5559 Résultats
Classification:
articles
articles
Actions:
Tiffany Shaw s’entretient avec Rafico Ruiz et Ella den Elzen à propos des espaces intermédiaires, de la conception des expositions et des liens avec le territoire
Mot(s)-clé(s):
Tiffany Shaw, Rafico Ruiz, Ella den Elzen, design d'exposition, scénographie, asinnajaq, Vers chez soi, Ruovttu Guvlui, ᐊᖏᕐᕋᒧᑦ
Tiffany Shaw, Rafico Ruiz, Ella den Elzen, design d'exposition, scénographie, asinnajaq, Vers chez soi, Ruovttu Guvlui, ᐊᖏᕐᕋᒧᑦ
Publié:
6 septembre 2022
6 septembre 2022
Titre:
Concevoir un espace comme chez soi
Tiffany Shaw s’entretient avec Rafico Ruiz et Ella den Elzen à propos des espaces intermédiaires, de la conception des expositions et des liens avec le territoire
Actions:
Concevoir un espace comme chez soi
Tiffany Shaw s’entretient avec Rafico Ruiz et Ella den Elzen à propos des espaces intermédiaires, de la conception des expositions et des liens avec le territoire
Actions:
Classification:
expositions
expositions
Description:
À l’aide d’objets tirés de la collection du CCA, Photographie et pratique de l’architecture en France, 1839-1870 montre comment la photographie est devenue, dans la seconde moitié du XIXe siècle, partie intégrante du processus de conception, de construction et de restauration architecturale, et élément de publication dans ce domaine. Commissaires : David Harris, CCA, et(...)
À l’aide d’objets tirés de la collection du CCA, Photographie et pratique de l’architecture en France, 1839-1870 montre comment la photographie est devenue, dans la seconde moitié du XIXe siècle, partie intégrante du processus de conception, de construction et de restauration architecturale, et élément de publication dans ce domaine. Commissaires : David Harris, CCA, et(...)
Localisation:
Vitrines
Vitrines
Date:
25 janvier 1995 au 4 juin 1995
25 janvier 1995 au 4 juin 1995
Titre:
Photographie et pratique de l'architecture en France, 1839-1870
Actions:
Description:
À l’aide d’objets tirés de la collection du CCA, Photographie et pratique de l’architecture en France, 1839-1870 montre comment la photographie est devenue, dans la seconde moitié du XIXe siècle, partie intégrante du processus de conception, de construction et de restauration architecturale, et élément de publication dans ce domaine. Commissaires : David Harris, CCA, et(...)
Photographie et pratique de l'architecture en France, 1839-1870
Actions:
Description:
À l’aide d’objets tirés de la collection du CCA, Photographie et pratique de l’architecture en France, 1839-1870 montre comment la photographie est devenue, dans la seconde moitié du XIXe siècle, partie intégrante du processus de conception, de construction et de restauration architecturale, et élément de publication dans ce domaine. Commissaires : David Harris, CCA, et(...)
Classification:
expositions
expositions
Date:
25 janvier 1995 au
4 juin 1995
25 janvier 1995 au
4 juin 1995
Localisation:
Vitrines
Vitrines
Classification:
expositions
expositions
Actions:
Description:
À une époque où l’empreinte de l’homme sur la planète atteint un niveau inégalé, certains pays se distinguent par leur situation enviable et la complexité de leur relation au territoire. Les histoires entourant le Canada sont intimement liées à la découverte et à l’appropriation de ressources naturelles à la fois importantes et diversifiées, ainsi qu’à des points de vue(...)
À une époque où l’empreinte de l’homme sur la planète atteint un niveau inégalé, certains pays se distinguent par leur situation enviable et la complexité de leur relation au territoire. Les histoires entourant le Canada sont intimement liées à la découverte et à l’appropriation de ressources naturelles à la fois importantes et diversifiées, ainsi qu’à des points de vue(...)
Date:
16 novembre 2016 au 9 avril 2017
16 novembre 2016 au 9 avril 2017
Titre:
Le temps presse
Actions:
Description:
À une époque où l’empreinte de l’homme sur la planète atteint un niveau inégalé, certains pays se distinguent par leur situation enviable et la complexité de leur relation au territoire. Les histoires entourant le Canada sont intimement liées à la découverte et à l’appropriation de ressources naturelles à la fois importantes et diversifiées, ainsi qu’à des points de vue(...)
Le temps presse
Actions:
Description:
À une époque où l’empreinte de l’homme sur la planète atteint un niveau inégalé, certains pays se distinguent par leur situation enviable et la complexité de leur relation au territoire. Les histoires entourant le Canada sont intimement liées à la découverte et à l’appropriation de ressources naturelles à la fois importantes et diversifiées, ainsi qu’à des points de vue(...)
Classification:
expositions
expositions
Date:
16 novembre 2016 au
9 avril 2017
16 novembre 2016 au
9 avril 2017
Classification:
pages web
pages web
Résumé:
Le Centre Canadien d’Architecture (CCA) lance un projet de recherche collaboratif et multidisciplinaire visant à explorer les dimensions intersectionnelles de la conception numérique.
Titre:
Le numérique aujourd’hui : architecture et intersectionnalité
Actions:
Résumé:
Le numérique aujourd’hui : architecture et intersectionnalité
Actions:
Résumé:
Le Centre Canadien d’Architecture (CCA) lance un projet de recherche collaboratif et multidisciplinaire visant à explorer les dimensions intersectionnelles de la conception numérique.
Classification:
pages web
pages web
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1988:0361
Description:
- This drawing shows a design for improvements to a townhouse garden, including garden walls, bath and fountain. Plant species are also identified. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
DR1988:0361
Description:
- This drawing shows a design for improvements to a townhouse garden, including garden walls, bath and fountain. Plant species are also identified. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Personnes et institutions:
Sujet:
architecture de paysage
architecture de paysage
Date:
1920s or 1930s
1920s or 1930s
Titre:
Sketch sections, plan, and elevation for improvements to a town house yard
Actions:
DR1988:0361
Description:
- This drawing shows a design for improvements to a townhouse garden, including garden walls, bath and fountain. Plant species are also identified. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Sketch sections, plan, and elevation for improvements to a town house yard
Actions:
DR1988:0361
Description:
- This drawing shows a design for improvements to a townhouse garden, including garden walls, bath and fountain. Plant species are also identified. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Classification:
dessins
dessins
Date:
1920s or 1930s
1920s or 1930s
Personnes et institutions:
Sujet:
architecture de paysage
architecture de paysage
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1996:0001
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0001
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Personnes et institutions:
Sujet:
architecture
architecture
Date:
December 1952
December 1952
Titre:
Perspective for a guest villa showing the terrace and the principal and lateral façades, Village Polychrome, near Biot, France
Actions:
DR1996:0001
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Perspective for a guest villa showing the terrace and the principal and lateral façades, Village Polychrome, near Biot, France
Actions:
DR1996:0001
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Classification:
dessins
dessins
Date:
December 1952
December 1952
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1996:0003
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0003
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Personnes et institutions:
Sujet:
architecture, urbanisme
architecture, urbanisme
Date:
1953
1953
Titre:
Perspective for a villa with three workshops, Village Polychrome, near Biot, France
Actions:
DR1996:0003
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Perspective for a villa with three workshops, Village Polychrome, near Biot, France
Actions:
DR1996:0003
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Classification:
dessins
dessins
Date:
1953
1953
Personnes et institutions:
Sujet:
architecture, urbanisme
architecture, urbanisme
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1996:0004
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0004
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Personnes et institutions:
Sujet:
architecture, urbanisme
architecture, urbanisme
Date:
1952-1953
1952-1953
Titre:
Bird's-eye perspective for Village Polychrome, near Biot, France
Actions:
DR1996:0004
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Bird's-eye perspective for Village Polychrome, near Biot, France
Actions:
DR1996:0004
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Classification:
dessins
dessins
Date:
1952-1953
1952-1953
Personnes et institutions:
Sujet:
architecture, urbanisme
architecture, urbanisme
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1996:0005
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0005
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Personnes et institutions:
Sujet:
architecture, urbanisme
architecture, urbanisme
Date:
1952-1953
1952-1953
Titre:
Bird's-eye perspective for Village Polychrome, near Biot, France
Actions:
DR1996:0005
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Bird's-eye perspective for Village Polychrome, near Biot, France
Actions:
DR1996:0005
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Classification:
dessins
dessins
Date:
1952-1953
1952-1953
Personnes et institutions:
Sujet:
architecture, urbanisme
architecture, urbanisme
Classification:
dessins
dessins
Numéro de référence:
DR1996:0006
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0006
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Personnes et institutions:
Sujet:
architecture, urbanisme
architecture, urbanisme
Date:
1952-1953
1952-1953
Titre:
Site elevation for Village Polychrome, near Biot, France
Actions:
DR1996:0006
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Site elevation for Village Polychrome, near Biot, France
Actions:
DR1996:0006
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Classification:
dessins
dessins
Date:
1952-1953
1952-1953
Personnes et institutions:
Sujet:
architecture, urbanisme
architecture, urbanisme
