373 Résultats
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livres
livres
Titre:
Mary Corse
Mary Corse
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Mary Corse (born 1945) earned acclaim in the 1960s for pieces ranging from shaped-canvas paintings to ingenious light works. Corse has dedicated the decades since to establishing a unique practice at the crossroads of abstract expressionism and minimalism. Despite her now-frequent association with California’s Light and Space movement, the Los Angeles-based artist evolved(...)
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Mary Corse (born 1945) earned acclaim in the 1960s for pieces ranging from shaped-canvas paintings to ingenious light works. Corse has dedicated the decades since to establishing a unique practice at the crossroads of abstract expressionism and minimalism. Despite her now-frequent association with California’s Light and Space movement, the Los Angeles-based artist evolved(...)
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Mary Corse
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Mary Corse (born 1945) earned acclaim in the 1960s for pieces ranging from shaped-canvas paintings to ingenious light works. Corse has dedicated the decades since to establishing a unique practice at the crossroads of abstract expressionism and minimalism. Despite her now-frequent association with California’s Light and Space movement, the Los Angeles-based artist evolved independently of the region’s dominant personalities, philosophies and scenes. Produced in conjunction with her solo exhibition at Kayne Griffin Corcoran, this is the first major catalog on the artist. With an essay by Suzanne Hudson and an interview by Alex Bacon, it initiates a critical reappraisal of an artist whose singular vision has been hidden for too long.
Mary Corse
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Mary Corse (born 1945) earned acclaim in the 1960s for pieces ranging from shaped-canvas paintings to ingenious light works. Corse has dedicated the decades since to establishing a unique practice at the crossroads of abstract expressionism and minimalism. Despite her now-frequent association with California’s Light and Space movement, the Los Angeles-based artist evolved independently of the region’s dominant personalities, philosophies and scenes. Produced in conjunction with her solo exhibition at Kayne Griffin Corcoran, this is the first major catalog on the artist. With an essay by Suzanne Hudson and an interview by Alex Bacon, it initiates a critical reappraisal of an artist whose singular vision has been hidden for too long.
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livres
livres
Publication:
novembre 2017
novembre 2017
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livres
livres
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$42.00
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From their Southeastern European bases in Bucharest and Sofia, artists Dan Perjovschi and Nedko Solakov have taken the international art world by storm over the course of the last 15 years, showing their work either solo or jointly at such prestigious venues as the 2007 Venice Biennale, Documenta 12 in Kassel, Germany and The Museum of Modern Art, New York. Both artists(...)
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From their Southeastern European bases in Bucharest and Sofia, artists Dan Perjovschi and Nedko Solakov have taken the international art world by storm over the course of the last 15 years, showing their work either solo or jointly at such prestigious venues as the 2007 Venice Biennale, Documenta 12 in Kassel, Germany and The Museum of Modern Art, New York. Both artists(...)
Publication:
septembre 2008, Vienna
septembre 2008, Vienna
Titre:
Dan Perjovschi, Nedko Solakov
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$42.00
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From their Southeastern European bases in Bucharest and Sofia, artists Dan Perjovschi and Nedko Solakov have taken the international art world by storm over the course of the last 15 years, showing their work either solo or jointly at such prestigious venues as the 2007 Venice Biennale, Documenta 12 in Kassel, Germany and The Museum of Modern Art, New York. Both artists work with pictures, texts and biting irony to comment on the social, political and cultural status quo. Early this year, Perjovschi and Solakov took over Vienna's BA-CA-Kunstforum, drawing all over the walls, floors and surrounding architecture with felt-tipped markers and pencils. Political, witty, subversive and fresh, this winning exhibition is documented here.
Dan Perjovschi, Nedko Solakov
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From their Southeastern European bases in Bucharest and Sofia, artists Dan Perjovschi and Nedko Solakov have taken the international art world by storm over the course of the last 15 years, showing their work either solo or jointly at such prestigious venues as the 2007 Venice Biennale, Documenta 12 in Kassel, Germany and The Museum of Modern Art, New York. Both artists work with pictures, texts and biting irony to comment on the social, political and cultural status quo. Early this year, Perjovschi and Solakov took over Vienna's BA-CA-Kunstforum, drawing all over the walls, floors and surrounding architecture with felt-tipped markers and pencils. Political, witty, subversive and fresh, this winning exhibition is documented here.
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livres
livres
Publication:
septembre 2008, Vienna
septembre 2008, Vienna
Classification:
livres
livres
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$86.95
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Coincides with four solo exhibitions in New York, San Francisco, Minneapolis, and Berlin. Taking its name from a line in the Wallace Stevens' poem ''The Gray Room,'' Alec Soth's latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren't about any particular(...)
$86.95
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Coincides with four solo exhibitions in New York, San Francisco, Minneapolis, and Berlin. Taking its name from a line in the Wallace Stevens' poem ''The Gray Room,'' Alec Soth's latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren't about any particular(...)
Titre:
Alec Soth: I know how furiously your heart is beating
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Coincides with four solo exhibitions in New York, San Francisco, Minneapolis, and Berlin. Taking its name from a line in the Wallace Stevens' poem ''The Gray Room,'' Alec Soth's latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren't about any particular place or population. By a process of intimate and often extended engagement, Soth's portraits and images of his subject's surroundings involve an enquiry into the extent to which a photographic likeness can depict more than the outer surface of an individual, and perhaps even plumb the depths of something unknowable about both the sitter and the photographer.
Alec Soth: I know how furiously your heart is beating
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$86.95
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Résumé:
Coincides with four solo exhibitions in New York, San Francisco, Minneapolis, and Berlin. Taking its name from a line in the Wallace Stevens' poem ''The Gray Room,'' Alec Soth's latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren't about any particular place or population. By a process of intimate and often extended engagement, Soth's portraits and images of his subject's surroundings involve an enquiry into the extent to which a photographic likeness can depict more than the outer surface of an individual, and perhaps even plumb the depths of something unknowable about both the sitter and the photographer.
Classification:
livres
livres
Publication:
mars 2019
mars 2019
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$85.00
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Designed by Zak Kyes "The work, in full-colour words, pictures, drawings, films and wonderings, has been carried out from 1958 until this morning. Alongside Greene's own texts there are essays by Samantha Hardingham, Sand Helsel, Sam Jacob and Robin Middleton. 'The brink of a conceptual abyss - not a bad place to be?' David Greene (founding member of the legendary(...)
$85.00
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Designed by Zak Kyes "The work, in full-colour words, pictures, drawings, films and wonderings, has been carried out from 1958 until this morning. Alongside Greene's own texts there are essays by Samantha Hardingham, Sand Helsel, Sam Jacob and Robin Middleton. 'The brink of a conceptual abyss - not a bad place to be?' David Greene (founding member of the legendary(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
avril 2008, London
avril 2008, London
Titre:
David Greene: L.A.W.U.N Project #19
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Designed by Zak Kyes "The work, in full-colour words, pictures, drawings, films and wonderings, has been carried out from 1958 until this morning. Alongside Greene's own texts there are essays by Samantha Hardingham, Sand Helsel, Sam Jacob and Robin Middleton. 'The brink of a conceptual abyss - not a bad place to be?' David Greene (founding member of the legendary 'Archigram', this is the first monograph on his solo work) and his collaborators invite you to view projects that chart a peripatetic drift from form to invisibility, in the process illuminating the possibilities for architecture in a culture dominated by information technology. Accepted definitions and applications of new technologies are doggedly raised and questioned."
David Greene: L.A.W.U.N Project #19
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Designed by Zak Kyes "The work, in full-colour words, pictures, drawings, films and wonderings, has been carried out from 1958 until this morning. Alongside Greene's own texts there are essays by Samantha Hardingham, Sand Helsel, Sam Jacob and Robin Middleton. 'The brink of a conceptual abyss - not a bad place to be?' David Greene (founding member of the legendary 'Archigram', this is the first monograph on his solo work) and his collaborators invite you to view projects that chart a peripatetic drift from form to invisibility, in the process illuminating the possibilities for architecture in a culture dominated by information technology. Accepted definitions and applications of new technologies are doggedly raised and questioned."
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livres
livres
Publication:
avril 2008, London
avril 2008, London
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$46.95
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''Happysad souvenirs'' is a series of photographs taken in 2018 and 2019 during Hiller’s travels through China, Japan, Singapore, Thailand, Taiwan and Vietnam. Paul Hiller, born in 1984 in Germany, is a professional photographer and artist. He first graduated as a photo lab manager and then got his diploma at the Academy of Fine Arts Munich (class of Prof. Klaus vom(...)
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''Happysad souvenirs'' is a series of photographs taken in 2018 and 2019 during Hiller’s travels through China, Japan, Singapore, Thailand, Taiwan and Vietnam. Paul Hiller, born in 1984 in Germany, is a professional photographer and artist. He first graduated as a photo lab manager and then got his diploma at the Academy of Fine Arts Munich (class of Prof. Klaus vom(...)
Titre:
Paul Hiller: Happysad souvenirs
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''Happysad souvenirs'' is a series of photographs taken in 2018 and 2019 during Hiller’s travels through China, Japan, Singapore, Thailand, Taiwan and Vietnam. Paul Hiller, born in 1984 in Germany, is a professional photographer and artist. He first graduated as a photo lab manager and then got his diploma at the Academy of Fine Arts Munich (class of Prof. Klaus vom Bruch, new media). His photographs are not only shown in solo and group exhibitions in Germany and Europe, but they are also being displayed in many international print and online art platforms. His work is part of the so-called straight photography. He celebrates the art and the techniques of photography by shooting on analog film cameras only.
Paul Hiller: Happysad souvenirs
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''Happysad souvenirs'' is a series of photographs taken in 2018 and 2019 during Hiller’s travels through China, Japan, Singapore, Thailand, Taiwan and Vietnam. Paul Hiller, born in 1984 in Germany, is a professional photographer and artist. He first graduated as a photo lab manager and then got his diploma at the Academy of Fine Arts Munich (class of Prof. Klaus vom Bruch, new media). His photographs are not only shown in solo and group exhibitions in Germany and Europe, but they are also being displayed in many international print and online art platforms. His work is part of the so-called straight photography. He celebrates the art and the techniques of photography by shooting on analog film cameras only.
Classification:
livres
livres
Publication:
juillet 2022
juillet 2022
Sujet:
Monographies photo
Monographies photo
Classification:
audio
audio
Titre:
The Spinal Landscape.
The Spinal Landscape.
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Description:
1 online resource.
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[Place of publication not identified] : Urbanomic, 2019.
[Place of publication not identified] : Urbanomic, 2019.
Classification:
audio
audio
Publication:
[Place of publication not identified] : Urbanomic, 2019.
[Place of publication not identified] : Urbanomic, 2019.
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livres
livres
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$81.50
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Résumé:
Julien Levy (1906–1981) was one of the most influential proponents of photography and Surrealism during the second quarter of the twentieth century. In his gallery, which operated from 1931 to 1949, Levy hosted the first New York exhibition devoted to Surrealism and presented early solo exhibitions of many photographers now considered iconic in their field, including(...)
$81.50
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Julien Levy (1906–1981) was one of the most influential proponents of photography and Surrealism during the second quarter of the twentieth century. In his gallery, which operated from 1931 to 1949, Levy hosted the first New York exhibition devoted to Surrealism and presented early solo exhibitions of many photographers now considered iconic in their field, including(...)
Publication:
juin 2006, Philadelphia /New Haven
juin 2006, Philadelphia /New Haven
Titre:
Dreaming in black and white : photography at the Julien Levy gallery
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Julien Levy (1906–1981) was one of the most influential proponents of photography and Surrealism during the second quarter of the twentieth century. In his gallery, which operated from 1931 to 1949, Levy hosted the first New York exhibition devoted to Surrealism and presented early solo exhibitions of many photographers now considered iconic in their field, including Henri Cartier-Bresson, Walker Evans, Clarence John Laughlin, George Platt Lynes, and Lee Miller. He also developed close relationships with artists Salvador Dalí, Max Ernst, and Man Ray, among others, and is credited with discovering Joseph Cornell. This book is published to commemorate the centenary of Levy’s birth and to celebrate the Philadelphia Museum of Art’s major acquisition of more than 2,500 photographs from his collection.
Dreaming in black and white : photography at the Julien Levy gallery
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Julien Levy (1906–1981) was one of the most influential proponents of photography and Surrealism during the second quarter of the twentieth century. In his gallery, which operated from 1931 to 1949, Levy hosted the first New York exhibition devoted to Surrealism and presented early solo exhibitions of many photographers now considered iconic in their field, including Henri Cartier-Bresson, Walker Evans, Clarence John Laughlin, George Platt Lynes, and Lee Miller. He also developed close relationships with artists Salvador Dalí, Max Ernst, and Man Ray, among others, and is credited with discovering Joseph Cornell. This book is published to commemorate the centenary of Levy’s birth and to celebrate the Philadelphia Museum of Art’s major acquisition of more than 2,500 photographs from his collection.
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livres
livres
Publication:
juin 2006, Philadelphia /New Haven
juin 2006, Philadelphia /New Haven
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livres
livres
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$18.00
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Riferendosi ad un vuoto progettuale di almeno 50 anni (con genesi nella dialettica tra Adorno e Benjamin degli anni Trenta, fino alla musica concettuale di John Cage di metà Novecento e agli esiti ultimi di Philip Glass), Andrea Branzi riconferma in questo saggio la propria posizione di sovvertitore delle logiche concettuali e spaziali del progetto: come fenomeno(...)
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Riferendosi ad un vuoto progettuale di almeno 50 anni (con genesi nella dialettica tra Adorno e Benjamin degli anni Trenta, fino alla musica concettuale di John Cage di metà Novecento e agli esiti ultimi di Philip Glass), Andrea Branzi riconferma in questo saggio la propria posizione di sovvertitore delle logiche concettuali e spaziali del progetto: come fenomeno(...)
Titre:
La musica contemporanea e il suo spazio
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Riferendosi ad un vuoto progettuale di almeno 50 anni (con genesi nella dialettica tra Adorno e Benjamin degli anni Trenta, fino alla musica concettuale di John Cage di metà Novecento e agli esiti ultimi di Philip Glass), Andrea Branzi riconferma in questo saggio la propria posizione di sovvertitore delle logiche concettuali e spaziali del progetto: come fenomeno “inatteso”, la Musica contemporanea genera nuovi prototipi urbani, compositivi, cognitivi inaspettati. L’inatteso, nello specifico, non è solo la musica come generativa di un nuovo layer urbano, ma è una terza via di pensiero sullo spazio in toto. Spazio che viene disassato dalle logiche compositive visive e oggettuali tipiche della modernità, matrice di una prassi monodirezionata, verso una dimensione più aperta, orizzontale, sensoriale: una nuova esperienza intellettuale e di immaginazione.
La musica contemporanea e il suo spazio
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Riferendosi ad un vuoto progettuale di almeno 50 anni (con genesi nella dialettica tra Adorno e Benjamin degli anni Trenta, fino alla musica concettuale di John Cage di metà Novecento e agli esiti ultimi di Philip Glass), Andrea Branzi riconferma in questo saggio la propria posizione di sovvertitore delle logiche concettuali e spaziali del progetto: come fenomeno “inatteso”, la Musica contemporanea genera nuovi prototipi urbani, compositivi, cognitivi inaspettati. L’inatteso, nello specifico, non è solo la musica come generativa di un nuovo layer urbano, ma è una terza via di pensiero sullo spazio in toto. Spazio che viene disassato dalle logiche compositive visive e oggettuali tipiche della modernità, matrice di una prassi monodirezionata, verso una dimensione più aperta, orizzontale, sensoriale: una nuova esperienza intellettuale e di immaginazione.
Classification:
livres
livres
Publication:
septembre 2023
septembre 2023
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. A choreographed, multipart performance for seven dancers, interspersed with film and text, this major work was built(...)
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In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. A choreographed, multipart performance for seven dancers, interspersed with film and text, this major work was built(...)
Titre:
Yvonne Rainer: the mind is a muscle
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In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. A choreographed, multipart performance for seven dancers, interspersed with film and text, this major work was built upon a backbone of variations on Rainer's dance solo, Trio A. In this extended illustrated essay exploring The Mind is a Muscle, Catherine Wood examines the political and media context in which Rainer chose to use the dance-theatre situation as her medium and analyzes Rainer's radical approach to image-making in live form. Catherine Wood is Curator of contemporary art/performance at Tate Modern.
Yvonne Rainer: the mind is a muscle
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In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. A choreographed, multipart performance for seven dancers, interspersed with film and text, this major work was built upon a backbone of variations on Rainer's dance solo, Trio A. In this extended illustrated essay exploring The Mind is a Muscle, Catherine Wood examines the political and media context in which Rainer chose to use the dance-theatre situation as her medium and analyzes Rainer's radical approach to image-making in live form. Catherine Wood is Curator of contemporary art/performance at Tate Modern.
Classification:
livres
livres
Publication:
janvier 1900, London
janvier 1900, London
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Stickybeak: Julie Cockburn
Stickybeak: Julie Cockburn
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$76.95
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''Stickybeak'' is Julie Cockburn’s first comprehensive monograph. The book coincides with Cockburn’s solo show ''Telling it slant'' at Flowers Gallery in London, UK (12 September-2 November 2019). ''The works in this book were made over a period of twelve years, some one-off experiments, others part of ongoing series that I add to over time. Each piece began with the(...)
$76.95
(disponible en magasin)
Résumé:
''Stickybeak'' is Julie Cockburn’s first comprehensive monograph. The book coincides with Cockburn’s solo show ''Telling it slant'' at Flowers Gallery in London, UK (12 September-2 November 2019). ''The works in this book were made over a period of twelve years, some one-off experiments, others part of ongoing series that I add to over time. Each piece began with the(...)
Titre:
Stickybeak: Julie Cockburn
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$76.95
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Résumé:
''Stickybeak'' is Julie Cockburn’s first comprehensive monograph. The book coincides with Cockburn’s solo show ''Telling it slant'' at Flowers Gallery in London, UK (12 September-2 November 2019). ''The works in this book were made over a period of twelve years, some one-off experiments, others part of ongoing series that I add to over time. Each piece began with the search for the perfect image, setting some vaguely rigorous parameters for myself. I selected used postcards, old photographs, foxed bookplates and my own childhood drawings. And each of these foundlings had a different history, an unknown or forgotten story to tell. By submitting to my interventions, they transformed from silent, redundant, orphans into material objects with a regenerated heartbeat.'' -JC
Stickybeak: Julie Cockburn
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Prix:
$76.95
(disponible en magasin)
Résumé:
''Stickybeak'' is Julie Cockburn’s first comprehensive monograph. The book coincides with Cockburn’s solo show ''Telling it slant'' at Flowers Gallery in London, UK (12 September-2 November 2019). ''The works in this book were made over a period of twelve years, some one-off experiments, others part of ongoing series that I add to over time. Each piece began with the search for the perfect image, setting some vaguely rigorous parameters for myself. I selected used postcards, old photographs, foxed bookplates and my own childhood drawings. And each of these foundlings had a different history, an unknown or forgotten story to tell. By submitting to my interventions, they transformed from silent, redundant, orphans into material objects with a regenerated heartbeat.'' -JC
Classification:
livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Monographies photo
Monographies photo
