51 Résultats
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livres
livres
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105 pages : illustrations, color charts ; 30 cm + CD-rom
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105 pages : illustrations, color charts ; 30 cm + CD-rom
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Grenoble : Centre de recherche sur l'espace sonore et l'environnement urbain, 2010.
Grenoble : Centre de recherche sur l'espace sonore et l'environnement urbain, 2010.
Titre:
ASTUCE : (ambiances sonores, transports urbains, coeur de ville et environnement = sound ambiances, urban transport, centre town and environmental quality) : vers l'élaboration d'un guide méthodologique a partir d'études de cas / [responsables du projet: Catherine Semidor ; Henry Torgue ; Jacques Beaumont.
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105 pages : illustrations, color charts ; 30 cm + CD-rom
ASTUCE : (ambiances sonores, transports urbains, coeur de ville et environnement = sound ambiances, urban transport, centre town and environmental quality) : vers l'élaboration d'un guide méthodologique a partir d'études de cas / [responsables du projet: Catherine Semidor ; Henry Torgue ; Jacques Beaumont.
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105 pages : illustrations, color charts ; 30 cm + CD-rom
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livres
livres
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Grenoble : Centre de recherche sur l'espace sonore et l'environnement urbain, 2010.
Grenoble : Centre de recherche sur l'espace sonore et l'environnement urbain, 2010.
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livres
livres
Titre:
La dimension sonore en architecture : l'expérience du "paysage sonore" (1969-1982) / Carlotta Darò.
La dimension sonore en architecture : l'expérience du "paysage sonore" (1969-1982) / Carlotta Darò.
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389 leaves, [100] leaves of plates : illustrations ; 30 cm + 1 DVD-R (12 cm)
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389 leaves, [100] leaves of plates : illustrations ; 30 cm + 1 DVD-R (12 cm)
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Sujet:
Publication:
[2007]
[2007]
Titre:
La dimension sonore en architecture : l'expérience du "paysage sonore" (1969-1982) / Carlotta Darò.
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389 leaves, [100] leaves of plates : illustrations ; 30 cm + 1 DVD-R (12 cm)
La dimension sonore en architecture : l'expérience du "paysage sonore" (1969-1982) / Carlotta Darò.
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389 leaves, [100] leaves of plates : illustrations ; 30 cm + 1 DVD-R (12 cm)
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livres
livres
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[2007]
[2007]
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livres
livres
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x, 384 pages : illustrations ; 25 cm
Description:
x, 384 pages : illustrations ; 25 cm
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London ; New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017., ©2017
London ; New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017., ©2017
Titre:
Anthropology of the arts : a reader / edited by Gretchen Bakke and Marina Peterson.
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x, 384 pages : illustrations ; 25 cm
Anthropology of the arts : a reader / edited by Gretchen Bakke and Marina Peterson.
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x, 384 pages : illustrations ; 25 cm
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livres
livres
Publication:
London ; New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017., ©2017
London ; New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017., ©2017
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livres
livres
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349, [3] pages : illustrations (some color), facsimiles, portraits ; 24 cm
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349, [3] pages : illustrations (some color), facsimiles, portraits ; 24 cm
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Montréal : Centre canadien d'architecture ; Baden : Lars Müller, ©2005.
Montréal : Centre canadien d'architecture ; Baden : Lars Müller, ©2005.
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Sensations urbaines : une approche différente à l'urbanisme / sous la direction de Mirko Zardini ; avec des essais de Wolfgang Schivelbusch [and others].
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349, [3] pages : illustrations (some color), facsimiles, portraits ; 24 cm
Sensations urbaines : une approche différente à l'urbanisme / sous la direction de Mirko Zardini ; avec des essais de Wolfgang Schivelbusch [and others].
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349, [3] pages : illustrations (some color), facsimiles, portraits ; 24 cm
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livres
livres
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Montréal : Centre canadien d'architecture ; Baden : Lars Müller, ©2005.
Montréal : Centre canadien d'architecture ; Baden : Lars Müller, ©2005.
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livres
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xv, 231 pages : illustrations ; 24 cm
Description:
xv, 231 pages : illustrations ; 24 cm
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Cambridge, Massachusetts : The MIT Press, [2020]
Cambridge, Massachusetts : The MIT Press, [2020]
Titre:
Stereophonica : sound and space in science, technology, and the arts / Gascia Ouzounian.
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xv, 231 pages : illustrations ; 24 cm
Stereophonica : sound and space in science, technology, and the arts / Gascia Ouzounian.
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xv, 231 pages : illustrations ; 24 cm
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livres
livres
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Cambridge, Massachusetts : The MIT Press, [2020]
Cambridge, Massachusetts : The MIT Press, [2020]
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178 pages : illustrations ; 18 cm + 1 audio disc (digital ; 4 3/4 in.)
Description:
178 pages : illustrations ; 18 cm + 1 audio disc (digital ; 4 3/4 in.)
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Los Angeles, CA (PO Box 931124, Los Angeles) : Errant Bodies Press, ©1999.
Los Angeles, CA (PO Box 931124, Los Angeles) : Errant Bodies Press, ©1999.
Titre:
Site of sound : of architecture and the ear / edited by Brandon LaBelle and Steve Roden.
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178 pages : illustrations ; 18 cm + 1 audio disc (digital ; 4 3/4 in.)
Site of sound : of architecture and the ear / edited by Brandon LaBelle and Steve Roden.
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178 pages : illustrations ; 18 cm + 1 audio disc (digital ; 4 3/4 in.)
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livres
livres
Publication:
Los Angeles, CA (PO Box 931124, Los Angeles) : Errant Bodies Press, ©1999.
Los Angeles, CA (PO Box 931124, Los Angeles) : Errant Bodies Press, ©1999.
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livres
livres
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$71.95
(disponible sur commande)
Résumé:
In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as(...)
$71.95
(disponible sur commande)
Résumé:
In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as(...)
Titre:
The soundscape of modernity : architectural acoustics and the culture of listening in America, 1900-1933
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$71.95
(disponible sur commande)
Résumé:
In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era. Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston’s Symphony Hall, New York’s office skyscrapers, and the soundstages of Hollywood. The control provided by these technologies, however, was applied in ways that denied the particularity of place, and the diverse spaces of modern America began to sound alike as a universal new sound predominated. Although this sound--clear, direct, efficient, and nonreverberant—-had little to say about the physical spaces in which it was produced, it speaks volumes about the culture that created it. By listening to it, Thompson constructs a compelling new account of the experience of modernity in America.
The soundscape of modernity : architectural acoustics and the culture of listening in America, 1900-1933
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$71.95
(disponible sur commande)
Résumé:
In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era. Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston’s Symphony Hall, New York’s office skyscrapers, and the soundstages of Hollywood. The control provided by these technologies, however, was applied in ways that denied the particularity of place, and the diverse spaces of modern America began to sound alike as a universal new sound predominated. Although this sound--clear, direct, efficient, and nonreverberant—-had little to say about the physical spaces in which it was produced, it speaks volumes about the culture that created it. By listening to it, Thompson constructs a compelling new account of the experience of modernity in America.
Classification:
livres
livres
Publication:
avril 2002, Cambridge, Mass.
avril 2002, Cambridge, Mass.
Sujet:
Matériaux et éclairage
Matériaux et éclairage
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livres
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x, 753 pages : illustrations, maps, plans ; 24 cm
Description:
x, 753 pages : illustrations, maps, plans ; 24 cm
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Publication:
[Ferrara] : Edisai, [2011]
[Ferrara] : Edisai, [2011]
Titre:
Proceedings of a Conference on Early Modern Rome 1341-1667 held on May 13-15, 2010 in Rome / [edited by Portia Prebys].
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x, 753 pages : illustrations, maps, plans ; 24 cm
Proceedings of a Conference on Early Modern Rome 1341-1667 held on May 13-15, 2010 in Rome / [edited by Portia Prebys].
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x, 753 pages : illustrations, maps, plans ; 24 cm
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livres
livres
Publication:
[Ferrara] : Edisai, [2011]
[Ferrara] : Edisai, [2011]
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livres
livres
Titre:
Art of immersive soundscapes
Art of immersive soundscapes
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$39.95
(disponible sur commande)
Résumé:
The Art of Immersive Soundscapes provides a fascinating tour of contemporary sound art practices that comprises scholarly essays, artists' statements, and a DVD with sonic and visual examples. Included are perspectives from soundscape composition and performance, site-specific sound installation, recording, and festival curation. The book and accompanying DVD will appeal(...)
$39.95
(disponible sur commande)
Résumé:
The Art of Immersive Soundscapes provides a fascinating tour of contemporary sound art practices that comprises scholarly essays, artists' statements, and a DVD with sonic and visual examples. Included are perspectives from soundscape composition and performance, site-specific sound installation, recording, and festival curation. The book and accompanying DVD will appeal(...)
Titre:
Art of immersive soundscapes
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$39.95
(disponible sur commande)
Résumé:
The Art of Immersive Soundscapes provides a fascinating tour of contemporary sound art practices that comprises scholarly essays, artists' statements, and a DVD with sonic and visual examples. Included are perspectives from soundscape composition and performance, site-specific sound installation, recording, and festival curation. The book and accompanying DVD will appeal to a broad audience interested in music, sound, installation art, the environment, digital culture, and media arts. Importantly, it recognizes the pioneering place of Canadian sound artists within this international field.
Art of immersive soundscapes
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Prix:
$39.95
(disponible sur commande)
Résumé:
The Art of Immersive Soundscapes provides a fascinating tour of contemporary sound art practices that comprises scholarly essays, artists' statements, and a DVD with sonic and visual examples. Included are perspectives from soundscape composition and performance, site-specific sound installation, recording, and festival curation. The book and accompanying DVD will appeal to a broad audience interested in music, sound, installation art, the environment, digital culture, and media arts. Importantly, it recognizes the pioneering place of Canadian sound artists within this international field.
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livres
livres
Publication:
novembre 2013
novembre 2013
Sujet:
Acoustique
Acoustique
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livres
livres
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$54.95
(disponible sur commande)
Résumé:
Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound(...)
$54.95
(disponible sur commande)
Résumé:
Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound(...)
Titre:
Nazi soundscapes : sound, technology and urban space in Germany, 1933-1945
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$54.95
(disponible sur commande)
Résumé:
Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their specific contexts of production and reception. Nazi Soundscapes identifies strategies for controlling space and reworking identity patterns, but also the ongoing difficulties in manipulating mediated sounds and the spaces of listening reception, whether in the home, workplace, the cinema, public rituals or with wartime siren systems. The study revises visualist notions of social control, and reveals the disciplinary functions of listening (as eavesdropping) as well as the sonic dimensions to exclusion and violence during Nazism. An essential title for everyone interested in the links between German political culture, audiovisual media and urban history,Nazi Soundscapes provides a fascinating analysis of the cultural significance of sound between the 1920s and early 1940s.
Nazi soundscapes : sound, technology and urban space in Germany, 1933-1945
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Prix:
$54.95
(disponible sur commande)
Résumé:
Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their specific contexts of production and reception. Nazi Soundscapes identifies strategies for controlling space and reworking identity patterns, but also the ongoing difficulties in manipulating mediated sounds and the spaces of listening reception, whether in the home, workplace, the cinema, public rituals or with wartime siren systems. The study revises visualist notions of social control, and reveals the disciplinary functions of listening (as eavesdropping) as well as the sonic dimensions to exclusion and violence during Nazism. An essential title for everyone interested in the links between German political culture, audiovisual media and urban history,Nazi Soundscapes provides a fascinating analysis of the cultural significance of sound between the 1920s and early 1940s.
Classification:
livres
livres
Publication:
septembre 2012
septembre 2012
Sujet:
Théorie de l’architecture
Théorie de l’architecture
