2385 Résultats
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
General Textual Files
General Textual Files
Numéro de référence:
AP116.S3.SS17.D1
Description:
File documents the activities related to the planning and production of Memory Inc.: Return of Repressed Architectural Memory, issue 15 of ANY magazine (September). Material in file was produced in 1996. File contains correspondence, lay-out mock-ups, and production schedules.
AP116.S3.SS17.D1
Description:
File documents the activities related to the planning and production of Memory Inc.: Return of Repressed Architectural Memory, issue 15 of ANY magazine (September). Material in file was produced in 1996. File contains correspondence, lay-out mock-ups, and production schedules.
Personnes et institutions:
Date:
1996
1996
Titre:
General Textual Files
Actions:
AP116.S3.SS17.D1
Description:
File documents the activities related to the planning and production of Memory Inc.: Return of Repressed Architectural Memory, issue 15 of ANY magazine (September). Material in file was produced in 1996. File contains correspondence, lay-out mock-ups, and production schedules.
General Textual Files
Actions:
AP116.S3.SS17.D1
Description:
File documents the activities related to the planning and production of Memory Inc.: Return of Repressed Architectural Memory, issue 15 of ANY magazine (September). Material in file was produced in 1996. File contains correspondence, lay-out mock-ups, and production schedules.
Niveau de description archivistique:
File 1
File 1
Date:
1996
1996
Personnes et institutions:
Classification:
documents textuels, périodiques
documents textuels, périodiques
Numéro de référence:
AP206.S2.075
Description:
This file consists of the following papers: "Storm in a Teacup" "Art and Habitat with reference to Corbusier's Chandigarh," 1988 "The Concept" "Managing your Own Environment" "Punjab Agricultural University Ludhiana: Some Thoughts Some Memories," published in the June 1988 issue of Advance magazine
AP206.S2.075
Description:
This file consists of the following papers: "Storm in a Teacup" "Art and Habitat with reference to Corbusier's Chandigarh," 1988 "The Concept" "Managing your Own Environment" "Punjab Agricultural University Ludhiana: Some Thoughts Some Memories," published in the June 1988 issue of Advance magazine
Personnes et institutions:
Date:
1988
1988
Titre:
Published and unpublished papers
Actions:
AP206.S2.075
Description:
This file consists of the following papers: "Storm in a Teacup" "Art and Habitat with reference to Corbusier's Chandigarh," 1988 "The Concept" "Managing your Own Environment" "Punjab Agricultural University Ludhiana: Some Thoughts Some Memories," published in the June 1988 issue of Advance magazine
Published and unpublished papers
Actions:
AP206.S2.075
Description:
This file consists of the following papers: "Storm in a Teacup" "Art and Habitat with reference to Corbusier's Chandigarh," 1988 "The Concept" "Managing your Own Environment" "Punjab Agricultural University Ludhiana: Some Thoughts Some Memories," published in the June 1988 issue of Advance magazine
Classification:
documents textuels, périodiques
documents textuels, périodiques
Date:
1988
1988
Personnes et institutions:
Classification:
événements
événements
Actions:
Mot(s)-clé(s):
Cammy Brothers. chercheur en résidence. Drawing from Memory. Giuliano da Sangallo. ruines de Rome. Dessin. Mémoire
Cammy Brothers. chercheur en résidence. Drawing from Memory. Giuliano da Sangallo. ruines de Rome. Dessin. Mémoire
Date:
20 juillet 2006
20 juillet 2006
Classification:
événements
événements
Date:
20 juillet 2006
20 juillet 2006
Niveau de description archivistique:
Projet
Projet
Titre:
Porthole
Porthole
Numéro de référence:
AP144.S2.D154
Description:
File documents a commission from Lord Eliot, Earl St. Germans, for an architectural folly, a lead tent in memory of the Earl's grandmother, to be built on the grounds of the Port Eliot estate in St. Germans, Cornwall, England. Material in this file was produced in 1989. File contains conceptual drawings and textual records.
AP144.S2.D154
Description:
File documents a commission from Lord Eliot, Earl St. Germans, for an architectural folly, a lead tent in memory of the Earl's grandmother, to be built on the grounds of the Port Eliot estate in St. Germans, Cornwall, England. Material in this file was produced in 1989. File contains conceptual drawings and textual records.
Personnes et institutions:
Date:
1989
1989
Titre:
Porthole
Actions:
AP144.S2.D154
Description:
File documents a commission from Lord Eliot, Earl St. Germans, for an architectural folly, a lead tent in memory of the Earl's grandmother, to be built on the grounds of the Port Eliot estate in St. Germans, Cornwall, England. Material in this file was produced in 1989. File contains conceptual drawings and textual records.
Porthole
Actions:
AP144.S2.D154
Description:
File documents a commission from Lord Eliot, Earl St. Germans, for an architectural folly, a lead tent in memory of the Earl's grandmother, to be built on the grounds of the Port Eliot estate in St. Germans, Cornwall, England. Material in this file was produced in 1989. File contains conceptual drawings and textual records.
Niveau de description archivistique:
File 154
File 154
Date:
1989
1989
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Lionel March fonds
Lionel March fonds
Numéro de référence:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Personnes et institutions:
Date:
circa 1957-2017
circa 1957-2017
Titre:
Lionel March fonds
Actions:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Lionel March fonds
Actions:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1957-2017
circa 1957-2017
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
Personnes et institutions:
Date:
1971-1973
1971-1973
Titre:
Architettura come Scrittura [Architecture as Writing] (1971-1973)
Actions:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
Architettura come Scrittura [Architecture as Writing] (1971-1973)
Actions:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
Niveau de description archivistique:
Project
Project
Date:
1971-1973
1971-1973
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1996.PR01
Description:
This project series documents the Kolonihaven - Exposição ao ar livre in Copenhagen, Denmark. While the records were held in the office’s archives this project was assigned the number 73/90 The office assigned the date 1996 to this project. At the end of the 19th century, there was an important migration of people from the rural areas to the cities in Denmark. Some migrants missed the contact with the soil and decided to built small houses with gardens to help them to adapt to their new urban life. These small Danish houses we're later named Kolonihavehus and became emblematic in Denmark. The exhibition Kolonihaven - The International challenge was held in Copenhagen by the Arken Museum of Modern Art. Fourteen international architects, including Álvaro Siza, Aldo Rossi, Mario Botta, Michael Graves, Arata Isozaki, and Leon Krier were invited to design a 7.5 square meter Danish house. Siza's design was based on his idea of a house as a child mixed with his memories of a trip to Scandinavia. The fourteen architects also participated in the exhibition "Major Projects" at the Køge Museum, in Køge, Danmark. The exhibition focused on the sketches and preliminary drawings of majort projects by each architect. Documenting this project are sketches and documentation.
AP178.S1.1996.PR01
Description:
This project series documents the Kolonihaven - Exposição ao ar livre in Copenhagen, Denmark. While the records were held in the office’s archives this project was assigned the number 73/90 The office assigned the date 1996 to this project. At the end of the 19th century, there was an important migration of people from the rural areas to the cities in Denmark. Some migrants missed the contact with the soil and decided to built small houses with gardens to help them to adapt to their new urban life. These small Danish houses we're later named Kolonihavehus and became emblematic in Denmark. The exhibition Kolonihaven - The International challenge was held in Copenhagen by the Arken Museum of Modern Art. Fourteen international architects, including Álvaro Siza, Aldo Rossi, Mario Botta, Michael Graves, Arata Isozaki, and Leon Krier were invited to design a 7.5 square meter Danish house. Siza's design was based on his idea of a house as a child mixed with his memories of a trip to Scandinavia. The fourteen architects also participated in the exhibition "Major Projects" at the Køge Museum, in Køge, Danmark. The exhibition focused on the sketches and preliminary drawings of majort projects by each architect. Documenting this project are sketches and documentation.
Personnes et institutions:
Date:
1996
1996
Titre:
Kolonihaven - The International Challenge, Copenhagen, Denmark (1996)
Actions:
AP178.S1.1996.PR01
Description:
This project series documents the Kolonihaven - Exposição ao ar livre in Copenhagen, Denmark. While the records were held in the office’s archives this project was assigned the number 73/90 The office assigned the date 1996 to this project. At the end of the 19th century, there was an important migration of people from the rural areas to the cities in Denmark. Some migrants missed the contact with the soil and decided to built small houses with gardens to help them to adapt to their new urban life. These small Danish houses we're later named Kolonihavehus and became emblematic in Denmark. The exhibition Kolonihaven - The International challenge was held in Copenhagen by the Arken Museum of Modern Art. Fourteen international architects, including Álvaro Siza, Aldo Rossi, Mario Botta, Michael Graves, Arata Isozaki, and Leon Krier were invited to design a 7.5 square meter Danish house. Siza's design was based on his idea of a house as a child mixed with his memories of a trip to Scandinavia. The fourteen architects also participated in the exhibition "Major Projects" at the Køge Museum, in Køge, Danmark. The exhibition focused on the sketches and preliminary drawings of majort projects by each architect. Documenting this project are sketches and documentation.
Kolonihaven - The International Challenge, Copenhagen, Denmark (1996)
Actions:
AP178.S1.1996.PR01
Description:
This project series documents the Kolonihaven - Exposição ao ar livre in Copenhagen, Denmark. While the records were held in the office’s archives this project was assigned the number 73/90 The office assigned the date 1996 to this project. At the end of the 19th century, there was an important migration of people from the rural areas to the cities in Denmark. Some migrants missed the contact with the soil and decided to built small houses with gardens to help them to adapt to their new urban life. These small Danish houses we're later named Kolonihavehus and became emblematic in Denmark. The exhibition Kolonihaven - The International challenge was held in Copenhagen by the Arken Museum of Modern Art. Fourteen international architects, including Álvaro Siza, Aldo Rossi, Mario Botta, Michael Graves, Arata Isozaki, and Leon Krier were invited to design a 7.5 square meter Danish house. Siza's design was based on his idea of a house as a child mixed with his memories of a trip to Scandinavia. The fourteen architects also participated in the exhibition "Major Projects" at the Køge Museum, in Køge, Danmark. The exhibition focused on the sketches and preliminary drawings of majort projects by each architect. Documenting this project are sketches and documentation.
Niveau de description archivistique:
Project
Project
Date:
1996
1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Doubletake
Doubletake
Numéro de référence:
AP142.S2.D12
Description:
File documents an exhibition titled 'Doubletake - Collective Memory & Current Art' that was first held 20 February to 20 April 1992 at the Hayward Gallery, London, England and then held 8 January to 28 February 1993 at Kunsthalle Wien, Vienna, Austria. Material in this file was produced in 1992 and 1993. File contains photographs, design development drawings, presentation drawings, and record drawings. File also contains textual records, including correspondence and clippings.
AP142.S2.D12
Description:
File documents an exhibition titled 'Doubletake - Collective Memory & Current Art' that was first held 20 February to 20 April 1992 at the Hayward Gallery, London, England and then held 8 January to 28 February 1993 at Kunsthalle Wien, Vienna, Austria. Material in this file was produced in 1992 and 1993. File contains photographs, design development drawings, presentation drawings, and record drawings. File also contains textual records, including correspondence and clippings.
Personnes et institutions:
Date:
1992-1993
1992-1993
Titre:
Doubletake
Actions:
AP142.S2.D12
Description:
File documents an exhibition titled 'Doubletake - Collective Memory & Current Art' that was first held 20 February to 20 April 1992 at the Hayward Gallery, London, England and then held 8 January to 28 February 1993 at Kunsthalle Wien, Vienna, Austria. Material in this file was produced in 1992 and 1993. File contains photographs, design development drawings, presentation drawings, and record drawings. File also contains textual records, including correspondence and clippings.
Doubletake
Actions:
AP142.S2.D12
Description:
File documents an exhibition titled 'Doubletake - Collective Memory & Current Art' that was first held 20 February to 20 April 1992 at the Hayward Gallery, London, England and then held 8 January to 28 February 1993 at Kunsthalle Wien, Vienna, Austria. Material in this file was produced in 1992 and 1993. File contains photographs, design development drawings, presentation drawings, and record drawings. File also contains textual records, including correspondence and clippings.
Niveau de description archivistique:
File 12
File 12
Date:
1992-1993
1992-1993
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2012-2015
2012-2015
Titre:
Breathing Architecture (2012)
Actions:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Breathing Architecture (2012)
Actions:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2012-2015
2012-2015
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Rejoignez-nous pour une le premier volet de notre série de présentations et discussions Documenter les déplacements, lors duquel Marisa Portolese, Jinyoung Kim et Pedro Barbáchano, présenteront des projets photographiques s’intéressant aux déplacements spatiaux de personnes, dobjets et de monuments et interrogeant les effets de ces changements de contexte sur leurs(...)
Rejoignez-nous pour une le premier volet de notre série de présentations et discussions Documenter les déplacements, lors duquel Marisa Portolese, Jinyoung Kim et Pedro Barbáchano, présenteront des projets photographiques s’intéressant aux déplacements spatiaux de personnes, dobjets et de monuments et interrogeant les effets de ces changements de contexte sur leurs(...)
Localisation:
Théâtre Paul-Desmarais Mot(s)-clé(s):
Documenter les déplacements, Marisa Portolese, Pedro Barbáchano, Jinyoung Kim, photographie, conférence
Théâtre Paul-Desmarais Mot(s)-clé(s):
Documenter les déplacements, Marisa Portolese, Pedro Barbáchano, Jinyoung Kim, photographie, conférence
Date:
30 novembre 2023, 18h30
30 novembre 2023, 18h30
Titre:
Documenter les déplacements I
Actions:
Description:
Rejoignez-nous pour une le premier volet de notre série de présentations et discussions Documenter les déplacements, lors duquel Marisa Portolese, Jinyoung Kim et Pedro Barbáchano, présenteront des projets photographiques s’intéressant aux déplacements spatiaux de personnes, dobjets et de monuments et interrogeant les effets de ces changements de contexte sur leurs(...)
Documenter les déplacements I
Actions:
Description:
Rejoignez-nous pour une le premier volet de notre série de présentations et discussions Documenter les déplacements, lors duquel Marisa Portolese, Jinyoung Kim et Pedro Barbáchano, présenteront des projets photographiques s’intéressant aux déplacements spatiaux de personnes, dobjets et de monuments et interrogeant les effets de ces changements de contexte sur leurs(...)
Classification:
événements
événements
Date:
30 novembre 2023
18h30
30 novembre 2023
18h30
Localisation:
Théâtre Paul-Desmarais Mot(s)-clé(s):
Documenter les déplacements, Marisa Portolese, Pedro Barbáchano, Jinyoung Kim, photographie, conférence
Théâtre Paul-Desmarais Mot(s)-clé(s):
Documenter les déplacements, Marisa Portolese, Pedro Barbáchano, Jinyoung Kim, photographie, conférence
