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$62.00
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Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the(...)
Privacy and publicity : modern architecture as mass media
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Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the traditional sense of space and subjectivity. "Privacy and Publicity" questions certain ideological assumptions underlying the received view of modern architecture and reconsiders the methodology of architectural criticism itself. Where conventional criticism portrays modern architecture as a high artistic practice in opposition to mass culture, Colomina sees the emerging systems of communication that have come to define twentieth-century culture -- the mass media -- as the true site within which modern architecture was produced. She considers architectural discourse as the intersection of a number of systems of representation such as drawings, models, photographs, books, films, and advertisements. This does not mean abandoning the architectural object, the building, but rather looking at it in a different way. The building is understood here in the same way as all the media that frame it, as a mechanism of representation in its own right.
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avril 1996, Cambridge
Théorie de l’architecture
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$75.00
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Architect of the Broadway Chambers Building, the US Custom House, the Minnesota State Capitol, the St. Louis Art Museum, and large-scale projects like the city plan for New Haven, Connecticut, Gilbert is most famous for his skyscrapers - "symbols of our national genius and unrestraint" - monuments of the Beaux Arts "City Beautiful" aesthetic he embraced throughout(...)
Cass Gilbert : the architecture of inventing the skyline
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Architect of the Broadway Chambers Building, the US Custom House, the Minnesota State Capitol, the St. Louis Art Museum, and large-scale projects like the city plan for New Haven, Connecticut, Gilbert is most famous for his skyscrapers - "symbols of our national genius and unrestraint" - monuments of the Beaux Arts "City Beautiful" aesthetic he embraced throughout his career. Containing essays by major Gilbert scholars, Inventing the Skyline documents fascinating details about the buildings: the color scheme of the main entrance of the Minnesota State Capitol, made to resemble the Byzantine tomb of Galla Placidia in Ravenna; the controversy that erupted over the use of female nudes on the relief of the Essex County Courthouse; and the ill-fated plans for the George Washington Bridge as a Beaux Arts monument with elaborate plazas, fountains, and sculptures.
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août 2000, New York
Architecture, monographies
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$105.00
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In this study, Kathleen James examines Mendelsohn's department stores, office buildings and cinemas. She shows that in these buildings, Mendelsohn's architecture closely reflected the controversies over modernity, including relativity, consumerism, and urban planning, that raged during the years of the Weimar Republic.
Erich Mendelsohn and the architecture of German modernism
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In this study, Kathleen James examines Mendelsohn's department stores, office buildings and cinemas. She shows that in these buildings, Mendelsohn's architecture closely reflected the controversies over modernity, including relativity, consumerism, and urban planning, that raged during the years of the Weimar Republic.
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août 1997, Cambridge
Architecture, monographies
livres
$35.00
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Ce livre présente l'histoire du programme de construction du ministère des travaux publics de 1867 à 1967.
Les biens de la Couronne : l'architecture du ministère des travaux publics,1867-1967
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Ce livre présente l'histoire du programme de construction du ministère des travaux publics de 1867 à 1967.
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janvier 1900, Toronto
Architecture du Canada
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$21.95
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Complete listing of all existing buildings by R.M. Schindler.
MAK Center for Art and Architecture : R.M. Schindler
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Complete listing of all existing buildings by R.M. Schindler.
livres
juillet 1996, Munich
Architecture, monographies
Conception non formelle en architecture: expériences d'apprentissage et pratiques de conception
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Les travaux présentés dans cet ouvrage concernent l'enseignement de la conception contemporaine en architecture. Est appelé conception non formelle l'ensemble des procédures d'improvisation, de bricolage et de détournement qui permettent aujourd'hui aux concepteurs de s'écarter de la planification et de la modélisation, pour atteindre une architecture du moment et de(...)
Conception non formelle en architecture: expériences d'apprentissage et pratiques de conception
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Les travaux présentés dans cet ouvrage concernent l'enseignement de la conception contemporaine en architecture. Est appelé conception non formelle l'ensemble des procédures d'improvisation, de bricolage et de détournement qui permettent aujourd'hui aux concepteurs de s'écarter de la planification et de la modélisation, pour atteindre une architecture du moment et de l'occasion. L'une des thèses sous-jacentes de ces textes consiste à assumer l'analogie fondamentale qui lie l'acte d'apprendre et celui de concevoir. Dans cette vision, tout praticien réflexif serait un apprenant permanent et, inversement, toute situation d'apprentissage reposerait sur le développement constant d'une pratique réflexive. Ici, la pensée critique est opératoire et l'observation du monde une action de transformation. Plusieurs expériences sont décrites et tentent de déplacer les lignes de cette séparation fatale qui oppose trop souvent savoir théorique et raison pratique, conception et réalisation, ou encore, recherche et enseignement dans le domaine de la conception architecturale.
Théorie de l’architecture
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explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to(...)
Modern architecture and climate: design before air conditioning
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explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design.
Théorie de l’architecture
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A literary and cultural history of the intimate space of the eighteenth-century closet?and how it fired the imaginations of Pepys, Sterne, Swift, and so many other writers Long before it was a hidden storage space or a metaphor for queer and trans shame, the closet was one of the most charged settings in English architecture. This private room provided seclusion for(...)
The closet: the eighteenth-century architecture of intimacy
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A literary and cultural history of the intimate space of the eighteenth-century closet?and how it fired the imaginations of Pepys, Sterne, Swift, and so many other writers Long before it was a hidden storage space or a metaphor for queer and trans shame, the closet was one of the most charged settings in English architecture. This private room provided seclusion for reading, writing, praying, dressing, and collecting?and for talking in select company. In their closets, kings and duchesses shared secrets with favorites, midwives and apothecaries dispensed remedies, and newly wealthy men and women expanded their social networks. In 'The Closet', Danielle Bobker presents a literary and cultural history of these sites of extrafamilial intimacy, revealing how, as they proliferated both in buildings and in books, closets also became powerful symbols of the unstable virtual intimacy of the first mass-medium of print.
Théorie de l’architecture
$19.95
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'L'architecture mobile' est le premier essai de Yona Friedman, paru en 1958 et tiré à une dizaine d’exemplaires destinés à des architectes, dont Le Corbusier. Il fut réédité ensuite en 1961, 1963, 1968, enrichi à chaque fois de textes et dessins nouveaux jusqu'à l'édition de 1970. Cette présente édition rassemble tous les textes des différentes éditions et permet d'en(...)
L'architecture mobile : vers une cité conçue par ses habitants (1958-2020)
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'L'architecture mobile' est le premier essai de Yona Friedman, paru en 1958 et tiré à une dizaine d’exemplaires destinés à des architectes, dont Le Corbusier. Il fut réédité ensuite en 1961, 1963, 1968, enrichi à chaque fois de textes et dessins nouveaux jusqu'à l'édition de 1970. Cette présente édition rassemble tous les textes des différentes éditions et permet d'en suivre l'évolution et d'en identifier les strates.
Théorie de l’architecture
$80.00
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Aditya Prakash (1924-2008) belonged to the first generation of Indian modernists that came into its own in the Nehruvian era. Built around a multi-disciplinary oeuvre that was unique amongst his peers, Prakash's life was dedicated to finding the 'one continuous line' which linked art - as the search for the beautiful, architecture - as the enabler of life, and planning -(...)
Onecontinuousline: art, architecture and urbanism of Aditya Prakash
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Aditya Prakash (1924-2008) belonged to the first generation of Indian modernists that came into its own in the Nehruvian era. Built around a multi-disciplinary oeuvre that was unique amongst his peers, Prakash's life was dedicated to finding the 'one continuous line' which linked art - as the search for the beautiful, architecture - as the enabler of life, and planning - as the ethic of protecting the interests of poor. nterspersed with a series of visual essays, this book is conceived as an introduction to Prakash's vast body of work. Besides practicing architecture, he was an academic, a prolific painter, sculptor, furniture designer, stage set-designer, poet and public speaker. This volume documents Prakash's education as an architect in Delhi and London, his early modernist works, his deep artistic impulses, his love of theatre, and his efforts to rally a culture of academic inquiry. The narrative describes his successes and failures, his arguments for and against modernism, postmodernism and globalization, and his passion for sustainable urbanism, the animal and the acoustic. The book concludes with an interpretive essay on Prakash's life and legacy, along with illustrations of a portfolio of select works.
Architecture, monographies