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In this collection, Solnit turns her attention to battles over meaning, place, language, and belonging at the heart of the defining crises of our time. She explores the way emotions shape political life, electoral politics, police shootings and gentrification, the life of an extraordinary man on death row, the pipeline protest at Standing Rock, and the existential threat(...)
septembre 2018
Call them by their true names: American crises (and essays)
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In this collection, Solnit turns her attention to battles over meaning, place, language, and belonging at the heart of the defining crises of our time. She explores the way emotions shape political life, electoral politics, police shootings and gentrification, the life of an extraordinary man on death row, the pipeline protest at Standing Rock, and the existential threat posed by climate change. The work of changing the world sometimes requires changing the story, the names, and inventing or popularizing new names and terms and phrases. Calling things by their true names can also cut through the lies that excuse, disguise, avoid, or encourage inaction, indifference, obliviousness in the face of injustice and violence.
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Never before have so many high-rises been built. Spectacular skyscrapers with landmark character are not only appearing in boom cities like Dubai and Beijing or in the USA — the high-rise is also experiencing a renaissance in Europe. No type of building generates stronger emotions, but differentiated debate on these tower blocks only began recently. It is no longer merely(...)
Gratte-ciels
janvier 2009, Berlin
The international highrise awards 2008
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Never before have so many high-rises been built. Spectacular skyscrapers with landmark character are not only appearing in boom cities like Dubai and Beijing or in the USA — the high-rise is also experiencing a renaissance in Europe. No type of building generates stronger emotions, but differentiated debate on these tower blocks only began recently. It is no longer merely a question of how many meters tall, but of new qualities in the construction of high-rise buildings, e.g. energy efficiency, sustainability, and social, economic and ecological compatibility. The projects of the International Highrise Award 2008 demonstrate current developments and so present the full range of contemporary high-rise construction, from utilisation to site-specifics.
Gratte-ciels
Prebooks / I Prelibri
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The PREBOOKS, published for the first time by Bruno Danese in 1980, are a series composed by twelve small books ideally dedicated to very young children which have not yet learned how to read or write. These twelve little books (10 x 10 cm) are designed to fit into small hands and come in many different and unusual colours, bindings and materials. They offer a variety of(...)
Prebooks / I Prelibri
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$250.00
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The PREBOOKS, published for the first time by Bruno Danese in 1980, are a series composed by twelve small books ideally dedicated to very young children which have not yet learned how to read or write. These twelve little books (10 x 10 cm) are designed to fit into small hands and come in many different and unusual colours, bindings and materials. They offer a variety of stimuli, sensations and emotions, raising from perceptions and images: “they should give the sensation that books are indeed objects made like this and that they contain a wide array of surprises. Culture comes out of surprises, which are things that were unknown before” (B. Munari).
Littérature jeunesse
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173 pages : illustrations (chiefly color) ; 30 cm
Paris : Ulmer, [2018]
Minéral végétal : deux visions du jardin / Jean-Michel Wilmotte, architecte, Jean Mus, paysagiste ; propos recueillis par Dane McDowell.
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173 pages : illustrations (chiefly color) ; 30 cm
livres
Paris : Ulmer, [2018]
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Skateboarders are an increasingly common feature of the urban environment - recent estimates total 40 million world-wide. We are all aware of their often extraordinary talent and manoeuvres on the city streets. This book is the first detailed study of the urban phenomenon of skateboarding. It looks at skateboarding history from the surf-beaches of California in the 1950s,(...)
Skateboarding, space and the city: Architecture and the body
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Skateboarders are an increasingly common feature of the urban environment - recent estimates total 40 million world-wide. We are all aware of their often extraordinary talent and manoeuvres on the city streets. This book is the first detailed study of the urban phenomenon of skateboarding. It looks at skateboarding history from the surf-beaches of California in the 1950s, through the purpose-built skateparks of the 1970s, to the street-skating of the present day and shows how skateboarders experience and understand the city through their sport. Dismissive of authority and convention, skateboarders suggest that the city is not just a place for working and shopping but a true pleasure-ground, a place where the human body, emotions and energy can be expressed to the full.
Espaces Public
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''Daddy wouldn't buy me a Bauhaus'' collects the writings of legendary British wordsmith Janet Abrams for the first time. From pivotal figures in international modernism to the pioneers of digital medium, Abrams explored the ideas, theories, and emotions that fueled their work. The book's twenty-six profiles, written in Abrams's signature, personal, often hilarious style,(...)
Daddy wouldn't buy me a Bauhaus: profiles in architecture and design
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''Daddy wouldn't buy me a Bauhaus'' collects the writings of legendary British wordsmith Janet Abrams for the first time. From pivotal figures in international modernism to the pioneers of digital medium, Abrams explored the ideas, theories, and emotions that fueled their work. The book's twenty-six profiles, written in Abrams's signature, personal, often hilarious style, include Reyner Banham, Berthold Lubetkin, Philip Johnson, Paul Rand, Phyllis Lambert, Frank Gehry, Rem Koolhaas, Muriel Cooper, April Greiman, and Michael Bloomberg. Many of the profiles are back in print for the first time, having originally appeared in Blueprint, I.D. magazine, the Independent, and in books and catalogs from the 1980s through the early 2000s. A foreword by Blueprint's founding editor, Deyan Sudjic, and new reflections by Abrams set the stage.
Théorie du design
Sophie: Voir la mer
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For Voir la mer, Sophie Calle invited inhabitants of Istanbul, who often originated from central Turkey, to see the sea for the first time. "I took 15 people of all ages, from kids to one man in his 80s once we were safely by the sea, I instructed them to take away their hands and look at it. Then, when they were ready--for some it was five minutes and for others 15--they(...)
Sophie: Voir la mer
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For Voir la mer, Sophie Calle invited inhabitants of Istanbul, who often originated from central Turkey, to see the sea for the first time. "I took 15 people of all ages, from kids to one man in his 80s once we were safely by the sea, I instructed them to take away their hands and look at it. Then, when they were ready--for some it was five minutes and for others 15--they had to turn to me and let me look at those eyes that had just seen the sea." The project was eventually composed of 14 five-minute videos, made for Calle by Caroline Champetier. Each person is filmed from behind, eventually turning to face the camera, revealing the emotions the experience has evoked.
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An exhibition catalogue from the Migros Museum featuring 21 artists and architects including Anish Kapoor, Jane and Louise Wilson, James Casebere, and Daniel Libeskind among others. The exhibition takes as its point of departure three contexts in which space occupies a central position: Sigmund Freud’s notion of “das Unheimliche” and psychoanalytical elaboration of(...)
novembre 2003, Zurich / Gdansk
Bewitched, bothered and bewildered : spatial emotion in contemporary art and architecture
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An exhibition catalogue from the Migros Museum featuring 21 artists and architects including Anish Kapoor, Jane and Louise Wilson, James Casebere, and Daniel Libeskind among others. The exhibition takes as its point of departure three contexts in which space occupies a central position: Sigmund Freud’s notion of “das Unheimliche” and psychoanalytical elaboration of space and its emotion; Michel Foucault’s other spaces – heterotopias and their counter-site qualities of socio-political implications; and Walter Benjamin’s outmoded and repressed space with all its auratic traces (fake or authentic) of philosophical and historic charge. “Bewitched, Bothered and Bewildered” aims to exploit the psychological associations of space with its multiplicity of emotional overtones, mapping its extremes and its psychic environment. Focusing on spatial pathologies (agoraphobia, vertigo, claustrophobia...), the exhibition identifies space as a cause of mental disorder, fear or estrangement, ultimate trauma. Hysteria, panic and neurosis overlap with other spatial stories of psychic unrest and unease: distortions and perversions (warped space); anxiety and enigmas (haunted space); spatial inconvenience and discomfort, perfectly domestic and yet alienating; space half-spoken, half-pronounced: a promise, a puzzle, a magic spell, temptation.
audio
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1 online resource.
[Place of publication not identified] : Urbanomic, 2020.
audio
[Place of publication not identified] : Urbanomic, 2020.
$28.00
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Tourism does more than transforming spaces and forcing emotions: its geographies also conceal a persisting power that captures the imagination. In their operational sturdiness, tourismscapes appear intractable and inert, making their alternative renderings almost unthinkable. It feels uncanny to picture islands and their coasts freed from programs of leisure. But in(...)
Islands after tourism: Escaping the monocultures of leisure
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Tourism does more than transforming spaces and forcing emotions: its geographies also conceal a persisting power that captures the imagination. In their operational sturdiness, tourismscapes appear intractable and inert, making their alternative renderings almost unthinkable. It feels uncanny to picture islands and their coasts freed from programs of leisure. But in recent years, the exhaustion of people and landscapes has brought forth a renewed imperative to think outside this ubiquitous extractive industry. Through essays, pieces of fiction, and visual references, this book discusses both the difficulty and the necessity of disrupting the monocultural imaginations of tourism. To escape the devouring vortex of its sticky nature and messianic promises, the cultural and political work necessary is not only this of negation and resistance, but also that of bold re-conceptualizations and re-imaginings.
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