4065 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1986.PR08
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Russell Residence in Lake Bay, near in Tacoma, Washington, United States. Oberlander worked on this project in 1986-1989 with architect Arthur Erickson. The project consisted in building a new house and garden on the 300 acres family farm, located on a promotery overlooking Puget Sound. The landscape design included the planting of rhododendrons nestled into the woodland along one side of the looped drive leading to a parking area, and an herbs and vegetables garden next to the house, near the dining room. Oberlander created a meadow area at the centre of the loop entrance drive with spring bulbs and summer wildflowers providing interest at all seasons. The project was completed in 1989. The project series contains sketches, design development drawings, including plans of the herbs and vegetables gardens, planting plans and schematic landscape plans, and working drawings, including planting plans, site plans and grading plans. The project is also documented through Oberlander's concept notes, research material, landscape specifications, correspondence with client and architects, and financial documents. The project series also comprises photographs of Cornelia Hahn Oberlander and other visiting the site, and photographs of the construction of the residence and landspace work.
AP075.S1.1986.PR08
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Russell Residence in Lake Bay, near in Tacoma, Washington, United States. Oberlander worked on this project in 1986-1989 with architect Arthur Erickson. The project consisted in building a new house and garden on the 300 acres family farm, located on a promotery overlooking Puget Sound. The landscape design included the planting of rhododendrons nestled into the woodland along one side of the looped drive leading to a parking area, and an herbs and vegetables garden next to the house, near the dining room. Oberlander created a meadow area at the centre of the loop entrance drive with spring bulbs and summer wildflowers providing interest at all seasons. The project was completed in 1989. The project series contains sketches, design development drawings, including plans of the herbs and vegetables gardens, planting plans and schematic landscape plans, and working drawings, including planting plans, site plans and grading plans. The project is also documented through Oberlander's concept notes, research material, landscape specifications, correspondence with client and architects, and financial documents. The project series also comprises photographs of Cornelia Hahn Oberlander and other visiting the site, and photographs of the construction of the residence and landspace work.
Personnes et institutions:
Date:
1985-1998
1985-1998
Titre:
Russell Residence, Tacoma, Washington (1986)
Actions:
AP075.S1.1986.PR08
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Russell Residence in Lake Bay, near in Tacoma, Washington, United States. Oberlander worked on this project in 1986-1989 with architect Arthur Erickson. The project consisted in building a new house and garden on the 300 acres family farm, located on a promotery overlooking Puget Sound. The landscape design included the planting of rhododendrons nestled into the woodland along one side of the looped drive leading to a parking area, and an herbs and vegetables garden next to the house, near the dining room. Oberlander created a meadow area at the centre of the loop entrance drive with spring bulbs and summer wildflowers providing interest at all seasons. The project was completed in 1989. The project series contains sketches, design development drawings, including plans of the herbs and vegetables gardens, planting plans and schematic landscape plans, and working drawings, including planting plans, site plans and grading plans. The project is also documented through Oberlander's concept notes, research material, landscape specifications, correspondence with client and architects, and financial documents. The project series also comprises photographs of Cornelia Hahn Oberlander and other visiting the site, and photographs of the construction of the residence and landspace work.
Russell Residence, Tacoma, Washington (1986)
Actions:
AP075.S1.1986.PR08
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Russell Residence in Lake Bay, near in Tacoma, Washington, United States. Oberlander worked on this project in 1986-1989 with architect Arthur Erickson. The project consisted in building a new house and garden on the 300 acres family farm, located on a promotery overlooking Puget Sound. The landscape design included the planting of rhododendrons nestled into the woodland along one side of the looped drive leading to a parking area, and an herbs and vegetables garden next to the house, near the dining room. Oberlander created a meadow area at the centre of the loop entrance drive with spring bulbs and summer wildflowers providing interest at all seasons. The project was completed in 1989. The project series contains sketches, design development drawings, including plans of the herbs and vegetables gardens, planting plans and schematic landscape plans, and working drawings, including planting plans, site plans and grading plans. The project is also documented through Oberlander's concept notes, research material, landscape specifications, correspondence with client and architects, and financial documents. The project series also comprises photographs of Cornelia Hahn Oberlander and other visiting the site, and photographs of the construction of the residence and landspace work.
Niveau de description archivistique:
Project
Project
Date:
1985-1998
1985-1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
BTDB Computer
BTDB Computer
Numéro de référence:
AP144.S2.D70
Description:
File documents the executed project for an office building to house the computer facilities of the British Transport Docks Board (BTDB) at Bulls Bridge and Hayes Road, in Southall, Ealing, England. The building has few doors and no corridors, rooms for computers, data control and preparation, and offices for engineers, programmers, and analysts. The client anticipated a 20% expansion of facilities during the life-cycle of the building and Cedric Price developed designs for "expanding" the building without interrupting computer services which were to run 24 hours a day. Design included interior walls that can be dismounted and reinstalled, a raised flexible floor system, and an exterior cladding system that allowed for an interchange between opaque and transparent panels. Existing conditions material includes an ordinance survey (1963) and floor plans for an unidentified building. Design development and working drawings include site plans, floor plans, sections, elevations, and construction details. The plans show: circulation patterns and relationships between areas; a series of alternate floor plans for computer room expansion; connections between original and expanded services; the computer room and equipment; furniture layout; framing and structure; and plans for acoustic and visual barriers. Also included are axonometric drawings of the phased development/expansion of the structure; design validation charts which measure projected "required" design elements against observation and investigation; environmental control charts exploring alternate proposals for illumination, ventilation, air, temperature, and acoustic control of certain areas, and diagrammatic sections showing environmental controls for air intake, returns and circulation; project requirements charts; project task sequencing diagrams; perspective drawings; elevations and sections for an illuminated sign; and details and wall sections for the exterior cladding. Twenty-nine individual and 60 sets of reprographic copies are stamped "issued contractor". Material for publication includes: details, site plans, floor plans and exterior elevations, b/w post-construction photographs, and a photo collage. Some material from this file was published in: Price, Cedric, "ECHOES: Environment Controlled Human Operational Enclosed Spaces", 'Architectural Design' (October 1969), 547-552; "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 25; Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 82-83, 112, 113. Material in this file was produced between 1966 and 1984, but predominantly between 1968 and 1973. Sandy Brown appears as the acoustics consultant and Zisman, Bowyer & Partners appear as the services consultants in this file. File contains design development drawings, working drawings, reference drawings, photographic materials, and textual records.
AP144.S2.D70
Description:
File documents the executed project for an office building to house the computer facilities of the British Transport Docks Board (BTDB) at Bulls Bridge and Hayes Road, in Southall, Ealing, England. The building has few doors and no corridors, rooms for computers, data control and preparation, and offices for engineers, programmers, and analysts. The client anticipated a 20% expansion of facilities during the life-cycle of the building and Cedric Price developed designs for "expanding" the building without interrupting computer services which were to run 24 hours a day. Design included interior walls that can be dismounted and reinstalled, a raised flexible floor system, and an exterior cladding system that allowed for an interchange between opaque and transparent panels. Existing conditions material includes an ordinance survey (1963) and floor plans for an unidentified building. Design development and working drawings include site plans, floor plans, sections, elevations, and construction details. The plans show: circulation patterns and relationships between areas; a series of alternate floor plans for computer room expansion; connections between original and expanded services; the computer room and equipment; furniture layout; framing and structure; and plans for acoustic and visual barriers. Also included are axonometric drawings of the phased development/expansion of the structure; design validation charts which measure projected "required" design elements against observation and investigation; environmental control charts exploring alternate proposals for illumination, ventilation, air, temperature, and acoustic control of certain areas, and diagrammatic sections showing environmental controls for air intake, returns and circulation; project requirements charts; project task sequencing diagrams; perspective drawings; elevations and sections for an illuminated sign; and details and wall sections for the exterior cladding. Twenty-nine individual and 60 sets of reprographic copies are stamped "issued contractor". Material for publication includes: details, site plans, floor plans and exterior elevations, b/w post-construction photographs, and a photo collage. Some material from this file was published in: Price, Cedric, "ECHOES: Environment Controlled Human Operational Enclosed Spaces", 'Architectural Design' (October 1969), 547-552; "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 25; Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 82-83, 112, 113. Material in this file was produced between 1966 and 1984, but predominantly between 1968 and 1973. Sandy Brown appears as the acoustics consultant and Zisman, Bowyer & Partners appear as the services consultants in this file. File contains design development drawings, working drawings, reference drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1966-1984, predominant 1968-1973
1966-1984, predominant 1968-1973
Titre:
BTDB Computer
Actions:
AP144.S2.D70
Description:
File documents the executed project for an office building to house the computer facilities of the British Transport Docks Board (BTDB) at Bulls Bridge and Hayes Road, in Southall, Ealing, England. The building has few doors and no corridors, rooms for computers, data control and preparation, and offices for engineers, programmers, and analysts. The client anticipated a 20% expansion of facilities during the life-cycle of the building and Cedric Price developed designs for "expanding" the building without interrupting computer services which were to run 24 hours a day. Design included interior walls that can be dismounted and reinstalled, a raised flexible floor system, and an exterior cladding system that allowed for an interchange between opaque and transparent panels. Existing conditions material includes an ordinance survey (1963) and floor plans for an unidentified building. Design development and working drawings include site plans, floor plans, sections, elevations, and construction details. The plans show: circulation patterns and relationships between areas; a series of alternate floor plans for computer room expansion; connections between original and expanded services; the computer room and equipment; furniture layout; framing and structure; and plans for acoustic and visual barriers. Also included are axonometric drawings of the phased development/expansion of the structure; design validation charts which measure projected "required" design elements against observation and investigation; environmental control charts exploring alternate proposals for illumination, ventilation, air, temperature, and acoustic control of certain areas, and diagrammatic sections showing environmental controls for air intake, returns and circulation; project requirements charts; project task sequencing diagrams; perspective drawings; elevations and sections for an illuminated sign; and details and wall sections for the exterior cladding. Twenty-nine individual and 60 sets of reprographic copies are stamped "issued contractor". Material for publication includes: details, site plans, floor plans and exterior elevations, b/w post-construction photographs, and a photo collage. Some material from this file was published in: Price, Cedric, "ECHOES: Environment Controlled Human Operational Enclosed Spaces", 'Architectural Design' (October 1969), 547-552; "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 25; Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 82-83, 112, 113. Material in this file was produced between 1966 and 1984, but predominantly between 1968 and 1973. Sandy Brown appears as the acoustics consultant and Zisman, Bowyer & Partners appear as the services consultants in this file. File contains design development drawings, working drawings, reference drawings, photographic materials, and textual records.
BTDB Computer
Actions:
AP144.S2.D70
Description:
File documents the executed project for an office building to house the computer facilities of the British Transport Docks Board (BTDB) at Bulls Bridge and Hayes Road, in Southall, Ealing, England. The building has few doors and no corridors, rooms for computers, data control and preparation, and offices for engineers, programmers, and analysts. The client anticipated a 20% expansion of facilities during the life-cycle of the building and Cedric Price developed designs for "expanding" the building without interrupting computer services which were to run 24 hours a day. Design included interior walls that can be dismounted and reinstalled, a raised flexible floor system, and an exterior cladding system that allowed for an interchange between opaque and transparent panels. Existing conditions material includes an ordinance survey (1963) and floor plans for an unidentified building. Design development and working drawings include site plans, floor plans, sections, elevations, and construction details. The plans show: circulation patterns and relationships between areas; a series of alternate floor plans for computer room expansion; connections between original and expanded services; the computer room and equipment; furniture layout; framing and structure; and plans for acoustic and visual barriers. Also included are axonometric drawings of the phased development/expansion of the structure; design validation charts which measure projected "required" design elements against observation and investigation; environmental control charts exploring alternate proposals for illumination, ventilation, air, temperature, and acoustic control of certain areas, and diagrammatic sections showing environmental controls for air intake, returns and circulation; project requirements charts; project task sequencing diagrams; perspective drawings; elevations and sections for an illuminated sign; and details and wall sections for the exterior cladding. Twenty-nine individual and 60 sets of reprographic copies are stamped "issued contractor". Material for publication includes: details, site plans, floor plans and exterior elevations, b/w post-construction photographs, and a photo collage. Some material from this file was published in: Price, Cedric, "ECHOES: Environment Controlled Human Operational Enclosed Spaces", 'Architectural Design' (October 1969), 547-552; "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 25; Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 82-83, 112, 113. Material in this file was produced between 1966 and 1984, but predominantly between 1968 and 1973. Sandy Brown appears as the acoustics consultant and Zisman, Bowyer & Partners appear as the services consultants in this file. File contains design development drawings, working drawings, reference drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 70
File 70
Date:
1966-1984, predominant 1968-1973
1966-1984, predominant 1968-1973
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
Personnes et institutions:
Date:
1991-2001
1991-2001
Titre:
C. K. Choi Institute of Asian Research, University of British Columbia, Vancouver, British Columbia (1993-1996)
Actions:
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
C. K. Choi Institute of Asian Research, University of British Columbia, Vancouver, British Columbia (1993-1996)
Actions:
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
Niveau de description archivistique:
Project
Project
Date:
1991-2001
1991-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1969.PR01
Description:
This project series documents the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1969-1974. The office identified the project as number 69006. This project consisted of the vast expansion of the AGO that began in 1969, which largely came about due to a multi-million dollar donation from English sculpture Henry Moore. Most prominent in this project was the design and construction of the Henry Moore Sculpture Centre, a new gallery to house the extensive artworks of Henry Moore in the AGO’s collection. This included $15 million’s worth of art that Moore donated at the start of the project. The project was made up of two phases. The first included construction of the Henry Moore Sculpture Centre, the Sam and Ayala Zacks Wing, a link to the pre-existing Grange mansion, and updates to the art gallery’s finishes. The second phase proposed additional updates to existing finishes. By the end of this project, the architects had also added a public lounge, dining room and cafeteria, a members’ lounge, lecture areas (including the Henry Moore Lecture Hall), classrooms, and spaces for the gallery’s special services. The work was further divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. Before this work had been completed, a “Stage II” to the expansion had already been approved by the owners (Stage II is also included in this fonds, see AP018.S1.1972.PR08). In the documentation, this project was originally called the Henry Moore Sculpture Centre, Art Gallery of Ontario, Expansion Phases 1 and 2. However, as multiple stages to the expansion developed later on, this project eventually became known as the Stage I Expansion. While the project contract was originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, textual records, and mounted photographs dating from 1968-1986. There are numerous original drawings showing the design development of the new galleries. Two presentation boards show photographs of the project model. The textual records consist of correspondence with contractors and clients, inspection and other site reports, specifications, contract data, consultancy records, schedules, change orders, financial documentation, conference reports, area calculations, research materials, detail planning records, and project notebooks. Box AP018.S1.1969.PR01.007 contains an index to the textual records, which was created by the office. This project series also contains one box of textual documentation that spans across multiple project series related to the AGO expansion within this fonds (see AP018.S1.1969.PR01.044). This includes press releases, newspaper articles, project proposals and studies, correspondence with Henry Moore, meeting minutes and reports.
AP018.S1.1969.PR01
Description:
This project series documents the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1969-1974. The office identified the project as number 69006. This project consisted of the vast expansion of the AGO that began in 1969, which largely came about due to a multi-million dollar donation from English sculpture Henry Moore. Most prominent in this project was the design and construction of the Henry Moore Sculpture Centre, a new gallery to house the extensive artworks of Henry Moore in the AGO’s collection. This included $15 million’s worth of art that Moore donated at the start of the project. The project was made up of two phases. The first included construction of the Henry Moore Sculpture Centre, the Sam and Ayala Zacks Wing, a link to the pre-existing Grange mansion, and updates to the art gallery’s finishes. The second phase proposed additional updates to existing finishes. By the end of this project, the architects had also added a public lounge, dining room and cafeteria, a members’ lounge, lecture areas (including the Henry Moore Lecture Hall), classrooms, and spaces for the gallery’s special services. The work was further divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. Before this work had been completed, a “Stage II” to the expansion had already been approved by the owners (Stage II is also included in this fonds, see AP018.S1.1972.PR08). In the documentation, this project was originally called the Henry Moore Sculpture Centre, Art Gallery of Ontario, Expansion Phases 1 and 2. However, as multiple stages to the expansion developed later on, this project eventually became known as the Stage I Expansion. While the project contract was originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, textual records, and mounted photographs dating from 1968-1986. There are numerous original drawings showing the design development of the new galleries. Two presentation boards show photographs of the project model. The textual records consist of correspondence with contractors and clients, inspection and other site reports, specifications, contract data, consultancy records, schedules, change orders, financial documentation, conference reports, area calculations, research materials, detail planning records, and project notebooks. Box AP018.S1.1969.PR01.007 contains an index to the textual records, which was created by the office. This project series also contains one box of textual documentation that spans across multiple project series related to the AGO expansion within this fonds (see AP018.S1.1969.PR01.044). This includes press releases, newspaper articles, project proposals and studies, correspondence with Henry Moore, meeting minutes and reports.
Personnes et institutions:
Date:
1968-1986
1968-1986
Titre:
Henry Moore Sculpture Centre, Art Gallery of Ontario, Stage I Expansion, Toronto (1969-1974)
Actions:
AP018.S1.1969.PR01
Description:
This project series documents the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1969-1974. The office identified the project as number 69006. This project consisted of the vast expansion of the AGO that began in 1969, which largely came about due to a multi-million dollar donation from English sculpture Henry Moore. Most prominent in this project was the design and construction of the Henry Moore Sculpture Centre, a new gallery to house the extensive artworks of Henry Moore in the AGO’s collection. This included $15 million’s worth of art that Moore donated at the start of the project. The project was made up of two phases. The first included construction of the Henry Moore Sculpture Centre, the Sam and Ayala Zacks Wing, a link to the pre-existing Grange mansion, and updates to the art gallery’s finishes. The second phase proposed additional updates to existing finishes. By the end of this project, the architects had also added a public lounge, dining room and cafeteria, a members’ lounge, lecture areas (including the Henry Moore Lecture Hall), classrooms, and spaces for the gallery’s special services. The work was further divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. Before this work had been completed, a “Stage II” to the expansion had already been approved by the owners (Stage II is also included in this fonds, see AP018.S1.1972.PR08). In the documentation, this project was originally called the Henry Moore Sculpture Centre, Art Gallery of Ontario, Expansion Phases 1 and 2. However, as multiple stages to the expansion developed later on, this project eventually became known as the Stage I Expansion. While the project contract was originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, textual records, and mounted photographs dating from 1968-1986. There are numerous original drawings showing the design development of the new galleries. Two presentation boards show photographs of the project model. The textual records consist of correspondence with contractors and clients, inspection and other site reports, specifications, contract data, consultancy records, schedules, change orders, financial documentation, conference reports, area calculations, research materials, detail planning records, and project notebooks. Box AP018.S1.1969.PR01.007 contains an index to the textual records, which was created by the office. This project series also contains one box of textual documentation that spans across multiple project series related to the AGO expansion within this fonds (see AP018.S1.1969.PR01.044). This includes press releases, newspaper articles, project proposals and studies, correspondence with Henry Moore, meeting minutes and reports.
Henry Moore Sculpture Centre, Art Gallery of Ontario, Stage I Expansion, Toronto (1969-1974)
Actions:
AP018.S1.1969.PR01
Description:
This project series documents the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1969-1974. The office identified the project as number 69006. This project consisted of the vast expansion of the AGO that began in 1969, which largely came about due to a multi-million dollar donation from English sculpture Henry Moore. Most prominent in this project was the design and construction of the Henry Moore Sculpture Centre, a new gallery to house the extensive artworks of Henry Moore in the AGO’s collection. This included $15 million’s worth of art that Moore donated at the start of the project. The project was made up of two phases. The first included construction of the Henry Moore Sculpture Centre, the Sam and Ayala Zacks Wing, a link to the pre-existing Grange mansion, and updates to the art gallery’s finishes. The second phase proposed additional updates to existing finishes. By the end of this project, the architects had also added a public lounge, dining room and cafeteria, a members’ lounge, lecture areas (including the Henry Moore Lecture Hall), classrooms, and spaces for the gallery’s special services. The work was further divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. Before this work had been completed, a “Stage II” to the expansion had already been approved by the owners (Stage II is also included in this fonds, see AP018.S1.1972.PR08). In the documentation, this project was originally called the Henry Moore Sculpture Centre, Art Gallery of Ontario, Expansion Phases 1 and 2. However, as multiple stages to the expansion developed later on, this project eventually became known as the Stage I Expansion. While the project contract was originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, textual records, and mounted photographs dating from 1968-1986. There are numerous original drawings showing the design development of the new galleries. Two presentation boards show photographs of the project model. The textual records consist of correspondence with contractors and clients, inspection and other site reports, specifications, contract data, consultancy records, schedules, change orders, financial documentation, conference reports, area calculations, research materials, detail planning records, and project notebooks. Box AP018.S1.1969.PR01.007 contains an index to the textual records, which was created by the office. This project series also contains one box of textual documentation that spans across multiple project series related to the AGO expansion within this fonds (see AP018.S1.1969.PR01.044). This includes press releases, newspaper articles, project proposals and studies, correspondence with Henry Moore, meeting minutes and reports.
Niveau de description archivistique:
Project
Project
Date:
1968-1986
1968-1986
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1988.PR07.SS1
Description:
This project subseries documents the reconstruction of Chiado in Lisbon, Portugal. The office assigned the dates 1988-1998 for this project. This subseries documents the master plans and exterior spaces work. It also includes general documentation and photographic studies for the project. Drawings include studies, working drawings, mechanical drawings, technical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Related subseries to this project includes : 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
AP178.S1.1988.PR07.SS1
Description:
This project subseries documents the reconstruction of Chiado in Lisbon, Portugal. The office assigned the dates 1988-1998 for this project. This subseries documents the master plans and exterior spaces work. It also includes general documentation and photographic studies for the project. Drawings include studies, working drawings, mechanical drawings, technical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Related subseries to this project includes : 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
Personnes et institutions:
Date:
1970-2003
1970-2003
Titre:
Reconstrução do Chiado [Master plans and exterior space, reconstruction of the Chiado area], Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS1
Description:
This project subseries documents the reconstruction of Chiado in Lisbon, Portugal. The office assigned the dates 1988-1998 for this project. This subseries documents the master plans and exterior spaces work. It also includes general documentation and photographic studies for the project. Drawings include studies, working drawings, mechanical drawings, technical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Related subseries to this project includes : 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
Reconstrução do Chiado [Master plans and exterior space, reconstruction of the Chiado area], Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS1
Description:
This project subseries documents the reconstruction of Chiado in Lisbon, Portugal. The office assigned the dates 1988-1998 for this project. This subseries documents the master plans and exterior spaces work. It also includes general documentation and photographic studies for the project. Drawings include studies, working drawings, mechanical drawings, technical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Related subseries to this project includes : 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
Niveau de description archivistique:
Project
Project
Date:
1970-2003
1970-2003
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Hair Tent
Hair Tent
Numéro de référence:
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1963-1971
1963-1971
Titre:
Hair Tent
Actions:
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
Hair Tent
Actions:
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 76
File 76
Date:
1963-1971
1963-1971
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1991.PR04
Description:
This project series documents Phase 2A of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1992. The office identified the project number as 9104. This project consisted of interior work for part of the company's headquarters and was the second in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase included office areas for the engineering soft toys department, the creative services department, human resources and legal services, as well as a fabric library, fabric storage room, conference rooms, and a presentation theatre with a curved backdrop. Planning for the next phase and an east wing also began during this time. The project is recorded through drawings and a project model dating from 1988-1992. These are mostly original drawings and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the office furniture.
AP056.S1.1991.PR04
Description:
This project series documents Phase 2A of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1992. The office identified the project number as 9104. This project consisted of interior work for part of the company's headquarters and was the second in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase included office areas for the engineering soft toys department, the creative services department, human resources and legal services, as well as a fabric library, fabric storage room, conference rooms, and a presentation theatre with a curved backdrop. Planning for the next phase and an east wing also began during this time. The project is recorded through drawings and a project model dating from 1988-1992. These are mostly original drawings and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the office furniture.
Personnes et institutions:
Date:
1988-1992
1988-1992
Titre:
Hasbro Headquarters, Phase 2A, Rhode Island (1991-1992)
Actions:
AP056.S1.1991.PR04
Description:
This project series documents Phase 2A of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1992. The office identified the project number as 9104. This project consisted of interior work for part of the company's headquarters and was the second in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase included office areas for the engineering soft toys department, the creative services department, human resources and legal services, as well as a fabric library, fabric storage room, conference rooms, and a presentation theatre with a curved backdrop. Planning for the next phase and an east wing also began during this time. The project is recorded through drawings and a project model dating from 1988-1992. These are mostly original drawings and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the office furniture.
Hasbro Headquarters, Phase 2A, Rhode Island (1991-1992)
Actions:
AP056.S1.1991.PR04
Description:
This project series documents Phase 2A of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1992. The office identified the project number as 9104. This project consisted of interior work for part of the company's headquarters and was the second in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase included office areas for the engineering soft toys department, the creative services department, human resources and legal services, as well as a fabric library, fabric storage room, conference rooms, and a presentation theatre with a curved backdrop. Planning for the next phase and an east wing also began during this time. The project is recorded through drawings and a project model dating from 1988-1992. These are mostly original drawings and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the office furniture.
Niveau de description archivistique:
Project
Project
Date:
1988-1992
1988-1992
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP154.S1.1973.PR01.SS2
Description:
Sub-series AP154.S1.1973.PR01.SS2 Addition from Pasanella + Klein Stolzman + Berg (2007) contains records donated by Pasanella + Klein Stolzman + Berg in 2007. The sub-series documents interior design and renovation projects by Pasanella + Klein or Pasanella + Klein Stolzman + Berg dating from approximately 1978 to 2007. Some of the projects in this subseries have been identified by Tom Stetz as being related to Article 26 of the 1980 lease agreement between the landlord Teachers Insurance and Annuity Association of America and the tenant Joseph E. Seagram and Sons. A copy of the lease agreement is present among the textual records of this subseries. Renovation projects documented in this sub-series include interior design projects for the 5th and 6th floors, proposed modifications for the "Picasso Alley" area, and unrealized schemes for an elevator and wheelchair ramp for the plaza. There are also some original drawings for furniture designs. The sub-series also inlcudes digital files containing font typefaces for the building's display alphabet. A substantial part of the subseries is composed of documents from the 1950 and 1960s that are related to the original design and construction of the Seagram Building. These documents include twelve rolls containing approximately 500 copies of working drawings from the period 1955-1963. The original design is further documented by a 1955 outline of specifications for work and materials.
AP154.S1.1973.PR01.SS2
Description:
Sub-series AP154.S1.1973.PR01.SS2 Addition from Pasanella + Klein Stolzman + Berg (2007) contains records donated by Pasanella + Klein Stolzman + Berg in 2007. The sub-series documents interior design and renovation projects by Pasanella + Klein or Pasanella + Klein Stolzman + Berg dating from approximately 1978 to 2007. Some of the projects in this subseries have been identified by Tom Stetz as being related to Article 26 of the 1980 lease agreement between the landlord Teachers Insurance and Annuity Association of America and the tenant Joseph E. Seagram and Sons. A copy of the lease agreement is present among the textual records of this subseries. Renovation projects documented in this sub-series include interior design projects for the 5th and 6th floors, proposed modifications for the "Picasso Alley" area, and unrealized schemes for an elevator and wheelchair ramp for the plaza. There are also some original drawings for furniture designs. The sub-series also inlcudes digital files containing font typefaces for the building's display alphabet. A substantial part of the subseries is composed of documents from the 1950 and 1960s that are related to the original design and construction of the Seagram Building. These documents include twelve rolls containing approximately 500 copies of working drawings from the period 1955-1963. The original design is further documented by a 1955 outline of specifications for work and materials.
Personnes et institutions:
Date:
1955-2007
1955-2007
Titre:
Addition from Pasanella + Klein Stolzman + Berg (2007)
Actions:
AP154.S1.1973.PR01.SS2
Description:
Sub-series AP154.S1.1973.PR01.SS2 Addition from Pasanella + Klein Stolzman + Berg (2007) contains records donated by Pasanella + Klein Stolzman + Berg in 2007. The sub-series documents interior design and renovation projects by Pasanella + Klein or Pasanella + Klein Stolzman + Berg dating from approximately 1978 to 2007. Some of the projects in this subseries have been identified by Tom Stetz as being related to Article 26 of the 1980 lease agreement between the landlord Teachers Insurance and Annuity Association of America and the tenant Joseph E. Seagram and Sons. A copy of the lease agreement is present among the textual records of this subseries. Renovation projects documented in this sub-series include interior design projects for the 5th and 6th floors, proposed modifications for the "Picasso Alley" area, and unrealized schemes for an elevator and wheelchair ramp for the plaza. There are also some original drawings for furniture designs. The sub-series also inlcudes digital files containing font typefaces for the building's display alphabet. A substantial part of the subseries is composed of documents from the 1950 and 1960s that are related to the original design and construction of the Seagram Building. These documents include twelve rolls containing approximately 500 copies of working drawings from the period 1955-1963. The original design is further documented by a 1955 outline of specifications for work and materials.
Addition from Pasanella + Klein Stolzman + Berg (2007)
Actions:
AP154.S1.1973.PR01.SS2
Description:
Sub-series AP154.S1.1973.PR01.SS2 Addition from Pasanella + Klein Stolzman + Berg (2007) contains records donated by Pasanella + Klein Stolzman + Berg in 2007. The sub-series documents interior design and renovation projects by Pasanella + Klein or Pasanella + Klein Stolzman + Berg dating from approximately 1978 to 2007. Some of the projects in this subseries have been identified by Tom Stetz as being related to Article 26 of the 1980 lease agreement between the landlord Teachers Insurance and Annuity Association of America and the tenant Joseph E. Seagram and Sons. A copy of the lease agreement is present among the textual records of this subseries. Renovation projects documented in this sub-series include interior design projects for the 5th and 6th floors, proposed modifications for the "Picasso Alley" area, and unrealized schemes for an elevator and wheelchair ramp for the plaza. There are also some original drawings for furniture designs. The sub-series also inlcudes digital files containing font typefaces for the building's display alphabet. A substantial part of the subseries is composed of documents from the 1950 and 1960s that are related to the original design and construction of the Seagram Building. These documents include twelve rolls containing approximately 500 copies of working drawings from the period 1955-1963. The original design is further documented by a 1955 outline of specifications for work and materials.
Niveau de description archivistique:
Project
Project
Date:
1955-2007
1955-2007
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Álvaro Siza
Fonds Álvaro Siza
Numéro de référence:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Personnes et institutions:
Date:
1958-2002
1958-2002
Titre:
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1958-2002
1958-2002
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
Personnes et institutions:
Date:
1988-1998
1988-1998
Titre:
Edifício Castro e Melo, Bloco A, Reconstrução do Chiado [Castro & Melo building, Block A, Reconstruction of the Chiado] Lisbon, Portugal, 1988-1998
Actions:
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
Edifício Castro e Melo, Bloco A, Reconstrução do Chiado [Castro & Melo building, Block A, Reconstruction of the Chiado] Lisbon, Portugal, 1988-1998
Actions:
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
Niveau de description archivistique:
Project
Project
Date:
1988-1998
1988-1998
Personnes et institutions:
