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In order to actively grapple with the challenges of our age, architects have to transform themselves from extremely competent executors of assignments into entrepreneurs and producers. This issue of Volume discusses essential tools to reclaim professional autonomy. In the first part, Volume sits ‘Around the table’ with forward-thinking practitioners who see a different(...)
Volume 14: Unsolicited architecture
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In order to actively grapple with the challenges of our age, architects have to transform themselves from extremely competent executors of assignments into entrepreneurs and producers. This issue of Volume discusses essential tools to reclaim professional autonomy. In the first part, Volume sits ‘Around the table’ with forward-thinking practitioners who see a different role and responsibility for architects. The central part presents the portfolio of the Office for Unsolicited Architecture founded by Ole Bouman and students of MIT. The third part marks the unsolicited world according to young architects and artists from around the globe.
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The second volume in the ‘Chapters’ series from Brussels-based architecture firm 51N4E focuses on how design processes can be shaped through dialogue. First, it investigates their work together with two design-focused consulting firms, endeavour (Antwerp) and Denkstatt (Basel), wherein all three explore the boundaries of architecture, advocating openness and dialogue with(...)
51N4E Design in dialogue/Denkstatt endeavour
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The second volume in the ‘Chapters’ series from Brussels-based architecture firm 51N4E focuses on how design processes can be shaped through dialogue. First, it investigates their work together with two design-focused consulting firms, endeavour (Antwerp) and Denkstatt (Basel), wherein all three explore the boundaries of architecture, advocating openness and dialogue with clients and users as opposed to autonomy and monologue. The book’s second part examines the hidden presence of this 'design in dialogue' approach in a wide range of European architecture firms and their projects, illustrating how this can create productive momentum and foster engagement.
Architecture, monographies
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When Lenin asked, "Who will beat whom?" (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest "cultural hegemony" from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class(...)
The cultural front: power and culture in Revolutionary Russia
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When Lenin asked, "Who will beat whom?" (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest "cultural hegemony" from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class struggle between "proletarian" Communists and the "bourgeois" intelligentsia? Or was it, as the intelligentsia believed, an onslaught by the ruling Communist Party on the eternal principles of cultural autonomy and intellectual freedom? In this volume, one of the foremost historians of the Soviet Union chronicles the fierce battle on "the cultural front" from the October Revolution through the Stalinist 1930s. Sheila Fitzpatrick brings together ten of her essays- two previously unpublished and all revised for inclusion here- which illuminate key arenas of the prolonged struggle over cultural values and institutional control. Individual essays deal with such major issues as the Cultural Revolution, the formation of the new Stalinist elite, and socialist realism, as well as recounting colorful episodes including the uproar over Shostakovich's opera Lady Macbeth of the Mtsensk District, arguments over sexual mores, and the new consumerism of the 1930s. Closely examining the cultural elites and orthodoxies that developed under Stalin, Fitzpatrick offers a provocative reinterpretation of the struggle's final outcome in which the intelligentsia, despite its loss of autonomy and the debasement of its culture, emerged as a partial victor.
Expositions en cours
Jana Sterbak: Velleitas
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A l'occasion d'une exposition rétrospective des travaux de Sterbak, Murray met en lumière les composantes architecturale et géométrique présentes dans l'oeuvre de l'artiste. Noble décèle dans l'oeuvre une dialectique situant le corps entre autonomie et confinement. Comprend des anecdotes relatées par l'artiste, deux extraits d'écrits de Calvino et De Azua, ainsi qu'une(...)
Jana Sterbak: Velleitas
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A l'occasion d'une exposition rétrospective des travaux de Sterbak, Murray met en lumière les composantes architecturale et géométrique présentes dans l'oeuvre de l'artiste. Noble décèle dans l'oeuvre une dialectique situant le corps entre autonomie et confinement. Comprend des anecdotes relatées par l'artiste, deux extraits d'écrits de Calvino et De Azua, ainsi qu'une nouvelle de Bowles. On the occasion of a retrospective exhibition of Sterbak's work, Murray brings to light architectural and geometrical components in the artist's work. Noble uncovers a dialectic in the work which situates the body between autonomy and containment. Includes anecdotes by the artist, two excerpts from Calvino and De Azua, and a short story by Bowles.
A+U 570 : make new history
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Participants of the Chicago Architecture Biennial's second edition included 140 artists and architects from 20 countries, under the theme 'Make New History', and this issue is guest edited by its artistic directors, Sharon Johnson and Mark Lee. The first part offers a retrospective look at the biennial together with architectural historian Michael Hays, in which what it(...)
A+U 570 : make new history
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Participants of the Chicago Architecture Biennial's second edition included 140 artists and architects from 20 countries, under the theme 'Make New History', and this issue is guest edited by its artistic directors, Sharon Johnson and Mark Lee. The first part offers a retrospective look at the biennial together with architectural historian Michael Hays, in which what it shows about the qualified autonomy, framing, and partnerships seen in current practice is discussed. The second part introduces built work and projects selected with reference to the exhibition's theme, as well as responses from the architects to questions about what this theme means to their thought and practice.
Revues
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''Public, Private, Secret: On Photography & the Configuration of Self'' explores the roles that photography and video play in the crafting of identity, and the reconfiguration of social conventions that define our public and private selves. Consciously framed by our present era, this collection of essays, interviews, and reflections assesses how our image-making and(...)
Public, private, secret: on photography and the configuration of self
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''Public, Private, Secret: On Photography & the Configuration of Self'' explores the roles that photography and video play in the crafting of identity, and the reconfiguration of social conventions that define our public and private selves. Consciously framed by our present era, this collection of essays, interviews, and reflections assesses how our image-making and consumption patterns are embedded and implicated in a wider matrix of online behavior and social codes, which in turn give images a life of their own. The writings address the various disruptions, resistances, and subversions that artists propose to the limited versions of race, gender, sexuality, and autonomy that populate mainstream popular culture.
Théorie de la photographie
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Aldo Rossi (1931-97) is a key figure in 20th-century architecture. Discarding utopian pretences, his work claimed the autonomy of architecture with formal restraint, and remains highly influential both in theory and practice until the present day. In this new book, Diogo Seixas Lopes looks at Rossi's work through the lens of a term often used to describe the great(...)
décembre 2014
Melancholy and architecture: on Aldo Rossi
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Aldo Rossi (1931-97) is a key figure in 20th-century architecture. Discarding utopian pretences, his work claimed the autonomy of architecture with formal restraint, and remains highly influential both in theory and practice until the present day. In this new book, Diogo Seixas Lopes looks at Rossi's work through the lens of a term often used to describe the great architect's work: melancholy. While the influence of melancholy on literature and visual arts has been debated extensively, its presence in architecture has been largely overlooked. By exploring Rossi's entire career, Lopes traces out the oscillation between enthusiasm and disenchantment that marks Rossi's oeuvre.
Against automobility
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Despite its promise of freedom and autonomy, the ubiquity of the automobile has influenced unforeseen ecological, social, and political change. In "Against automobility", a panel of distinguished scholars take a critical look at the contradiction of the automobile : a critical account of the impact of the car on society, which is both liberated by and reliant upon(...)
octobre 2006, Malden / Oxford / Carlton
Against automobility
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Despite its promise of freedom and autonomy, the ubiquity of the automobile has influenced unforeseen ecological, social, and political change. In "Against automobility", a panel of distinguished scholars take a critical look at the contradiction of the automobile : a critical account of the impact of the car on society, which is both liberated by and reliant upon motor vehicles, written by a panel of distinguished scholars from varying disciplines in the humanities and social sciences, examines automobility's effect on environmental, social, and political issues, will be of interest to those whose research focuses on geography, politics, consumption and cultural studies, critical theory, and the sociology of objects and everyday life.
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''Seventeen Playgrounds'' is a research project by Denisa Kollarová and Anna van Lingen on the work of the Dutch architect Aldo van Eyck (1918–1999), who designed hundreds of playgrounds in Amsterdam between the 1950s and 1970s. These playgrounds, characterised by simple metal structures and concrete elements, enabled children to develop autonomy and creativity through(...)
Architecture, monographies
janvier 2024
Aldo van Eyck: Seventeen 18, 19... Playgrounds
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''Seventeen Playgrounds'' is a research project by Denisa Kollarová and Anna van Lingen on the work of the Dutch architect Aldo van Eyck (1918–1999), who designed hundreds of playgrounds in Amsterdam between the 1950s and 1970s. These playgrounds, characterised by simple metal structures and concrete elements, enabled children to develop autonomy and creativity through play. The research began as a mapping of the few surviving sites still present in Amsterdam’s cityscape, developed within the Graphic Design course at the Gerrit Rietveld Academie, and was first published by Lecturis (NL) in 2015. This second edition is co-published with the Faculty of Fine Arts at the Technical University of Brno (CZ).
Architecture, monographies
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Six projects by Barozzi Veiga, founded in Barcelona in 2004, are featured in this edition, among them a music school in Brunico, a dance school in Zürich, the Cantonal Museum of Fine Arts in Lausanne, and the House in Cretas, Teruel. The magazine, which names the architects as a Spanish studio with the greatest international potential, also reflects on how they aim to(...)
AV Proyectos 073: Dossier Barozzi Vega
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Six projects by Barozzi Veiga, founded in Barcelona in 2004, are featured in this edition, among them a music school in Brunico, a dance school in Zürich, the Cantonal Museum of Fine Arts in Lausanne, and the House in Cretas, Teruel. The magazine, which names the architects as a Spanish studio with the greatest international potential, also reflects on how they aim to combine a building’s autonomy with the context’s specific conditions. Also in this issue, an overview of the Spanish winners of Europan 13. One third of the awards went to Spanish teams, whether set up abroad or through international partnerships, who tackled “The Adaptable City II” with marked enthusiasm.
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