405895 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1988.PR02
Description:
Project series comprises material related to a design entry for a 1988 competition on the environmental redevelopment of the San Carlo quarry in the comune of Castelnuovo Berardenga near Siena, Italy. Poli dates this project as 1988, though most of the material is undated (only 2 drawings are dated 1988). However, the project description text includes a bibliography making reference to 1991 publications, though it is possible that this document was created later than the drawings. Project material includes numerous drawings and collages, some which are overlayed with wax, one which features a metal object, and some drawn directly onto topographical maps. Project material also includes a model, a photomontage featuring images of the quarry site and geological strata, and a typed project description. Parts of the text in the project description also appear on some of the drawings. Many of the drawings feature a circular design that is repeated throughout the drawing material in this series. Poli's proposal for the redevelopment seemed to involve the addition of trees to the area and the development of a passageway. One of Poli's drawings makes reference to the earth moon highway featured in an earlier project, Interplanetary Architecture (see AP148.S1.1970.PR02).
AP148.S1.1988.PR02
Description:
Project series comprises material related to a design entry for a 1988 competition on the environmental redevelopment of the San Carlo quarry in the comune of Castelnuovo Berardenga near Siena, Italy. Poli dates this project as 1988, though most of the material is undated (only 2 drawings are dated 1988). However, the project description text includes a bibliography making reference to 1991 publications, though it is possible that this document was created later than the drawings. Project material includes numerous drawings and collages, some which are overlayed with wax, one which features a metal object, and some drawn directly onto topographical maps. Project material also includes a model, a photomontage featuring images of the quarry site and geological strata, and a typed project description. Parts of the text in the project description also appear on some of the drawings. Many of the drawings feature a circular design that is repeated throughout the drawing material in this series. Poli's proposal for the redevelopment seemed to involve the addition of trees to the area and the development of a passageway. One of Poli's drawings makes reference to the earth moon highway featured in an earlier project, Interplanetary Architecture (see AP148.S1.1970.PR02).
Personnes et institutions:
Date:
1988
1988
Titre:
Ideas competition, Riqualificazione cava di San Carlo [Redevelopment San Carlo quarry], San Vincenzo, Livorno, Italy (1988)
Actions:
AP148.S1.1988.PR02
Description:
Project series comprises material related to a design entry for a 1988 competition on the environmental redevelopment of the San Carlo quarry in the comune of Castelnuovo Berardenga near Siena, Italy. Poli dates this project as 1988, though most of the material is undated (only 2 drawings are dated 1988). However, the project description text includes a bibliography making reference to 1991 publications, though it is possible that this document was created later than the drawings. Project material includes numerous drawings and collages, some which are overlayed with wax, one which features a metal object, and some drawn directly onto topographical maps. Project material also includes a model, a photomontage featuring images of the quarry site and geological strata, and a typed project description. Parts of the text in the project description also appear on some of the drawings. Many of the drawings feature a circular design that is repeated throughout the drawing material in this series. Poli's proposal for the redevelopment seemed to involve the addition of trees to the area and the development of a passageway. One of Poli's drawings makes reference to the earth moon highway featured in an earlier project, Interplanetary Architecture (see AP148.S1.1970.PR02).
Ideas competition, Riqualificazione cava di San Carlo [Redevelopment San Carlo quarry], San Vincenzo, Livorno, Italy (1988)
Actions:
AP148.S1.1988.PR02
Description:
Project series comprises material related to a design entry for a 1988 competition on the environmental redevelopment of the San Carlo quarry in the comune of Castelnuovo Berardenga near Siena, Italy. Poli dates this project as 1988, though most of the material is undated (only 2 drawings are dated 1988). However, the project description text includes a bibliography making reference to 1991 publications, though it is possible that this document was created later than the drawings. Project material includes numerous drawings and collages, some which are overlayed with wax, one which features a metal object, and some drawn directly onto topographical maps. Project material also includes a model, a photomontage featuring images of the quarry site and geological strata, and a typed project description. Parts of the text in the project description also appear on some of the drawings. Many of the drawings feature a circular design that is repeated throughout the drawing material in this series. Poli's proposal for the redevelopment seemed to involve the addition of trees to the area and the development of a passageway. One of Poli's drawings makes reference to the earth moon highway featured in an earlier project, Interplanetary Architecture (see AP148.S1.1970.PR02).
Niveau de description archivistique:
Project
Project
Date:
1988
1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
Personnes et institutions:
Date:
1991
1991
Titre:
Bed and blanket design, Il carro di giove [Jupiter's chariot] (1991)
Actions:
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
Bed and blanket design, Il carro di giove [Jupiter's chariot] (1991)
Actions:
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
Niveau de description archivistique:
Project
Project
Date:
1991
1991
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1969.PR02
Description:
Project series comprises one blanket, a prototype of a blanket designed by Poli for the Poltronova Company based in Agliana, Pistoia, in Italy. The blanket is undated, but Poli has identified the project as being from 1969-1970. The blanket is large and made of cotton, mostly red with a black and white pattern.
AP148.S1.1969.PR02
Description:
Project series comprises one blanket, a prototype of a blanket designed by Poli for the Poltronova Company based in Agliana, Pistoia, in Italy. The blanket is undated, but Poli has identified the project as being from 1969-1970. The blanket is large and made of cotton, mostly red with a black and white pattern.
Personnes et institutions:
Date:
ca. 1969-1970
ca. 1969-1970
Titre:
Blanket design for Poltronova company (1969-1970)
Actions:
AP148.S1.1969.PR02
Description:
Project series comprises one blanket, a prototype of a blanket designed by Poli for the Poltronova Company based in Agliana, Pistoia, in Italy. The blanket is undated, but Poli has identified the project as being from 1969-1970. The blanket is large and made of cotton, mostly red with a black and white pattern.
Blanket design for Poltronova company (1969-1970)
Actions:
AP148.S1.1969.PR02
Description:
Project series comprises one blanket, a prototype of a blanket designed by Poli for the Poltronova Company based in Agliana, Pistoia, in Italy. The blanket is undated, but Poli has identified the project as being from 1969-1970. The blanket is large and made of cotton, mostly red with a black and white pattern.
Niveau de description archivistique:
Project
Project
Date:
ca. 1969-1970
ca. 1969-1970
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1996.PR01
Description:
Project series comprises preparatory studies and competition drawings for a redevelopment project in the historical centre of Pontassieve, outside Florence, Italy, and particularly the area around its piazza Vittorio Emanuele. Material in this project series is dated 1996. Alessandro Poli was the project group leader, and collaborated with architect Giannantonio Vannetti, landscape architects Mariella Sgaravatti and Elena Morici, artist Hidetoshi Nagasawa, artistic heritage expert Guiliano Gori, and art historian and critic Lara Vinca Masini. It is unclear whether the project was successful. The studies and project drawings emphasize the teardrop shape of the piazza. Project materials feature sketches and painted studies, including two with cotton materials, as well as presentation drawings and collages, including a large photograph of the site.
AP148.S1.1996.PR01
Description:
Project series comprises preparatory studies and competition drawings for a redevelopment project in the historical centre of Pontassieve, outside Florence, Italy, and particularly the area around its piazza Vittorio Emanuele. Material in this project series is dated 1996. Alessandro Poli was the project group leader, and collaborated with architect Giannantonio Vannetti, landscape architects Mariella Sgaravatti and Elena Morici, artist Hidetoshi Nagasawa, artistic heritage expert Guiliano Gori, and art historian and critic Lara Vinca Masini. It is unclear whether the project was successful. The studies and project drawings emphasize the teardrop shape of the piazza. Project materials feature sketches and painted studies, including two with cotton materials, as well as presentation drawings and collages, including a large photograph of the site.
Personnes et institutions:
Date:
1996
1996
Titre:
Ideas competition, Riqualificazione centro Storico di Pontassieve [Redevelopment of the historical center of Pontassieve], Florence, Italy (1996)
Actions:
AP148.S1.1996.PR01
Description:
Project series comprises preparatory studies and competition drawings for a redevelopment project in the historical centre of Pontassieve, outside Florence, Italy, and particularly the area around its piazza Vittorio Emanuele. Material in this project series is dated 1996. Alessandro Poli was the project group leader, and collaborated with architect Giannantonio Vannetti, landscape architects Mariella Sgaravatti and Elena Morici, artist Hidetoshi Nagasawa, artistic heritage expert Guiliano Gori, and art historian and critic Lara Vinca Masini. It is unclear whether the project was successful. The studies and project drawings emphasize the teardrop shape of the piazza. Project materials feature sketches and painted studies, including two with cotton materials, as well as presentation drawings and collages, including a large photograph of the site.
Ideas competition, Riqualificazione centro Storico di Pontassieve [Redevelopment of the historical center of Pontassieve], Florence, Italy (1996)
Actions:
AP148.S1.1996.PR01
Description:
Project series comprises preparatory studies and competition drawings for a redevelopment project in the historical centre of Pontassieve, outside Florence, Italy, and particularly the area around its piazza Vittorio Emanuele. Material in this project series is dated 1996. Alessandro Poli was the project group leader, and collaborated with architect Giannantonio Vannetti, landscape architects Mariella Sgaravatti and Elena Morici, artist Hidetoshi Nagasawa, artistic heritage expert Guiliano Gori, and art historian and critic Lara Vinca Masini. It is unclear whether the project was successful. The studies and project drawings emphasize the teardrop shape of the piazza. Project materials feature sketches and painted studies, including two with cotton materials, as well as presentation drawings and collages, including a large photograph of the site.
Niveau de description archivistique:
Project
Project
Date:
1996
1996
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CD034.S1
Description:
The SAAL Process exhibition discussed ten influential SAAL projects. This series contains several reproductions of seven of the projects documented in the exhibit. The projects were mainly in Porto, but also in Lisbon and Setúbal, Portugal. The reproductions included in this series cover the following projects: Bairro Quinta do Bacalhau–Monte Coxo, Lisbon; Leal, Porto; Antas, Porto; São Victor, Porto; Miragaia, Porto; Casal das Figueiras, Setúbal; and Quinta da Bela Flor, Lisbon. Not included in the collection, but documented by the exhibition, are the exhibited materials for: Bairro da Quinta das Fonsecas–Quinta da Calçada, Lisbon; Meia-Praia–Apeadeiro, Algarve; and Curraleira–Embrechados, Lisbon. - Bairro da Quinta das Fonsecas–Quinta da Calçada, Lisbon: A project of neighbourhood by Raúl Hestnes Ferreira with the participation of the resident associations Cooperativa de Habitação Económica 25 de Abril and Cooperativa de Habitação Económica Unidade do Povo, in 1974-1975?. The first phase includes 314 dwellings and the second 301 dwellings. - Meia-Praia–Apeadeiro, Algarve: A project by José Veloso with the participation of the residents' association 25 de Abril (1975). It includes 36 dwellings. - Curraleira–Embrechados, Lisbon: A project by José António Paradela and Luís Gravata Filipe with the participation of the residents' associations Cooperativa de Habitação Económica Bairro Horizonte and Cooperativa de Habitação Económica Lisboa Nova, in 1976. The first phase includes 768 dwellings and the second 170 dwellings. The collection contains reproductions of design development drawings, presentation panels and photographic materials dating from 1974 to 1979 that were realised during the SAAL Process. The material shows samples of built and unfinished housing projects in Portugal.
CD034.S1
Description:
The SAAL Process exhibition discussed ten influential SAAL projects. This series contains several reproductions of seven of the projects documented in the exhibit. The projects were mainly in Porto, but also in Lisbon and Setúbal, Portugal. The reproductions included in this series cover the following projects: Bairro Quinta do Bacalhau–Monte Coxo, Lisbon; Leal, Porto; Antas, Porto; São Victor, Porto; Miragaia, Porto; Casal das Figueiras, Setúbal; and Quinta da Bela Flor, Lisbon. Not included in the collection, but documented by the exhibition, are the exhibited materials for: Bairro da Quinta das Fonsecas–Quinta da Calçada, Lisbon; Meia-Praia–Apeadeiro, Algarve; and Curraleira–Embrechados, Lisbon. - Bairro da Quinta das Fonsecas–Quinta da Calçada, Lisbon: A project of neighbourhood by Raúl Hestnes Ferreira with the participation of the resident associations Cooperativa de Habitação Económica 25 de Abril and Cooperativa de Habitação Económica Unidade do Povo, in 1974-1975?. The first phase includes 314 dwellings and the second 301 dwellings. - Meia-Praia–Apeadeiro, Algarve: A project by José Veloso with the participation of the residents' association 25 de Abril (1975). It includes 36 dwellings. - Curraleira–Embrechados, Lisbon: A project by José António Paradela and Luís Gravata Filipe with the participation of the residents' associations Cooperativa de Habitação Económica Bairro Horizonte and Cooperativa de Habitação Económica Lisboa Nova, in 1976. The first phase includes 768 dwellings and the second 170 dwellings. The collection contains reproductions of design development drawings, presentation panels and photographic materials dating from 1974 to 1979 that were realised during the SAAL Process. The material shows samples of built and unfinished housing projects in Portugal.
Personnes et institutions:
Date:
1974-1979
1974-1979
Titre:
Projects featured in The SAAL Process exhibition
Actions:
CD034.S1
Description:
The SAAL Process exhibition discussed ten influential SAAL projects. This series contains several reproductions of seven of the projects documented in the exhibit. The projects were mainly in Porto, but also in Lisbon and Setúbal, Portugal. The reproductions included in this series cover the following projects: Bairro Quinta do Bacalhau–Monte Coxo, Lisbon; Leal, Porto; Antas, Porto; São Victor, Porto; Miragaia, Porto; Casal das Figueiras, Setúbal; and Quinta da Bela Flor, Lisbon. Not included in the collection, but documented by the exhibition, are the exhibited materials for: Bairro da Quinta das Fonsecas–Quinta da Calçada, Lisbon; Meia-Praia–Apeadeiro, Algarve; and Curraleira–Embrechados, Lisbon. - Bairro da Quinta das Fonsecas–Quinta da Calçada, Lisbon: A project of neighbourhood by Raúl Hestnes Ferreira with the participation of the resident associations Cooperativa de Habitação Económica 25 de Abril and Cooperativa de Habitação Económica Unidade do Povo, in 1974-1975?. The first phase includes 314 dwellings and the second 301 dwellings. - Meia-Praia–Apeadeiro, Algarve: A project by José Veloso with the participation of the residents' association 25 de Abril (1975). It includes 36 dwellings. - Curraleira–Embrechados, Lisbon: A project by José António Paradela and Luís Gravata Filipe with the participation of the residents' associations Cooperativa de Habitação Económica Bairro Horizonte and Cooperativa de Habitação Económica Lisboa Nova, in 1976. The first phase includes 768 dwellings and the second 170 dwellings. The collection contains reproductions of design development drawings, presentation panels and photographic materials dating from 1974 to 1979 that were realised during the SAAL Process. The material shows samples of built and unfinished housing projects in Portugal.
Projects featured in The SAAL Process exhibition
Actions:
CD034.S1
Description:
The SAAL Process exhibition discussed ten influential SAAL projects. This series contains several reproductions of seven of the projects documented in the exhibit. The projects were mainly in Porto, but also in Lisbon and Setúbal, Portugal. The reproductions included in this series cover the following projects: Bairro Quinta do Bacalhau–Monte Coxo, Lisbon; Leal, Porto; Antas, Porto; São Victor, Porto; Miragaia, Porto; Casal das Figueiras, Setúbal; and Quinta da Bela Flor, Lisbon. Not included in the collection, but documented by the exhibition, are the exhibited materials for: Bairro da Quinta das Fonsecas–Quinta da Calçada, Lisbon; Meia-Praia–Apeadeiro, Algarve; and Curraleira–Embrechados, Lisbon. - Bairro da Quinta das Fonsecas–Quinta da Calçada, Lisbon: A project of neighbourhood by Raúl Hestnes Ferreira with the participation of the resident associations Cooperativa de Habitação Económica 25 de Abril and Cooperativa de Habitação Económica Unidade do Povo, in 1974-1975?. The first phase includes 314 dwellings and the second 301 dwellings. - Meia-Praia–Apeadeiro, Algarve: A project by José Veloso with the participation of the residents' association 25 de Abril (1975). It includes 36 dwellings. - Curraleira–Embrechados, Lisbon: A project by José António Paradela and Luís Gravata Filipe with the participation of the residents' associations Cooperativa de Habitação Económica Bairro Horizonte and Cooperativa de Habitação Económica Lisboa Nova, in 1976. The first phase includes 768 dwellings and the second 170 dwellings. The collection contains reproductions of design development drawings, presentation panels and photographic materials dating from 1974 to 1979 that were realised during the SAAL Process. The material shows samples of built and unfinished housing projects in Portugal.
Niveau de description archivistique:
Series
Series
Date:
1974-1979
1974-1979
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CD034.S2
Description:
This series contains reproductions of photographs that were taken by Alexandre Alves Costa from 1974 to 1976. The photographs document the Portuguese Revolution and the beginning of the SAAL process. The material gives a sample of events that occurred at the time, such as protests and assemblies, and shows political graffiti and the living and housing conditions of families of Portuguese workers. The SAAL Process exhibition at the CCA displayed these reproductions as a timeline in one of the galleries. The arrangement of this series reflects the arrangement of the timeline. For the exhibition, photographs taken in 1974 to 1976 were selected to illustrate the events, actions and decisions that lead to the SAAL process from the beginning of the Portuguese Revolution to SAAL. Note that the reproductions of photographs documenting SAAL projects used in the exhibition are arranged under their respective project series.
CD034.S2
Description:
This series contains reproductions of photographs that were taken by Alexandre Alves Costa from 1974 to 1976. The photographs document the Portuguese Revolution and the beginning of the SAAL process. The material gives a sample of events that occurred at the time, such as protests and assemblies, and shows political graffiti and the living and housing conditions of families of Portuguese workers. The SAAL Process exhibition at the CCA displayed these reproductions as a timeline in one of the galleries. The arrangement of this series reflects the arrangement of the timeline. For the exhibition, photographs taken in 1974 to 1976 were selected to illustrate the events, actions and decisions that lead to the SAAL process from the beginning of the Portuguese Revolution to SAAL. Note that the reproductions of photographs documenting SAAL projects used in the exhibition are arranged under their respective project series.
Personnes et institutions:
Date:
1974-1976
1974-1976
Titre:
Photographs featured in the timeline, The SAAL Process exhibition
Actions:
CD034.S2
Description:
This series contains reproductions of photographs that were taken by Alexandre Alves Costa from 1974 to 1976. The photographs document the Portuguese Revolution and the beginning of the SAAL process. The material gives a sample of events that occurred at the time, such as protests and assemblies, and shows political graffiti and the living and housing conditions of families of Portuguese workers. The SAAL Process exhibition at the CCA displayed these reproductions as a timeline in one of the galleries. The arrangement of this series reflects the arrangement of the timeline. For the exhibition, photographs taken in 1974 to 1976 were selected to illustrate the events, actions and decisions that lead to the SAAL process from the beginning of the Portuguese Revolution to SAAL. Note that the reproductions of photographs documenting SAAL projects used in the exhibition are arranged under their respective project series.
Photographs featured in the timeline, The SAAL Process exhibition
Actions:
CD034.S2
Description:
This series contains reproductions of photographs that were taken by Alexandre Alves Costa from 1974 to 1976. The photographs document the Portuguese Revolution and the beginning of the SAAL process. The material gives a sample of events that occurred at the time, such as protests and assemblies, and shows political graffiti and the living and housing conditions of families of Portuguese workers. The SAAL Process exhibition at the CCA displayed these reproductions as a timeline in one of the galleries. The arrangement of this series reflects the arrangement of the timeline. For the exhibition, photographs taken in 1974 to 1976 were selected to illustrate the events, actions and decisions that lead to the SAAL process from the beginning of the Portuguese Revolution to SAAL. Note that the reproductions of photographs documenting SAAL projects used in the exhibition are arranged under their respective project series.
Niveau de description archivistique:
Series
Series
Date:
1974-1976
1974-1976
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
circa 1974
circa 1974
Titre:
Bairro Quinta do Bacalhau–Monte Coxo, Lisbon
Actions:
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
Bairro Quinta do Bacalhau–Monte Coxo, Lisbon
Actions:
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
circa 1974
circa 1974
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Leal, Porto
Leal, Porto
Numéro de référence:
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
1975
1975
Titre:
Leal, Porto
Actions:
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
Leal, Porto
Actions:
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
1975
1975
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Antas, Porto
Antas, Porto
Numéro de référence:
CD034.S1.1974.PR03
Description:
This project series contains reproductions of drawings and photographs displayed in the exhibit to document the Antas neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the SAAL Brigade intervened at the heart of an urban area which then became subject to redevelopments after the construction of the first units. The original proposal and the completed phases contrast the scale of later operations and change the perception of the original project. Nonetheless, the architectural design addressed a difficult terrain, and maintained the specificities of the urban 'ilhas' (islands) by incorporating a vernacular character, which the residents appropriated and transformed even further overtime. (The SAAL Process, Housing in Portugal 1974–76) The project architect Pedro Ramalho worked for SAAL/North with Aires Pereira, Augusto Costa, Francisco M. Lima, José Lencastre, Lídia Costa, Pedro B. Araújo, Teresa Fonseca, Vítor Bastos and the residents' association Antas, that was founded on Septermber 1st, 1975. The first phase of the project included 32 dwellings and the second, 50 dwellings. The operation began in October 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, implementation plans, axonometric views and photographic material. The original drawings and photographs were produced in 1975 and 1976 and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR03
Description:
This project series contains reproductions of drawings and photographs displayed in the exhibit to document the Antas neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the SAAL Brigade intervened at the heart of an urban area which then became subject to redevelopments after the construction of the first units. The original proposal and the completed phases contrast the scale of later operations and change the perception of the original project. Nonetheless, the architectural design addressed a difficult terrain, and maintained the specificities of the urban 'ilhas' (islands) by incorporating a vernacular character, which the residents appropriated and transformed even further overtime. (The SAAL Process, Housing in Portugal 1974–76) The project architect Pedro Ramalho worked for SAAL/North with Aires Pereira, Augusto Costa, Francisco M. Lima, José Lencastre, Lídia Costa, Pedro B. Araújo, Teresa Fonseca, Vítor Bastos and the residents' association Antas, that was founded on Septermber 1st, 1975. The first phase of the project included 32 dwellings and the second, 50 dwellings. The operation began in October 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, implementation plans, axonometric views and photographic material. The original drawings and photographs were produced in 1975 and 1976 and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
1975-1976
1975-1976
Titre:
Antas, Porto
Actions:
CD034.S1.1974.PR03
Description:
This project series contains reproductions of drawings and photographs displayed in the exhibit to document the Antas neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the SAAL Brigade intervened at the heart of an urban area which then became subject to redevelopments after the construction of the first units. The original proposal and the completed phases contrast the scale of later operations and change the perception of the original project. Nonetheless, the architectural design addressed a difficult terrain, and maintained the specificities of the urban 'ilhas' (islands) by incorporating a vernacular character, which the residents appropriated and transformed even further overtime. (The SAAL Process, Housing in Portugal 1974–76) The project architect Pedro Ramalho worked for SAAL/North with Aires Pereira, Augusto Costa, Francisco M. Lima, José Lencastre, Lídia Costa, Pedro B. Araújo, Teresa Fonseca, Vítor Bastos and the residents' association Antas, that was founded on Septermber 1st, 1975. The first phase of the project included 32 dwellings and the second, 50 dwellings. The operation began in October 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, implementation plans, axonometric views and photographic material. The original drawings and photographs were produced in 1975 and 1976 and were reproduced in 2015 for the exhibit.
Antas, Porto
Actions:
CD034.S1.1974.PR03
Description:
This project series contains reproductions of drawings and photographs displayed in the exhibit to document the Antas neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the SAAL Brigade intervened at the heart of an urban area which then became subject to redevelopments after the construction of the first units. The original proposal and the completed phases contrast the scale of later operations and change the perception of the original project. Nonetheless, the architectural design addressed a difficult terrain, and maintained the specificities of the urban 'ilhas' (islands) by incorporating a vernacular character, which the residents appropriated and transformed even further overtime. (The SAAL Process, Housing in Portugal 1974–76) The project architect Pedro Ramalho worked for SAAL/North with Aires Pereira, Augusto Costa, Francisco M. Lima, José Lencastre, Lídia Costa, Pedro B. Araújo, Teresa Fonseca, Vítor Bastos and the residents' association Antas, that was founded on Septermber 1st, 1975. The first phase of the project included 32 dwellings and the second, 50 dwellings. The operation began in October 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, implementation plans, axonometric views and photographic material. The original drawings and photographs were produced in 1975 and 1976 and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
1975-1976
1975-1976
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
circa 1974-1975
circa 1974-1975
Titre:
São Victor, Porto
Actions:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
São Victor, Porto
Actions:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
circa 1974-1975
circa 1974-1975
Personnes et institutions:
