463 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Lionel March fonds
Lionel March fonds
Numéro de référence:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Personnes et institutions:
Date:
circa 1957-2017
circa 1957-2017
Titre:
Lionel March fonds
Actions:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Lionel March fonds
Actions:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1957-2017
circa 1957-2017
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Personnes et institutions:
Date:
1997
1997
Titre:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Niveau de description archivistique:
Project
Project
Date:
1997
1997
Personnes et institutions:
Classification:
graphique
graphique
Numéro de référence:
ARCH153787
Description:
Various posters advertising IAUS related programming and publications: Oppositions, nos 5, 6, 7, 8; 1975 (2) Oppositions Books, [no date] (2) Architecture: Program for Continuing Education in Architecture; October 7 to December 19 [?] (2) Architecture 2: Program for Continuing Education in Architecture; March 3 to May 15, 1975 (2) A New Wave of Japanese Architecture; September 25 to November 14, 1978 (2) A New Wave of Austrian Architecture; March 24 to May 19, 1980 (2) The Advanced Studio Workshop: '80/'81 (2) City as Theater: Evening Program in Architecture and Planning; March 1 to June 29, 1977 (2) Open Plan 77: Architecture in American Culture; October 3 to December 8, 1977 (3) Open Plan 79: Architecture in American Culture; March 5 to May 10, 1979 (3) Open Plan 80: Architecture in American Culture; February 18 to May 1, 1980 (4 : 2 large & 2 small) Vienna/New York: National Tour Program; March 24 to May 4 [?] (1) Between Utopia and Nightmare: Five Lectures on Visions in Architecture by Anthony Vidler, The Architectural Association School of Architecture [no date] (2)
ARCH153787
Description:
Various posters advertising IAUS related programming and publications: Oppositions, nos 5, 6, 7, 8; 1975 (2) Oppositions Books, [no date] (2) Architecture: Program for Continuing Education in Architecture; October 7 to December 19 [?] (2) Architecture 2: Program for Continuing Education in Architecture; March 3 to May 15, 1975 (2) A New Wave of Japanese Architecture; September 25 to November 14, 1978 (2) A New Wave of Austrian Architecture; March 24 to May 19, 1980 (2) The Advanced Studio Workshop: '80/'81 (2) City as Theater: Evening Program in Architecture and Planning; March 1 to June 29, 1977 (2) Open Plan 77: Architecture in American Culture; October 3 to December 8, 1977 (3) Open Plan 79: Architecture in American Culture; March 5 to May 10, 1979 (3) Open Plan 80: Architecture in American Culture; February 18 to May 1, 1980 (4 : 2 large & 2 small) Vienna/New York: National Tour Program; March 24 to May 4 [?] (1) Between Utopia and Nightmare: Five Lectures on Visions in Architecture by Anthony Vidler, The Architectural Association School of Architecture [no date] (2)
Personnes et institutions:
Date:
1975-1981
1975-1981
Titre:
Various posters advertising IAUS related programming and publications
Actions:
ARCH153787
Description:
Various posters advertising IAUS related programming and publications: Oppositions, nos 5, 6, 7, 8; 1975 (2) Oppositions Books, [no date] (2) Architecture: Program for Continuing Education in Architecture; October 7 to December 19 [?] (2) Architecture 2: Program for Continuing Education in Architecture; March 3 to May 15, 1975 (2) A New Wave of Japanese Architecture; September 25 to November 14, 1978 (2) A New Wave of Austrian Architecture; March 24 to May 19, 1980 (2) The Advanced Studio Workshop: '80/'81 (2) City as Theater: Evening Program in Architecture and Planning; March 1 to June 29, 1977 (2) Open Plan 77: Architecture in American Culture; October 3 to December 8, 1977 (3) Open Plan 79: Architecture in American Culture; March 5 to May 10, 1979 (3) Open Plan 80: Architecture in American Culture; February 18 to May 1, 1980 (4 : 2 large & 2 small) Vienna/New York: National Tour Program; March 24 to May 4 [?] (1) Between Utopia and Nightmare: Five Lectures on Visions in Architecture by Anthony Vidler, The Architectural Association School of Architecture [no date] (2)
Various posters advertising IAUS related programming and publications
Actions:
ARCH153787
Description:
Various posters advertising IAUS related programming and publications: Oppositions, nos 5, 6, 7, 8; 1975 (2) Oppositions Books, [no date] (2) Architecture: Program for Continuing Education in Architecture; October 7 to December 19 [?] (2) Architecture 2: Program for Continuing Education in Architecture; March 3 to May 15, 1975 (2) A New Wave of Japanese Architecture; September 25 to November 14, 1978 (2) A New Wave of Austrian Architecture; March 24 to May 19, 1980 (2) The Advanced Studio Workshop: '80/'81 (2) City as Theater: Evening Program in Architecture and Planning; March 1 to June 29, 1977 (2) Open Plan 77: Architecture in American Culture; October 3 to December 8, 1977 (3) Open Plan 79: Architecture in American Culture; March 5 to May 10, 1979 (3) Open Plan 80: Architecture in American Culture; February 18 to May 1, 1980 (4 : 2 large & 2 small) Vienna/New York: National Tour Program; March 24 to May 4 [?] (1) Between Utopia and Nightmare: Five Lectures on Visions in Architecture by Anthony Vidler, The Architectural Association School of Architecture [no date] (2)
Classification:
graphique
graphique
Date:
1975-1981
1975-1981
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Le début des années 1950 donne lieu à de grands bouleversements mondiaux. De l’Inde au Maroc, du Guatemala à l’Indochine, la décolonisation s’accélère et la Guerre froide s’amorce. Les architectes qui travaillent ou interviennent à titre d’experts dans des régions non occidentales ne peuvent plus penser les lieux comme s’il s’agissait de terrains vagues aménagés pour des(...)
Le début des années 1950 donne lieu à de grands bouleversements mondiaux. De l’Inde au Maroc, du Guatemala à l’Indochine, la décolonisation s’accélère et la Guerre froide s’amorce. Les architectes qui travaillent ou interviennent à titre d’experts dans des régions non occidentales ne peuvent plus penser les lieux comme s’il s’agissait de terrains vagues aménagés pour des(...)
Localisation:
Salles principales Mot(s)-clé(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Pendab, Inde, modernism, Africa, Takashi Homma, Yto Barrada, Maroc
Salles principales Mot(s)-clé(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Pendab, Inde, modernism, Africa, Takashi Homma, Yto Barrada, Maroc
Date:
26 novembre 2013 au 20 avril 2014
26 novembre 2013 au 20 avril 2014
Titre:
Comment les architectes, les experts, les politiciens, les agences internationales et les citoyens négocient l'urbanisme moderne : Casablanca Chandigarh
Actions:
Description:
Le début des années 1950 donne lieu à de grands bouleversements mondiaux. De l’Inde au Maroc, du Guatemala à l’Indochine, la décolonisation s’accélère et la Guerre froide s’amorce. Les architectes qui travaillent ou interviennent à titre d’experts dans des régions non occidentales ne peuvent plus penser les lieux comme s’il s’agissait de terrains vagues aménagés pour des(...)
Comment les architectes, les experts, les politiciens, les agences internationales et les citoyens négocient l'urbanisme moderne : Casablanca Chandigarh
Actions:
Description:
Le début des années 1950 donne lieu à de grands bouleversements mondiaux. De l’Inde au Maroc, du Guatemala à l’Indochine, la décolonisation s’accélère et la Guerre froide s’amorce. Les architectes qui travaillent ou interviennent à titre d’experts dans des régions non occidentales ne peuvent plus penser les lieux comme s’il s’agissait de terrains vagues aménagés pour des(...)
Classification:
expositions
expositions
Date:
26 novembre 2013 au
20 avril 2014
26 novembre 2013 au
20 avril 2014
Localisation:
Salles principales Mot(s)-clé(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Pendab, Inde, modernism, Africa, Takashi Homma, Yto Barrada, Maroc
Salles principales Mot(s)-clé(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Pendab, Inde, modernism, Africa, Takashi Homma, Yto Barrada, Maroc
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153526
Description:
Minutes of the Exhibition Program meetings Budgets Exhibition Program Calendars Correspondence with curators, writers, Max Protetch Gallery, etc. October status report Newspaper clippings Correspondence with Skyline subscribers Contracts with Rizzoli International Publications, Inc. Grant Application to the NEA for Californian exhibition Folder : Austrian Wave ; correspondence with Austrian architects Unlabelled folder : correspondence relating to most exhibitions including budgets, grant application, schedules, newspaper clippings Folder containing personal correspondence to PDE, 1975-1976 Envelope containing typewritten texts relating to Philip Johnson's catalogue - Kenneth Frampton : AT&T Headquarters, New York - Kenneth Frampton : The Glass House Revisited - 9 pages of correspondence between Philip Johnson & J.J.P. Oud - Peter Eisenman : Acknowledgments - Philip Johnson : History, Genealogy, Historicism - 1 text by Giorgio Ciucci (no title) - Catalogue "Another Chance for Housing…", 1973.
ARCH153526
Description:
Minutes of the Exhibition Program meetings Budgets Exhibition Program Calendars Correspondence with curators, writers, Max Protetch Gallery, etc. October status report Newspaper clippings Correspondence with Skyline subscribers Contracts with Rizzoli International Publications, Inc. Grant Application to the NEA for Californian exhibition Folder : Austrian Wave ; correspondence with Austrian architects Unlabelled folder : correspondence relating to most exhibitions including budgets, grant application, schedules, newspaper clippings Folder containing personal correspondence to PDE, 1975-1976 Envelope containing typewritten texts relating to Philip Johnson's catalogue - Kenneth Frampton : AT&T Headquarters, New York - Kenneth Frampton : The Glass House Revisited - 9 pages of correspondence between Philip Johnson & J.J.P. Oud - Peter Eisenman : Acknowledgments - Philip Johnson : History, Genealogy, Historicism - 1 text by Giorgio Ciucci (no title) - Catalogue "Another Chance for Housing…", 1973.
Personnes et institutions:
Date:
1973-1982
1973-1982
Titre:
D. Programmes and Publications, 1977-1982: 2. Exhibitions and Catalogues
Actions:
ARCH153526
Description:
Minutes of the Exhibition Program meetings Budgets Exhibition Program Calendars Correspondence with curators, writers, Max Protetch Gallery, etc. October status report Newspaper clippings Correspondence with Skyline subscribers Contracts with Rizzoli International Publications, Inc. Grant Application to the NEA for Californian exhibition Folder : Austrian Wave ; correspondence with Austrian architects Unlabelled folder : correspondence relating to most exhibitions including budgets, grant application, schedules, newspaper clippings Folder containing personal correspondence to PDE, 1975-1976 Envelope containing typewritten texts relating to Philip Johnson's catalogue - Kenneth Frampton : AT&T Headquarters, New York - Kenneth Frampton : The Glass House Revisited - 9 pages of correspondence between Philip Johnson & J.J.P. Oud - Peter Eisenman : Acknowledgments - Philip Johnson : History, Genealogy, Historicism - 1 text by Giorgio Ciucci (no title) - Catalogue "Another Chance for Housing…", 1973.
D. Programmes and Publications, 1977-1982: 2. Exhibitions and Catalogues
Actions:
ARCH153526
Description:
Minutes of the Exhibition Program meetings Budgets Exhibition Program Calendars Correspondence with curators, writers, Max Protetch Gallery, etc. October status report Newspaper clippings Correspondence with Skyline subscribers Contracts with Rizzoli International Publications, Inc. Grant Application to the NEA for Californian exhibition Folder : Austrian Wave ; correspondence with Austrian architects Unlabelled folder : correspondence relating to most exhibitions including budgets, grant application, schedules, newspaper clippings Folder containing personal correspondence to PDE, 1975-1976 Envelope containing typewritten texts relating to Philip Johnson's catalogue - Kenneth Frampton : AT&T Headquarters, New York - Kenneth Frampton : The Glass House Revisited - 9 pages of correspondence between Philip Johnson & J.J.P. Oud - Peter Eisenman : Acknowledgments - Philip Johnson : History, Genealogy, Historicism - 1 text by Giorgio Ciucci (no title) - Catalogue "Another Chance for Housing…", 1973.
Classification:
documents textuels
documents textuels
Date:
1973-1982
1973-1982
Personnes et institutions:
Classification:
livres
livres
Exemplaires:
Description:
16 pages, 62 unnumbered pages (40 pages or leaves of plates) : chiefly illustrations (chiefly color), color plates ; 29 cm
Description:
16 pages, 62 unnumbered pages (40 pages or leaves of plates) : chiefly illustrations (chiefly color), color plates ; 29 cm
Auteur:
Sujet:
Publication:
New York, NY : Longhouse Projects, [2013], ©2013
New York, NY : Longhouse Projects, [2013], ©2013
Titre:
New waves, 2000-2013 / Takashi Homma ; [text, David LaRocca].
Actions:
Exemplaires:
Description:
16 pages, 62 unnumbered pages (40 pages or leaves of plates) : chiefly illustrations (chiefly color), color plates ; 29 cm
New waves, 2000-2013 / Takashi Homma ; [text, David LaRocca].
Actions:
Exemplaires:
Description:
16 pages, 62 unnumbered pages (40 pages or leaves of plates) : chiefly illustrations (chiefly color), color plates ; 29 cm
Classification:
livres
livres
Publication:
New York, NY : Longhouse Projects, [2013], ©2013
New York, NY : Longhouse Projects, [2013], ©2013
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
16 unnumbered pages : color illustrations, map ; 20 x 28 cm
Description:
16 unnumbered pages : color illustrations, map ; 20 x 28 cm
Auteur:
Sujet:
Publication:
Tokyo, Japan : POST, 2017.
Tokyo, Japan : POST, 2017.
Titre:
New waves / Takashi Homma ; exhibition and catalogue are organized by Yusuke Nakajima ; translation is by Lisa Aoyama.
Actions:
Exemplaires:
Description:
16 unnumbered pages : color illustrations, map ; 20 x 28 cm
New waves / Takashi Homma ; exhibition and catalogue are organized by Yusuke Nakajima ; translation is by Lisa Aoyama.
Actions:
Exemplaires:
Description:
16 unnumbered pages : color illustrations, map ; 20 x 28 cm
Classification:
livres
livres
Publication:
Tokyo, Japan : POST, 2017.
Tokyo, Japan : POST, 2017.
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
208 p. : ill., ports., maps ; 22 cm.
Description:
208 p. : ill., ports., maps ; 22 cm.
Auteur:
Sujet:
Publication:
Montréal : Véhicule Press, c2010.
Montréal : Véhicule Press, c2010.
Titre:
Making waves : the continuing Portuguese adventure / Mary Soderstrom.
Actions:
Exemplaires:
Description:
208 p. : ill., ports., maps ; 22 cm.
Making waves : the continuing Portuguese adventure / Mary Soderstrom.
Actions:
Exemplaires:
Description:
208 p. : ill., ports., maps ; 22 cm.
Classification:
livres
livres
Publication:
Montréal : Véhicule Press, c2010.
Montréal : Véhicule Press, c2010.
Auteur:
Sujet:
Classification:
audio
audio
Titre:
Breaking the Waves
Breaking the Waves
Actions:
Description:
1 online resource (1 audio file)
Publication:
FHNW HGK 2020
FHNW HGK 2020
Classification:
audio
audio
Publication:
FHNW HGK 2020
FHNW HGK 2020
Classification:
livres
livres
Actions:
Exemplaires:
Description:
101, 107 pages, 20 unnumbered pages of plates : illustrations ; 21 cm.
Description:
101, 107 pages, 20 unnumbered pages of plates : illustrations ; 21 cm.
Auteur:
Sujet:
Publication:
Montréal : Dazibao, 2003.
Montréal : Dazibao, 2003.
Titre:
Shock waves : photography rocks representation / [David Dorenbaum and others] ; edited by France Choinière and Vincent Lavoie ; [translation, Timothy Barnard] = Ondes de choc : la représentation secouée par la photographie / [David Dorenbaum and others] ; sous la direction de France Choinière et Vincent Lavoie ; [traduction, Colette Tougas].
Actions:
Exemplaires:
Description:
101, 107 pages, 20 unnumbered pages of plates : illustrations ; 21 cm.
Shock waves : photography rocks representation / [David Dorenbaum and others] ; edited by France Choinière and Vincent Lavoie ; [translation, Timothy Barnard] = Ondes de choc : la représentation secouée par la photographie / [David Dorenbaum and others] ; sous la direction de France Choinière et Vincent Lavoie ; [traduction, Colette Tougas].
Actions:
Exemplaires:
Description:
101, 107 pages, 20 unnumbered pages of plates : illustrations ; 21 cm.
Classification:
livres
livres
Publication:
Montréal : Dazibao, 2003.
Montréal : Dazibao, 2003.
Auteur:
Sujet:
