Chandigarh is in India
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Chandigarh is in India tells the stories of the city of Chandigarh through the works of Indian and Western artists. The Swiss-French architect Le Corbusier's weathered buildings have long circulated as the dominant image of Chandigarh. However, there is much else that is of importance behind and alongside his buildings.Seeking to present differing articulations by artists(...)
Chandigarh is in India
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Chandigarh is in India tells the stories of the city of Chandigarh through the works of Indian and Western artists. The Swiss-French architect Le Corbusier's weathered buildings have long circulated as the dominant image of Chandigarh. However, there is much else that is of importance behind and alongside his buildings.Seeking to present differing articulations by artists about Chandigarh, the book consciously makes room for all the freely associative, fantastical and complex responses that make this city so beguiling. It explores how the architecture and the city itself have been used, adopted and adapted in the creative process. Featured artists include Cyprien Gaillard, Dominique Gonzalez-Foerster, Gavin Hipkins, Madan Mahatta, Manuel Bougot, Pradeep Dalal, Seher Shah, Shezad Dawood, Thukral and Tagra, and Yamini Nayar.
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A protocol drawn up long ago in 1945 by Otto Koenigsberger, adopted in nearly one hundred instances in India and in more than half the world, provides the framework and rules for the planning of the prototypes of planned cities, and tells us that the so-called "participative architecture" aimed at intercultural inclusion, originated in the post-colonial territories(...)
Warm modernity: Indian architecture building democracy
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A protocol drawn up long ago in 1945 by Otto Koenigsberger, adopted in nearly one hundred instances in India and in more than half the world, provides the framework and rules for the planning of the prototypes of planned cities, and tells us that the so-called "participative architecture" aimed at intercultural inclusion, originated in the post-colonial territories between India and Africa. The catalogue, the fruition of a 5-year long Italian-Indian research, illustrates the consequences of democratic choice in independent India, its factual existence and its globalized outcomes, present even today. Presented in the installation, are four examples of Democratic New Towns – Jamshedpur, Bhubaneswar, Faridabad and Chandigarh- outcomes of the interface between the experiences of Frey, Drew and Le Corbusier and the ideas of their Indian counterparts, Varma, Doshi, Correa, Rewal. The cities are analytically described and documented through photographs of their present condition, preserved as the modern protected areas in Europe.
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In this anthropological history, Mary E. Hancock examines the politics of public memory in the southern Indian city of Chennai. Once a colonial port, Chennai is now poised to become a centre for India's "new economy" of information technology, export processing, and back-office services. State and local governments promote tourism and a heritage-conscious cityscape to(...)
décembre 2008, Bloomington, Indianapolis
The politics of heritage from Madras to Chennai
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In this anthropological history, Mary E. Hancock examines the politics of public memory in the southern Indian city of Chennai. Once a colonial port, Chennai is now poised to become a centre for India's "new economy" of information technology, export processing, and back-office services. State and local governments promote tourism and a heritage-conscious cityscape to make Chennai a recognizable "brand" among investment and travel destinations. Using a range of textual, visual, architectural, and ethnographic sources, Hancock grapples with the question of how people in Chennai remember and represent their past, considering the political and economic contexts and implications of those memory practices. Working from specific sites, including a historic district created around an ancient Hindu temple, a living history museum, neo-traditional and vernacular architecture, and political memorials, Hancock examines the spatialization of memory under the conditions of neo-liberalism.
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These ruins you see
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This publication is part of the projet These Ruins You See, it includes the project's research, realization, and a series of specially commissioned essays. This project has manifested in different exhibitions, publications, and lectures. These Ruins You See was exhibited at the Museo de Arte Carrillo Gil from November 8, 2006 to February 28, 2007.
septembre 2008, New York
These ruins you see
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This publication is part of the projet These Ruins You See, it includes the project's research, realization, and a series of specially commissioned essays. This project has manifested in different exhibitions, publications, and lectures. These Ruins You See was exhibited at the Museo de Arte Carrillo Gil from November 8, 2006 to February 28, 2007.
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septembre 2008, New York
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South Korea in the last decades has experienced an unprecedented series of transformations at all levels in society: in the economics, in the culture, and in the politics. More specifically its capital Seoul has become one of the densest urban zones in the world. After a long period of dictatorship and along with an extraordinary process of economic development that(...)
juin 2008, Rotterdam
Seoulscape: towards a new urbanity in Korea
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South Korea in the last decades has experienced an unprecedented series of transformations at all levels in society: in the economics, in the culture, and in the politics. More specifically its capital Seoul has become one of the densest urban zones in the world. After a long period of dictatorship and along with an extraordinary process of economic development that characterized the last years, South Korea opened up to experimentation in all major arts, not least architecture. And architecture is at the center of the exhibition curated by Francisco Sanin, which presents an overview on the research which revolves around that emerging yet configured urban lanscape that constitute this unique city and is continuously engulfing the entire population of the South Korean peninsula.
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War has entered the cities. Since September 11, 2001 at the latest, it has become apparent that this is the case not only in Jerusalem and the Middle East, but also in Western metropolises. This book presents a thorough investigation of the current situation in Jerusalem from a trilateral perspective: Israeli, Palestinian, and international experts air their views. The(...)
juin 2006, Basel, Boston, Berlin
City of collision : Jerusalem and the principles of conflict urbanism
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War has entered the cities. Since September 11, 2001 at the latest, it has become apparent that this is the case not only in Jerusalem and the Middle East, but also in Western metropolises. This book presents a thorough investigation of the current situation in Jerusalem from a trilateral perspective: Israeli, Palestinian, and international experts air their views. The discussion centers on the production and use of urban space under the conditions created by the conflict, including, for example, the so-called security fence, urban enclaves, exclaves, the approach to monuments and no-man’s-land, and the instrumentalization of infrastructures, which leads to the crass juxtaposition of highly developed and impoverished urban spaces. The conflict, however, does not bring with it destruction and violence alone, but also exhibits ambivalent effects and, along with them, new cultural and urban realities. Jerusalem has become a prototype in the age of new urban violence.
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Jerusalem currently stands at the center of a violent controversy that threatens the stability of both the Middle East and the world. This volatility, observes Annabel Jane Wharton, is only the most recent manifestation of a centuries-old obsession with the control of the Holy City—military occupation and pilgrimage being two familiar forms of “ownership.” Wharton makes(...)
janvier 1900, Chicago
Selling Jerusalem : relics, replicas, theme parks
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Jerusalem currently stands at the center of a violent controversy that threatens the stability of both the Middle East and the world. This volatility, observes Annabel Jane Wharton, is only the most recent manifestation of a centuries-old obsession with the control of the Holy City—military occupation and pilgrimage being two familiar forms of “ownership.” Wharton makes the innovative argument here that the West has also sought to possess Jerusalem by acquiring its representations. From relics of the True Cross and Templar replicas of the Holy Sepulchre to Franciscan recreations of the Passion to nineteenth-century mass-produced prints and contemporary theme parks, Wharton describes the evolving forms by which the city has been possessed in the West. She also maps those changing embodiments of the Holy City against shifts in the western market. From the gift-and-barter economy of the early Middle Ages to contemporary globalization, both money and the representations of Jerusalem have become progressively incorporeal, abstract, illusionistic, and virtual.
In the garden of Isfahan
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An ancient Persian proverb says, ''Isfahan is half the world,'' referring to the city's influence at the crossroads of 16th century trade routes. This city in present-day Iran is still known for its paradisiacal garden landscapes and fascinating buildings, including Naghsh-e Jahan Square, a UNESCO World Heritage site. Eminent Swiss architectural photographer Werner Blaser(...)
In the garden of Isfahan
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An ancient Persian proverb says, ''Isfahan is half the world,'' referring to the city's influence at the crossroads of 16th century trade routes. This city in present-day Iran is still known for its paradisiacal garden landscapes and fascinating buildings, including Naghsh-e Jahan Square, a UNESCO World Heritage site. Eminent Swiss architectural photographer Werner Blaser has captured the beauty of Isfahan in photos that present the masterworks of Persian architecture and horticulture from the 16th to 18th centuries, Isfahan's heyday under the Persian Safavid dynasty. He paints a picture of boulevards, covered bridges, palaces, mosques and minarets.
The masons of Djenné
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The town of Djenne on the Bani River in Mali has been a thriving settlement for more than two millennia. Renowned for its mud-brick architecture, monumental mosque, and merchant-traders' houses, Djenne remains one of Africa's most distinctive cities. Trevor Marchand signs on as a builder's apprentice and takes readers on his journey from raw labourer to skilled craftsman.(...)
The masons of Djenné
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The town of Djenne on the Bani River in Mali has been a thriving settlement for more than two millennia. Renowned for its mud-brick architecture, monumental mosque, and merchant-traders' houses, Djenne remains one of Africa's most distinctive cities. Trevor Marchand signs on as a builder's apprentice and takes readers on his journey from raw labourer to skilled craftsman. He explores the professional associations of masons, their social networks, training regimes, and changing fortunes. With his fellow builders, he produces mud bricks and plasters, constructs walls and ceilings, and sculpts rooftop crenellations using specialized tools. Marchand describes the raising of a mud-brick house and explores the technical, social, and magical processes involved in making buildings and renewing the unique urban environment of Djenne.
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For young men in urban Tanzania, barbershops are sites of the struggle to earn a living amid economic crisis. With names like Brooklyn Barber House and Boyz II Men, these workplaces are also nodes in an explosion of popular culture that appropriates images drawn from the global circulation of hip hop music, fashion, and celebrity. "Street Dreams and Hip Hop Barbershops"(...)
Street dreams & hip hop barbershops: global fantasy in urban tanzania
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For young men in urban Tanzania, barbershops are sites of the struggle to earn a living amid economic crisis. With names like Brooklyn Barber House and Boyz II Men, these workplaces are also nodes in an explosion of popular culture that appropriates images drawn from the global circulation of hip hop music, fashion, and celebrity. "Street Dreams and Hip Hop Barbershops" grapples with the implications of globalization and neo-liberalism for urban youth in Africa today, exploring urban Tanzanians' complex, new ways of understanding their place in the world.