566 Résultats
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1988:0137
Description:
- Although many of the forms used are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
DR1988:0137
Description:
- Although many of the forms used are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
circa 1920-1921
circa 1920-1921
Titre:
Visionary design for the west façade of a church
Actions:
DR1988:0137
Description:
- Although many of the forms used are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
Visionary design for the west façade of a church
Actions:
DR1988:0137
Description:
- Although many of the forms used are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
Classification:
dessins
dessins
Date:
circa 1920-1921
circa 1920-1921
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1988:0100
Description:
- Although many of the forms used in this design are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
DR1988:0100
Description:
- Although many of the forms used in this design are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
circa 1920-1921
circa 1920-1921
Titre:
Visionary design for the façade of a church
Actions:
DR1988:0100
Description:
- Although many of the forms used in this design are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
Visionary design for the façade of a church
Actions:
DR1988:0100
Description:
- Although many of the forms used in this design are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
Classification:
dessins
dessins
Date:
circa 1920-1921
circa 1920-1921
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1988:0102
Description:
- Although many of the forms used in this design are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
DR1988:0102
Description:
- Although many of the forms used in this design are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
circa 1920-1921
circa 1920-1921
Titre:
Visionary design for the façade of a church
Actions:
DR1988:0102
Description:
- Although many of the forms used in this design are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
Visionary design for the façade of a church
Actions:
DR1988:0102
Description:
- Although many of the forms used in this design are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
Classification:
dessins
dessins
Date:
circa 1920-1921
circa 1920-1921
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1988:0064
Description:
- Rough sketch for a building. Although many of the forms used are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
DR1988:0064
Description:
- Rough sketch for a building. Although many of the forms used are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
circa 1920-1921
circa 1920-1921
Titre:
Conceptual sketch for a church
Actions:
DR1988:0064
Description:
- Rough sketch for a building. Although many of the forms used are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
Conceptual sketch for a church
Actions:
DR1988:0064
Description:
- Rough sketch for a building. Although many of the forms used are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
Classification:
dessins
dessins
Date:
circa 1920-1921
circa 1920-1921
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1985.PR01
Description:
The project series documents "Integrazioni" an installation by Pettena for the Expo Arte at the Galleria Megapoli in Bari in 1985. The installation consisted of a framed three dimensional 'picture' in which is placed two benches and a table, and perspective is added in with paint to give the impression of depth. "A picture that, for once, has a depth (so that you can enter it) is in fact a place, the place where names change, the place where natures change, the location of a shift between real and imaginary, a door opening onto a reality that is certainly imagined, but that you can pass through." [1] The project series contains sketches and photographs of the installation, and a leaflet from the Galleria Megapoli on the exhibition and the installations presented. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-integrations-1984/ (last accessed 11 December 2019).
AP207.S1.1985.PR01
Description:
The project series documents "Integrazioni" an installation by Pettena for the Expo Arte at the Galleria Megapoli in Bari in 1985. The installation consisted of a framed three dimensional 'picture' in which is placed two benches and a table, and perspective is added in with paint to give the impression of depth. "A picture that, for once, has a depth (so that you can enter it) is in fact a place, the place where names change, the place where natures change, the location of a shift between real and imaginary, a door opening onto a reality that is certainly imagined, but that you can pass through." [1] The project series contains sketches and photographs of the installation, and a leaflet from the Galleria Megapoli on the exhibition and the installations presented. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-integrations-1984/ (last accessed 11 December 2019).
Personnes et institutions:
Date:
circa 1985-2015
circa 1985-2015
Titre:
Integrazioni [Integrations] (1985)
Actions:
AP207.S1.1985.PR01
Description:
The project series documents "Integrazioni" an installation by Pettena for the Expo Arte at the Galleria Megapoli in Bari in 1985. The installation consisted of a framed three dimensional 'picture' in which is placed two benches and a table, and perspective is added in with paint to give the impression of depth. "A picture that, for once, has a depth (so that you can enter it) is in fact a place, the place where names change, the place where natures change, the location of a shift between real and imaginary, a door opening onto a reality that is certainly imagined, but that you can pass through." [1] The project series contains sketches and photographs of the installation, and a leaflet from the Galleria Megapoli on the exhibition and the installations presented. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-integrations-1984/ (last accessed 11 December 2019).
Integrazioni [Integrations] (1985)
Actions:
AP207.S1.1985.PR01
Description:
The project series documents "Integrazioni" an installation by Pettena for the Expo Arte at the Galleria Megapoli in Bari in 1985. The installation consisted of a framed three dimensional 'picture' in which is placed two benches and a table, and perspective is added in with paint to give the impression of depth. "A picture that, for once, has a depth (so that you can enter it) is in fact a place, the place where names change, the place where natures change, the location of a shift between real and imaginary, a door opening onto a reality that is certainly imagined, but that you can pass through." [1] The project series contains sketches and photographs of the installation, and a leaflet from the Galleria Megapoli on the exhibition and the installations presented. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-integrations-1984/ (last accessed 11 December 2019).
Niveau de description archivistique:
Project
Project
Date:
circa 1985-2015
circa 1985-2015
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR1988:0138
Description:
- Visionary design for the façade of a building, with colonnettes and columns. Although many of the forms used are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
DR1988:0138
Description:
- Visionary design for the façade of a building, with colonnettes and columns. Although many of the forms used are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
circa 1920-1921
circa 1920-1921
Titre:
Visionary design for the west façade of a cathedral
Actions:
DR1988:0138
Description:
- Visionary design for the façade of a building, with colonnettes and columns. Although many of the forms used are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
Visionary design for the west façade of a cathedral
Actions:
DR1988:0138
Description:
- Visionary design for the façade of a building, with colonnettes and columns. Although many of the forms used are fantastic or imaginary, the building resembles a church in the tripartite division of its façade into a central section flanked by two towers.
Classification:
dessins
dessins
Date:
circa 1920-1921
circa 1920-1921
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1977.PR01
Description:
The project series documents the performance "Performance Fotofosforescente" carried out at the Palazzo Grassi, in Venice, for the International Festival "The Art of Performance" in 1977. The performance consisted of a phosphorescent figure descending the grand staircase of the main entrance to the courtyard of the Palazzo Grassi, crossing the atrium through the audience, and heading down the steps towards the Grand Canal to finally disappear into the water. The performer is holding in his hands a three-dimensional phosphorescent Escher cube, the only source of light while the courtyard is in almost total darkness. "The evocative setting, the music, the darkness and this moving light produced an effect of “working” of the space, somewhere between the real and the imaginary [...]." [1] The project series contains a draft and a more final storyboard of the performance, Pettena's handwritten notes, and photographs of the performance at the Palazzo Grassi. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-phorsphorescent-1977/ (last accessed 12 November 2019)
AP207.S1.1977.PR01
Description:
The project series documents the performance "Performance Fotofosforescente" carried out at the Palazzo Grassi, in Venice, for the International Festival "The Art of Performance" in 1977. The performance consisted of a phosphorescent figure descending the grand staircase of the main entrance to the courtyard of the Palazzo Grassi, crossing the atrium through the audience, and heading down the steps towards the Grand Canal to finally disappear into the water. The performer is holding in his hands a three-dimensional phosphorescent Escher cube, the only source of light while the courtyard is in almost total darkness. "The evocative setting, the music, the darkness and this moving light produced an effect of “working” of the space, somewhere between the real and the imaginary [...]." [1] The project series contains a draft and a more final storyboard of the performance, Pettena's handwritten notes, and photographs of the performance at the Palazzo Grassi. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-phorsphorescent-1977/ (last accessed 12 November 2019)
Personnes et institutions:
Date:
circa 1977-2015
circa 1977-2015
Titre:
Performance Fotofosforescente [Performance Phosphorescent] (1977)
Actions:
AP207.S1.1977.PR01
Description:
The project series documents the performance "Performance Fotofosforescente" carried out at the Palazzo Grassi, in Venice, for the International Festival "The Art of Performance" in 1977. The performance consisted of a phosphorescent figure descending the grand staircase of the main entrance to the courtyard of the Palazzo Grassi, crossing the atrium through the audience, and heading down the steps towards the Grand Canal to finally disappear into the water. The performer is holding in his hands a three-dimensional phosphorescent Escher cube, the only source of light while the courtyard is in almost total darkness. "The evocative setting, the music, the darkness and this moving light produced an effect of “working” of the space, somewhere between the real and the imaginary [...]." [1] The project series contains a draft and a more final storyboard of the performance, Pettena's handwritten notes, and photographs of the performance at the Palazzo Grassi. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-phorsphorescent-1977/ (last accessed 12 November 2019)
Performance Fotofosforescente [Performance Phosphorescent] (1977)
Actions:
AP207.S1.1977.PR01
Description:
The project series documents the performance "Performance Fotofosforescente" carried out at the Palazzo Grassi, in Venice, for the International Festival "The Art of Performance" in 1977. The performance consisted of a phosphorescent figure descending the grand staircase of the main entrance to the courtyard of the Palazzo Grassi, crossing the atrium through the audience, and heading down the steps towards the Grand Canal to finally disappear into the water. The performer is holding in his hands a three-dimensional phosphorescent Escher cube, the only source of light while the courtyard is in almost total darkness. "The evocative setting, the music, the darkness and this moving light produced an effect of “working” of the space, somewhere between the real and the imaginary [...]." [1] The project series contains a draft and a more final storyboard of the performance, Pettena's handwritten notes, and photographs of the performance at the Palazzo Grassi. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-phorsphorescent-1977/ (last accessed 12 November 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1977-2015
circa 1977-2015
Personnes et institutions:
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2006
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Date:
10 janvier 2006 au 15 septembre 2006
10 janvier 2006 au 15 septembre 2006
Titre:
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Classification:
recherche
recherche
Date:
10 janvier 2006 au
15 septembre 2006
10 janvier 2006 au
15 septembre 2006
Classification:
né numérique, photographies
né numérique, photographies
Numéro de référence:
AP181.S1.013
Description:
Original directory name: "12-a_Modellfotos". File contains multiple dated series of photographs of a large-scale physical model of BMW Welt. Photographs also document a film commissioned by COOP HIMMELB(L)AU and made by Imaginary Forces to show BMW the magnitude of the future BMW Welt. Film is in file AP181.S1.011 Presentations, BMW Welt, Munich. Most common file formats: Exchangeable Image File Format (Compressed), JPEG File Interchange Format, Adobe Photoshop, Tagged Image File Format, Exchangeable Image File Format (Uncompressed)
AP181.S1.013
Description:
Original directory name: "12-a_Modellfotos". File contains multiple dated series of photographs of a large-scale physical model of BMW Welt. Photographs also document a film commissioned by COOP HIMMELB(L)AU and made by Imaginary Forces to show BMW the magnitude of the future BMW Welt. Film is in file AP181.S1.011 Presentations, BMW Welt, Munich. Most common file formats: Exchangeable Image File Format (Compressed), JPEG File Interchange Format, Adobe Photoshop, Tagged Image File Format, Exchangeable Image File Format (Uncompressed)
Personnes et institutions:
Date:
2002-2014
2002-2014
Titre:
Photographs of models, BMW Welt, Munich
Actions:
AP181.S1.013
Description:
Original directory name: "12-a_Modellfotos". File contains multiple dated series of photographs of a large-scale physical model of BMW Welt. Photographs also document a film commissioned by COOP HIMMELB(L)AU and made by Imaginary Forces to show BMW the magnitude of the future BMW Welt. Film is in file AP181.S1.011 Presentations, BMW Welt, Munich. Most common file formats: Exchangeable Image File Format (Compressed), JPEG File Interchange Format, Adobe Photoshop, Tagged Image File Format, Exchangeable Image File Format (Uncompressed)
Photographs of models, BMW Welt, Munich
Actions:
AP181.S1.013
Description:
Original directory name: "12-a_Modellfotos". File contains multiple dated series of photographs of a large-scale physical model of BMW Welt. Photographs also document a film commissioned by COOP HIMMELB(L)AU and made by Imaginary Forces to show BMW the magnitude of the future BMW Welt. Film is in file AP181.S1.011 Presentations, BMW Welt, Munich. Most common file formats: Exchangeable Image File Format (Compressed), JPEG File Interchange Format, Adobe Photoshop, Tagged Image File Format, Exchangeable Image File Format (Uncompressed)
Classification:
né numérique, photographies
né numérique, photographies
Date:
2002-2014
2002-2014
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Cette exposition examine une série de documentaires produits par le ministère américain de lIntérieur dans les années 1950, qui dépeignent le rôle transformateur des infrastructures dans le remodelage des paysages selon les valeurs américaines.
Cette exposition examine une série de documentaires produits par le ministère américain de lIntérieur dans les années 1950, qui dépeignent le rôle transformateur des infrastructures dans le remodelage des paysages selon les valeurs américaines.
Localisation:
Salle octogonale Mot(s)-clé(s):
paysage, ressources, nature, infrastructure, guerre froide, extractivisme, propagande, imaginaire
Salle octogonale Mot(s)-clé(s):
paysage, ressources, nature, infrastructure, guerre froide, extractivisme, propagande, imaginaire
Date:
1 octobre 2026 au 3 janvier 2027
1 octobre 2026 au 3 janvier 2027
Titre:
Recadrer le paysage américain
Actions:
Description:
Cette exposition examine une série de documentaires produits par le ministère américain de lIntérieur dans les années 1950, qui dépeignent le rôle transformateur des infrastructures dans le remodelage des paysages selon les valeurs américaines.
Recadrer le paysage américain
Actions:
Description:
Cette exposition examine une série de documentaires produits par le ministère américain de lIntérieur dans les années 1950, qui dépeignent le rôle transformateur des infrastructures dans le remodelage des paysages selon les valeurs américaines.
Classification:
expositions
expositions
Date:
1 octobre 2026 au
3 janvier 2027
1 octobre 2026 au
3 janvier 2027
Localisation:
Salle octogonale Mot(s)-clé(s):
paysage, ressources, nature, infrastructure, guerre froide, extractivisme, propagande, imaginaire
Salle octogonale Mot(s)-clé(s):
paysage, ressources, nature, infrastructure, guerre froide, extractivisme, propagande, imaginaire
