2058 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Porthole
Porthole
Numéro de référence:
AP144.S2.D154
Description:
File documents a commission from Lord Eliot, Earl St. Germans, for an architectural folly, a lead tent in memory of the Earl's grandmother, to be built on the grounds of the Port Eliot estate in St. Germans, Cornwall, England. Material in this file was produced in 1989. File contains conceptual drawings and textual records.
AP144.S2.D154
Description:
File documents a commission from Lord Eliot, Earl St. Germans, for an architectural folly, a lead tent in memory of the Earl's grandmother, to be built on the grounds of the Port Eliot estate in St. Germans, Cornwall, England. Material in this file was produced in 1989. File contains conceptual drawings and textual records.
Personnes et institutions:
Date:
1989
1989
Titre:
Porthole
Actions:
AP144.S2.D154
Description:
File documents a commission from Lord Eliot, Earl St. Germans, for an architectural folly, a lead tent in memory of the Earl's grandmother, to be built on the grounds of the Port Eliot estate in St. Germans, Cornwall, England. Material in this file was produced in 1989. File contains conceptual drawings and textual records.
Porthole
Actions:
AP144.S2.D154
Description:
File documents a commission from Lord Eliot, Earl St. Germans, for an architectural folly, a lead tent in memory of the Earl's grandmother, to be built on the grounds of the Port Eliot estate in St. Germans, Cornwall, England. Material in this file was produced in 1989. File contains conceptual drawings and textual records.
Niveau de description archivistique:
File 154
File 154
Date:
1989
1989
Personnes et institutions:
Classification:
événements
événements
Description:
None
None
Date:
17 janvier 2018
17 janvier 2018
Classification:
événements
événements
Date:
17 janvier 2018
17 janvier 2018
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
Personnes et institutions:
Date:
1971-1973
1971-1973
Titre:
Architettura come Scrittura [Architecture as Writing] (1971-1973)
Actions:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
Architettura come Scrittura [Architecture as Writing] (1971-1973)
Actions:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
Niveau de description archivistique:
Project
Project
Date:
1971-1973
1971-1973
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Doubletake
Doubletake
Numéro de référence:
AP142.S2.D12
Description:
File documents an exhibition titled 'Doubletake - Collective Memory & Current Art' that was first held 20 February to 20 April 1992 at the Hayward Gallery, London, England and then held 8 January to 28 February 1993 at Kunsthalle Wien, Vienna, Austria. Material in this file was produced in 1992 and 1993. File contains photographs, design development drawings, presentation drawings, and record drawings. File also contains textual records, including correspondence and clippings.
AP142.S2.D12
Description:
File documents an exhibition titled 'Doubletake - Collective Memory & Current Art' that was first held 20 February to 20 April 1992 at the Hayward Gallery, London, England and then held 8 January to 28 February 1993 at Kunsthalle Wien, Vienna, Austria. Material in this file was produced in 1992 and 1993. File contains photographs, design development drawings, presentation drawings, and record drawings. File also contains textual records, including correspondence and clippings.
Personnes et institutions:
Date:
1992-1993
1992-1993
Titre:
Doubletake
Actions:
AP142.S2.D12
Description:
File documents an exhibition titled 'Doubletake - Collective Memory & Current Art' that was first held 20 February to 20 April 1992 at the Hayward Gallery, London, England and then held 8 January to 28 February 1993 at Kunsthalle Wien, Vienna, Austria. Material in this file was produced in 1992 and 1993. File contains photographs, design development drawings, presentation drawings, and record drawings. File also contains textual records, including correspondence and clippings.
Doubletake
Actions:
AP142.S2.D12
Description:
File documents an exhibition titled 'Doubletake - Collective Memory & Current Art' that was first held 20 February to 20 April 1992 at the Hayward Gallery, London, England and then held 8 January to 28 February 1993 at Kunsthalle Wien, Vienna, Austria. Material in this file was produced in 1992 and 1993. File contains photographs, design development drawings, presentation drawings, and record drawings. File also contains textual records, including correspondence and clippings.
Niveau de description archivistique:
File 12
File 12
Date:
1992-1993
1992-1993
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
La nuova piazzetta Manzoni
La nuova piazzetta Manzoni
Numéro de référence:
AP142.S1.D129
Description:
File documents an executed project for a plaza outside the Manzoni subway station, on Croce Rossa Street, Milan, Italy. The plaza notably comprises a large fountain monument (edified on the memory of Alessandro Pertini), which was heavily criticized by the public. Material in this file was produced between 1988 and 1990. File contains a reference drawing, conceptual drawings, design development drawings and presentation drawings. File also contains textual records, including correspondence, specifications, clippings on the project's controversy, promotional material, sketches, drawings and photographic material.
AP142.S1.D129
Description:
File documents an executed project for a plaza outside the Manzoni subway station, on Croce Rossa Street, Milan, Italy. The plaza notably comprises a large fountain monument (edified on the memory of Alessandro Pertini), which was heavily criticized by the public. Material in this file was produced between 1988 and 1990. File contains a reference drawing, conceptual drawings, design development drawings and presentation drawings. File also contains textual records, including correspondence, specifications, clippings on the project's controversy, promotional material, sketches, drawings and photographic material.
Personnes et institutions:
Date:
1988-1990
1988-1990
Titre:
La nuova piazzetta Manzoni
Actions:
AP142.S1.D129
Description:
File documents an executed project for a plaza outside the Manzoni subway station, on Croce Rossa Street, Milan, Italy. The plaza notably comprises a large fountain monument (edified on the memory of Alessandro Pertini), which was heavily criticized by the public. Material in this file was produced between 1988 and 1990. File contains a reference drawing, conceptual drawings, design development drawings and presentation drawings. File also contains textual records, including correspondence, specifications, clippings on the project's controversy, promotional material, sketches, drawings and photographic material.
La nuova piazzetta Manzoni
Actions:
AP142.S1.D129
Description:
File documents an executed project for a plaza outside the Manzoni subway station, on Croce Rossa Street, Milan, Italy. The plaza notably comprises a large fountain monument (edified on the memory of Alessandro Pertini), which was heavily criticized by the public. Material in this file was produced between 1988 and 1990. File contains a reference drawing, conceptual drawings, design development drawings and presentation drawings. File also contains textual records, including correspondence, specifications, clippings on the project's controversy, promotional material, sketches, drawings and photographic material.
Niveau de description archivistique:
File 129
File 129
Date:
1988-1990
1988-1990
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Rejoignez-nous pour une le premier volet de notre série de présentations et discussions Documenter les déplacements, lors duquel Marisa Portolese, Jinyoung Kim et Pedro Barbáchano, présenteront des projets photographiques s’intéressant aux déplacements spatiaux de personnes, dobjets et de monuments et interrogeant les effets de ces changements de contexte sur leurs(...)
Rejoignez-nous pour une le premier volet de notre série de présentations et discussions Documenter les déplacements, lors duquel Marisa Portolese, Jinyoung Kim et Pedro Barbáchano, présenteront des projets photographiques s’intéressant aux déplacements spatiaux de personnes, dobjets et de monuments et interrogeant les effets de ces changements de contexte sur leurs(...)
Localisation:
Théâtre Paul-Desmarais Mot(s)-clé(s):
Documenter les déplacements, Marisa Portolese, Pedro Barbáchano, Jinyoung Kim, photographie, conférence
Théâtre Paul-Desmarais Mot(s)-clé(s):
Documenter les déplacements, Marisa Portolese, Pedro Barbáchano, Jinyoung Kim, photographie, conférence
Date:
30 novembre 2023, 18h30
30 novembre 2023, 18h30
Titre:
Documenter les déplacements I
Actions:
Description:
Rejoignez-nous pour une le premier volet de notre série de présentations et discussions Documenter les déplacements, lors duquel Marisa Portolese, Jinyoung Kim et Pedro Barbáchano, présenteront des projets photographiques s’intéressant aux déplacements spatiaux de personnes, dobjets et de monuments et interrogeant les effets de ces changements de contexte sur leurs(...)
Documenter les déplacements I
Actions:
Description:
Rejoignez-nous pour une le premier volet de notre série de présentations et discussions Documenter les déplacements, lors duquel Marisa Portolese, Jinyoung Kim et Pedro Barbáchano, présenteront des projets photographiques s’intéressant aux déplacements spatiaux de personnes, dobjets et de monuments et interrogeant les effets de ces changements de contexte sur leurs(...)
Classification:
événements
événements
Date:
30 novembre 2023
18h30
30 novembre 2023
18h30
Localisation:
Théâtre Paul-Desmarais Mot(s)-clé(s):
Documenter les déplacements, Marisa Portolese, Pedro Barbáchano, Jinyoung Kim, photographie, conférence
Théâtre Paul-Desmarais Mot(s)-clé(s):
Documenter les déplacements, Marisa Portolese, Pedro Barbáchano, Jinyoung Kim, photographie, conférence
Classification:
événements
événements
Actions:
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, Irene Brisson, Haïti, lakay, diaspora, appartenance, mémoire, créole, kreyòl, créolisation, bòsmason
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, Irene Brisson, Haïti, lakay, diaspora, appartenance, mémoire, créole, kreyòl, créolisation, bòsmason
Date:
4 août 2022, 18h
4 août 2022, 18h
Classification:
événements
événements
Date:
4 août 2022
18h
4 août 2022
18h
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, Irene Brisson, Haïti, lakay, diaspora, appartenance, mémoire, créole, kreyòl, créolisation, bòsmason
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, Irene Brisson, Haïti, lakay, diaspora, appartenance, mémoire, créole, kreyòl, créolisation, bòsmason
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
Personnes et institutions:
Date:
2001-2003
2001-2003
Titre:
Biblioteca de México, Mexico City, Mexico
Actions:
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
Biblioteca de México, Mexico City, Mexico
Actions:
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
Niveau de description archivistique:
Project
Project
Date:
2001-2003
2001-2003
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Personnes et institutions:
Date:
1984-1992
1984-1992
Titre:
Reconstrução da Igreja Madre de Salemi [Reconstruction of the Mother Church of Salemi], Salemi, Italy (1983-1999)
Actions:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Reconstrução da Igreja Madre de Salemi [Reconstruction of the Mother Church of Salemi], Salemi, Italy (1983-1999)
Actions:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Niveau de description archivistique:
Project
Project
Date:
1984-1992
1984-1992
Personnes et institutions:
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2006
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Date:
10 janvier 2006 au 15 septembre 2006
10 janvier 2006 au 15 septembre 2006
Titre:
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Classification:
recherche
recherche
Date:
10 janvier 2006 au
15 septembre 2006
10 janvier 2006 au
15 septembre 2006
