3035 Résultats
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Public space is changing. Where in earlier times people met each other on a public square it seems that now a hotel lobby is the desired designation. This change in the notion of what the public area exactly is forms one of the most crucial themes in current architectural debate – Where are shared spaces presently to be found where people can meet each other and develop(...)
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Public space is changing. Where in earlier times people met each other on a public square it seems that now a hotel lobby is the desired designation. This change in the notion of what the public area exactly is forms one of the most crucial themes in current architectural debate – Where are shared spaces presently to be found where people can meet each other and develop(...)
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Architectural positions: architecture, modernity and the public sphere
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Public space is changing. Where in earlier times people met each other on a public square it seems that now a hotel lobby is the desired designation. This change in the notion of what the public area exactly is forms one of the most crucial themes in current architectural debate – Where are shared spaces presently to be found where people can meet each other and develop and share a public meaning? This illustrated anthology brings together an impressive collection of writings by 36 leading architects, who have over the last fifty years presented different positions in relation to the debate over the idea and limits of what the public is, or should be. Contributors include: Aldo Rossi, Rem Koolhaas, Matthias Ungers, Daniel Libeskind, Peter Zumthor, Alison and Peter Smithson, Rob Krier, Ben van Berkel and Caroline Bos and Jean Nouvel.
Architectural positions: architecture, modernity and the public sphere
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Public space is changing. Where in earlier times people met each other on a public square it seems that now a hotel lobby is the desired designation. This change in the notion of what the public area exactly is forms one of the most crucial themes in current architectural debate – Where are shared spaces presently to be found where people can meet each other and develop and share a public meaning? This illustrated anthology brings together an impressive collection of writings by 36 leading architects, who have over the last fifty years presented different positions in relation to the debate over the idea and limits of what the public is, or should be. Contributors include: Aldo Rossi, Rem Koolhaas, Matthias Ungers, Daniel Libeskind, Peter Zumthor, Alison and Peter Smithson, Rob Krier, Ben van Berkel and Caroline Bos and Jean Nouvel.
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livres
livres
Publication:
juillet 2009
juillet 2009
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Comment comprendre l'architecture? Comment rendre compte de ce qui est à la fois expérience perceptive, projet artistique, décision d'urbanisme et choix politique? " Le plan et le détail " expose la philosophie d'un nouvel esprit architectural, déconstruit et remodèle les convictions et les notions sur lesquelles se fonde le travail de l'architecte : la valeur du plan,(...)
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Comment comprendre l'architecture? Comment rendre compte de ce qui est à la fois expérience perceptive, projet artistique, décision d'urbanisme et choix politique? " Le plan et le détail " expose la philosophie d'un nouvel esprit architectural, déconstruit et remodèle les convictions et les notions sur lesquelles se fonde le travail de l'architecte : la valeur du plan,(...)
Titre:
Le plan et le détail : une philosophie de l'architecture et de la ville
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Comment comprendre l'architecture? Comment rendre compte de ce qui est à la fois expérience perceptive, projet artistique, décision d'urbanisme et choix politique? " Le plan et le détail " expose la philosophie d'un nouvel esprit architectural, déconstruit et remodèle les convictions et les notions sur lesquelles se fonde le travail de l'architecte : la valeur du plan, la construction du cadre de l'habitat, l'insertion du bâti dans le tissu urbain, la relation de l'architecture et de l'urbanisme, le rationalisme technique, l'invention du détail. L'auteur permet de repenser les problèmes généraux de l'espace urbain aujourd'hui - dans un dialogue serré et fécond avec de grands créateurs du XX°siècle, et avec leurs oeuvres : Loos et Le Corbusier, Mies van der Rohe, Louis Kahn, Aldo Rossi, Peter Eisenman, et Rem Koolhaas. Fortement documenté, et illustré (52 illustrations et photographies noir et blanc; 8 planches couleurs).
Le plan et le détail : une philosophie de l'architecture et de la ville
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Comment comprendre l'architecture? Comment rendre compte de ce qui est à la fois expérience perceptive, projet artistique, décision d'urbanisme et choix politique? " Le plan et le détail " expose la philosophie d'un nouvel esprit architectural, déconstruit et remodèle les convictions et les notions sur lesquelles se fonde le travail de l'architecte : la valeur du plan, la construction du cadre de l'habitat, l'insertion du bâti dans le tissu urbain, la relation de l'architecture et de l'urbanisme, le rationalisme technique, l'invention du détail. L'auteur permet de repenser les problèmes généraux de l'espace urbain aujourd'hui - dans un dialogue serré et fécond avec de grands créateurs du XX°siècle, et avec leurs oeuvres : Loos et Le Corbusier, Mies van der Rohe, Louis Kahn, Aldo Rossi, Peter Eisenman, et Rem Koolhaas. Fortement documenté, et illustré (52 illustrations et photographies noir et blanc; 8 planches couleurs).
Classification:
livres
livres
Publication:
novembre 2001, Nîmes
novembre 2001, Nîmes
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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The Project of Autonomy radically rediscusses the concept of autonomy in politics and architecture by tracing a concise and polemical argument about its history in Italy in the 1960s and early 1970s. Architect and educator Pier Vittorio Aureli analyzes the position of the Operaism movement, formed by a group of intellectuals that produced a powerful and rigorous critique(...)
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The Project of Autonomy radically rediscusses the concept of autonomy in politics and architecture by tracing a concise and polemical argument about its history in Italy in the 1960s and early 1970s. Architect and educator Pier Vittorio Aureli analyzes the position of the Operaism movement, formed by a group of intellectuals that produced a powerful and rigorous critique(...)
Titre:
The project of autonomy: politics and architecture within and against capitalism
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The Project of Autonomy radically rediscusses the concept of autonomy in politics and architecture by tracing a concise and polemical argument about its history in Italy in the 1960s and early 1970s. Architect and educator Pier Vittorio Aureli analyzes the position of the Operaism movement, formed by a group of intellectuals that produced a powerful and rigorous critique of capitalism and its intersections with two of the most radical architectural-urban theories of the day: Aldo Rossi's redefinition of the architecture of the city and Archizoom's No-stop City. Readers are introduced to major figures like Mario Tronti and Raniero Panzieri, who previously have been little known in the English-speaking world, especially in an architectural context, and to the political motivations behind the theories of Rossi and Archizoom. The book draws on significant new source material, including recent interviews by the author and untranslated documents.
The project of autonomy: politics and architecture within and against capitalism
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The Project of Autonomy radically rediscusses the concept of autonomy in politics and architecture by tracing a concise and polemical argument about its history in Italy in the 1960s and early 1970s. Architect and educator Pier Vittorio Aureli analyzes the position of the Operaism movement, formed by a group of intellectuals that produced a powerful and rigorous critique of capitalism and its intersections with two of the most radical architectural-urban theories of the day: Aldo Rossi's redefinition of the architecture of the city and Archizoom's No-stop City. Readers are introduced to major figures like Mario Tronti and Raniero Panzieri, who previously have been little known in the English-speaking world, especially in an architectural context, and to the political motivations behind the theories of Rossi and Archizoom. The book draws on significant new source material, including recent interviews by the author and untranslated documents.
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livres
livres
Publication:
août 2012
août 2012
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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During a tumultuous period in the 1960s and 70s, a new generation of architects began their careers amidst a period of profound social change, new conditions for architecture and the city and lasting changes to popular and critical forms of cultural production. First Works tells the story of this period and reassesses the conditions of architecture and the beginnings of(...)
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During a tumultuous period in the 1960s and 70s, a new generation of architects began their careers amidst a period of profound social change, new conditions for architecture and the city and lasting changes to popular and critical forms of cultural production. First Works tells the story of this period and reassesses the conditions of architecture and the beginnings of(...)
Publication:
décembre 2009
décembre 2009
Titre:
First works: emerging architectural experimentation of the 1960s and 1970s
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During a tumultuous period in the 1960s and 70s, a new generation of architects began their careers amidst a period of profound social change, new conditions for architecture and the city and lasting changes to popular and critical forms of cultural production. First Works tells the story of this period and reassesses the conditions of architecture and the beginnings of architectural careers through a selection of projects undertaken during the 60s and 70s. The book, accompanying a major travelling exhibition, presents a single key early project, in the form of models, sketches, photographs and drawings, by 20 young architectural practices, including Archigram, Aldo Rossi, Robert Venturi, Renzo Piano, Peter Eisenman, Herzog & de Meuron and Zaha Hadid. Alongside these ‘first works’, 20 invited critics, including Kenneth Frampton, Sylvia Lavin and Pier Vittorio Aureli, offer contemporary commentaries on these projects and their place within the architects’ subsequent careers.
First works: emerging architectural experimentation of the 1960s and 1970s
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During a tumultuous period in the 1960s and 70s, a new generation of architects began their careers amidst a period of profound social change, new conditions for architecture and the city and lasting changes to popular and critical forms of cultural production. First Works tells the story of this period and reassesses the conditions of architecture and the beginnings of architectural careers through a selection of projects undertaken during the 60s and 70s. The book, accompanying a major travelling exhibition, presents a single key early project, in the form of models, sketches, photographs and drawings, by 20 young architectural practices, including Archigram, Aldo Rossi, Robert Venturi, Renzo Piano, Peter Eisenman, Herzog & de Meuron and Zaha Hadid. Alongside these ‘first works’, 20 invited critics, including Kenneth Frampton, Sylvia Lavin and Pier Vittorio Aureli, offer contemporary commentaries on these projects and their place within the architects’ subsequent careers.
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livres
livres
Publication:
décembre 2009
décembre 2009
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livres
livres
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Si on comprend aisément que les concepteurs de formes et d’espaces aient quotidiennement recours aux figures de l’analogie pour imaginer leurs projets, on sait moins que de nombreuses théories et doctrines de l’architecture lui sont tout autant redevables. Sorte de secret mal gardé, l’analogie serait de fait une des grandes matrices de l’architecture. Examinant(...)
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Si on comprend aisément que les concepteurs de formes et d’espaces aient quotidiennement recours aux figures de l’analogie pour imaginer leurs projets, on sait moins que de nombreuses théories et doctrines de l’architecture lui sont tout autant redevables. Sorte de secret mal gardé, l’analogie serait de fait une des grandes matrices de l’architecture. Examinant(...)
Titre:
Analogie et théorie en architecture : de la vie, de la ville et de la conception, même
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Si on comprend aisément que les concepteurs de formes et d’espaces aient quotidiennement recours aux figures de l’analogie pour imaginer leurs projets, on sait moins que de nombreuses théories et doctrines de l’architecture lui sont tout autant redevables. Sorte de secret mal gardé, l’analogie serait de fait une des grandes matrices de l’architecture. Examinant rigoureusement la portée pratique et théorique de cette hypothèse, les études d’histoire critique rassemblées dans ce premier ouvrage se consacrent à trois registres de la modernité qui éclairent l’architecture contemporaine : les conceptions de la vie et de la biologie (des images du corps aux principes de la génétique),les conceptions de la ville (en reconstituant les contours et les enjeux de ce que l’architecte Aldo Rossi appelait une « ville analogue »), et les conceptions mêmes de la conception (dont les modèles analogiques permettent de rendre compte des circonvolutions de l’imagination et de la réflexion architecturale).
Analogie et théorie en architecture : de la vie, de la ville et de la conception, même
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Si on comprend aisément que les concepteurs de formes et d’espaces aient quotidiennement recours aux figures de l’analogie pour imaginer leurs projets, on sait moins que de nombreuses théories et doctrines de l’architecture lui sont tout autant redevables. Sorte de secret mal gardé, l’analogie serait de fait une des grandes matrices de l’architecture. Examinant rigoureusement la portée pratique et théorique de cette hypothèse, les études d’histoire critique rassemblées dans ce premier ouvrage se consacrent à trois registres de la modernité qui éclairent l’architecture contemporaine : les conceptions de la vie et de la biologie (des images du corps aux principes de la génétique),les conceptions de la ville (en reconstituant les contours et les enjeux de ce que l’architecte Aldo Rossi appelait une « ville analogue »), et les conceptions mêmes de la conception (dont les modèles analogiques permettent de rendre compte des circonvolutions de l’imagination et de la réflexion architecturale).
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livres
livres
Publication:
août 2010
août 2010
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Daniel Marques was born in 1950 in Aarau, Switzerland. He studied under Aldo Rossi and Dolf Schnebli at the Federal Institute of Technology in Zurich and went on to found his own office in Lucerne in 1977. Besides working as an architect he has taught at various schools of architecture and in 2000 he became professor at the Technical University in Graz. This(...)
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Daniel Marques was born in 1950 in Aarau, Switzerland. He studied under Aldo Rossi and Dolf Schnebli at the Federal Institute of Technology in Zurich and went on to found his own office in Lucerne in 1977. Besides working as an architect he has taught at various schools of architecture and in 2000 he became professor at the Technical University in Graz. This(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
avril 2002, Luzern / Basel
avril 2002, Luzern / Basel
Titre:
Daniele Marques : 2 x 2 +3 wohnhäuser, houses
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Daniel Marques was born in 1950 in Aarau, Switzerland. He studied under Aldo Rossi and Dolf Schnebli at the Federal Institute of Technology in Zurich and went on to found his own office in Lucerne in 1977. Besides working as an architect he has taught at various schools of architecture and in 2000 he became professor at the Technical University in Graz. This publication accompanies an exhibition on Daniel Marques' work at the Architecture Gallery Lucerne. Along with photographs by Hannes Henz, Zurich, it documents and provides in-depth analyses of five residential buildings, all of which have been realised in the last few years. Martin Steinmann commented "The reduction that determines the architecture of Daniele Marques - at least in these houses - turns out to be a method of providing the things -with intensity: by postponing the moment in which they transform into specific meanings."
Daniele Marques : 2 x 2 +3 wohnhäuser, houses
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Daniel Marques was born in 1950 in Aarau, Switzerland. He studied under Aldo Rossi and Dolf Schnebli at the Federal Institute of Technology in Zurich and went on to found his own office in Lucerne in 1977. Besides working as an architect he has taught at various schools of architecture and in 2000 he became professor at the Technical University in Graz. This publication accompanies an exhibition on Daniel Marques' work at the Architecture Gallery Lucerne. Along with photographs by Hannes Henz, Zurich, it documents and provides in-depth analyses of five residential buildings, all of which have been realised in the last few years. Martin Steinmann commented "The reduction that determines the architecture of Daniele Marques - at least in these houses - turns out to be a method of providing the things -with intensity: by postponing the moment in which they transform into specific meanings."
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livres
livres
Publication:
avril 2002, Luzern / Basel
avril 2002, Luzern / Basel
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$135.00
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“Architecture & Arts” documents the innovations brought about by painters, sculptors, designers, writers, photographers, and filmmakers, as well as creators from the widest variety of artistic circles and expressive styles, into the field of architecture. At the same time, it reveals the digressions of architects into the visual arts, a discipline that has shared with(...)
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“Architecture & Arts” documents the innovations brought about by painters, sculptors, designers, writers, photographers, and filmmakers, as well as creators from the widest variety of artistic circles and expressive styles, into the field of architecture. At the same time, it reveals the digressions of architects into the visual arts, a discipline that has shared with(...)
Titre:
Architecture & arts 1900 /2004 : a century of creative projects in building, design, cinema, painting, sculpture
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“Architecture & Arts” documents the innovations brought about by painters, sculptors, designers, writers, photographers, and filmmakers, as well as creators from the widest variety of artistic circles and expressive styles, into the field of architecture. At the same time, it reveals the digressions of architects into the visual arts, a discipline that has shared with architecture a common project of a radical, at times visionary, aesthetic transformation of reality. The volume includes works by Malevich, Cartier-Bresson, Steichen, Terragni, Depero, Fritz Lang, Le Corbusier, Gehry, Rossi, Piano, and Oldenburg, to name a few. This richly illustrated volume offers a complete overview of architects and artists from the historic avant-gardes (Futurism, Suprematism, Constructivism, Dadaism, Neoplasticism, Expressionism, Surrealism, and the modern movements until the postwar period) to the contemporary world, starting from Informal-Spatialist work and continuing with Situationism, Brutalism, Pop Art, Minimalism, and Post modernism to the present day.
Architecture & arts 1900 /2004 : a century of creative projects in building, design, cinema, painting, sculpture
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“Architecture & Arts” documents the innovations brought about by painters, sculptors, designers, writers, photographers, and filmmakers, as well as creators from the widest variety of artistic circles and expressive styles, into the field of architecture. At the same time, it reveals the digressions of architects into the visual arts, a discipline that has shared with architecture a common project of a radical, at times visionary, aesthetic transformation of reality. The volume includes works by Malevich, Cartier-Bresson, Steichen, Terragni, Depero, Fritz Lang, Le Corbusier, Gehry, Rossi, Piano, and Oldenburg, to name a few. This richly illustrated volume offers a complete overview of architects and artists from the historic avant-gardes (Futurism, Suprematism, Constructivism, Dadaism, Neoplasticism, Expressionism, Surrealism, and the modern movements until the postwar period) to the contemporary world, starting from Informal-Spatialist work and continuing with Situationism, Brutalism, Pop Art, Minimalism, and Post modernism to the present day.
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livres
livres
Publication:
février 2005, Milan
février 2005, Milan
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livres
livres
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The Design Museum Gent is internationally renowned for its collection of furniture and objects from the 1600s up until today. Its works span in taste and philosophy from an ornate eighteenth-century wooden chandelier by the Ghent sculptor J.F. Allaert to an assortment of radical industrial and decorative objects by the contemporary Italian designer Ettore Sottsass. The(...)
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The Design Museum Gent is internationally renowned for its collection of furniture and objects from the 1600s up until today. Its works span in taste and philosophy from an ornate eighteenth-century wooden chandelier by the Ghent sculptor J.F. Allaert to an assortment of radical industrial and decorative objects by the contemporary Italian designer Ettore Sottsass. The(...)
Titre:
Design museum gent: history and collections
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The Design Museum Gent is internationally renowned for its collection of furniture and objects from the 1600s up until today. Its works span in taste and philosophy from an ornate eighteenth-century wooden chandelier by the Ghent sculptor J.F. Allaert to an assortment of radical industrial and decorative objects by the contemporary Italian designer Ettore Sottsass. The museum's special pride is its Art Nouveau collection, which features work by prominent Belgians like Henry van de Velde, Victor Horta and Paul Hanker alongside foreign designers like Josef Hoffman and Otto Wagner of the Wiener Secession. Works by Modernists like Le Corbusier and Gaston Eysselinck are seen in context with Postmodern pieces by Allessandro Mendini, Aldo Rossi, Hans Hollein and Andrea Branzi. And Minimalist works by Maarten Van Severen are juxtaposed with more sculptural pieces by Pieter De Bruyne and Emiel Veranneman and works by outsiders like Borek Sipek and Ron Arad.
Design museum gent: history and collections
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The Design Museum Gent is internationally renowned for its collection of furniture and objects from the 1600s up until today. Its works span in taste and philosophy from an ornate eighteenth-century wooden chandelier by the Ghent sculptor J.F. Allaert to an assortment of radical industrial and decorative objects by the contemporary Italian designer Ettore Sottsass. The museum's special pride is its Art Nouveau collection, which features work by prominent Belgians like Henry van de Velde, Victor Horta and Paul Hanker alongside foreign designers like Josef Hoffman and Otto Wagner of the Wiener Secession. Works by Modernists like Le Corbusier and Gaston Eysselinck are seen in context with Postmodern pieces by Allessandro Mendini, Aldo Rossi, Hans Hollein and Andrea Branzi. And Minimalist works by Maarten Van Severen are juxtaposed with more sculptural pieces by Pieter De Bruyne and Emiel Veranneman and works by outsiders like Borek Sipek and Ron Arad.
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livres
livres
Publication:
mars 2008
mars 2008
Sujet:
Design, époques et styles
Design, époques et styles
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livres
livres
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''Totems'' brings together ten texts by architect, historian, and critic Irénée Scalbert. Written between 2001 and 2025, they reflect nearly three decades of critical engagement with architecture and its cultural contexts. Ranging in length and register—from concise meditations to extended analytical essays—the collection captures the evolution of Scalbert’s thinking as a(...)
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''Totems'' brings together ten texts by architect, historian, and critic Irénée Scalbert. Written between 2001 and 2025, they reflect nearly three decades of critical engagement with architecture and its cultural contexts. Ranging in length and register—from concise meditations to extended analytical essays—the collection captures the evolution of Scalbert’s thinking as a(...)
Titre:
Totems: Selected essays on architecture
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''Totems'' brings together ten texts by architect, historian, and critic Irénée Scalbert. Written between 2001 and 2025, they reflect nearly three decades of critical engagement with architecture and its cultural contexts. Ranging in length and register—from concise meditations to extended analytical essays—the collection captures the evolution of Scalbert’s thinking as a critic, teacher, and participant in architectural discourse. Organized thematically into sections on buildings, cities, and the environment, ''Totems'' traces a loosely autobiographical arc. Earlier pieces echo Scalbert’s formative years in London during a period of architectural ferment are marked by the work of James Stirling and Norman Foster, influential figures from Europe such as Aldo Rossi, as well as his close association with a generation of contemporaries including Peter St John (Caruso St John Architects), and Tom Emerson and Stephanie Macdonald (6a architects). Later texts expand outward, both geographically and conceptually, as Scalbert brings a speculative and at times personal lens to questions of urbanism, nature, and meaning in contemporary architecture.
Totems: Selected essays on architecture
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''Totems'' brings together ten texts by architect, historian, and critic Irénée Scalbert. Written between 2001 and 2025, they reflect nearly three decades of critical engagement with architecture and its cultural contexts. Ranging in length and register—from concise meditations to extended analytical essays—the collection captures the evolution of Scalbert’s thinking as a critic, teacher, and participant in architectural discourse. Organized thematically into sections on buildings, cities, and the environment, ''Totems'' traces a loosely autobiographical arc. Earlier pieces echo Scalbert’s formative years in London during a period of architectural ferment are marked by the work of James Stirling and Norman Foster, influential figures from Europe such as Aldo Rossi, as well as his close association with a generation of contemporaries including Peter St John (Caruso St John Architects), and Tom Emerson and Stephanie Macdonald (6a architects). Later texts expand outward, both geographically and conceptually, as Scalbert brings a speculative and at times personal lens to questions of urbanism, nature, and meaning in contemporary architecture.
Classification:
livres
livres
Publication:
mai 2026
mai 2026
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
périodiques
périodiques
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Ce numéro des Cahiers thématiques propose une ouverture théorique autour des « pratiques du langage » dans leurs relations à la création, au sens large. Bien qu’essentiellement axée sur l’architecture, cette question est abordée de façon transversale, et suscite une approche interdisciplinaire (arts / littérature / philosophie, notamment). Il est conçu autour de dix-huit(...)
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Ce numéro des Cahiers thématiques propose une ouverture théorique autour des « pratiques du langage » dans leurs relations à la création, au sens large. Bien qu’essentiellement axée sur l’architecture, cette question est abordée de façon transversale, et suscite une approche interdisciplinaire (arts / littérature / philosophie, notamment). Il est conçu autour de dix-huit(...)
Titre:
Cahiers thématiques no. 3 : pratiques du langage - arts, architecture, littérature
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Résumé:
Ce numéro des Cahiers thématiques propose une ouverture théorique autour des « pratiques du langage » dans leurs relations à la création, au sens large. Bien qu’essentiellement axée sur l’architecture, cette question est abordée de façon transversale, et suscite une approche interdisciplinaire (arts / littérature / philosophie, notamment). Il est conçu autour de dix-huit essais. Ceux-ci entrecroisent écrits d’architectes (de J.N.L. Durand et J.Guadet à Le Corbusier, A. Rossi, R. Koolhaas et Ant Farm), d’ingénieur (H. Hossdorf) de musiciens (A.Schönberg, L. Nono), d’artiste (D. Graham), de linguiste (Hjemslev), de philosophes (L.Wittgenstein, Th.W. Adorno, M. Cacciari, S. Toulmin), et d’écrivains-essayistes (de W.H. Pater à Th. Mann, M. Blanchot et J. L. Borges). Les auteurs : Guillemette Morel-Journel, Sylvain Malfroy, Françoise Bradfer, Gérard Engrand, Daniel Treiber, Guy Rumé, Frédéric Yvan, Joëlle Prugnaud, Philippe Boudon, Caroline Maniaque, Christian Hauer, Jean Attali, Joëlle Caullier, Séverine Bridoux, Frank Vermandel, Antonia Soulez, Jean-Claude Vigato, et Marie-Céline Masson.
Cahiers thématiques no. 3 : pratiques du langage - arts, architecture, littérature
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Prix:
$39.95
(disponible sur commande)
Résumé:
Ce numéro des Cahiers thématiques propose une ouverture théorique autour des « pratiques du langage » dans leurs relations à la création, au sens large. Bien qu’essentiellement axée sur l’architecture, cette question est abordée de façon transversale, et suscite une approche interdisciplinaire (arts / littérature / philosophie, notamment). Il est conçu autour de dix-huit essais. Ceux-ci entrecroisent écrits d’architectes (de J.N.L. Durand et J.Guadet à Le Corbusier, A. Rossi, R. Koolhaas et Ant Farm), d’ingénieur (H. Hossdorf) de musiciens (A.Schönberg, L. Nono), d’artiste (D. Graham), de linguiste (Hjemslev), de philosophes (L.Wittgenstein, Th.W. Adorno, M. Cacciari, S. Toulmin), et d’écrivains-essayistes (de W.H. Pater à Th. Mann, M. Blanchot et J. L. Borges). Les auteurs : Guillemette Morel-Journel, Sylvain Malfroy, Françoise Bradfer, Gérard Engrand, Daniel Treiber, Guy Rumé, Frédéric Yvan, Joëlle Prugnaud, Philippe Boudon, Caroline Maniaque, Christian Hauer, Jean Attali, Joëlle Caullier, Séverine Bridoux, Frank Vermandel, Antonia Soulez, Jean-Claude Vigato, et Marie-Céline Masson.
Classification:
périodiques
périodiques
Publication:
janvier 2004, Lille
janvier 2004, Lille
Sujet:
Revues
Revues
