deal with such major issues as the Cultural Revolution, the formation of the new Stalinist elite, and socialist realism, as well as recounting colorful episodes including the uproar over Shostakovich's opera Lady Macbeth of the Mtsensk District, arguments over sexual mores, and the new consumerism of the 1930s. Closely examining the cultural elites and orthodoxies that developed under Stalin, Fitzpatrick offers a provocative reinterpretation of the struggle's final outcome in which the intelligentsia, despite its loss of autonomy and the debasement of its culture, emerged as a partial victor.
Expositions en cours
Buildings of Massachusettes
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This latest volume in the Society of Architectural Historians' Buildings of the United States series analyzes the architecture, landscape, and planning patterns of the capital of Massachusetts and forty surrounding cities and towns that fan out from Boston Harbor. The term "metropolitan" here emphasizes both the range of the project and the importance of this area in(...)
Buildings of Massachusettes
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This latest volume in the Society of Architectural Historians' Buildings of the United States series analyzes the architecture, landscape, and planning patterns of the capital of Massachusetts and forty surrounding cities and towns that fan out from Boston Harbor. The term "metropolitan" here emphasizes both the range of the project and the importance of this area in introducing regional planning to the United States. Extensively illustrated with photographs and maps, and supplemented with a glossary and bibliography, the book assesses built form from initial colonial settlement in the 1630s through twenty-first-century additions to the Boston area landscape. The authors selected both exemplary and representative buildings and sites for inclusion. Here are structures of international reputation and buildings that characterize the vernacular housing patterns of the region. Because of the exceptional importance of the Boston area to the history of landscape architecture and city planning, those issues have been addressed in both the narrative introduction and the 640 entries. In contrast to other existing architectural guides, which do not move beyond central Boston and Cambridge, The Buildings of Massachusetts: Metro Boston canvasses the twelve sections of central Boston, its eight annexed neighborhoods, five sections of Cambridge (the district's second largest municipality), and forty surrounding communities have been examined. This volume has been designed to complement a second guidebook in the Buildings of the United States series that will focus on the buildings of Massachusetts from Cape Cod to the Berkshires.
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In Illusive we identified the main trends in contemporary illustration and introduced many young illustrators. Since then, the demand for illustration has continued to grow - and with it the range of application and the forms of expression in this medium. This positive development is confirmed by the exciting work of international illustrators that we have seen since(...)
janvier 2008, Berlin
Illustive 2: Contemporary illustration and its concept
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In Illusive we identified the main trends in contemporary illustration and introduced many young illustrators. Since then, the demand for illustration has continued to grow - and with it the range of application and the forms of expression in this medium. This positive development is confirmed by the exciting work of international illustrators that we have seen since publishing Illusive; it was thus a logical step to present the best of these new works in Illusive 2. Illusive 2 is a survey of current illustration from around the world; unlike other titles on this subject, all of the work was selected for inclusion based solely on its artistic merit. The book reveals a trend toward Neo-Realism that is demonstrated by the willingness of today's magazines to use illustration in almost the same way as photography. In general, the illustrations featured in Illusive 2 have become more differentiated and complex - the spontaneous-looking scribbles of years past have given way to elaborate, multi-layered collages. The variety of styles and new design approaches is impressive. Illusive 2 includes a broad range of illustrations including personal artistic work, fashion illustration and commercial projects, revealing a diversity that shows how this design discipline functions independently of fickle fashion trends. At the same time, the book outlines current developments and the many design approaches that coexist today. Because it is hard to keep an overview amid such a wealth of material, texts and interviews with leading design agencies provide context and give surprising insights into techniques, methods and motivations.