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255 pages : color illustrations ; 26 cm
New York, NY : Princeton Architectural Press, [2015], ©2015
Come together : the rise of cooperative art and design / Francesco Spampinato.
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Description:
255 pages : color illustrations ; 26 cm
livres
New York, NY : Princeton Architectural Press, [2015], ©2015
livres
Description:
236 pages : chiefly color illustrations ; 37 cm
New York : Collins Publishers in association with I. Shapiro, 1987.
A day in the life of the Soviet Union / photographed by 100 of the world's leading photojournalists on one day, May 15, 1987 ; project directors, Rick Smolan and David Cohen.
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236 pages : chiefly color illustrations ; 37 cm
livres
New York : Collins Publishers in association with I. Shapiro, 1987.
$49.00
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Cofounded by artist Jason Reed and educator Ryan Sprott in 2007, Borderland Collective is a long-term participatory art and education project based in Texas. The project utilizes collaborations between artists, educators, youth and community members to engage complex social issues and build space for diverse perspectives, meaningful dialogue and varying modes of creation(...)
Otherwise, it would be just another river: Ten years of Borderland Collective’s practice in collaboration and dialogue
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Cofounded by artist Jason Reed and educator Ryan Sprott in 2007, Borderland Collective is a long-term participatory art and education project based in Texas. The project utilizes collaborations between artists, educators, youth and community members to engage complex social issues and build space for diverse perspectives, meaningful dialogue and varying modes of creation and reflection. "Otherwise, it would be just another river" focuses on the participatory education and socially engaged art practices of Borderland Collective over the last 10 years. The book shares stories and collective knowledge about the US–Mexico border created by students, teachers, artists and community members in an array of Borderland Collective projects through poems, prose, photographs and drawings.
$45.00
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This book celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic — from the continuance of longstanding practices such as storytelling and skin sewing to the development of innovative new art forms such as throatboxing (a hybrid of traditional Inuit throat singing and beatboxing). In this illuminating publication,(...)
août 2022
Qummut Qukiria! Art, culture, and sovereignty across Inuit Nunaat and Sápmi: Mobilizing the circumpolar North
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$45.00
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This book celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic — from the continuance of longstanding practices such as storytelling and skin sewing to the development of innovative new art forms such as throatboxing (a hybrid of traditional Inuit throat singing and beatboxing). In this illuminating publication, curators, scholars, artists, and activists from Inuit Nunangat, Kalaallit Nunaat, Sápmi, Canada, and Scandinavia address topics as diverse as Sámi rematriation and the revival of the ládjogahpir (a Sámi woman’s headgear), the experience of bringing Inuit stone carving to a workshop for inner-city youth, and the decolonizing potential of Traditional Knowledge and its role in contemporary design and beyond.
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere(...)
octobre 2004, New York
Graffiti world : street art from five continents
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere and one of the most potent influences on youth-oriented marketing and design. With more than 2,000 illustrations by over 150 artists from all over the world and interviews with many of them, this book is the most comprehensive survey of graffiti art ever published. Today's young graffiti artists incorporate a variety of mediums—including stickers, stencils, oils, acrylics, and oil-based chalk—as well as an ever-expanding range of social commentary. This evolution in style and subject matter has earned graffiti the respect of the art world and guaranteed its long-lasting influence on art, graphic design, and style around the world.
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Life in the countryside, often perceived as either idyllic or depleted, has long been misrepresented. Challenging the stereotypes and myths that surround the idea of rurality, "Our Rural Selves" interrogates and represents individual and collective memories of childhood in rural landscapes and small towns. Drawing on visual artifacts whose origins range from the early(...)
Our rural selves: memory and the visual in Canadian childhoods
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Life in the countryside, often perceived as either idyllic or depleted, has long been misrepresented. Challenging the stereotypes and myths that surround the idea of rurality, "Our Rural Selves" interrogates and represents individual and collective memories of childhood in rural landscapes and small towns. Drawing on visual artifacts whose origins range from the early twentieth century to today, such as photographs, films, objects, picture books, and digital games, contributors offer readings of childhood that are geographically, ethnically, and culturally diverse. They examine the memories of Indigenous children, the experiences of back-to-the-land youth, and boom-or-bust childhoods within the petroleum, farming, and fishing industries. Illustrating often neglected and overlooked aspects of adolescence, this collection suggests new ways of studying social connectedness and collective futures. "Our Rural Selves" explores representation, imagination, and what it means to grow up rural in Canada.
Architecture du Canada
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In ''Street Archives and City Life'', Emily Callaci maps a new terrain of political and cultural production in mid- to late twentieth-century Tanzanian urban landscapes. While the postcolonial Tanzanian ruling party (TANU) adopted a policy of rural socialism known as Ujamaa between 1967 and 1985, an influx of youth migrants to the city of Dar es Salaam generated(...)
Street archives and city life: popular intellectuals in postcolonial Tanzania
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In ''Street Archives and City Life'', Emily Callaci maps a new terrain of political and cultural production in mid- to late twentieth-century Tanzanian urban landscapes. While the postcolonial Tanzanian ruling party (TANU) adopted a policy of rural socialism known as Ujamaa between 1967 and 1985, an influx of youth migrants to the city of Dar es Salaam generated innovative forms of urbanism through the production and circulation of what Callaci calls street archives. These urban intellectuals neither supported nor contested the ruling party's anti-city philosophy; rather, they navigated the complexities of inhabiting unplanned African cities during economic crisis and social transformation through various forms of popular texts that included women's Christian advice literature, newspaper columns, self-published pulp fiction novellas, and song lyrics. Through these textual networks, Callaci shows how youth migrants and urban intellectuals in Dar es Salaam fashioned a collective ethos of postcolonial African citizenship. This spirit ushered in a revolution rooted in the city and its networks—an urban revolution that arose in spite of the nation-state's pro-rural ideology.
BIG Bjarke Ingels Group
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BIG is maybe the first Danish architectural office to be truly ‘glocal’ in the sense of both anchored in Copenhagen and clearly rooted in a particular cultural and political context – and at the same time being the most globally acting architectural office in Denmark. They may be regarded as one of the first real successful exponents for a new post-national identity(...)
BIG Bjarke Ingels Group
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$173.00
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BIG is maybe the first Danish architectural office to be truly ‘glocal’ in the sense of both anchored in Copenhagen and clearly rooted in a particular cultural and political context – and at the same time being the most globally acting architectural office in Denmark. They may be regarded as one of the first real successful exponents for a new post-national identity operating within a new set of blurred cultural boundaries. Projects include The Danish Expo Pavillion, Helsingor Psychiatric Hospital, Sjakket Youth Centre, The Faroe Islands Educational Centre, Arlanda Airport Hotel, Shenzhen International Energy Mansion. Includes an essay by Geoff Manaugh and an interview with Bjarke Ingels by Jeffrey Inaba. Introduction by Boris Broman Jensen.
Architecture, monographies