6897 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
John C. Parkin fonds
John C. Parkin fonds
Numéro de référence:
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
Personnes et institutions:
Date:
1929-1987
1929-1987
Titre:
John C. Parkin fonds
Actions:
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
John C. Parkin fonds
Actions:
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1929-1987
1929-1987
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S1.SS9.020
Description:
The box contains drafts, final copies, notebooks, correspondence, and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from W-Z. The largest portion of the box consists of drafts, notes, correspondence, slides, photographs and negatives for the publication "World Architecture 1900-2000: a Critical Mosaic" (1999) as well as various articles and notes on Frank Lloyd Wright.
AP197.S1.SS9.020
Description:
The box contains drafts, final copies, notebooks, correspondence, and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from W-Z. The largest portion of the box consists of drafts, notes, correspondence, slides, photographs and negatives for the publication "World Architecture 1900-2000: a Critical Mosaic" (1999) as well as various articles and notes on Frank Lloyd Wright.
Personnes et institutions:
Date:
circa 1985- 2015
circa 1985- 2015
Titre:
Kenneth Frampton writings (W-Z) and various notes
Actions:
AP197.S1.SS9.020
Description:
The box contains drafts, final copies, notebooks, correspondence, and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from W-Z. The largest portion of the box consists of drafts, notes, correspondence, slides, photographs and negatives for the publication "World Architecture 1900-2000: a Critical Mosaic" (1999) as well as various articles and notes on Frank Lloyd Wright.
Kenneth Frampton writings (W-Z) and various notes
Actions:
AP197.S1.SS9.020
Description:
The box contains drafts, final copies, notebooks, correspondence, and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from W-Z. The largest portion of the box consists of drafts, notes, correspondence, slides, photographs and negatives for the publication "World Architecture 1900-2000: a Critical Mosaic" (1999) as well as various articles and notes on Frank Lloyd Wright.
Classification:
documents textuels
documents textuels
Date:
circa 1985- 2015
circa 1985- 2015
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Anyone Corporation
Fonds Anyone Corporation
Numéro de référence:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Personnes et institutions:
Date:
1990-2001
1990-2001
Titre:
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1990-2001
1990-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Marea [Thames Tides] (1974)
Marea [Thames Tides] (1974)
Numéro de référence:
AP207.S1.1974.PR01
Description:
This project series documents the performance "Marea" presented as a conference given by Pettena to the Architectural Association of London while standing at the mouth of the Thames in London during the rising of the tide. Pettena's idea was to give "conference on the theory of architecture, pure, abstract theory, produced in a limited time, its length determined by the constraints imposed by changes in the physical environment." [1] The project series contains photographs of the performance showing Pettena standing in the water as the tide slowly rises. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-thames-tide-1974/ (last accessed 12 November 2019)
AP207.S1.1974.PR01
Description:
This project series documents the performance "Marea" presented as a conference given by Pettena to the Architectural Association of London while standing at the mouth of the Thames in London during the rising of the tide. Pettena's idea was to give "conference on the theory of architecture, pure, abstract theory, produced in a limited time, its length determined by the constraints imposed by changes in the physical environment." [1] The project series contains photographs of the performance showing Pettena standing in the water as the tide slowly rises. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-thames-tide-1974/ (last accessed 12 November 2019)
Personnes et institutions:
Date:
circa 1974
circa 1974
Titre:
Marea [Thames Tides] (1974)
Actions:
AP207.S1.1974.PR01
Description:
This project series documents the performance "Marea" presented as a conference given by Pettena to the Architectural Association of London while standing at the mouth of the Thames in London during the rising of the tide. Pettena's idea was to give "conference on the theory of architecture, pure, abstract theory, produced in a limited time, its length determined by the constraints imposed by changes in the physical environment." [1] The project series contains photographs of the performance showing Pettena standing in the water as the tide slowly rises. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-thames-tide-1974/ (last accessed 12 November 2019)
Marea [Thames Tides] (1974)
Actions:
AP207.S1.1974.PR01
Description:
This project series documents the performance "Marea" presented as a conference given by Pettena to the Architectural Association of London while standing at the mouth of the Thames in London during the rising of the tide. Pettena's idea was to give "conference on the theory of architecture, pure, abstract theory, produced in a limited time, its length determined by the constraints imposed by changes in the physical environment." [1] The project series contains photographs of the performance showing Pettena standing in the water as the tide slowly rises. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-thames-tide-1974/ (last accessed 12 November 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1974
circa 1974
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Berlin
Berlin
Numéro de référence:
AP144.S2.D161
Description:
File documents Price's participation in a design workshop to develop highly energy-efficient office buildings for seven sites in Berlin, Germany. Price's team's site was an unused, elevated stretch of highway. The designs resulting from the workshop were displayed in an exhibition entitled "Wohltemperierte Architektur: Konzepte für Energiesparende Bürogebäude" (English: "Welltempered Architecture: Concepts for Green Office Buildings"), held in May 1992 at the Aedes Galerie in Berlin. Material in this file was produced in 1992. Project designed by a team composed of Cedric Price, Max Fordham, Almut Ernst, Katharina von Ehren, Christopher McCarthy and 12 students. File contains conceptual drawings, photographs and textual records.
AP144.S2.D161
Description:
File documents Price's participation in a design workshop to develop highly energy-efficient office buildings for seven sites in Berlin, Germany. Price's team's site was an unused, elevated stretch of highway. The designs resulting from the workshop were displayed in an exhibition entitled "Wohltemperierte Architektur: Konzepte für Energiesparende Bürogebäude" (English: "Welltempered Architecture: Concepts for Green Office Buildings"), held in May 1992 at the Aedes Galerie in Berlin. Material in this file was produced in 1992. Project designed by a team composed of Cedric Price, Max Fordham, Almut Ernst, Katharina von Ehren, Christopher McCarthy and 12 students. File contains conceptual drawings, photographs and textual records.
Personnes et institutions:
Date:
1992
1992
Titre:
Berlin
Actions:
AP144.S2.D161
Description:
File documents Price's participation in a design workshop to develop highly energy-efficient office buildings for seven sites in Berlin, Germany. Price's team's site was an unused, elevated stretch of highway. The designs resulting from the workshop were displayed in an exhibition entitled "Wohltemperierte Architektur: Konzepte für Energiesparende Bürogebäude" (English: "Welltempered Architecture: Concepts for Green Office Buildings"), held in May 1992 at the Aedes Galerie in Berlin. Material in this file was produced in 1992. Project designed by a team composed of Cedric Price, Max Fordham, Almut Ernst, Katharina von Ehren, Christopher McCarthy and 12 students. File contains conceptual drawings, photographs and textual records.
Berlin
Actions:
AP144.S2.D161
Description:
File documents Price's participation in a design workshop to develop highly energy-efficient office buildings for seven sites in Berlin, Germany. Price's team's site was an unused, elevated stretch of highway. The designs resulting from the workshop were displayed in an exhibition entitled "Wohltemperierte Architektur: Konzepte für Energiesparende Bürogebäude" (English: "Welltempered Architecture: Concepts for Green Office Buildings"), held in May 1992 at the Aedes Galerie in Berlin. Material in this file was produced in 1992. Project designed by a team composed of Cedric Price, Max Fordham, Almut Ernst, Katharina von Ehren, Christopher McCarthy and 12 students. File contains conceptual drawings, photographs and textual records.
Niveau de description archivistique:
File 161
File 161
Date:
1992
1992
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP116.S2.SS11
Description:
Sub-series documents the planning and execution of the Anything Conference, taking place June 1-3, 2000, Guggenheim Museum, New York City, New York, the Anything Journal, published in Spetember 2001, and an accompanying exhibition, "Eavesdropping on Architecture," held 3 June - 29 July, 2000, The Urban Center, New York City, New York. Sub-series is arranged into eight files by object type. Material in sub-series was produced between 1999 and 2000. Sub-series contains correspondence with conference participants, poster, press clippings and press release, zip disk, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, proofs, articles, and reviews.
AP116.S2.SS11
Description:
Sub-series documents the planning and execution of the Anything Conference, taking place June 1-3, 2000, Guggenheim Museum, New York City, New York, the Anything Journal, published in Spetember 2001, and an accompanying exhibition, "Eavesdropping on Architecture," held 3 June - 29 July, 2000, The Urban Center, New York City, New York. Sub-series is arranged into eight files by object type. Material in sub-series was produced between 1999 and 2000. Sub-series contains correspondence with conference participants, poster, press clippings and press release, zip disk, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, proofs, articles, and reviews.
Personnes et institutions:
Date:
1999-2001
1999-2001
Titre:
Anything Conference and Journal
Actions:
AP116.S2.SS11
Description:
Sub-series documents the planning and execution of the Anything Conference, taking place June 1-3, 2000, Guggenheim Museum, New York City, New York, the Anything Journal, published in Spetember 2001, and an accompanying exhibition, "Eavesdropping on Architecture," held 3 June - 29 July, 2000, The Urban Center, New York City, New York. Sub-series is arranged into eight files by object type. Material in sub-series was produced between 1999 and 2000. Sub-series contains correspondence with conference participants, poster, press clippings and press release, zip disk, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, proofs, articles, and reviews.
Anything Conference and Journal
Actions:
AP116.S2.SS11
Description:
Sub-series documents the planning and execution of the Anything Conference, taking place June 1-3, 2000, Guggenheim Museum, New York City, New York, the Anything Journal, published in Spetember 2001, and an accompanying exhibition, "Eavesdropping on Architecture," held 3 June - 29 July, 2000, The Urban Center, New York City, New York. Sub-series is arranged into eight files by object type. Material in sub-series was produced between 1999 and 2000. Sub-series contains correspondence with conference participants, poster, press clippings and press release, zip disk, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, proofs, articles, and reviews.
Niveau de description archivistique:
Sub-series 11
Sub-series 11
Date:
1999-2001
1999-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1955.PR01
Description:
This project series documents the plant and offices of Ortho Pharmaceutical (Canada) Ltd. on Green Belt Drive in North York, Ontario from 1955-1956. The office identified the project number as 5508. This project consisted of a 36,000 square foot L-shaped building that housed administrative offices, manufacturing areas and laboratories, storage spaces and a cafeteria. The building's exterior was largely composed of windows, with white-painted steal columns and beams framing the forefront. Other parts of the building were white glazed brick. The design won a Silver Massey Medal for Architecture in 1958. The project is recorded through a mounted project photograph dating from around 1956.
AP018.S1.1955.PR01
Description:
This project series documents the plant and offices of Ortho Pharmaceutical (Canada) Ltd. on Green Belt Drive in North York, Ontario from 1955-1956. The office identified the project number as 5508. This project consisted of a 36,000 square foot L-shaped building that housed administrative offices, manufacturing areas and laboratories, storage spaces and a cafeteria. The building's exterior was largely composed of windows, with white-painted steal columns and beams framing the forefront. Other parts of the building were white glazed brick. The design won a Silver Massey Medal for Architecture in 1958. The project is recorded through a mounted project photograph dating from around 1956.
Personnes et institutions:
Date:
circa 1956
circa 1956
Titre:
Ortho Pharmaceutical (Canada) Ltd., Plant and Offices, North York, Ontario (1955-1956)
Actions:
AP018.S1.1955.PR01
Description:
This project series documents the plant and offices of Ortho Pharmaceutical (Canada) Ltd. on Green Belt Drive in North York, Ontario from 1955-1956. The office identified the project number as 5508. This project consisted of a 36,000 square foot L-shaped building that housed administrative offices, manufacturing areas and laboratories, storage spaces and a cafeteria. The building's exterior was largely composed of windows, with white-painted steal columns and beams framing the forefront. Other parts of the building were white glazed brick. The design won a Silver Massey Medal for Architecture in 1958. The project is recorded through a mounted project photograph dating from around 1956.
Ortho Pharmaceutical (Canada) Ltd., Plant and Offices, North York, Ontario (1955-1956)
Actions:
AP018.S1.1955.PR01
Description:
This project series documents the plant and offices of Ortho Pharmaceutical (Canada) Ltd. on Green Belt Drive in North York, Ontario from 1955-1956. The office identified the project number as 5508. This project consisted of a 36,000 square foot L-shaped building that housed administrative offices, manufacturing areas and laboratories, storage spaces and a cafeteria. The building's exterior was largely composed of windows, with white-painted steal columns and beams framing the forefront. Other parts of the building were white glazed brick. The design won a Silver Massey Medal for Architecture in 1958. The project is recorded through a mounted project photograph dating from around 1956.
Niveau de description archivistique:
Project
Project
Date:
circa 1956
circa 1956
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP066.S3.D3
Description:
Le dossier documente la soumission pour le concour ouvert pour le Musée d'art contemporain de Montréal qui s'est tenu à Montréal, Québec, pendant l'hiver 1984. Le dossier contient des dessins, des reprographies, des panneaux, des artéfacts, des documents textuels et des documents photographiques. Objectifs du concours: "Dans le cadre de sa politique culturelle, le Québec posait récemment un geste attendu depuis longtemps: celui de relocaliser, au centre-ville de Montréal, le Musée d'art contemporain de Montréal installé depuis 1967 sur l'ancien site de l'Exposition universelle." Odile Hénault, " Le concours du Musée d'art contemporain: un constat ", Section A, vol. 2, nº 2, p. 11. Description du projet par l'architecte: "Réaliser une architecture qui manifeste, fière, l'audace et la recherche, en explorant un thème qui apparaît être un centre du débat contemporain, soit la pertinence de la nature dans la culture et plus largement du naturel dans le culturel." Jacques Rousseau, "Du lieu, vu du lieu vu", Parachute, nº 36, septembre 1984, p. 29.
AP066.S3.D3
Description:
Le dossier documente la soumission pour le concour ouvert pour le Musée d'art contemporain de Montréal qui s'est tenu à Montréal, Québec, pendant l'hiver 1984. Le dossier contient des dessins, des reprographies, des panneaux, des artéfacts, des documents textuels et des documents photographiques. Objectifs du concours: "Dans le cadre de sa politique culturelle, le Québec posait récemment un geste attendu depuis longtemps: celui de relocaliser, au centre-ville de Montréal, le Musée d'art contemporain de Montréal installé depuis 1967 sur l'ancien site de l'Exposition universelle." Odile Hénault, " Le concours du Musée d'art contemporain: un constat ", Section A, vol. 2, nº 2, p. 11. Description du projet par l'architecte: "Réaliser une architecture qui manifeste, fière, l'audace et la recherche, en explorant un thème qui apparaît être un centre du débat contemporain, soit la pertinence de la nature dans la culture et plus largement du naturel dans le culturel." Jacques Rousseau, "Du lieu, vu du lieu vu", Parachute, nº 36, septembre 1984, p. 29.
Personnes et institutions:
Date:
1984
1984
Titre:
Concours du Musée d'art contemporain de Montréal
Actions:
AP066.S3.D3
Description:
Le dossier documente la soumission pour le concour ouvert pour le Musée d'art contemporain de Montréal qui s'est tenu à Montréal, Québec, pendant l'hiver 1984. Le dossier contient des dessins, des reprographies, des panneaux, des artéfacts, des documents textuels et des documents photographiques. Objectifs du concours: "Dans le cadre de sa politique culturelle, le Québec posait récemment un geste attendu depuis longtemps: celui de relocaliser, au centre-ville de Montréal, le Musée d'art contemporain de Montréal installé depuis 1967 sur l'ancien site de l'Exposition universelle." Odile Hénault, " Le concours du Musée d'art contemporain: un constat ", Section A, vol. 2, nº 2, p. 11. Description du projet par l'architecte: "Réaliser une architecture qui manifeste, fière, l'audace et la recherche, en explorant un thème qui apparaît être un centre du débat contemporain, soit la pertinence de la nature dans la culture et plus largement du naturel dans le culturel." Jacques Rousseau, "Du lieu, vu du lieu vu", Parachute, nº 36, septembre 1984, p. 29.
Concours du Musée d'art contemporain de Montréal
Actions:
AP066.S3.D3
Description:
Le dossier documente la soumission pour le concour ouvert pour le Musée d'art contemporain de Montréal qui s'est tenu à Montréal, Québec, pendant l'hiver 1984. Le dossier contient des dessins, des reprographies, des panneaux, des artéfacts, des documents textuels et des documents photographiques. Objectifs du concours: "Dans le cadre de sa politique culturelle, le Québec posait récemment un geste attendu depuis longtemps: celui de relocaliser, au centre-ville de Montréal, le Musée d'art contemporain de Montréal installé depuis 1967 sur l'ancien site de l'Exposition universelle." Odile Hénault, " Le concours du Musée d'art contemporain: un constat ", Section A, vol. 2, nº 2, p. 11. Description du projet par l'architecte: "Réaliser une architecture qui manifeste, fière, l'audace et la recherche, en explorant un thème qui apparaît être un centre du débat contemporain, soit la pertinence de la nature dans la culture et plus largement du naturel dans le culturel." Jacques Rousseau, "Du lieu, vu du lieu vu", Parachute, nº 36, septembre 1984, p. 29.
Niveau de description archivistique:
Dossier 3
Dossier 3
Date:
1984
1984
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP075.S1
Description:
This series documents Cornelia Hahn Oberlander's landscape architecture projects undertaken between the 1950s to the end of the 2000s. Projects range from new development site master plan projects to residential projects, with a strong focus on play areas in neighbourhood parks and child care centres. Projects are mainly located in British Columbia and Washington State. Other locations include Ontario, Northwest Territories, Alberta, California, and Pennsylvania. Documentary forms in this series are comprised of drawn and printed graphic materials from various stages of the landscape design. The series also contains photographs of the landscaping work or the completed projects, and project records, such as correspondence, reports, specifications, and Oberlander's concept development notes.
AP075.S1
Description:
This series documents Cornelia Hahn Oberlander's landscape architecture projects undertaken between the 1950s to the end of the 2000s. Projects range from new development site master plan projects to residential projects, with a strong focus on play areas in neighbourhood parks and child care centres. Projects are mainly located in British Columbia and Washington State. Other locations include Ontario, Northwest Territories, Alberta, California, and Pennsylvania. Documentary forms in this series are comprised of drawn and printed graphic materials from various stages of the landscape design. The series also contains photographs of the landscaping work or the completed projects, and project records, such as correspondence, reports, specifications, and Oberlander's concept development notes.
Personnes et institutions:
Date:
1947-2018
1947-2018
Titre:
Landscape architecture projects
Actions:
AP075.S1
Description:
This series documents Cornelia Hahn Oberlander's landscape architecture projects undertaken between the 1950s to the end of the 2000s. Projects range from new development site master plan projects to residential projects, with a strong focus on play areas in neighbourhood parks and child care centres. Projects are mainly located in British Columbia and Washington State. Other locations include Ontario, Northwest Territories, Alberta, California, and Pennsylvania. Documentary forms in this series are comprised of drawn and printed graphic materials from various stages of the landscape design. The series also contains photographs of the landscaping work or the completed projects, and project records, such as correspondence, reports, specifications, and Oberlander's concept development notes.
Landscape architecture projects
Actions:
AP075.S1
Description:
This series documents Cornelia Hahn Oberlander's landscape architecture projects undertaken between the 1950s to the end of the 2000s. Projects range from new development site master plan projects to residential projects, with a strong focus on play areas in neighbourhood parks and child care centres. Projects are mainly located in British Columbia and Washington State. Other locations include Ontario, Northwest Territories, Alberta, California, and Pennsylvania. Documentary forms in this series are comprised of drawn and printed graphic materials from various stages of the landscape design. The series also contains photographs of the landscaping work or the completed projects, and project records, such as correspondence, reports, specifications, and Oberlander's concept development notes.
Niveau de description archivistique:
Series
Series
Date:
1947-2018
1947-2018
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Personnes et institutions:
Date:
1949-2019
1949-2019
Titre:
Professional associations and engagements
Actions:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Professional associations and engagements
Actions:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Niveau de description archivistique:
Sub-series
Sub-series
Date:
1949-2019
1949-2019
Personnes et institutions:
