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In The Sympathy of Things, Lars Spuybroek argues that we must "undo" the twentieth century - the age in which the eighteenth-century ideal of the Sublime became a technological reality. Spuybroek returns to the insights of the great nineteenth-century art writer John Ruskin, for whom beauty always comprises variation, imperfection and fragility. Spuybroek argues that(...)
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In The Sympathy of Things, Lars Spuybroek argues that we must "undo" the twentieth century - the age in which the eighteenth-century ideal of the Sublime became a technological reality. Spuybroek returns to the insights of the great nineteenth-century art writer John Ruskin, for whom beauty always comprises variation, imperfection and fragility. Spuybroek argues that(...)
Titre:
The sympathy of things: Ruskin and the ecology of design
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Résumé:
In The Sympathy of Things, Lars Spuybroek argues that we must "undo" the twentieth century - the age in which the eighteenth-century ideal of the Sublime became a technological reality. Spuybroek returns to the insights of the great nineteenth-century art writer John Ruskin, for whom beauty always comprises variation, imperfection and fragility. Spuybroek argues that these three concepts not only define relations between humans and their designed products but between all things: "sympathy is what things feel when they shape each other." Spuybroek then compares five twinned themes in Ruskin - the Gothic and work, ornament and matter, sympathy and abstraction, the picturesque and time, ecology and design - with later philosophers and theorists such as William James and Bruno Latour.
The sympathy of things: Ruskin and the ecology of design
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Résumé:
In The Sympathy of Things, Lars Spuybroek argues that we must "undo" the twentieth century - the age in which the eighteenth-century ideal of the Sublime became a technological reality. Spuybroek returns to the insights of the great nineteenth-century art writer John Ruskin, for whom beauty always comprises variation, imperfection and fragility. Spuybroek argues that these three concepts not only define relations between humans and their designed products but between all things: "sympathy is what things feel when they shape each other." Spuybroek then compares five twinned themes in Ruskin - the Gothic and work, ornament and matter, sympathy and abstraction, the picturesque and time, ecology and design - with later philosophers and theorists such as William James and Bruno Latour.
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livres
livres
Publication:
février 2012
février 2012
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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$20.00
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Long out of print, the Arundel Society first published Giotto and His Works in Padua between 1853 and 1860. It stands as Ruskin’s most compelling set of reflections on Giotto’s masterpiece—an artwork that, in Ruskin’s estimation, changed the very course of art history. Originally accompanied by a set of black and white woodcuts of the panels in the Chapel, this new(...)
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Long out of print, the Arundel Society first published Giotto and His Works in Padua between 1853 and 1860. It stands as Ruskin’s most compelling set of reflections on Giotto’s masterpiece—an artwork that, in Ruskin’s estimation, changed the very course of art history. Originally accompanied by a set of black and white woodcuts of the panels in the Chapel, this new(...)
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Giotto and his works in Padua
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Long out of print, the Arundel Society first published Giotto and His Works in Padua between 1853 and 1860. It stands as Ruskin’s most compelling set of reflections on Giotto’s masterpiece—an artwork that, in Ruskin’s estimation, changed the very course of art history. Originally accompanied by a set of black and white woodcuts of the panels in the Chapel, this new edition presents each panel in vivid color photography, adding a useful visual aid to Ruskin’s lyrical descriptions. The result is a book that serves not only as an introduction for students of art history, but also as a discussion of what it means to be a great artist, by one of most influential writers ever to tackle visual art.
Giotto and his works in Padua
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Long out of print, the Arundel Society first published Giotto and His Works in Padua between 1853 and 1860. It stands as Ruskin’s most compelling set of reflections on Giotto’s masterpiece—an artwork that, in Ruskin’s estimation, changed the very course of art history. Originally accompanied by a set of black and white woodcuts of the panels in the Chapel, this new edition presents each panel in vivid color photography, adding a useful visual aid to Ruskin’s lyrical descriptions. The result is a book that serves not only as an introduction for students of art history, but also as a discussion of what it means to be a great artist, by one of most influential writers ever to tackle visual art.
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livres
livres
Publication:
mai 2018
mai 2018
Sujet:
Théorie de l’art
Théorie de l’art
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$51.95
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Lars Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept(...)
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Résumé:
Lars Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept(...)
Titre:
The sympathy of things: Ruskin and the ecology of design, 2nd edition
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$51.95
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Lars Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept in Ruskin's aesthetics, re-evaluating it as the driving force of the twenty-first century aesthetic experience. For Ruskin, beauty always comprises variation, imperfection and fragility, three concepts that wholly disappeared from our mindsets during the twentieth century, but which Spuybroek argues to be central to contemporary aesthetics and design.
The sympathy of things: Ruskin and the ecology of design, 2nd edition
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Lars Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept in Ruskin's aesthetics, re-evaluating it as the driving force of the twenty-first century aesthetic experience. For Ruskin, beauty always comprises variation, imperfection and fragility, three concepts that wholly disappeared from our mindsets during the twentieth century, but which Spuybroek argues to be central to contemporary aesthetics and design.
Classification:
livres
livres
Publication:
juin 2016
juin 2016
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$36.95
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Le livre part de l'idée que l'architecture est un art manqué à cause de sa nature complexe et de ses réalisations embarrassantes, qui ne connaîtra jamais la "facilité" directe avec laquelle agissent peintres et sculpteurs. Il affronte la question du dessin en l'assumant comme un élément constitutif de l'ailleurs idéal, de nature aussi bien littéraire, dans lequel la(...)
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Le livre part de l'idée que l'architecture est un art manqué à cause de sa nature complexe et de ses réalisations embarrassantes, qui ne connaîtra jamais la "facilité" directe avec laquelle agissent peintres et sculpteurs. Il affronte la question du dessin en l'assumant comme un élément constitutif de l'ailleurs idéal, de nature aussi bien littéraire, dans lequel la(...)
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Écritures dessinées : art et architecture de Piranèse à Ruskin
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Le livre part de l'idée que l'architecture est un art manqué à cause de sa nature complexe et de ses réalisations embarrassantes, qui ne connaîtra jamais la "facilité" directe avec laquelle agissent peintres et sculpteurs. Il affronte la question du dessin en l'assumant comme un élément constitutif de l'ailleurs idéal, de nature aussi bien littéraire, dans lequel la substance humaniste de l'architecture se traduit par la libre définition de programmes, utopies, fantaisies, narrations qui font de la feuille de papier l'image d'un livre. Au-delà des exercices d'écriture dessinées, auxquels ont eu recours Piranesi, Quarenghi, Clérisseau, Boullée, Ledoux, Lequeu, Gilly, Schinkel dans un esprit pictural et littéraire à cheval entre XVIIIe et XIXe siècle, d'autres auteurs (John Ruskin, critique d'art et dessinateur hors pair, Eugène Viollet-le-Duc et Camillo Boito, architectes, théoriciens et écrivains) rédigent des manuels de dessin importants. Un appendice datant du XXe siècle termine l'ouvrage en enjoignant à la récupération du manuel dans un âge de technique.
Écritures dessinées : art et architecture de Piranèse à Ruskin
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Le livre part de l'idée que l'architecture est un art manqué à cause de sa nature complexe et de ses réalisations embarrassantes, qui ne connaîtra jamais la "facilité" directe avec laquelle agissent peintres et sculpteurs. Il affronte la question du dessin en l'assumant comme un élément constitutif de l'ailleurs idéal, de nature aussi bien littéraire, dans lequel la substance humaniste de l'architecture se traduit par la libre définition de programmes, utopies, fantaisies, narrations qui font de la feuille de papier l'image d'un livre. Au-delà des exercices d'écriture dessinées, auxquels ont eu recours Piranesi, Quarenghi, Clérisseau, Boullée, Ledoux, Lequeu, Gilly, Schinkel dans un esprit pictural et littéraire à cheval entre XVIIIe et XIXe siècle, d'autres auteurs (John Ruskin, critique d'art et dessinateur hors pair, Eugène Viollet-le-Duc et Camillo Boito, architectes, théoriciens et écrivains) rédigent des manuels de dessin importants. Un appendice datant du XXe siècle termine l'ouvrage en enjoignant à la récupération du manuel dans un âge de technique.
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livres
livres
Publication:
janvier 2003, Gollion
janvier 2003, Gollion
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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287 p. : ill., plans, ports. ; 24 cm.
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287 p. : ill., plans, ports. ; 24 cm.
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Zürich : Gta : Berlin : Mann, c2010.
Zürich : Gta : Berlin : Mann, c2010.
Titre:
Eugene Emmanuel Viollet-le-Duc : Internationales Kolloquium ; [Akten des Internationalen Kolloquiums "Viollet-le-Duc", 24. bis 26. August 2001] / Stiftung Bibliothek Werner Oechslin, Einsiedeln ; [edited by Zoe Arnold ... et al.].
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287 p. : ill., plans, ports. ; 24 cm.
Eugene Emmanuel Viollet-le-Duc : Internationales Kolloquium ; [Akten des Internationalen Kolloquiums "Viollet-le-Duc", 24. bis 26. August 2001] / Stiftung Bibliothek Werner Oechslin, Einsiedeln ; [edited by Zoe Arnold ... et al.].
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287 p. : ill., plans, ports. ; 24 cm.
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Zürich : Gta : Berlin : Mann, c2010.
Zürich : Gta : Berlin : Mann, c2010.
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224 pages : illustrations (some color) ; 24 cm
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224 pages : illustrations (some color) ; 24 cm
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Central Milton Keynes : MK Gallery, [2019], ©2019
Central Milton Keynes : MK Gallery, [2019], ©2019
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The lie of the land / editors: Fay Blanchard, Gerrie van Noord, and Anthony Spira.
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224 pages : illustrations (some color) ; 24 cm
The lie of the land / editors: Fay Blanchard, Gerrie van Noord, and Anthony Spira.
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224 pages : illustrations (some color) ; 24 cm
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Central Milton Keynes : MK Gallery, [2019], ©2019
Central Milton Keynes : MK Gallery, [2019], ©2019
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Gustav Stickley's Craftsman Farms : the quest for an arts and crafts utopia / Mark Alan Hewitt.
Gustav Stickley's Craftsman Farms : the quest for an arts and crafts utopia / Mark Alan Hewitt.
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xviii, 248 pages, 8 unnumbered pages of plates : illustrations (some color), maps ; 23 cm
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xviii, 248 pages, 8 unnumbered pages of plates : illustrations (some color), maps ; 23 cm
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[Syracuse, N.Y.] : Syracuse University Press, 2001.
[Syracuse, N.Y.] : Syracuse University Press, 2001.
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Gustav Stickley's Craftsman Farms : the quest for an arts and crafts utopia / Mark Alan Hewitt.
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xviii, 248 pages, 8 unnumbered pages of plates : illustrations (some color), maps ; 23 cm
Gustav Stickley's Craftsman Farms : the quest for an arts and crafts utopia / Mark Alan Hewitt.
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xviii, 248 pages, 8 unnumbered pages of plates : illustrations (some color), maps ; 23 cm
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[Syracuse, N.Y.] : Syracuse University Press, 2001.
[Syracuse, N.Y.] : Syracuse University Press, 2001.
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499 pages : illustrations (some color) ; 24 cm
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499 pages : illustrations (some color) ; 24 cm
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New Haven [Conn.] ; London : Yale University Press, 2005.
New Haven [Conn.] ; London : Yale University Press, 2005.
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C.R. Ashbee : architect, designer & romantic socialist / Alan Crawford.
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499 pages : illustrations (some color) ; 24 cm
C.R. Ashbee : architect, designer & romantic socialist / Alan Crawford.
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499 pages : illustrations (some color) ; 24 cm
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New Haven [Conn.] ; London : Yale University Press, 2005.
New Haven [Conn.] ; London : Yale University Press, 2005.
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xv, 227 pages, 9 unnumbered pages of plates : illustrations (some color), portraits ; 26 cm
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xv, 227 pages, 9 unnumbered pages of plates : illustrations (some color), portraits ; 26 cm
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Montreal : McGill-Queen's University Press, ©2012.
Montreal : McGill-Queen's University Press, ©2012.
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The allied arts : architecture and craft in postwar Canada / Sandra Alfoldy.
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xv, 227 pages, 9 unnumbered pages of plates : illustrations (some color), portraits ; 26 cm
The allied arts : architecture and craft in postwar Canada / Sandra Alfoldy.
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xv, 227 pages, 9 unnumbered pages of plates : illustrations (some color), portraits ; 26 cm
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Montreal : McGill-Queen's University Press, ©2012.
Montreal : McGill-Queen's University Press, ©2012.
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65 pages ; 21 cm
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65 pages ; 21 cm
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[place of publication unknown] : Architecture Exchange, [2025], ©2025
[place of publication unknown] : Architecture Exchange, [2025], ©2025
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[place of publication unknown] : Architecture Exchange, [2025], ©2025
[place of publication unknown] : Architecture Exchange, [2025], ©2025
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