archives
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28 items ; 97 cm. or smaller.
CCA Mellon Lectures : products, 2001-.
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28 items ; 97 cm. or smaller.
archives
livres
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480 pages : illustrations (some color), color maps ; 29 cm
Courbevoie : ACR, ©1996.
Arabesques : art décoratif au Maroc / Jean-Marc Castéra ; photographies, Françoise Peuriot et Philippe Ploquin.
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480 pages : illustrations (some color), color maps ; 29 cm
livres
Courbevoie : ACR, ©1996.
livres
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284 pages : illustrations (chiefly color), maps ; 34 cm
New York : Little, Brown, and Company, [2016], ©2016
One World Trade Center : biography of the building / Judith Dupre.
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284 pages : illustrations (chiefly color), maps ; 34 cm
livres
New York : Little, Brown, and Company, [2016], ©2016
livres
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xvii, 150 pages : illustrations (some color), maps, plans ; 24 cm.
Swindon : Historic England : RIBA Publishing, 2018., ©2018
Alison and Peter Smithson / Mark Crinson.
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xvii, 150 pages : illustrations (some color), maps, plans ; 24 cm.
livres
Swindon : Historic England : RIBA Publishing, 2018., ©2018
$33.95
(disponible sur commande)
Résumé:
Over the past 30 years, the French Swiss architectural photographer Hélène Binet has traveled the world to photograph historic and contemporary buildings, as well as projects in the making. Considered by many the premier “architect’s photographer,” Binet has worked closely with Zaha Hadid, Daniel Libeskind and Peter Zumthor among others, who have turned to her to(...)
Light lines: the architectural photographs of Hélène Binet
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$33.95
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Résumé:
Over the past 30 years, the French Swiss architectural photographer Hélène Binet has traveled the world to photograph historic and contemporary buildings, as well as projects in the making. Considered by many the premier “architect’s photographer,” Binet has worked closely with Zaha Hadid, Daniel Libeskind and Peter Zumthor among others, who have turned to her to interpret their work. Using only analogue techniques, Binet’s photographs are both a representation and a discovery of her subjects, all of them buildings that break the mold, pushing daringly at the boundaries of their time.
Monographies photo
livres
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127 pages ; 21 cm.
Barcelona : Tenov Books, 2015.
On Loos, ornament and crime / Juan José Lahuerta ; translated by Graham Thomson.
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127 pages ; 21 cm.
livres
Barcelona : Tenov Books, 2015.
$46.00
(disponible sur commande)
Résumé:
Agnès Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively(...)
Agnes Varda: between film, photography and art
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$46.00
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Agnès Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture.
livres
New York / Jean-Louis Cohen.
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495 pages : illustrations (chiefly color), maps ; 33 cm
Paris : Citadelles & Mazenod, [2008], ©2008
New York / Jean-Louis Cohen.
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495 pages : illustrations (chiefly color), maps ; 33 cm
livres
Paris : Citadelles & Mazenod, [2008], ©2008
$80.00
(disponible en magasin)
Résumé:
Traces of India: Photography, Architecture, and the Politics of Representation, 1850–1900 investigates the different cultural roles played by photographs of Indian architecture from the second half of the nineteenth century. Although picturesque views, scientific records of an architectural past, political memorials, travel mementos, and textbook vignettes are the obvious(...)
Traces of India: Photography, Architecture, and the Politics of Representation, 1850–1900
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$80.00
(disponible en magasin)
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Traces of India: Photography, Architecture, and the Politics of Representation, 1850–1900 investigates the different cultural roles played by photographs of Indian architecture from the second half of the nineteenth century. Although picturesque views, scientific records of an architectural past, political memorials, travel mementos, and textbook vignettes are the obvious purposes of these images, Traces of India offers a deeper interpretation. Twelve essays show how photographs of architecture reveal the ways in which the practice of image making is aligned with the purposes of power, the presumptions accompanying the encounter with the unfamiliar, and the forces shaping colonial India. The book is published in conjunction with the 2003 CCA exhibition Traces of India: Photography, Architecture, and the Politics of Representation.
Publications du CCA
$60.00
(disponible en magasin)
Résumé:
Drawing on archival sources from the early twentieth century, Sarah Bassnett investigates how a range of groups, including the municipal government, social reformers, and the press, used photography to reconfigure the urban environment and constitute liberal subjects. Through a series of case studies, including the construction of the Bloor Viaduct, civic beautification(...)
Picturing Toronto: photography and the making of a modern city
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$60.00
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Drawing on archival sources from the early twentieth century, Sarah Bassnett investigates how a range of groups, including the municipal government, social reformers, and the press, used photography to reconfigure the urban environment and constitute liberal subjects. Through a series of case studies, including the construction of the Bloor Viaduct, civic beautification plans, urban reform in “the Ward,” immigration and citizenship, and Goss’s portrait photography, Bassnett exposes how photographs were at the heart of debates over what the city should look like, how it should operate, and under what conditions it was appropriate for people to live.
Architecture du Canada