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Work environments : spatial concepts, usage strategies, communications / Christian Schittich, (ed.).
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175 pages : illustrations (chiefly color) ; 30 cm.
Munich : Edition Detail ; Basel : Birkhäuser, 2011.
Work environments : spatial concepts, usage strategies, communications / Christian Schittich, (ed.).
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175 pages : illustrations (chiefly color) ; 30 cm.
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Munich : Edition Detail ; Basel : Birkhäuser, 2011.
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xvii, 371 pages : illustrations, maps ; 24 cm
Dordrecht ; New York : Springer, ©2010.
Materials, technologies and practice in historic heritage structures / edited by Maria Bostenaru Dan, Richard Přikryl and Ákos Török.
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xvii, 371 pages : illustrations, maps ; 24 cm
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Dordrecht ; New York : Springer, ©2010.
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351 pages : illustrations (some color), facsimiles, portraits ; 32 cm
Berlin : Hatje Cantz, [2024], ©2024
Otti Berger : weaving for modernist architecture / edited by Judith Raum for the Bauhaus-Archiv / Museum für Gestaltung; with contributions from Esther Cleven, Magdalena Droste, Tanya Harrod, Juliet Kinchin, Corinna A. Rader, Judith Raum, Katja Stelz.
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351 pages : illustrations (some color), facsimiles, portraits ; 32 cm
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Berlin : Hatje Cantz, [2024], ©2024
$57.00
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In this publication, Victoria Newhouse addresses the aesthetics and acoustics in concert halls and opera houses of the past, present, and future. Site and Sound explores the daunting, perennial question: Does the music serve the space, or the other way around? Newhouse starts with a survey of venues from ancient Greek and Roman times and progresses to(...)
avril 2012
Site and sound: the architecture and accoustics of new opera houses and concert halls
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In this publication, Victoria Newhouse addresses the aesthetics and acoustics in concert halls and opera houses of the past, present, and future. Site and Sound explores the daunting, perennial question: Does the music serve the space, or the other way around? Newhouse starts with a survey of venues from ancient Greek and Roman times and progresses to contemporary works around the world. She singles out Lincoln Center in particular for its long history and its transitions and remodelings over the years. Two major chapters cover the present: one focuses on recent work in the West, including the National Opera House of Norway in Oslo by Snohetta (2008), the Casa da Musica in Porto, Portugal, by Rem Koolhaas (2005), and many more; the second examines the boom in concert halls in China. A final chapter looks at projects that are currently planned and the future of an architecture for music.
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138 pages : illustrations (some color) ; 28 cm
Oxford : Architectural Press, 2001.
Creativity and innovation : the structural engineer's contribution to design / Bill Addis.
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138 pages : illustrations (some color) ; 28 cm
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Oxford : Architectural Press, 2001.
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288 pages : illustrations (some color) ; 23 cm + 1 CD-ROM (4 3/4 in.)
Toronto, Ont. : YYZ Books ; Banff, Alta. : Walter Phillips Gallery Editions, ©2004.
Aural cultures / edited by Jim Drobnick.
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288 pages : illustrations (some color) ; 23 cm + 1 CD-ROM (4 3/4 in.)
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Toronto, Ont. : YYZ Books ; Banff, Alta. : Walter Phillips Gallery Editions, ©2004.
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36 pages ; 24 cm
Boston : Press of John Wilson and Sons, 1866.
An outline of a course of architectural instruction / by William R. Ware, professor of architecture in the school of the Massachusetts Institute of Technology.
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36 pages ; 24 cm
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Boston : Press of John Wilson and Sons, 1866.
$45.95
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Dials, knobs, microphones, clocks; heads, hands, breath, voices. Ernst Schoen joined Frankfurt Radio in the 1920s as programmer and accelerated the potentials of this collision of bodies and technologies. As with others of his generation, Schoen experienced crisis after crisis, from the violence of war, the suicide of friends, economic collapse, and a brief episode of(...)
Dissonant waves: Ernst Schoen and experimental sound in the 20th century
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Dials, knobs, microphones, clocks; heads, hands, breath, voices. Ernst Schoen joined Frankfurt Radio in the 1920s as programmer and accelerated the potentials of this collision of bodies and technologies. As with others of his generation, Schoen experienced crisis after crisis, from the violence of war, the suicide of friends, economic collapse, and a brief episode of permitted experimentalism under the Weimar Republic for those who would foster aesthetic, technical, and political revolution. The counterreaction was Nazism—and Schoen and his milieux fell victim to it, found ways out of it, or hit against it with all their might. ''Dissonant waves'' tracks the life of Ernst Schoen—poet, composer, radio programmer, theorist, and best friend of Walter Benjamin from childhood—as he moves between Frankfurt, Berlin, Paris, and London. It casts radio history and practice into concrete spaces, into networks of friends and institutions, into political exigencies and domestic plights, and into broader aesthetic discussions of the politicization of art and the aestheticization of politics. Through friendship and comradeship, a position in state-backed radio, imprisonment, exile, networking in a new country, re-emigration, ill-treatment, neglect, Schoen suffers the century and articulates its broken promises.
Acoustique
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''Sonic Signatures'' interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the(...)
Sonic signatures: Music, migration and the city at night
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''Sonic Signatures'' interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the anthology consider a wide array of genres—including EDM, batida do gueto, and iSicathamiya—to understand how migrants resist oppression, long for people and places, and shape their adopted cities through music.
Acoustique
$18.95
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New York, 1966. Alors qu'il passe deux semaines à New York afin de recueillir les témoignages de musiciens de jazz en train de « transformer le genre », l'écrivain et journaliste Frank Kofsky (1935-1997) finit par rencontrer son idole, John Coltrane. Cette longue conversation, ici traduite en français par Patricia Miquel, fera l'un des chapitres de la somme qu'il publia(...)
John Coltrane Frank Kofsky: Conversation
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New York, 1966. Alors qu'il passe deux semaines à New York afin de recueillir les témoignages de musiciens de jazz en train de « transformer le genre », l'écrivain et journaliste Frank Kofsky (1935-1997) finit par rencontrer son idole, John Coltrane. Cette longue conversation, ici traduite en français par Patricia Miquel, fera l'un des chapitres de la somme qu'il publia en 1971, « Black Nationalism and the Revolution in Music » que Pathfinder Press rééditera plus tard sous le titre « John Coltrane and the Jazz Revolution of the 1960s. »
Acoustique