6350 Résultats
Classification:
événements
événements
Actions:
Description:
Blake Fitzpatrick et Robert Del Tredici parlent de leurs recherches à Port Hope dans une conversation animée par Louise Désy, Conservateur, Photographies au CCA. Port Hope est la première ville de l’atome au Canada et la porte d’entrée du pays dans l’univers du nucléaire. En 1932, l’Eldorado Nuclear Ltd. y construit une raffinerie de radium à un jet de pierre de la rue(...)
Blake Fitzpatrick et Robert Del Tredici parlent de leurs recherches à Port Hope dans une conversation animée par Louise Désy, Conservateur, Photographies au CCA. Port Hope est la première ville de l’atome au Canada et la porte d’entrée du pays dans l’univers du nucléaire. En 1932, l’Eldorado Nuclear Ltd. y construit une raffinerie de radium à un jet de pierre de la rue(...)
Localisation:
Salles principales
Salles principales
Date:
25 mars 2017, 15h
25 mars 2017, 15h
Titre:
Port Hope à l'epoque des déchets nucléaires
Actions:
Description:
Blake Fitzpatrick et Robert Del Tredici parlent de leurs recherches à Port Hope dans une conversation animée par Louise Désy, Conservateur, Photographies au CCA. Port Hope est la première ville de l’atome au Canada et la porte d’entrée du pays dans l’univers du nucléaire. En 1932, l’Eldorado Nuclear Ltd. y construit une raffinerie de radium à un jet de pierre de la rue(...)
Port Hope à l'epoque des déchets nucléaires
Actions:
Description:
Blake Fitzpatrick et Robert Del Tredici parlent de leurs recherches à Port Hope dans une conversation animée par Louise Désy, Conservateur, Photographies au CCA. Port Hope est la première ville de l’atome au Canada et la porte d’entrée du pays dans l’univers du nucléaire. En 1932, l’Eldorado Nuclear Ltd. y construit une raffinerie de radium à un jet de pierre de la rue(...)
Classification:
événements
événements
Date:
25 mars 2017
15h
25 mars 2017
15h
Localisation:
Salles principales
Salles principales
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1964.PR04
Description:
This project series documents an office tower and additions to the Simpson's store at 401 Bay Street in Toronto from 1964-1968. The office identified the project number as 6408. This project consisted of a 585,000 square foot building with 9 low-rise levels and 23 high-rise office floors. The low-rise exteriors were visually separated from the office tower by their larger square footage and different façades. The lower exteriors were characterized by light amber metal panels and display windows of glass with stainless steel frames at the shopping levels. The building is wrapped from the ground to the top in concrete columns. The building contained the Simpson's store, barber shop, banking mezzanine, cafeteria, restaurant and cocktail lounge and headquarters office spaces. The project is recorded through reprographic copies of drawings and a presentation board of a photograph dating from 1966-1968. The drawings are a set of construction plans, sections, details, elevations, project graphics, layouts, and schedules.
AP018.S1.1964.PR04
Description:
This project series documents an office tower and additions to the Simpson's store at 401 Bay Street in Toronto from 1964-1968. The office identified the project number as 6408. This project consisted of a 585,000 square foot building with 9 low-rise levels and 23 high-rise office floors. The low-rise exteriors were visually separated from the office tower by their larger square footage and different façades. The lower exteriors were characterized by light amber metal panels and display windows of glass with stainless steel frames at the shopping levels. The building is wrapped from the ground to the top in concrete columns. The building contained the Simpson's store, barber shop, banking mezzanine, cafeteria, restaurant and cocktail lounge and headquarters office spaces. The project is recorded through reprographic copies of drawings and a presentation board of a photograph dating from 1966-1968. The drawings are a set of construction plans, sections, details, elevations, project graphics, layouts, and schedules.
Personnes et institutions:
Date:
1966-1968
1966-1968
Titre:
The Robert Simpson Company Limited Downtown Store, Office Tower and Additions, Toronto (1964-1968)
Actions:
AP018.S1.1964.PR04
Description:
This project series documents an office tower and additions to the Simpson's store at 401 Bay Street in Toronto from 1964-1968. The office identified the project number as 6408. This project consisted of a 585,000 square foot building with 9 low-rise levels and 23 high-rise office floors. The low-rise exteriors were visually separated from the office tower by their larger square footage and different façades. The lower exteriors were characterized by light amber metal panels and display windows of glass with stainless steel frames at the shopping levels. The building is wrapped from the ground to the top in concrete columns. The building contained the Simpson's store, barber shop, banking mezzanine, cafeteria, restaurant and cocktail lounge and headquarters office spaces. The project is recorded through reprographic copies of drawings and a presentation board of a photograph dating from 1966-1968. The drawings are a set of construction plans, sections, details, elevations, project graphics, layouts, and schedules.
The Robert Simpson Company Limited Downtown Store, Office Tower and Additions, Toronto (1964-1968)
Actions:
AP018.S1.1964.PR04
Description:
This project series documents an office tower and additions to the Simpson's store at 401 Bay Street in Toronto from 1964-1968. The office identified the project number as 6408. This project consisted of a 585,000 square foot building with 9 low-rise levels and 23 high-rise office floors. The low-rise exteriors were visually separated from the office tower by their larger square footage and different façades. The lower exteriors were characterized by light amber metal panels and display windows of glass with stainless steel frames at the shopping levels. The building is wrapped from the ground to the top in concrete columns. The building contained the Simpson's store, barber shop, banking mezzanine, cafeteria, restaurant and cocktail lounge and headquarters office spaces. The project is recorded through reprographic copies of drawings and a presentation board of a photograph dating from 1966-1968. The drawings are a set of construction plans, sections, details, elevations, project graphics, layouts, and schedules.
Niveau de description archivistique:
Project
Project
Date:
1966-1968
1966-1968
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S1.2014.PR02.002
Description:
Also includes a promotional leaflet showing Enns Gauthier Landscape Architects projects in collaboration with Cornelia Hahn Oberlander. It includes: Van Dusen Botanical Garden, Vancouver, British Columbia (2009) Telus Garden Presentation Centre, Vancouver, British Columbia, Canada (2011) Zonda Nellis studio and store, Vancouver, British Columbia, Canada (2014) Villa Maris, West Vancouver, British Columbia, Canada (2015)
AP075.S1.2014.PR02.002
Description:
Also includes a promotional leaflet showing Enns Gauthier Landscape Architects projects in collaboration with Cornelia Hahn Oberlander. It includes: Van Dusen Botanical Garden, Vancouver, British Columbia (2009) Telus Garden Presentation Centre, Vancouver, British Columbia, Canada (2011) Zonda Nellis studio and store, Vancouver, British Columbia, Canada (2014) Villa Maris, West Vancouver, British Columbia, Canada (2015)
Personnes et institutions:
Date:
2015-2017
2015-2017
Titre:
Project proposal and presentation by landscape architects, documentation and correspondence with landscape architects, Zonda Nellis studio and store, Vancouver, British Columbia
Actions:
AP075.S1.2014.PR02.002
Description:
Also includes a promotional leaflet showing Enns Gauthier Landscape Architects projects in collaboration with Cornelia Hahn Oberlander. It includes: Van Dusen Botanical Garden, Vancouver, British Columbia (2009) Telus Garden Presentation Centre, Vancouver, British Columbia, Canada (2011) Zonda Nellis studio and store, Vancouver, British Columbia, Canada (2014) Villa Maris, West Vancouver, British Columbia, Canada (2015)
Project proposal and presentation by landscape architects, documentation and correspondence with landscape architects, Zonda Nellis studio and store, Vancouver, British Columbia
Actions:
AP075.S1.2014.PR02.002
Description:
Also includes a promotional leaflet showing Enns Gauthier Landscape Architects projects in collaboration with Cornelia Hahn Oberlander. It includes: Van Dusen Botanical Garden, Vancouver, British Columbia (2009) Telus Garden Presentation Centre, Vancouver, British Columbia, Canada (2011) Zonda Nellis studio and store, Vancouver, British Columbia, Canada (2014) Villa Maris, West Vancouver, British Columbia, Canada (2015)
Classification:
documents textuels
documents textuels
Date:
2015-2017
2015-2017
Personnes et institutions:
Numéro de référence:
ARCH272919
Description:
A metal relief, or plaque, that is a "Special Award for the East Midlands 2010", that was presented to the John Lewis Department Store & Cineplex, Leicester, United Kingdom. The plaque states that the project was designed by the Foreign Office Architects and that the award was sponsored by the East Midlands Development Agency.
ARCH272919
Description:
A metal relief, or plaque, that is a "Special Award for the East Midlands 2010", that was presented to the John Lewis Department Store & Cineplex, Leicester, United Kingdom. The plaque states that the project was designed by the Foreign Office Architects and that the award was sponsored by the East Midlands Development Agency.
Personnes et institutions:
Date:
2010
2010
Titre:
An award presented to the John Lewis Department Store & Cineplex, Leicester, United Kingdom
Actions:
ARCH272919
Description:
A metal relief, or plaque, that is a "Special Award for the East Midlands 2010", that was presented to the John Lewis Department Store & Cineplex, Leicester, United Kingdom. The plaque states that the project was designed by the Foreign Office Architects and that the award was sponsored by the East Midlands Development Agency.
An award presented to the John Lewis Department Store & Cineplex, Leicester, United Kingdom
Actions:
ARCH272919
Description:
A metal relief, or plaque, that is a "Special Award for the East Midlands 2010", that was presented to the John Lewis Department Store & Cineplex, Leicester, United Kingdom. The plaque states that the project was designed by the Foreign Office Architects and that the award was sponsored by the East Midlands Development Agency.
Date:
2010
2010
Personnes et institutions:
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Actions:
Numéro de référence:
DR1982:0125 R:001-007
Description:
- The five drawings show alternative designs for a long, low building, mostly classical in style with a central portico, often with other details such as a campanile, a fountain, and a large staircase in front of the entrance. The print DR1982:0125 R:002 depicts a crowd of people burning objects before a two-story building with giant pilasters surmounted by freestanding sculptures and a balustrade, while the print DR1982:0125 R:007 depicts a statue of Cupid by A. Thorwaldsen.
DR1982:0125 R:001-007
Description:
- The five drawings show alternative designs for a long, low building, mostly classical in style with a central portico, often with other details such as a campanile, a fountain, and a large staircase in front of the entrance. The print DR1982:0125 R:002 depicts a crowd of people burning objects before a two-story building with giant pilasters surmounted by freestanding sculptures and a balustrade, while the print DR1982:0125 R:007 depicts a statue of Cupid by A. Thorwaldsen.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
second half of the 19th century
second half of the 19th century
Titre:
Five sketches for a building honouring Alberto I, and two prints
Actions:
DR1982:0125 R:001-007
Description:
- The five drawings show alternative designs for a long, low building, mostly classical in style with a central portico, often with other details such as a campanile, a fountain, and a large staircase in front of the entrance. The print DR1982:0125 R:002 depicts a crowd of people burning objects before a two-story building with giant pilasters surmounted by freestanding sculptures and a balustrade, while the print DR1982:0125 R:007 depicts a statue of Cupid by A. Thorwaldsen.
Five sketches for a building honouring Alberto I, and two prints
Actions:
DR1982:0125 R:001-007
Description:
- The five drawings show alternative designs for a long, low building, mostly classical in style with a central portico, often with other details such as a campanile, a fountain, and a large staircase in front of the entrance. The print DR1982:0125 R:002 depicts a crowd of people burning objects before a two-story building with giant pilasters surmounted by freestanding sculptures and a balustrade, while the print DR1982:0125 R:007 depicts a statue of Cupid by A. Thorwaldsen.
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Date:
second half of the 19th century
second half of the 19th century
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1982.PR01
Description:
This project series documents several buildings for the Milkfed Punjab milk plant in Gurdaspur, India around 1982. This project consisted primarily of the stores and chilling centre and the animal husbandry block. Seven round buildings with dorms, toilets, cycle and scooter storage and a gatehouse were also designed for this project. The project is recorded though original drawings dating from 1982, which consist of plans, elevations, sections, details and structural and electrical drawings.
AP206.S1.1982.PR01
Description:
This project series documents several buildings for the Milkfed Punjab milk plant in Gurdaspur, India around 1982. This project consisted primarily of the stores and chilling centre and the animal husbandry block. Seven round buildings with dorms, toilets, cycle and scooter storage and a gatehouse were also designed for this project. The project is recorded though original drawings dating from 1982, which consist of plans, elevations, sections, details and structural and electrical drawings.
Personnes et institutions:
Date:
1982
1982
Titre:
Milkfed Punjab, Gurdaspur, India (1982)
Actions:
AP206.S1.1982.PR01
Description:
This project series documents several buildings for the Milkfed Punjab milk plant in Gurdaspur, India around 1982. This project consisted primarily of the stores and chilling centre and the animal husbandry block. Seven round buildings with dorms, toilets, cycle and scooter storage and a gatehouse were also designed for this project. The project is recorded though original drawings dating from 1982, which consist of plans, elevations, sections, details and structural and electrical drawings.
Milkfed Punjab, Gurdaspur, India (1982)
Actions:
AP206.S1.1982.PR01
Description:
This project series documents several buildings for the Milkfed Punjab milk plant in Gurdaspur, India around 1982. This project consisted primarily of the stores and chilling centre and the animal husbandry block. Seven round buildings with dorms, toilets, cycle and scooter storage and a gatehouse were also designed for this project. The project is recorded though original drawings dating from 1982, which consist of plans, elevations, sections, details and structural and electrical drawings.
Niveau de description archivistique:
Project
Project
Date:
1982
1982
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP140.S2.SS1.D87
Description:
File documents an unexecuted development project incorporating the Estadio Ramón Sánchez Pizjuán in Seville, Spain. The proposal includes a pair of office buildings, a department store, a plaza and hotel. Material in this file was produced between 1988 and 1992. File contains reference materials, several conceptual and design development drawings, presentation drawings and working drawings. Photographic materials include views of a presentation model by John Donat Photography. File also includes textual records.
AP140.S2.SS1.D87
Description:
File documents an unexecuted development project incorporating the Estadio Ramón Sánchez Pizjuán in Seville, Spain. The proposal includes a pair of office buildings, a department store, a plaza and hotel. Material in this file was produced between 1988 and 1992. File contains reference materials, several conceptual and design development drawings, presentation drawings and working drawings. Photographic materials include views of a presentation model by John Donat Photography. File also includes textual records.
Personnes et institutions:
Date:
1988-1992
1988-1992
Titre:
Stadium Development, Seville, Spain
Actions:
AP140.S2.SS1.D87
Description:
File documents an unexecuted development project incorporating the Estadio Ramón Sánchez Pizjuán in Seville, Spain. The proposal includes a pair of office buildings, a department store, a plaza and hotel. Material in this file was produced between 1988 and 1992. File contains reference materials, several conceptual and design development drawings, presentation drawings and working drawings. Photographic materials include views of a presentation model by John Donat Photography. File also includes textual records.
Stadium Development, Seville, Spain
Actions:
AP140.S2.SS1.D87
Description:
File documents an unexecuted development project incorporating the Estadio Ramón Sánchez Pizjuán in Seville, Spain. The proposal includes a pair of office buildings, a department store, a plaza and hotel. Material in this file was produced between 1988 and 1992. File contains reference materials, several conceptual and design development drawings, presentation drawings and working drawings. Photographic materials include views of a presentation model by John Donat Photography. File also includes textual records.
Niveau de description archivistique:
File 87
File 87
Date:
1988-1992
1988-1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2017.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the landscape design of Pyrrha, an handcrafted jewelry store in Vancouver, British Columbia. Oberlander worked on this project from 2017-2018 with Enns Gauthier Landscape Architects. The project included design for a sunken patio/courtyard, a roof deck, and wall planting. The project series contains landscape design concept presentation to client by Enns Gauthier Landscape Architects, correspondence with landscape architects and documentation.
AP075.S1.2017.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the landscape design of Pyrrha, an handcrafted jewelry store in Vancouver, British Columbia. Oberlander worked on this project from 2017-2018 with Enns Gauthier Landscape Architects. The project included design for a sunken patio/courtyard, a roof deck, and wall planting. The project series contains landscape design concept presentation to client by Enns Gauthier Landscape Architects, correspondence with landscape architects and documentation.
Personnes et institutions:
Date:
2017-2018
2017-2018
Titre:
Pyrrha store, Vancouver, British Columbia (2017)
Actions:
AP075.S1.2017.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the landscape design of Pyrrha, an handcrafted jewelry store in Vancouver, British Columbia. Oberlander worked on this project from 2017-2018 with Enns Gauthier Landscape Architects. The project included design for a sunken patio/courtyard, a roof deck, and wall planting. The project series contains landscape design concept presentation to client by Enns Gauthier Landscape Architects, correspondence with landscape architects and documentation.
Pyrrha store, Vancouver, British Columbia (2017)
Actions:
AP075.S1.2017.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the landscape design of Pyrrha, an handcrafted jewelry store in Vancouver, British Columbia. Oberlander worked on this project from 2017-2018 with Enns Gauthier Landscape Architects. The project included design for a sunken patio/courtyard, a roof deck, and wall planting. The project series contains landscape design concept presentation to client by Enns Gauthier Landscape Architects, correspondence with landscape architects and documentation.
Niveau de description archivistique:
Project
Project
Date:
2017-2018
2017-2018
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1981:0029
Description:
This drawing shows a three-story, centrally planned palace. The entry portal at center features paired columns flanking niches with allegorical figures. Above them are empty escutcheons. On the walls on either side of the portal are two larger allegorical sculptural groups. A courtyard separates the entry portal from the palace, which Blondel indicates with an overall gray wash. The ground floor is mostly obscured by the gate, however it includes rectangular windows visible between the gate’s columns. The first level has large, un-mullioned windows which are not completely geometric but have a soft bow at the top. These are interspersed with Corinthian pilasters on either side of a central pavilion. This pavilion projects slightly and includes pairs of Corinthian columns at the corners. Three rounded windows are centered above the portal and atop these is a large triangular pediment with an indistinct sculptural scene roughly sketched at its center. Above the pediment are two reclining allegorical figures supporting a large escutcheon. An attic story includes Corinthian pilasters and two figures at either corner. Two square, un-mullioned windows are visible on either side of the central sculptural group. Perpendicular to the central mass are two wings that signal the palace’s U-shaped plan. These wings appear to follow the orders of the main facade and both levels feature rounded windows with low balustrades. At the top of the flat roof on either side are four pairs of allegorical and mythological figures. Projecting laterally from the main building are two single-story buildings that are likely entrances to the basse-cour (outer courtyard). These out buildings are distinguished from the palace through their rustication. Their portals have triangular pediments with empty escutcheons and lions on either side.
DR1981:0029
Description:
This drawing shows a three-story, centrally planned palace. The entry portal at center features paired columns flanking niches with allegorical figures. Above them are empty escutcheons. On the walls on either side of the portal are two larger allegorical sculptural groups. A courtyard separates the entry portal from the palace, which Blondel indicates with an overall gray wash. The ground floor is mostly obscured by the gate, however it includes rectangular windows visible between the gate’s columns. The first level has large, un-mullioned windows which are not completely geometric but have a soft bow at the top. These are interspersed with Corinthian pilasters on either side of a central pavilion. This pavilion projects slightly and includes pairs of Corinthian columns at the corners. Three rounded windows are centered above the portal and atop these is a large triangular pediment with an indistinct sculptural scene roughly sketched at its center. Above the pediment are two reclining allegorical figures supporting a large escutcheon. An attic story includes Corinthian pilasters and two figures at either corner. Two square, un-mullioned windows are visible on either side of the central sculptural group. Perpendicular to the central mass are two wings that signal the palace’s U-shaped plan. These wings appear to follow the orders of the main facade and both levels feature rounded windows with low balustrades. At the top of the flat roof on either side are four pairs of allegorical and mythological figures. Projecting laterally from the main building are two single-story buildings that are likely entrances to the basse-cour (outer courtyard). These out buildings are distinguished from the palace through their rustication. Their portals have triangular pediments with empty escutcheons and lions on either side.
Personnes et institutions:
Date:
circa 1762
circa 1762
Titre:
Elevation for a palace project
Actions:
DR1981:0029
Description:
This drawing shows a three-story, centrally planned palace. The entry portal at center features paired columns flanking niches with allegorical figures. Above them are empty escutcheons. On the walls on either side of the portal are two larger allegorical sculptural groups. A courtyard separates the entry portal from the palace, which Blondel indicates with an overall gray wash. The ground floor is mostly obscured by the gate, however it includes rectangular windows visible between the gate’s columns. The first level has large, un-mullioned windows which are not completely geometric but have a soft bow at the top. These are interspersed with Corinthian pilasters on either side of a central pavilion. This pavilion projects slightly and includes pairs of Corinthian columns at the corners. Three rounded windows are centered above the portal and atop these is a large triangular pediment with an indistinct sculptural scene roughly sketched at its center. Above the pediment are two reclining allegorical figures supporting a large escutcheon. An attic story includes Corinthian pilasters and two figures at either corner. Two square, un-mullioned windows are visible on either side of the central sculptural group. Perpendicular to the central mass are two wings that signal the palace’s U-shaped plan. These wings appear to follow the orders of the main facade and both levels feature rounded windows with low balustrades. At the top of the flat roof on either side are four pairs of allegorical and mythological figures. Projecting laterally from the main building are two single-story buildings that are likely entrances to the basse-cour (outer courtyard). These out buildings are distinguished from the palace through their rustication. Their portals have triangular pediments with empty escutcheons and lions on either side.
Elevation for a palace project
Actions:
DR1981:0029
Description:
This drawing shows a three-story, centrally planned palace. The entry portal at center features paired columns flanking niches with allegorical figures. Above them are empty escutcheons. On the walls on either side of the portal are two larger allegorical sculptural groups. A courtyard separates the entry portal from the palace, which Blondel indicates with an overall gray wash. The ground floor is mostly obscured by the gate, however it includes rectangular windows visible between the gate’s columns. The first level has large, un-mullioned windows which are not completely geometric but have a soft bow at the top. These are interspersed with Corinthian pilasters on either side of a central pavilion. This pavilion projects slightly and includes pairs of Corinthian columns at the corners. Three rounded windows are centered above the portal and atop these is a large triangular pediment with an indistinct sculptural scene roughly sketched at its center. Above the pediment are two reclining allegorical figures supporting a large escutcheon. An attic story includes Corinthian pilasters and two figures at either corner. Two square, un-mullioned windows are visible on either side of the central sculptural group. Perpendicular to the central mass are two wings that signal the palace’s U-shaped plan. These wings appear to follow the orders of the main facade and both levels feature rounded windows with low balustrades. At the top of the flat roof on either side are four pairs of allegorical and mythological figures. Projecting laterally from the main building are two single-story buildings that are likely entrances to the basse-cour (outer courtyard). These out buildings are distinguished from the palace through their rustication. Their portals have triangular pediments with empty escutcheons and lions on either side.
Classification:
dessins
dessins
Date:
circa 1762
circa 1762
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
Personnes et institutions:
Date:
circa 1981 - 1990
circa 1981 - 1990
Titre:
106 habitações, Punt en Komma [Punt en Komma social housing], Schilderswijk-West, The Hague, The Netherlands, (1981-1990)
Actions:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
106 habitações, Punt en Komma [Punt en Komma social housing], Schilderswijk-West, The Hague, The Netherlands, (1981-1990)
Actions:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
Niveau de description archivistique:
Project
Project
Date:
circa 1981 - 1990
circa 1981 - 1990
Personnes et institutions:
