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In the mid-nineteenth century, Napoleon III and his prefect, Georges-Eugène Haussmann, adapted Paris to the requirements of industrial capitalism, endowing the old city with elegant boulevards, an enhanced water supply, modern sewers, and public greenery. Esther da Costa Meyer provides a major reassessment of this ambitious project, which resulted in widespread(...)
Dividing Paris: Urban renewal and social inequality 1852-1870
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In the mid-nineteenth century, Napoleon III and his prefect, Georges-Eugène Haussmann, adapted Paris to the requirements of industrial capitalism, endowing the old city with elegant boulevards, an enhanced water supply, modern sewers, and public greenery. Esther da Costa Meyer provides a major reassessment of this ambitious project, which resulted in widespread destruction in the historic center, displacing thousands of poor residents and polarizing the urban fabric. Drawing on newspapers, memoirs, and other archival materials, da Costa Meyer explores how people from different social strata?both women and men?experienced the urban reforms implemented by the Second Empire. As hundreds of tenements were destroyed to make way for upscale apartment buildings, thousands of impoverished residents were forced to the periphery, which lacked the services enjoyed by wealthier parts of the city. Challenging the idea of Paris as the capital of modernity, da Costa Meyer shows how the city was the hub of a sprawling colonial empire extending from the Caribbean to Asia, and exposes the underlying violence that enriched it at the expense of overseas territories. This book brings to light the contributions of those who actually built and maintained the impressive infrastructure of Paris, and reveals the consequences of colonial practices for the city's cultural, economic, and political life.
Théorie de l’urbanisme
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Immeuble qui demeura «le plus grand et le plus haut du monde» pendant 40 ans, l'Empire State Building fut, en son temps, l'opération immobilière de tous les records : 16 mois de chantier pour 200.000 m2 et 380 m de haut. Un article de Fortune en 1930 le décrit comme «un prisme bizarrement taillé, délimité d’un côté par 7.800 m2 de terrain et plafonné de l’autre par un(...)
Form follows finance : l'Empire State Building et les forces qui l'ont façonné
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Immeuble qui demeura «le plus grand et le plus haut du monde» pendant 40 ans, l'Empire State Building fut, en son temps, l'opération immobilière de tous les records : 16 mois de chantier pour 200.000 m2 et 380 m de haut. Un article de Fortune en 1930 le décrit comme «un prisme bizarrement taillé, délimité d’un côté par 7.800 m2 de terrain et plafonné de l’autre par un budget de 35 millions de dollars ; les autres facettes en [sont] : la loi de décroissance des rendements, celles des caractéristiques physiques des structures en acier, les exigences des ordonnances du zonage et une mise à disposition locative au 1er mai 1931». Malgré son statut d'exception, Carol Willis montre que le mastodonte répondait aussi à une règle architecturale bien américaine – selon laquelle la forme suit (d'abord)... son financement.
Théorie de l’architecture
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Les nouvelles technologies recomposent le monde selon leur propre logique, celle de la performance et de l’efficacité. Elles renforcent le règne de la compétition et l’exigence d’aller toujours plus vite, de se mobiliser intégralement pour son entreprise et sur les « réseaux sociaux », d’être capable de s’adapter à toutes les évolutions technoculturelles, sous peine(...)
octobre 2014
L'empire du numérique: comment internet et les nouvelles technologies ont colonisé nos vies
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Les nouvelles technologies recomposent le monde selon leur propre logique, celle de la performance et de l’efficacité. Elles renforcent le règne de la compétition et l’exigence d’aller toujours plus vite, de se mobiliser intégralement pour son entreprise et sur les « réseaux sociaux », d’être capable de s’adapter à toutes les évolutions technoculturelles, sous peine d’être exclu. L’Homme numérique croit avoir trouvé l’autonomie en se débarrassant des pesanteurs du vieux monde matériel. « Enfin libre! », dit-il, alors qu’au contraire, il dépend de plus en plus de dispositifs technoscientifiques. Pour rester dans la course et tenter de maîtriser un réel qui lui échappe, il multiplie les machines. Mais ce sont elles qui désormais le possèdent.
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Analyzing the evolution of the Roman amphitheatre as an architectural form, Katherine Welch addresses the critical period in the history of this building type. She covers the origins and dissemination under the Republic (from the third to first centuries BC); monumentalization as an architectural form under Augustus; and canonization as a building type with the Colosseum(...)
The roman amphitheatre : From its origins to the colosseum
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Analyzing the evolution of the Roman amphitheatre as an architectural form, Katherine Welch addresses the critical period in the history of this building type. She covers the origins and dissemination under the Republic (from the third to first centuries BC); monumentalization as an architectural form under Augustus; and canonization as a building type with the Colosseum (AD 80). The study then focuses on the reception of the amphitheatre in the Greek East, a part of the Empire strongly divided about the new realities of Roman rule.
Histoire jusqu’à 1900
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The Soviet Union has left a vast heritage in interior design that is largely unknown in the West. Other than architecture and graphic or product design, interior design from the Soviet era has not yet been thoroughly investigated. This publication offers a comprehensive survey of the country's interior design culture between revolutionary avant-garde and late Soviet(...)
Design, époques et styles
avril 2020
Soviet design: from Constructivism to Modernism, 1920-1980
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The Soviet Union has left a vast heritage in interior design that is largely unknown in the West. Other than architecture and graphic or product design, interior design from the Soviet era has not yet been thoroughly investigated. This publication offers a comprehensive survey of the country's interior design culture between revolutionary avant-garde and late Soviet modernism. Drawing on archives that were inaccessible until recently and featuring a wealth of previously unpublished material, it documents the achievements of seven decades in the former socialist empire.
Design, époques et styles
Alfred Stieglitz: New york
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Stieglitz witnessed a key period in New York’s history when the city suddenly transformed into a modern metropolis. As a child, he grew up in an upper Fifth Avenue brownstone still surrounded by empty lots and dirt roads. Naturally, he was fascinated by the monumental buildings rising around him, and you can sense his wonder in these images. Among the classic buildings he(...)
Alfred Stieglitz: New york
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Stieglitz witnessed a key period in New York’s history when the city suddenly transformed into a modern metropolis. As a child, he grew up in an upper Fifth Avenue brownstone still surrounded by empty lots and dirt roads. Naturally, he was fascinated by the monumental buildings rising around him, and you can sense his wonder in these images. Among the classic buildings he so artfully captured here are the (now demolished) Madison Square Gardens, the Flatiron, Rockefeller Center, the Waldorf Astoria, the Chrysler, and the Empire State.
Monographies photo
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Another Reason is a bold and innovative study of the intimate relationship between science, colonialism, and the modern nation. Gyan Prakash, one of the most influential historians of India writing today, explores in fresh and unexpected ways the complexities, contradictions, and profound importance of this relationship in the history of the subcontinent. He reveals how(...)
Another reason: science and the imagination of modern India
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Another Reason is a bold and innovative study of the intimate relationship between science, colonialism, and the modern nation. Gyan Prakash, one of the most influential historians of India writing today, explores in fresh and unexpected ways the complexities, contradictions, and profound importance of this relationship in the history of the subcontinent. He reveals how science served simultaneously as an instrument of empire and as a symbol of liberty, progress, and universal reason--and how, in playing these dramatically different roles, it was crucial to the emergence of the modern nation.
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août 1999
Arch Moyen-Orient
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"Walls of Algiers" examines the historical processes that transformed Ottoman Algiers, the 'Bulwark of Islam', into 'Alger la blanche', the colonial urban showpiece - and, after the outbreak of revolution in 1954 - counter-model of France's global empire. In this volume, the city of Algiers serves as a case study for the analysis of the proactive and reactive social,(...)
Walls of Algiers: narratives of the city through text and image
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"Walls of Algiers" examines the historical processes that transformed Ottoman Algiers, the 'Bulwark of Islam', into 'Alger la blanche', the colonial urban showpiece - and, after the outbreak of revolution in 1954 - counter-model of France's global empire. In this volume, the city of Algiers serves as a case study for the analysis of the proactive and reactive social, political, technical, and artistic forces that generate a city's form. Visual sources - prints, photographs, paintings, architectural drawings, urban designs, and film - are treated as primary evidence that complements and even challenges textual documents.
Arch Moyen-Orient
Accattone 5: Armin Linke
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Based entirely on the work of Armin Linke, Accattone #5 explores photography in relation to the major architecture of public and private institutions: the infrastructure of the Roman Empire, neoclassical Athens, the United Nations headquarters, neo-liberal corporate environments and the fragile European institutions in Brussels. Monuments are carefully crafted to convey(...)
Accattone 5: Armin Linke
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Based entirely on the work of Armin Linke, Accattone #5 explores photography in relation to the major architecture of public and private institutions: the infrastructure of the Roman Empire, neoclassical Athens, the United Nations headquarters, neo-liberal corporate environments and the fragile European institutions in Brussels. Monuments are carefully crafted to convey determined sets of aesthetic codes and political values, incorporated in a purportedly eternal and total character. Photography can challenge the power of such representations by bringing out their inherent glitches, small cracks and everyday ambiguities. It can reprogramme architecture.
Revues
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Throughout history, China has maintained one of the world’s richest built civilizations. The nation’s architectural achievements range from its earliest walled cities and the First Emperor’s vision of city and empire, to bridges, pagodas, and the twentieth-century constructions of the Socialist state. In this book, Nancy Shatzman Steinhardt presents a fully comprehensive(...)
Chinese architecture: a history
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Throughout history, China has maintained one of the world’s richest built civilizations. The nation’s architectural achievements range from its earliest walled cities and the First Emperor’s vision of city and empire, to bridges, pagodas, and the twentieth-century constructions of the Socialist state. In this book, Nancy Shatzman Steinhardt presents a fully comprehensive survey of Chinese architecture in any language. With rich political and historical context, Steinhardt covers forty centuries of architecture, from the genesis of Chinese building through to the twenty-first century and the challenges of urban expansion and globalism.
Histoire jusqu'à 1900, Asie