4223 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Umberto Riva
Fonds Umberto Riva
Numéro de référence:
AP180
Résumé:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.
AP180
Résumé:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.
Personnes et institutions:
Date:
1959-2012
1959-2012
Titre:
Fonds Umberto Riva
Actions:
AP180
Résumé:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.
Fonds Umberto Riva
Actions:
AP180
Résumé:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1959-2012
1959-2012
Personnes et institutions:
Classification:
événements
événements
Titre:
L’enseignement... d'Athènes
L’enseignement... d'Athènes
Actions:
Description:
Konstantinos Pantazis, cofondateur de Point Supreme, parle des travaux de la firme établie à Athènes. Dans sa causerie, il interroge les façons d’affronter la situation de crise actuelle, les propositions proactives afin d’améliorer la ville, comment composer avec l’inconscient collectif et construire sans argent. Il présente les processus sur lesquels se fondent les(...)
Konstantinos Pantazis, cofondateur de Point Supreme, parle des travaux de la firme établie à Athènes. Dans sa causerie, il interroge les façons d’affronter la situation de crise actuelle, les propositions proactives afin d’améliorer la ville, comment composer avec l’inconscient collectif et construire sans argent. Il présente les processus sur lesquels se fondent les(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
7 avril 2016, 18h
7 avril 2016, 18h
Titre:
L’enseignement... d'Athènes
Actions:
Description:
Konstantinos Pantazis, cofondateur de Point Supreme, parle des travaux de la firme établie à Athènes. Dans sa causerie, il interroge les façons d’affronter la situation de crise actuelle, les propositions proactives afin d’améliorer la ville, comment composer avec l’inconscient collectif et construire sans argent. Il présente les processus sur lesquels se fondent les(...)
L’enseignement... d'Athènes
Actions:
Description:
Konstantinos Pantazis, cofondateur de Point Supreme, parle des travaux de la firme établie à Athènes. Dans sa causerie, il interroge les façons d’affronter la situation de crise actuelle, les propositions proactives afin d’améliorer la ville, comment composer avec l’inconscient collectif et construire sans argent. Il présente les processus sur lesquels se fondent les(...)
Classification:
événements
événements
Date:
7 avril 2016
18h
7 avril 2016
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Ábalos & Herreros
Fonds Ábalos & Herreros
Numéro de référence:
AP164
Résumé:
The Ábalos&Herreros fonds documents the activities of the architectural firm Ábalos&Herreros, founded by architects Iñaki Ábalos and Juan Herreros. The archive primarily consists of drawings, photographic materials and textual documentation, and covers the existance of the firm from 1985 to 2008. The concentration of the firm's work was produced in the city of Madrid and the Community of Madrid where the firm maintained its head office. However, the archive also documents projects for other Spanish autonomous communities as well as for other countries such as Portugal, Germany, the United States, and Brazil.
AP164
Résumé:
The Ábalos&Herreros fonds documents the activities of the architectural firm Ábalos&Herreros, founded by architects Iñaki Ábalos and Juan Herreros. The archive primarily consists of drawings, photographic materials and textual documentation, and covers the existance of the firm from 1985 to 2008. The concentration of the firm's work was produced in the city of Madrid and the Community of Madrid where the firm maintained its head office. However, the archive also documents projects for other Spanish autonomous communities as well as for other countries such as Portugal, Germany, the United States, and Brazil.
Personnes et institutions:
Date:
1920-2009
1920-2009
Titre:
Fonds Ábalos & Herreros
Actions:
AP164
Résumé:
The Ábalos&Herreros fonds documents the activities of the architectural firm Ábalos&Herreros, founded by architects Iñaki Ábalos and Juan Herreros. The archive primarily consists of drawings, photographic materials and textual documentation, and covers the existance of the firm from 1985 to 2008. The concentration of the firm's work was produced in the city of Madrid and the Community of Madrid where the firm maintained its head office. However, the archive also documents projects for other Spanish autonomous communities as well as for other countries such as Portugal, Germany, the United States, and Brazil.
Fonds Ábalos & Herreros
Actions:
AP164
Résumé:
The Ábalos&Herreros fonds documents the activities of the architectural firm Ábalos&Herreros, founded by architects Iñaki Ábalos and Juan Herreros. The archive primarily consists of drawings, photographic materials and textual documentation, and covers the existance of the firm from 1985 to 2008. The concentration of the firm's work was produced in the city of Madrid and the Community of Madrid where the firm maintained its head office. However, the archive also documents projects for other Spanish autonomous communities as well as for other countries such as Portugal, Germany, the United States, and Brazil.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1920-2009
1920-2009
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
Personnes et institutions:
Date:
1970-1995
1970-1995
Titre:
Robson Square Provincial Government Complex, Vancouver, British Columbia (1974-1982)
Actions:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
Robson Square Provincial Government Complex, Vancouver, British Columbia (1974-1982)
Actions:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
Niveau de description archivistique:
Project
Project
Date:
1970-1995
1970-1995
Personnes et institutions:
Classification:
expositions
expositions
Titre:
Jouets et transports
Jouets et transports
Actions:
Description:
Tout nouveau moyen de transport ou toute modification apportée à un système existant de mobilité urbaine – l’élargissement des tranchées permettant aux voies ferrées de se relier à un terminus ou à une jonction, l’extension des gares de triage desservant les systèmes de transport métropolitains et de banlieue, la multiplication des bretelles des ponts, des autoroutes(...)
Tout nouveau moyen de transport ou toute modification apportée à un système existant de mobilité urbaine – l’élargissement des tranchées permettant aux voies ferrées de se relier à un terminus ou à une jonction, l’extension des gares de triage desservant les systèmes de transport métropolitains et de banlieue, la multiplication des bretelles des ponts, des autoroutes(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
15 novembre 2000 au 1 avril 2001
15 novembre 2000 au 1 avril 2001
Titre:
Jouets et transports
Actions:
Description:
Tout nouveau moyen de transport ou toute modification apportée à un système existant de mobilité urbaine – l’élargissement des tranchées permettant aux voies ferrées de se relier à un terminus ou à une jonction, l’extension des gares de triage desservant les systèmes de transport métropolitains et de banlieue, la multiplication des bretelles des ponts, des autoroutes(...)
Jouets et transports
Actions:
Description:
Tout nouveau moyen de transport ou toute modification apportée à un système existant de mobilité urbaine – l’élargissement des tranchées permettant aux voies ferrées de se relier à un terminus ou à une jonction, l’extension des gares de triage desservant les systèmes de transport métropolitains et de banlieue, la multiplication des bretelles des ponts, des autoroutes(...)
Classification:
expositions
expositions
Date:
15 novembre 2000 au
1 avril 2001
15 novembre 2000 au
1 avril 2001
Localisation:
Salle octogonale
Salle octogonale
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
circa 1974-1975
circa 1974-1975
Titre:
São Victor, Porto
Actions:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
São Victor, Porto
Actions:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
circa 1974-1975
circa 1974-1975
Personnes et institutions:
Classification:
événements
événements
Titre:
L'enseignement de... Israël
L'enseignement de... Israël
Actions:
Description:
Yuval Yasky présente le kibboutz comme une alternative radicale aux types d’établissements humains traditionnels. Dès ses origines, le kibboutz a été conçu comme un hybride entre les typologies rurales et urbaines, dans une tentative d’éliminer les désavantages des deux types – conservatisme primitif de la vie villageoise, exploitation capitaliste du prolétariat urbain –,(...)
Yuval Yasky présente le kibboutz comme une alternative radicale aux types d’établissements humains traditionnels. Dès ses origines, le kibboutz a été conçu comme un hybride entre les typologies rurales et urbaines, dans une tentative d’éliminer les désavantages des deux types – conservatisme primitif de la vie villageoise, exploitation capitaliste du prolétariat urbain –,(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
31 mars 2011 , 19h
31 mars 2011 , 19h
Titre:
L'enseignement de... Israël
Actions:
Description:
Yuval Yasky présente le kibboutz comme une alternative radicale aux types d’établissements humains traditionnels. Dès ses origines, le kibboutz a été conçu comme un hybride entre les typologies rurales et urbaines, dans une tentative d’éliminer les désavantages des deux types – conservatisme primitif de la vie villageoise, exploitation capitaliste du prolétariat urbain –,(...)
L'enseignement de... Israël
Actions:
Description:
Yuval Yasky présente le kibboutz comme une alternative radicale aux types d’établissements humains traditionnels. Dès ses origines, le kibboutz a été conçu comme un hybride entre les typologies rurales et urbaines, dans une tentative d’éliminer les désavantages des deux types – conservatisme primitif de la vie villageoise, exploitation capitaliste du prolétariat urbain –,(...)
Classification:
événements
événements
Date:
31 mars 2011
19h
31 mars 2011
19h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Personnes et institutions:
Date:
1949-2019
1949-2019
Titre:
Professional associations and engagements
Actions:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Professional associations and engagements
Actions:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Niveau de description archivistique:
Sub-series
Sub-series
Date:
1949-2019
1949-2019
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
CD033
Résumé:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
CD033
Résumé:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Personnes et institutions:
Date:
2003-2008
2003-2008
Titre:
Collection d’Aldo Cibic pour le projet Microrealities
Actions:
CD033
Résumé:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Collection d’Aldo Cibic pour le projet Microrealities
Actions:
CD033
Résumé:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Classification:
archives
Niveau de description archivistique:
collection
archives
Niveau de description archivistique:
collection
Date:
2003-2008
2003-2008
Personnes et institutions:
Classification:
événements
événements
Titre:
L’enseignement de… Tokyo
L’enseignement de… Tokyo
Actions:
Description:
Dans sa conférence intitulée Tokyo Nine Flux, Yoshiharu Tsukamoto interprète l’espace urbain de Tokyo comme une chaîne causale de réactions à des courants, qu’il s’agisse de phénomènes naturels comme les séismes et les typhons qui exercent une menace constante sur la ville ou de l’augmentation de la population, de la circulation et des déchets. Yoshiharu Tsukamoto est(...)
Dans sa conférence intitulée Tokyo Nine Flux, Yoshiharu Tsukamoto interprète l’espace urbain de Tokyo comme une chaîne causale de réactions à des courants, qu’il s’agisse de phénomènes naturels comme les séismes et les typhons qui exercent une menace constante sur la ville ou de l’augmentation de la population, de la circulation et des déchets. Yoshiharu Tsukamoto est(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
26 avril 2007 , 19h
26 avril 2007 , 19h
Titre:
L’enseignement de… Tokyo
Actions:
Description:
Dans sa conférence intitulée Tokyo Nine Flux, Yoshiharu Tsukamoto interprète l’espace urbain de Tokyo comme une chaîne causale de réactions à des courants, qu’il s’agisse de phénomènes naturels comme les séismes et les typhons qui exercent une menace constante sur la ville ou de l’augmentation de la population, de la circulation et des déchets. Yoshiharu Tsukamoto est(...)
L’enseignement de… Tokyo
Actions:
Description:
Dans sa conférence intitulée Tokyo Nine Flux, Yoshiharu Tsukamoto interprète l’espace urbain de Tokyo comme une chaîne causale de réactions à des courants, qu’il s’agisse de phénomènes naturels comme les séismes et les typhons qui exercent une menace constante sur la ville ou de l’augmentation de la population, de la circulation et des déchets. Yoshiharu Tsukamoto est(...)
Classification:
événements
événements
Date:
26 avril 2007
19h
26 avril 2007
19h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
