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127 pages : illustrations (some color) ; 23 cm
London : August Media, ©2000.
In the midst of things / [Nigel Prince and Gavin Wade, editors].
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127 pages : illustrations (some color) ; 23 cm
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London : August Media, ©2000.
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342 pages ; 22 cm
London : Open Editions ; Amsterdam : De Appel, 2010.
Curating and the educational turn / Paul O'Neill & Mick Wilson (Eds.).
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342 pages ; 22 cm
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London : Open Editions ; Amsterdam : De Appel, 2010.
$26.95
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Literally No Place was published to coincide with Liam Gillick's exhibition, The Wood Day at Whitechapel Art Gallery, London, May 2002.
Literally no place communes, bars, and greenrooms: Liam Gillick book works
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Literally No Place was published to coincide with Liam Gillick's exhibition, The Wood Day at Whitechapel Art Gallery, London, May 2002.
Meaning Liam Gillick
$27.99
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Liam Gillick emerged as part of the generation of "Young British Artists" who energized the British art scene in the 1980s and 1990s. He is now one of the most influential (and perplexing) artists in all of contemporary art. Gillick's discursive mode of art practice—often associated with "relational aesthetics"—complicates object production, embraces the exhibition as(...)
Meaning Liam Gillick
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Liam Gillick emerged as part of the generation of "Young British Artists" who energized the British art scene in the 1980s and 1990s. He is now one of the most influential (and perplexing) artists in all of contemporary art. Gillick's discursive mode of art practice—often associated with "relational aesthetics"—complicates object production, embraces the exhibition as medium, and explores the social role and function of art. This reader coincides with a year-long, multi-venue, mid-career retrospective that serves both as a continuous investigation into Gillick's practice and an in-depth study of his work to date. The book offers a range of critical perspectives on artist's work. Introduction by Monika Szewczyk.
Théorie de l’art
$37.99
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"A variability quantifier" is an artwork intended to function as an operational weather station. Located on Fogo Island to the north of Newfoundland, it gathers local weather data and is a place for education, reflection, and discussion. A year after the installation of the work Liam Gillick returned to Fogo to make a documentary film about his work. This resulted in two(...)
décembre 2025
Liam Gillick: A variable quantifier. Fogo Island Arts
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"A variability quantifier" is an artwork intended to function as an operational weather station. Located on Fogo Island to the north of Newfoundland, it gathers local weather data and is a place for education, reflection, and discussion. A year after the installation of the work Liam Gillick returned to Fogo to make a documentary film about his work. This resulted in two separate films that make use of the same footage. In "Variability quantified" we hear Nobel Prize winning climatologist Syukuro Manabe explaining the science of global heating and his pioneering work modeling earth’s climate in the 1960s. In "Quantified variability" the artist dramatically altered the natural colors in the footage and set it to a layered soundtrack of automated industrial production. This book is a record of the two films alongside a discussion with art historian Tom McDonough.
$46.00
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Center for Contemporary Art, CCA, Kitakyushu Some graphic and flat work, a Woody Allen filmography, and an introduction 'Literally No Place'.
Liam Gillick: the book of the 3rd of June
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Center for Contemporary Art, CCA, Kitakyushu Some graphic and flat work, a Woody Allen filmography, and an introduction 'Literally No Place'.
livres
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260 pages ; 22 cm.
London : Open Editions ; Amsterdam : De Appel, 2015.
Curating research / Paul O'Neill & Mick Wilson (eds.).
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260 pages ; 22 cm.
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London : Open Editions ; Amsterdam : De Appel, 2015.
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253 pages : illustrations ; 18 cm
New York, New York : Blue Rider Press, [2015], ©2015
The age of earthquakes : a guide to the extreme present / Shumon Basar, Douglas Coupland, Hans Ulrich Obrist ; cover design by Wayne Daly ; cover art by Alex Mackin Dolan.
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253 pages : illustrations ; 18 cm
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New York, New York : Blue Rider Press, [2015], ©2015
$22.00
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Liam Gillick has consistently used text as a site of artistic, theoretical and political intervention in his work. This book brings together a selection of his published critical writings, focusing on his role among a group of artists who emerged in the 1990s.
Proxemics: Selected Writings (1988-2006)
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$22.00
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Liam Gillick has consistently used text as a site of artistic, theoretical and political intervention in his work. This book brings together a selection of his published critical writings, focusing on his role among a group of artists who emerged in the 1990s.
Théorie de l’art
$35.00
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Liam Gillick has written a holistic genealogy of contemporary art that addresses art’s engagement with history, even when it seems apathetic or blind to current events. Rather than focus on dominant works or special cases, Gillick takes a broad view of artistic creation from 1820 to today, underscoring the industry and intelligence of artists as they have responded to(...)
Industry and intelligence: contemporary art since 1820
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Liam Gillick has written a holistic genealogy of contemporary art that addresses art’s engagement with history, even when it seems apathetic or blind to current events. Rather than focus on dominant works or special cases, Gillick takes a broad view of artistic creation from 1820 to today, underscoring the industry and intelligence of artists as they have responded to incremental developments in science, politics, and technology. The great innovations and dislocations of the nineteenth and twentieth centuries have their place in this timeline, but their traces are alternately amplified and diminished as Gillick moves through artistic reactions to liberalism, mass manufacturing, psychology, nuclear physics, automobiles, and a host of other advances. He intimately ties the origins of the contemporary artist to the social and technological adjustments of modern life, which artists struggled to incorporate truthfully into their works.
Théorie de l’art