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The Other Architect presents 23 case studies that emphasize the potential for architecture to identify the urgent issues of our time. These international and often multidisciplinary groups, with examples from the 1960s to today, invented and adopted new methods outside of traditional design practices in order to create architecture without building. The alternative(...)
The other architect: another way of building architecture
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The Other Architect presents 23 case studies that emphasize the potential for architecture to identify the urgent issues of our time. These international and often multidisciplinary groups, with examples from the 1960s to today, invented and adopted new methods outside of traditional design practices in order to create architecture without building. The alternative approaches shown in the exhibition challenge the concept of individual authorship in favor of establishing collaborative networks or partnerships with permeable roles. Their work took on non-traditional forms such as bibliographies, surveys, databases, conferences, posters, questionnaires and manifestos. By avoiding the built form, these unexpected ways of practicing allow architecture to actively shape a cultural agenda. 416 pages and over 300 colour facsimiles of traces left in letters, books, drawings, photographs, budgets, videos, mission statements, meeting minutes, T-shirts, boats, and buses
Publications du CCA
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"Museum frictions" is the third volume in a series on culture, society, and museums. "Museum frictions" is an illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practice. The contributors — scholars, artists, and curators —present case studies drawn from Africa, Australia,(...)
Muséologie
janvier 2007, Durham, London
Museum frictions : public cultures / global transformations
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"Museum frictions" is the third volume in a series on culture, society, and museums. "Museum frictions" is an illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practice. The contributors — scholars, artists, and curators —present case studies drawn from Africa, Australia, North and South America, Europe, and Asia. Together they offer a multifaceted analysis of the complex roles that national and community museums, museums of art and history, monuments, heritage sites, and theme parks play in creating public cultures. Whether contrasting the transformation of Africa’s oldest museum, the South Africa Museum, with one of its newest, the Lwandle Migrant Labor Museum; offering an interpretation of the audio guide at the Guggenheim Bilbao; reflecting on the relative paucity of art museums in Peru and Cambodia; considering representations of slavery in the United States and Ghana; or meditating on the ramifications of an exhibition of Australian aboriginal art at the Asia Society in New York City, the contributors highlight the frictions, contradictions, and collaborations emerging in museums and heritage sites around the world. The volume opens with an extensive introductory essay by Ivan Karp and Corinne A. Kratz, leading scholars in museum and heritage studies.
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janvier 2007, Durham, London
Muséologie
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Concerned with the connection between the built environment and the passage of time, ''Reframing Berlin'' uses film locations in the city to reveal the influence that urban transformation has on memory-making. Covering the city’s history since the beginning of cinema, the book proposes the term urban strategy to understand the range of consequential actions taken by(...)
mars 2023
Reframing Berlin: Architecture, Memory-Making and Film Locations
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Concerned with the connection between the built environment and the passage of time, ''Reframing Berlin'' uses film locations in the city to reveal the influence that urban transformation has on memory-making. Covering the city’s history since the beginning of cinema, the book proposes the term urban strategy to understand the range of consequential actions taken by politicians, developers, and other powerful figures to shape the nature and future of buildings, streets, and districts. Organizing these strategies from demolition to memorialization, the authors study the ways these actions forget or recall aspects of place. Using cinematic representations of Berlin as an audiovisual archive, the study details how the city has adjusted to its traumatic twentieth-century history through architectural transformations. Two dissimilar case studies frame each strategy, indicating that an approach that works for one building may not be sufficient for another.
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The Aedes exhibition and catalogue ''Two Towers,'' dedicated to Álvaro Siza, commemorates his 90th anniversary as one of the most important living architects and a major contributor to contemporary architecture. Siza is famous for his handmade sketches, in which he captures complex situations in order to ease their understanding and resolution. They establish a dialectic(...)
Two towers: 90 years Alvaro Siza
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The Aedes exhibition and catalogue ''Two Towers,'' dedicated to Álvaro Siza, commemorates his 90th anniversary as one of the most important living architects and a major contributor to contemporary architecture. Siza is famous for his handmade sketches, in which he captures complex situations in order to ease their understanding and resolution. They establish a dialectic rapport between his creative intuition and the material detailing of quality construction. Both the catalog and exhibition illuminate Siza's passion for towers and his fascination with reaching for the sun, while simultaneously focusing on two case studies and their diverging traits: one is taller and the other is shorter, one is private, and the other is public, one is for dwelling, and the other is for protection, one is urban, and the other is rural, one is in reinforced concrete and the other in lightweight steel frame.
Architecture, monographies
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In "Plant life", Rosetta S. Elkin explores the procedures of afforestation, the large-scale planting of trees in otherwise treeless environments, including grasslands, prairies, and drylands. Elkin reveals that planting a tree can either be one of the ultimate offerings to thriving on this planet, or one of the most extreme perversions of human agency over it. Using(...)
Plant life: the entangled politics of afforestation
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In "Plant life", Rosetta S. Elkin explores the procedures of afforestation, the large-scale planting of trees in otherwise treeless environments, including grasslands, prairies, and drylands. Elkin reveals that planting a tree can either be one of the ultimate offerings to thriving on this planet, or one of the most extreme perversions of human agency over it. Using three supracontinental case studies-scientific forestry in the American prairies, colonial control in Africa's Sahelian grasslands, and Chinese efforts to control and administer territory-Elkin explores the political implications of plant life as a tool of environmentalism. By exposing the human tendency to fix or solve environmental matters by exploiting other organisms, this work exposes the relationship between human and plant life, revealing that afforestation is not an ecological act: rather, it is deliberately political and distressingly social.
L'écologie de l'architecure
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With vital insights into situated spatial practices across the Arab Gulf and its adjacencies, "Connections as Method: Relational Pedagogies and Participatory Spatial Practice" is informed by research, approaches, and perspectives from more than sixty international contributors. The volume draws on the first year of The Um Slaim School—a pioneering initiative that emerges(...)
janvier 2026
Connections as method: relational pedagogies and participatory spatial practice
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With vital insights into situated spatial practices across the Arab Gulf and its adjacencies, "Connections as Method: Relational Pedagogies and Participatory Spatial Practice" is informed by research, approaches, and perspectives from more than sixty international contributors. The volume draws on the first year of The Um Slaim School—a pioneering initiative that emerges from the work of Riyadh-based Syn Architects and their collaborators, as convened by Beatrice Leanza and Maryam AlNoaimi for the National Pavilion of Saudi Arabia at the Biennale Architettura 2025. Featuring architects, artists, educators, urbanists, and writers, these interactions pilot methodologies of knowledge exchange to establish south-south networks of coproduction across disciplinary boundaries. Tracing transnational alliances, case studies, and thematics from the school's first year, subjects of inquiry challenge established architectural canons, centering alternative spatial histories and material practices to address urgent ecological and social concerns.
livres
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« The Art and Science of Green Architecture » delves into the origins, ideas, and practices of green architecture and sustainable development. Through a series of real, time-tested green construction case studies, architects Wan Li, Liu Xiaoxue, and Chi Xin’an seek to clearly and concisely illustrate the concepts, strategies, and procedures of green building. The book(...)
The art and science of green architecture
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« The Art and Science of Green Architecture » delves into the origins, ideas, and practices of green architecture and sustainable development. Through a series of real, time-tested green construction case studies, architects Wan Li, Liu Xiaoxue, and Chi Xin’an seek to clearly and concisely illustrate the concepts, strategies, and procedures of green building. The book also explores the relationship between green building and sustainable development, offering a timely analysis amidst the catastrophic worsening of the climate crisis. The authors employ an accessible writing style to discernibly connect various aspects and dimensions of core knowledge and concepts, including intelligent systems that are fast growing, passive climate-responsive design, the social and economic benefits of green buildings, and the green building assessment system. Complete with illustrative diagrams and graphics, the book also includes student-friendly features such as information boxes and detailed tables.
livres
juin 2026
Architecture écologique
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This book brings to life the story of the construction of some of the most outstanding early Renaissance buildings in Venice. Through a series of individual case studies, Richard J. Goy explores how and why buildings came to be built. He addresses the practical issues of constructing such buildings as the Torre dell’Orologio in Piazza San Marco, the Arsenale Gate, and the(...)
juin 2006, New Haven / London
Building Renaissance Venice : patrons, architects and builders c. 1430-1500
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This book brings to life the story of the construction of some of the most outstanding early Renaissance buildings in Venice. Through a series of individual case studies, Richard J. Goy explores how and why buildings came to be built. He addresses the practical issues of constructing such buildings as the Torre dell’Orologio in Piazza San Marco, the Arsenale Gate, and the churches of Santa Maria della Carita and San Zaccaria, focusing particular attention on the process of patronage. The book traces the complete process of creating important buildings, from the earliest conception in the minds of the patrons—the Venetian state or other institutional patrons—through the choice of architect, the employment of craftsmen, and the selection of materials. In an interesting analysis of the participants’ roles, Goy highlights the emerging importance of the superintending master, the protomaestro.
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At the inaugural festivities of the Moscow Palace of Young Pioneers in 1962, a Soviet news agency enthusiastically reported, “In this house, the walls will teach!” Propagandistic, yes, but this prescriptive attitude about the potential of architecture to shape modern life was implicit in much of the architecture of the 20th century. This collection of 12 essays and 24(...)
janvier 2015
Walls that teach: on the architecture of youth centres
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At the inaugural festivities of the Moscow Palace of Young Pioneers in 1962, a Soviet news agency enthusiastically reported, “In this house, the walls will teach!” Propagandistic, yes, but this prescriptive attitude about the potential of architecture to shape modern life was implicit in much of the architecture of the 20th century. This collection of 12 essays and 24 case studies from leading architects and academics examines the architecture and programming of mid-century youth centers across Europe, from Utrecht to Manchester. The organization of these centers around leisure activities partially concealed their educational (and ultimately political) goals: their pedagogical power could be found not only in their physical design, but also in the way they were used and inhabited by the children themselves. Contributors include Tom Avermaete, Peter Blundell Jones, Jennifer Mack, Susan Reid, Sue Robertson, Piet Vollaard and many others.
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Catalogue of the exhibition ''Sixteen Chinese Museums. Fifteen Chinese Architects''.The exhibition reflects on the role museums play as motors of progress within the socio-political and cultural landscape in China today. It simultaneously presents and enquires into this role, and the associated tasks and aims of museums and cultural spaces, against the backdrop of the(...)
Sixteen chinese museums: fifteen chinese architects
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Catalogue of the exhibition ''Sixteen Chinese Museums. Fifteen Chinese Architects''.The exhibition reflects on the role museums play as motors of progress within the socio-political and cultural landscape in China today. It simultaneously presents and enquires into this role, and the associated tasks and aims of museums and cultural spaces, against the backdrop of the global, digital, urban and demographic challenges of the 21st Century, as well as the more locally-specific concerns of heritage and identity. Taking each of sixteen museums as case studies, the exhibition focuses on a set of crucial questions. How is local and national identity defined by the museum design and curation? How does the museum function within the context of its local social and urban environment? Which form or shape was identified as being most suitable for the museum’s function and its context?